Title from captions below image., Attribution to H. Heath and questionable year of publication from description inBritish Museum catalogue of first print in series; cf. no. 15181 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Alcholic beverages -- Obesity -- Drinking.
Title from caption below image., Plate from book: Joe Lisle's play upon words, pub by Thomas McLean, 1828., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"The death of Chunee, a large Asian elephant, kept at the Exeter Change menagerie; to the left; a group of soldiers and others, all carrying guns; some observing and others firing on Chunee to the right; who, roaring, breaks the bars of his wooden cage; blood pouring from many wounds and soaking the floor; the keeper, in shirtsleeves, stabbing the elephant with a bayonet; smoke obscuring the scene; behind; small iron-barred cages containg an agitated lion and tiger respectively; above hutches containing monkeys, one grasping the bars."--British Museum online catalogue
Alternative Title:
Destruction of the furious elephant at Exeter Exchange
Description:
Title etched below image., "Entered at Stationers Hall"--Above title., Issued with a broadside consisting of four columns of letterpress text, entitled "Interesting pariculars relating to the elephant." See Douglas., Sheet trimmed to plate mark on top edge., "Price 1s. plain - 2s. coloured.", and Watermark: J. Whatman Turkey Mill.
Publisher:
Pubd. March 6th, 1826, by J. Harrison, 56 Long Acre
Title from heading above image., Two colums of dialogue below image: Well "how's the patient? Bolus said, John shook his head ... vide Peter Pinder., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Partially trimmed watermark.
Publisher:
Published by H. Jenkins ol Bear Street, Leicester Square
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Farmers -- Poverty -- Farm houses -- Scarecrows -- Rural areas., and Watermark: J. Whatman Turkey Mill 1828.
"An exhibition in the 'Great Room' of the Horticultural Society, containing portraits of officials and caricatures of spectators; the exhibits embody political and other allusions. The three officials command the room from seats at a raised table, each with a sloping desk. The chairman, hammer in hand, sits between the Secretary and Assistant Secretary. His desk is inscribed: A most respectable Cauliflower always in order -. He is John Elliot, F.R.S. (1764-1829, Treasurer, and one of four Vice-Presidents; he often presided). On his right Joseph Sabine (1770-1837, Hon. Sec. of the Society 1816-30); on his desk: The friend of Maecenas--"arvum cælumq Sabinum non cessat laudare"--Hor. Epist. On Elliot's left, John Turner, Assistant Secretary, wearing spectacles: on his desk: An highly cultivated specimen requires Glass. The exhibits are on an oblong counter against and below that of the officials, and also on a slightly lower annexe to it, having a curved front which corresponds to the horse-shoe benches facing it. Immediately below the officials are four exhibits: [1] a miniature rocky mountain or crag on a dish, with mining apparatus projecting from its summit and having berried sprigs attached to it, labelled Vapor Vincit Omnia et Omnium. Round the rock is a scroll: Comparative Declension -- Mine -- Miner -- Minus -- New Lat Gr. The berries are placarded: The New Golden Drop or Marvel of Peru--a native of No-Mans land To be bought in the City -- only -- £500 pr leaf! Cheap as dirt & production beyond beleif. [2] A few ears of corn labelled Matchless Specimen stand in a blacking-bottle inscribed Rye Coffee By Act of Parliament -- Almighty Roasters!! - H H [Henry Hunt] Radical Corn Doctor--& General Polisher of Mankind. [3] A cannon-like brass cylinder projects horizontally from the back of a kettle, its muzzle being filled with a bunch of grapes; it is fixed to a stand inscribed Perkins's New Grape House Forced by Steam NB -- Warrented [sic] not to end in Smoke. Beside it is a second bunch of grapes; a poker leans against the kettle. [4] Two small squared pieces of wood ticketed: Specimens of American Acasia NB these Trees must not be too much exposed they require warmth & thrive best in a Register. The exhibits on the projecting table are of naturalistic fruit, with one exception: a basket inscribed Keen's Seedling A Hot Bed Plant contains a plump manikin (Kean), naked except for buskins and a head-dress like a strawberry, with a spray of leaves attached to it. He holds up a grinning mask decorated with antlers. This is ticketed NB Does not thrive in America. A bunch of grapes has the inscription: a bunch of Grapes from Lady Bacchus which upon Dissection will on a Moderate Computation afford 1/2 a grape & one stone to each man of taste -- NB Beware of Drunkenness & appoplexey. Two huge pears, placed like the Green Bags of BM Satires 13735, are in a dish inscribed Sure such a Pear -- was never seen. A giant apple: "A most Prodigious Pippin" -- Byron. Two plates of apples: Sundry Specimens of forbidden Fruit NB le Meilleur de son Espéce [sic]. The spectators [Footnote: Identifications by Reid are doubtful, and it is not always clear to whom they refer: they are here given in quotation marks.] are in the foreground, some standing over the exhibits, others on or beside the green-covered benches. Each has a punning caption in the lower margin. A dandy, 'Mr. West', stands on the extreme left, holding the head of a slim cane to his mouth; he is The Pink of Fashion or Dandy-Lion [cf. BM Satires 13029]. Next him sits Alderman Cox with antlers sprouting from his bald head; he clutches an umbrella and stares through an opera-glass at 'Keen's Seedling'. He is A variety of Horn-beam -- a double bearer (an allusion to his wife's two lovers). A gouty old man, frenzied with pain and rage, shouts at a dandified supercilious-looking fellow who plants the heel of his Hessian boot on his swollen toe; they are 'Mr Rogers' and 'Mr Wilbraham': A Passionflower in full bloom and A Species of Misletoe. Seated on the front bench in back view is a vast, shapeless, and plainly dressed woman, with a child, a small replica of herself, seated beside her; each has placed next her on the seat a flat broad-brimmed straw hat. They are A Bulb from Holland with Offset. A stout man fingers fruit, furtively stuffing a capacious pocket; he is A Monstrous Medler in full bearing ('Mr Richard Salisbury'). A dandy, out at elbows and with patched trousers, stands aggressively in back view: A Sprig of Nobility running to seed -mem-while in this state not to be trusted out of doors-if kept under lock & key it will receive the benefit of the Act [for the relief of debtors] ('Mr. Motheaux', i.e. John Motteux, d. 1843, a Vice-President of the Society, and very rich). On the seat behind him are two open books: Hortl Transtns Letters from Corresponding Mr-Mustard & Cress how to choose the seed-Essay on a Radish with highly finished Engravings. Another volume of the same: . . . On the Best mode of planting a-Pip &c. A grotesquely tall cavalry officer stands in profile to the left: A Scarlet Runner ('Captain Maxwell'), (? identification intended for the naval officer), more convincingly identified by E. Hawkins as Captain Scarlett (1799-1871). An ugly scowling fellow stands in profile to the left, with folded arms, grasping a stick with a knob carved in a portrait-head of himself: An English Crab-a Native of this Country. He is 'Dr Henderson', i.e. Alexander Henderson, M.D., 1780-1863, a Vice-President of the Society. Behind him stands a naval officer with an empty right sleeve, a patch of sticking-plaster on his forehead, and a fixed smile: Heart of Oak-with its timber lopp'd-little cultivated at present the old plants vegetate in the background. Identified by E. Hawkins as Murray Maxwell (see BM Satires 12999) whom he resembles apart from the sleeve; by Reid (improbably) as 'Lord Verulam'. He may stand for the brave but neglected naval officer, with attributes both of Nelson and Maxwell. On the extreme right a brandy-faced undergraduate with a gold-tasselled cap bestrides a bench as if on a horse, hands placed as if holding whip and reins: Hortus Cantab- propagated at Newmarket ('Mr Labouchere'; ? Henry Labouchere, 1798-1869, an Oxonian). On the pilastered wall are three pictures and a portrait bust: [1] A large picture of a burly man wearing a loin-cloth only, linked to three naked children by a root which they all gnaw. This is An Irish Potatoe Plant with young ones dressed in their Jackets after the fashion of the Country. [2] The portrait of Sir Joseph Banks, still belonging to the Society, realistically copied, with the title Hortus Siccus-The Flower of the Flock. [3] A bust of George IV as a Roman Emperor, resembling the Coriolanus of BM Satires 13677: Penny Royal- used for various purposes raised by slips-offsets &c-vide Dictiony. (This bust of the then Regent (as patron of the Society) was commissioned from Goblet for £12). [4] A portrait of a pregnant woman (Lady Ann Monson) standing in a garden, inscribed, Arethusa Bulbosa-a Species of Egg Plant-hatches once a Year & bears fruit in all Climates--Introduced by Dr Fothergill A. 1778, as appears from Miss Lee -- daughter of a nursery-man -- it grows wild occasionally -- reports speak of a specimen presented to Society Anno 1 & cultivated for amusement, by one Adam. Perhaps a portrait belonging to the Society is burlesqued."--British Museum online catalogue
Description:
Title from caption below image., Imprint from mss. note. See Lewis Walpole Library 826.01.01.01.2+., Later state as described in the British Museum catalogue., and Temporary local subject terms: National stereotypes -- Irish -- Pictures amplifying subject -- Plants -- Dandies.
"Each has a caption in the upper margin. They stand in profile to the left, except [3] who is full face. [1] Romancing Molly. A maidservant, basket on her arm, house-key in her hand. She asks: Hav'nt you no Rum-ances in 5 Wollums?--[2] Sir Larry Luscious--, spindle-shanked and elderly; he asks: Have you the last of Harritte Wilson--? [see BM Satires 14828, &c.]. [3] A burly Political Dustman--, his shirt-sleeves rolled up: I vants a Cobbett [i.e. a 'Political Register']. [4] Frank a la Mode, a heavily whiskered dandy, holding his eye-glass, asks: Pray is a Waverley's New Novel out? [cf. BM Satires 14825]. Beside him is a poodle clipped in the French manner."--British Museum online catalogue
Description:
Title from caption below image., Text above image: Romancing Molly, Sir Larry Luscious, Political dustman, Frank à la mode., Sheet trimmed within plate mark on lower edge., and Temporary local subject terms: Dustmen -- Reading -- Female servants.
Publisher:
Published Augt. 7th 1826 by J. Fairburn Broadway Ludgate Hill
Title from captions in lower part of image., Questionable year of publication from related print in British Museum catalogue. Cf. No. 15180 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Fellows 1824.
Title from caption below image., Date of publication from unverified data from local card catalog record., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
