"The platform extends across the centre of the design. Below are the audience, three-quarter length and half-length, standing and seated. A man in patched clothes stands in the front of the semicircle of men seated on the platform, holding out his empty breeches pockets. With sanctimonious melancholy he says: Oh! my Bretheren! in that black and benighted land of Ireland have the Servants of the Lord fought the good fight! For behold! we have wrestled lustily with the Wh--re! Yea, with the Scarlet Wh--re! and behold, from the pestiferous abominations of papistry, Millions have we gather'd to the fold, of Starving Souls who yearned for the Word!--but yet my Bretheren! 6 times 999000 still worship in the temple of Dagon!--still dwell in the tabernacles of the Enemy!--still hang over the Gulf! and shall they Tumble therin? even into the brimstone and the desolation & ye Confla=ge=ra=tion? No! No! No!--but alas! the Vinyard of the Lord is deserted, for the labourer lacketh his hire! Open thy purse strings Oh Israel! and let ye Mamon of the World be converted into the Sweet Manna of Justification! for lo! there is no Corn in Egypt, and the pockets of the faithful are lank and unreplemished [sic], yea even as the Udders of the Seven Starving kine in the Vision of King Pharoah!!! Those on the platform listen in pious gloom. In the centre are two stout bishops with a lean minister (? Irving) between them, dressed like a minister of the Scottish Church. The others are gaunt, elderly, in plain old-fashioned dress with knee-breeches. One (left) (who resembles Liston as Maw-worn in Bickerstaffe's 'The Hypocrite'), with lank hair resting on his shoulders, fingers clasped and thumbs together, says: That Man's a Saint, if ever there was a Saint. Another says oh! oh! The rest listen in silence. On the platform is a pile of books, three inscribed Bible, two Tracts, one Prayer. A man brings in on his shoulders a large basket inscribed Food for the Starving Irish, heaped with similar books, with a great preponderance of Bibles. Among the audience stands a man with a collecting-plate heaped with sovereigns; coins and a note are contributed. The audience listen intently or converse gloomily. A paper hangs from the platform: Paddy, Mullagan Converted by a Pair of Leather Breeches--Biddy Quin by a Peticoat and a Pair of Shoes."--British Museum online catalogue
Description:
Title etched below image., Imperfect; sheet trimmed within plate mark resulting in near total loss of imprint from bottom edge. Imprint supplied from impression in the British Museum., and Matted to: 28.2 x 33 cm.
Publisher:
Pulished [sic] June 21, 1827, by Thos. McLean, 26 Haymarket
Subject (Name):
British and Foreign Bible Society. and Religious Tract Society (Great Britain)
"A midshipman, no longer young, in shirtsleeves, sits on a padlocked chest blacking a boot. He looks straight before him with a tragic expression. He wears his regulation top-hat, blue trousers, neatly patched, and waistcoat over a white shirt, and sits on the midshipman's coat which he has taken off. On the ground at his feet are a tray for blacking-brushes, a pot labelled Warrens Blacking 30 Strand, a broken dirk, top-boots, and shoes. Behind are houses on Tower Hill, with the moat. Behind (left) is an alehouse, with a pair of trousers hanging as a sign from a projecting flagstaff. Inset in the title is a group of sextant, telescope, a book: . . . ton More, &c, below the pawnbroker's sign of three balls."--British Museum online catalogue, description of an earlier state
Alternative Title:
Midshipman on half pay
Description:
Title etched below image., Printmaker from text on earlier state: Engd. & pubd. ... by C. Hunt ..., Reissue, with new imprint statement, of a print published 1 June 1825 by Charles Hunt. Cf. No. 14921 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Sheet trimmed within plate mark.
Publisher:
Published by Thos. McLean, 26 Haymarket
Subject (Geographic):
Tower Hill (London, England),
Subject (Topic):
Buildings, Sailors, British, Military officers, Boots, Brooms & brushes, Shoe shining, and Shoe polishes
"Against the left margin is a thermometer inscribed with degrees upwards and downwards from 0, in the centre. Those above zero are headed Temperance, those below Intemperance. Reading downwards: [70] Water; 60 Milk & Water; 50 Small Beer; 40 Cyder; 30 Wine; 20 Porter; 10 Ale Stou[t] ; 0; 10 Punch; 20 Toddy Crank; 30 Grog and Brandy Water; 40 Flip, Shrub; 50 Bitters infused in Spirits Usquebaugh. Hysteric Waters; 60 Gin Anniseed Brandy Rum and Whisky in the Morning; 70 D° during the day and Night. The rest of the plate is covered with eighteen small realistic designs arranged in three columns; the upper half show the results of Temperance and are headed Benefits. They are: Health. A sportsman tramps up hill with dog and gun. Respect, Esteem, & Reputation. A well-dressed couple walking to church preceded by children are greeted with a bow and a curtsey from a prosperous-looking pair. Cheerfullness. Three men drink, smoke, and sing at a table on which is a decanter. Wealth. Three men count great quantities of coin and notes. Happiness. Parents caress two children while an elder girl plays the piano. Strength. A man in a warehouse lifts up a big weight to the astonishment of another who holds a smaller one. Serenity of mind. A man sits with folded arms on a garden seat facing flowers. Old Age. A lady brings a little girl to an old man who sits with a large book beside him; the child offers him fruit. Nourishment when taken at meals or in moderate quantities. A well-covered dinner-table. Two men drain large tankards, two ladies hold glasses. The designs illustrating the consequences of Intemperance are in columns headed: [1] Vices, [2] Diseases, [3] Punishments. [1] Idleness. Three men, one tipsy, outside a rustic ale-house. Quarrell, Fighting, Swearing, and Obscenity. Two men fight; a tankard of gin lies on the floor. Swindling, perjury, burglary, murder Suicide. Two men in a wood with their dead victim; one rifles his pocket, the other loads his pistol. [2] Sickness, & Tremor in the Morning. A man, half-dressed, sits in a bedroom, leaning his head on his hand. Inflamed eyes, red nose & face sore and swelled legs. A doctor attends to his patient whose leg is supported on a stool. Dropsy, Epilipsy [sic], Melancholy, madness, palsy, appoplexy, Death. Men lift a man who has collapsed in the street; spectators stand round. [3] Poverty and Debt. Scene in a garret. A row of creditors, including a milkwoman, hold out their bills to a dismayed man. Two small children stand behind. Rags, hunger, and, the Poor-house. A man in tatters faces a stout citizen who points with his thumb to the large poor-house behind a wall. Jail, Whiping [sic], the Hulks, Botany-bay the Gallows. Four men, handcuffed in pairs, are led to a ship's boat by an armed man."--British Museum online catalogue
Description:
Title etched below image., Text below title: Dedicated to that eccentric gentleman Mr. Abernethy, who posessing the abilitie of a skilfull Docr. yet disowns the title. NB. Recomemended [sic] to the serious study of all sober heaads [sic] of families., Temporary local Medical Library subject terms: Alcoholism, Prevention and Control., 1 print : etching ; plate mark 343 x 245 mm., and Hand-colored.
Publisher:
Pubd. June 1827 by S. Knights, Sweetings Alley
Subject (Geographic):
Great Britain.
Subject (Name):
Abernethy, John, 1764-1831. and Lettsom, John Coakley, 1744-1815.
Subject (Topic):
Alcoholism, Prevention, Temperance, and Thermometers
"Against the left margin is a thermometer inscribed with degrees upwards and downwards from 0, in the centre. Those above zero are headed Temperance, those below Intemperance. Reading downwards: [70] Water; 60 Milk & Water; 50 Small Beer; 40 Cyder; 30 Wine; 20 Porter; 10 Ale Stou[t] ; 0; 10 Punch; 20 Toddy Crank; 30 Grog and Brandy Water; 40 Flip, Shrub; 50 Bitters infused in Spirits Usquebaugh. Hysteric Waters; 60 Gin Anniseed Brandy Rum and Whisky in the Morning; 70 D° during the day and Night. The rest of the plate is covered with eighteen small realistic designs arranged in three columns; the upper half show the results of Temperance and are headed Benefits. They are: Health. A sportsman tramps up hill with dog and gun. Respect, Esteem, & Reputation. A well-dressed couple walking to church preceded by children are greeted with a bow and a curtsey from a prosperous-looking pair. Cheerfullness. Three men drink, smoke, and sing at a table on which is a decanter. Wealth. Three men count great quantities of coin and notes. Happiness. Parents caress two children while an elder girl plays the piano. Strength. A man in a warehouse lifts up a big weight to the astonishment of another who holds a smaller one. Serenity of mind. A man sits with folded arms on a garden seat facing flowers. Old Age. A lady brings a little girl to an old man who sits with a large book beside him; the child offers him fruit. Nourishment when taken at meals or in moderate quantities. A well-covered dinner-table. Two men drain large tankards, two ladies hold glasses. The designs illustrating the consequences of Intemperance are in columns headed: [1] Vices, [2] Diseases, [3] Punishments. [1] Idleness. Three men, one tipsy, outside a rustic ale-house. Quarrell, Fighting, Swearing, and Obscenity. Two men fight; a tankard of gin lies on the floor. Swindling, perjury, burglary, murder Suicide. Two men in a wood with their dead victim; one rifles his pocket, the other loads his pistol. [2] Sickness, & Tremor in the Morning. A man, half-dressed, sits in a bedroom, leaning his head on his hand. Inflamed eyes, red nose & face sore and swelled legs. A doctor attends to his patient whose leg is supported on a stool. Dropsy, Epilipsy [sic], Melancholy, madness, palsy, appoplexy, Death. Men lift a man who has collapsed in the street; spectators stand round. [3] Poverty and Debt. Scene in a garret. A row of creditors, including a milkwoman, hold out their bills to a dismayed man. Two small children stand behind. Rags, hunger, and, the Poor-house. A man in tatters faces a stout citizen who points with his thumb to the large poor-house behind a wall. Jail, Whiping [sic], the Hulks, Botany-bay the Gallows. Four men, handcuffed in pairs, are led to a ship's boat by an armed man."--British Museum online catalogue
Description:
Title etched below image., Text below title: Dedicated to that eccentric gentleman Mr. Abernethy, who posessing the abilitie of a skilfull Docr. yet disowns the title. NB. Recomemended [sic] to the serious study of all sober heaads [sic] of families., and Temporary local Medical Library subject terms: Alcoholism, Prevention and Control.
Publisher:
Pubd. June 1827 by S. Knights, Sweetings Alley
Subject (Geographic):
Great Britain.
Subject (Name):
Abernethy, John, 1764-1831. and Lettsom, John Coakley, 1744-1815.
Subject (Topic):
Alcoholism, Prevention, Temperance, and Thermometers
Title from text above images., Shortshanks is the pseudonym of Robert Seymour., Text below images begins: Music hath charms to sooth the savage beast &c &c &c ..., Two designs on one plate., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Satire with two naval officers (one of whom is the Duke of Clarence caricatured, with heavy jowl, protruding lips, and small slanting eye) abusing each other at table, observed by a civilian who winks and holds a finger to the side of his nose. The naval officer on the right says, "Why, they say there is always a fool in every family, & they generally send him to Sea." The Duke of Clarence in the middle responds, " How the Devil came you to put into the Navy, Captain." The civilian to the right, observes, "Britons strike home!!!" On the table are plates of fruit and wine glasses with two carafes one of which is labeled "Goose" and a booklet entitled "An essay on Government by Jordan". Two pictures on the wall in the background illustrate the theme: on the left, the image shows a man (King George) holds the arm of a crying young cadet, a sword between his legs, carries the title "Win them first then wear them." On the right, "On board the London" is an image of two officers fighting while two big sailors smile as they watch
Description:
Title etched below image. and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publd. Augt. 22d, 1827, by S.W. Fores, 41 Piccadilly, London
Subject (Name):
William IV, King of Great Britain, 1765-1837
Subject (Topic):
Crying, Eating & drinking, Fighting, Insults, Military officers, and Pictures
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: New Year -- Practical jokes., and Watermark: J Whatman Turkey Mill 1825.
Title etched above image., Text below image, etched upside down: Enough to turn any one's head., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Text below title begins: "Oh, Crikey, Bill, won't you catch it neither" ..., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 36 x 25 cm.
