The Duke of Wellington gallops across the cobbled yard of the Palace of Westminster, away from an angry mob some of whom have been knocked down by his horse. The crowd shouting anti-Catholic slogans includes two dustmen
Alternative Title:
Scene in palace yard
Description:
Title from caption below image., Added title from text above image: A scene in palace yard., and The figure with hat and cane is a device of Paul Pry, pseudonym of William Heath.
Publisher:
Pub March 1829 by T. McLean, 26 Haymarket, London
Subject (Geographic):
England and London
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852.
Subject (Topic):
Catholic emancipation, Anti-Catholicism, Demonstrations, Crowds, and Horses
Satire with a Charity schoolboy holding a print of a woman "Sontag" with the motto written below "My motto. Charity covers a multitude of sins."; above his head the query "Have you ever seen my piece'.
Description:
Title etched below image., Series title etched above image., Paul Pry is the pseudonym of William Heath., and Not in the Catalogue of Political and Personal Satires in the Department of Prints and Drawings in the British Museum.
Publisher:
Pub. June 12 1829 by T. McLean 26 Haymarket - sole publisher of P. Prys caricatures - none are original withoutT. McLean name
Title from caption below image., Sheet trimmed within plate mark., and One of six plates of a series entitled: Scraps and sketches / by George Cruikshank. Part the second. See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires / Mary Dorothy George, v. 11, p. 239-240.
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[1829?]
Call Number:
829.00.00.18+
Image Count:
1
Resource Type:
still image
Description:
Title from caption below image., Imprint mostly burnished from plate. Formerly published by M. Clark?, Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from heading above image., Evidence of text burnished from plate., Caption below image: D--nd unpleasant situation this, that fellow will catch me presently to a dead certainty, lucky I found these crutches tho., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J Whatman Turkey Mill.
"A complicated design, foreground, middle distance, and sky filled with incidents, chiefly on applications of steam. In the foreground is a street-vendor's table spread with a white cloth and heaped with pine-apples, &c; beside it sits an elegant young woman reading a book, 'Sentimen ...', while a little boy holds over her a large pagoda-like umbrella, heavily fringed. A dustman gnaws a pine-apple, while his vis-à-vis, eating an ice, says "Vont you take a hice Joe." Beside it (left) is the tombstone of the 'Select Vestry', decorated with glass, knife and fork, and topped by a weeping cherub's head. On the right a steam-horse on a low-wheeled platform, on which are the necessary pipes, &c, careers forwards and to the right; the driver, dressed as a jockey, holds a steering-bar set in the creature's head; smoke pours from its nostrils; a huge smoking chimney, placarded 'The Steam Horse VELOCITY No Stopage on the Road', ascends from the tail. Behind the steersman sit four passengers: a lady in a riding-habit, a barrister in wig and gown, a well-dressed man, an Irish haymaker smoking a pipe. On the left is a little steam trolley beside which walks a woman crying 'Delicate Viends [sic] for your Quadrupeds'; on it is a basket of coal placarded 'Prime Cats Meat'. On the extreme left a footman in livery smoking a giant pipe (as in British Museum Satires No. 15604t) hands a letter to a flying postman, supported on webbed wings, who rings his bell, and has a pouch: "Two Penny Post". A man drives a lady in a light three-wheeled chair, worked by bellows and a propeller. A street-seller of 'Mutton Broth' walks before his huge steaming pan which rests on a wheeled platform with a funnel. A massive old-fashioned country wagon has a steam funnel and a steersman: "London & Bath in Six Hours". On the extreme right are adjacent open sheds; one contains a complicated mechanism where a top-boot is being brushed by steam; the owner sits on his portmanteau, waiting for them, while he puffs a cigar and reads the 'Gazette de France'. This is placarded 'Royal Patent Boot Cleaning Engine'; above: 'Puras Deus, Non Plenas, Adspicit Manus' [God regards only pure hands, not full ones]. The other is smaller and contains an engine to which is attached a huge razor, operating on the Duchess of St. Albans and placarded 'The St Al-ns New Steam Razor Patronized by her Grace' [cf. British Museum Satires No. 15654, &c.]. In the middle distance (left) are buildings. The Marble Arch (see British Museum Satires No. 15850), topped by a gibbet, which is placarded 'Designed to Elevate the Architects'; a man, smoking a cigar, kneels to adjust the noose. Behind is the east front of the Palace, with scaffolding and figures: on the dome, "the ball in the cup", see British Museum Satires No. 15669, a figure holds a trident, on the right a monstrous bird and a giraffe see British Museum Satires No. 15425). Next the arch is a 'Model for a new Church approved by the Mommitte [sic] of Taste': a fantastic neo-Gothic hybrid with a dome, topped by pillars supporting a platform, from which hangs a big bell, and on which squats a giant mandarin, with a clock-face on its belly, holding up two fingers and a lantern. The roof of the church is flat, covered with tombs, and edged with spikes for the protection of a cemetery, which is placarded 'This Church Yard is perfectly Safe' [see British Museum Satires No. 15777]; a coffin is being hauled up by a crane, apparently worked by steam. A smaller adjacent building (left) seemingly houses a furnace and steam-engine and is inscribed 'Kitchen'. The church abuts (right) on 'Greenwich Hill'; on this rests one end of a huge tube: 'Grand Vacuum Tube-Company Direct to Bengal' (a development of the Edinburgh-London tube of British Museum Satires No. 15075); this, receding in perspective, bridges an ocean, the other end resting on 'Bengal', where a tiny passenger steps out and clasps a welcoming Indian by the hand. Passengers on Greenwich Hill are about to enter the tube, where the back of a coach appears; a turbaned conductor shouts 'Now whos for Bengal'. An aperture or window in the tube shows passengers seated on an open coach or wheeled platform as in British Museum Satires No. 15075; women passengers wear monstrous hats. From the Bengal plain (right) a hill ascends on which rests the end of a bridge: 'Companys Suspension Bridge-To Cape Town'; a massive pier rising from the ocean contains a building: 'Restorateur' [sic]. On the water dividing England from India is a lady in a car harnessed to swans, as in British Museum Satires No. 11405 by Gillray. A big canopied passenger boat is drawn by a team of eight dolphins; the driver shouts 'Come up there'. On a plateau behind Greenwich Hill is a wheeled steam-engine, like a giant watering-can with spout fore and aft gushing water: this is 'Mc Adams Newly Invented to lay the Dust he makes' [cf. British Museum Satires No. 15365]. On the sky-line a demoniac figure fires a mortar from which a blast slants across the sky inscribed 'Quick Conveyance for Irish Emigrants': tiny figures, one with a rake, are shot into the air to fall headlong. Aerial travel is represented (1) by a platform supported at each corner by a balloon on which are soldiers and artillery (reminiscent of the French invasion fantasies of 1797 and 1803, see British Museum Satires Nos. 9220, 10029); (2) by an airship in the form of a whale-like monster with webbed wings, placarded 'For New South Wales'; raffish passengers of both sexes are seen through a window below which are the words 'with Convicts'. (3) A lady (right) sits between two propellers, steering a frail little machine drawn by a big kite (cf. British Museum Satires No. 15604!). On the left is a massive collection of cloud-borne castles, on which tiny builders are at work; placarded: 'Scheme for the Payment of the National Debt'."--British Museum online catalogue
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Approximate date of publication from British Museum catalogue., Sheet trimmed within plate mark., and One line of quoted text above image: "Lord how this world improves as we grow older."
Publisher:
Pub. by T. McLean, 26 Haymarket, London
Subject (Topic):
Steam, Airships, Steam automobiles, Pneumatic tubes, and Garbage collecting
"A complicated design, foreground, middle distance, and sky filled with incidents, chiefly on applications of steam. In the foreground is a street-vendor's table spread with a white cloth and heaped with pine-apples, &c; beside it sits an elegant young woman reading a book, 'Sentimen ...', while a little boy holds over her a large pagoda-like umbrella, heavily fringed. A dustman gnaws a pine-apple, while his vis-à-vis, eating an ice, says "Vont you take a hice Joe." Beside it (left) is the tombstone of the 'Select Vestry', decorated with glass, knife and fork, and topped by a weeping cherub's head. On the right a steam-horse on a low-wheeled platform, on which are the necessary pipes, &c, careers forwards and to the right; the driver, dressed as a jockey, holds a steering-bar set in the creature's head; smoke pours from its nostrils; a huge smoking chimney, placarded 'The Steam Horse VELOCITY No Stopage on the Road', ascends from the tail. Behind the steersman sit four passengers: a lady in a riding-habit, a barrister in wig and gown, a well-dressed man, an Irish haymaker smoking a pipe. On the left is a little steam trolley beside which walks a woman crying 'Delicate Viends [sic] for your Quadrupeds'; on it is a basket of coal placarded 'Prime Cats Meat'. On the extreme left a footman in livery smoking a giant pipe (as in British Museum Satires No. 15604t) hands a letter to a flying postman, supported on webbed wings, who rings his bell, and has a pouch: "Two Penny Post". A man drives a lady in a light three-wheeled chair, worked by bellows and a propeller. A street-seller of 'Mutton Broth' walks before his huge steaming pan which rests on a wheeled platform with a funnel. A massive old-fashioned country wagon has a steam funnel and a steersman: "London & Bath in Six Hours". On the extreme right are adjacent open sheds; one contains a complicated mechanism where a top-boot is being brushed by steam; the owner sits on his portmanteau, waiting for them, while he puffs a cigar and reads the 'Gazette de France'. This is placarded 'Royal Patent Boot Cleaning Engine'; above: 'Puras Deus, Non Plenas, Adspicit Manus' [God regards only pure hands, not full ones]. The other is smaller and contains an engine to which is attached a huge razor, operating on the Duchess of St. Albans and placarded 'The St Al-ns New Steam Razor Patronized by her Grace' [cf. British Museum Satires No. 15654, &c.]. In the middle distance (left) are buildings. The Marble Arch (see British Museum Satires No. 15850), topped by a gibbet, which is placarded 'Designed to Elevate the Architects'; a man, smoking a cigar, kneels to adjust the noose. Behind is the east front of the Palace, with scaffolding and figures: on the dome, "the ball in the cup", see British Museum Satires No. 15669, a figure holds a trident, on the right a monstrous bird and a giraffe see British Museum Satires No. 15425). Next the arch is a 'Model for a new Church approved by the Mommitte [sic] of Taste': a fantastic neo-Gothic hybrid with a dome, topped by pillars supporting a platform, from which hangs a big bell, and on which squats a giant mandarin, with a clock-face on its belly, holding up two fingers and a lantern. The roof of the church is flat, covered with tombs, and edged with spikes for the protection of a cemetery, which is placarded 'This Church Yard is perfectly Safe' [see British Museum Satires No. 15777]; a coffin is being hauled up by a crane, apparently worked by steam. A smaller adjacent building (left) seemingly houses a furnace and steam-engine and is inscribed 'Kitchen'. The church abuts (right) on 'Greenwich Hill'; on this rests one end of a huge tube: 'Grand Vacuum Tube-Company Direct to Bengal' (a development of the Edinburgh-London tube of British Museum Satires No. 15075); this, receding in perspective, bridges an ocean, the other end resting on 'Bengal', where a tiny passenger steps out and clasps a welcoming Indian by the hand. Passengers on Greenwich Hill are about to enter the tube, where the back of a coach appears; a turbaned conductor shouts 'Now whos for Bengal'. An aperture or window in the tube shows passengers seated on an open coach or wheeled platform as in British Museum Satires No. 15075; women passengers wear monstrous hats. From the Bengal plain (right) a hill ascends on which rests the end of a bridge: 'Companys Suspension Bridge-To Cape Town'; a massive pier rising from the ocean contains a building: 'Restorateur' [sic]. On the water dividing England from India is a lady in a car harnessed to swans, as in British Museum Satires No. 11405 by Gillray. A big canopied passenger boat is drawn by a team of eight dolphins; the driver shouts 'Come up there'. On a plateau behind Greenwich Hill is a wheeled steam-engine, like a giant watering-can with spout fore and aft gushing water: this is 'Mc Adams Newly Invented to lay the Dust he makes' [cf. British Museum Satires No. 15365]. On the sky-line a demoniac figure fires a mortar from which a blast slants across the sky inscribed 'Quick Conveyance for Irish Emigrants': tiny figures, one with a rake, are shot into the air to fall headlong. Aerial travel is represented (1) by a platform supported at each corner by a balloon on which are soldiers and artillery (reminiscent of the French invasion fantasies of 1797 and 1803, see British Museum Satires Nos. 9220, 10029); (2) by an airship in the form of a whale-like monster with webbed wings, placarded 'For New South Wales'; raffish passengers of both sexes are seen through a window below which are the words 'with Convicts'. (3) A lady (right) sits between two propellers, steering a frail little machine drawn by a big kite (cf. British Museum Satires No. 15604!). On the left is a massive collection of cloud-borne castles, on which tiny builders are at work; placarded: 'Scheme for the Payment of the National Debt'."--British Museum online catalogue
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Approximate date of publication from British Museum catalogue., Sheet trimmed within plate mark., One line of quoted text above image: "Lord how this world improves as we grow older.", 1 print : etching ; sheet 28.5 x 40.6 cm, Printed on wove paper; hand-colored., Mounted on old album paper with a collage of prints and a drawing on the back of one page and newspaper clippings mounted on the back of the other page., and Sheet trimmed within plate mark. Manuscript date "1828" in ink following title.
Publisher:
Pub. by T. McLean, 26 Haymarket, London
Subject (Topic):
Steam, Airships, Steam automobiles, Pneumatic tubes, and Garbage collecting
Fantastical depiction of advancing technology that includes all manner of steam-powered or aerial contraptions, domestic appliances, tunnels to the North Pole and South America, and a circulating library
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Approximate date of publication based on that assigned to the companion print. See no. 15779 in the Catalogue of prints and drawings in the British Museum, v. 11., Imprint continues: ... where political and other caricatues are daily pub. ..., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., and Mounted on old album paper. Manuscript date "1828" in ink following title.
