A midwife holds out a newborn child, who exhibits a combination its parents' physical traits: the nose of its mother, who lies in bed, and the hook arm, peg leg, glasses and queue of its father, who stands proudly at the foot of the bed. The midwife exclaims, "My good gracious! Hear's [sic] a family likeness for ye. It's Daddy all over with Mammy's nose. Bless it's [sic] little soul. Hey diddle diddle." A fireplace is visible on the right side of the room; a cat claws the bedding and looks up at the child
Description:
Title etched below image., Sheet trimmed within plate mark., This record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from captions below images., Shortshanks is the pseudonym of Robert Seymour., Two designs on one plate, each individually titled., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman.
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political and fancy caricatuers are daily brought, having the largest collection of any house in town., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
An obese, angry-faced man in a night cap sits in a chair glaring out the window, his two gouty feet are bandaged and propped up on a pillow; both of his arms are also bandaged, his right arm in a sling. He is wearing a night cap and a heavy, lined robe; a cane rests against the arm of his upholstered chair. On the table to his right and on the floor to his left are bottles of medicine with labels. Behind him on the wall is a framed picture of a volcano. Three window panes are decorated with sprigs of holly with red berries
Description:
Title etched below image., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published Decr. 1832 by O. Hodgson, Cloth Fair, Smithfield
Subject (Topic):
Gout, Anger, Diseases, Medicine, Obesity, and Volcanic eruptions
"A young woman stands within a compass inscribed 'Fear God', holding an open book inscribed 'The Pleasures of Imagination Realized'. At her feet is an open chest full of guineas from which hang bank-notes and jewels; it is inscribed 'The Reward of Virtue'. A small dog stands beside her. In the background (right) is a country house, on the left farm-buildings and haystacks. The four corners are filled ... with the disasters which beset the woman who does not 'keep within compass'. (1) A woman weeps dejectedly with cards and an empty purse on the ground at her feet. (2) A drunken woman lets an infant fall from her arms; on the wall is a torn print inscribed 'Domestic Happiness'. (3) A woman is being conducted to the watch-house by two watchmen, one with his lantern, the other with a rattle. (4) She beats hemp in Bridewell, a man standing behind her with a whip, as in Hogarth's 'Harlot's Progress'. ..."--British Museum online catalogue, description of a larger version of the same design
Alternative Title:
Prudence produceth esteem and Keep within compass and you shall be sure, to avoid many troubles which others endure
Description:
Title from text above and below circular image at center of design., Alternative title from text etched within circular border of center image: Keep within compass and you shall be sure, to avoid many troubles which others endure., After a watercolor drawing by Robert Dighton; see British Museum online catalogue, registration no.: 1859,0709.57., Reissue, with new imprint and date removed, of a print published by Carington Bowles in 1785; see no. 6908 in the Catalogue of prints and drawings in the British Museum, v. 6. For a larger mezzotint version of the same design with more extensive verses below, see no. 6907 in the Catalogue of prints and drawings in the British Museum, v. 6., Date based on the partnership of Bowles and Carver from 1793 until 1832., Sheet trimmed to plate mark., Four lines of verse in two columns at bottom of plate: Attend unto this simple fact, as thro' this life you rove, that virtuous and prudent ways, will gain esteem and love., and Plate numbered "347" in lower left corner.
Publisher:
Printed for & sold by Bowles & Carver, No. 69 in St. Paul's Church Yard, London
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
Jany. 1832.
Call Number:
832.01.00.01+
Image Count:
1
Resource Type:
still image
Description:
Title from caption below image., Possibly a later state; significant plate fouling, some text within speech bubble in image has been scored through., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Two lines of dialogue below title: Minister, Will thou take this woman for thy wedded wife? ..., Publisher's advertisement in lower margin: See the following laughable plates, 2/each colour'd ..., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Pregnancy -- Bride and groom -- Clergy -- Interior of church -- Wedding.
A satire of William IV's involvement in the debate leading up to the Reform Act of 1832: A cat with the face of William IV is being persuaded to pull a hot chestnut from a blazing fire by a bewigged monkey (Lord Chancellor Henry Brougham). The fire is labelled with words such as 'rights', 'reform', and 'popularity'. A portrait of Whig Prime Minister Charles Grey, 2nd Earl Grey, hangs above the fireplace
Description:
Title etched below image., Publication date inferred from the subject matter of the print. Publisher Marianne Humphrey, the widow of George Humphrey, operated her late husband's publishing business from 1831 to 1835; see British Museum online catalogue., Five lines of verse below title: A cat and a monkey tired of play ..., For an 1821 print of similar composition, entitled "The man of the woods & the cat-o'-mountain" and satirizing the relationship between Queen Caroline and Sir Matthew Wood, see no. 14131 in the Catalogue of prints and drawings in the British Museum, v. 10., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Pubd. by Marianne Humphreys, St. James's Stt
Subject (Name):
Great Britain. Parliament, William IV, King of Great Britain, 1765-1837, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Grey, Charles Grey, Earl, 1764-1845,
Subject (Topic):
Reform, Cats, Monkeys, Fireplaces, Bookcases, Irons (Pressing), and Portraits
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
Jany. 1832.
Call Number:
832.01.00.02
Image Count:
1
Resource Type:
still image
Abstract:
A man hunched over a fire in an empty room as eight tradespeople -- a chandler, a baker, a butcher, a dairy woman, a tailor, and a dustman -- fight to present their unpaid bills, long scrolls of paper that they show to the bankrupt man. He responds: ‘God bless me Wot a Posse of ye - I’m very Sorry to inform ye my good Folks that I’ve just been turn’d a Bankrupt’.
Description:
Title etched below image., Publisher's advertisement on either side of title: The following laughable plates 1/- each colour'd, Tregear’s Flights of Humour 14 plates, Tenant at Will, Leaseholder, Living Cheap, Chip of the Old Block, Humourous Scraps, Matrimony, Burstyersides., Not in the Catalogue of prints and drawings in the British Museum., and Remnants of formerly mounted printed matter on verso.
Publisher:
Pub. by Tregear, Cheapside, London
Subject (Topic):
Debt, Garbage collecting, Interiors, Fireplaces, and People associated with manual labor