Leaf 67. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Attribution to Rowlandson from unverified data in local card catalog record., Restrike; plate originally published ca. 1800?, Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], A reduced copy of no. 5802 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and On leaf 67 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Leaf 80. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Attributed to Rowlandson in the Metropolitan Museum of Art online catalog., Restrike. For an earlier issue, see Metropolitan Museum of Art online catalog, accession no.: 59.533.279., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], and On leaf 80 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. Decr. 22, 1788, by Wm. Rowlandson, No. 49 Broad Street, Bloomsbury and Field & Tuer
Leaf 51. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Alternative Title:
Irish jaunting car
Description:
Title etched below image., Restrike. For original issue of the plate, see: Grego, J. Rowlandson the caricaturist, v. 2, page 282., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 121., and On leaf 51 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. May 1st, 1814, by T. Rowlandson, No. 1 James St., Adelphi and Field & Tuer
Leaf 50. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"An elderly couple in a gig which backs on to the pavement of a country town, against the bow-window of a 'China Warehouse'. Under the wheels are large earthenware vessels which stood outside the shop. A furious couple come out of the shop-door, above which is a board: 'Bob. Brittle china Glass and Earthenware Shop. A savage dog leaps barking at the terrified horse, the fat woman in the gig screams, the man shouts at the horse. A detached house has a sign: 'Probe Surgeon'. Next it is a church. A coach and pair with a postilion gallops up from the left."--British Museum online catalogue
Alternative Title:
Restive horse in a gig backing into the windows of a potters shop ...
Description:
Title etched below image., Two lines of text below title: A restive horse in a gig backing into the windows of a potters shop, alarmed at the terrific crash you become panic struck, and the perspiration starting from every pore., Restrike. For original issue of the plate, see no. 10836 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 121., and On leaf 50 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. April 12, 1807, by T. Rowlandson, N. 1 James St., Adelphi and Field & Tuer
Subject (Topic):
City & town life, Carriages & coaches, Older people, Anger, Signs (Notices), Pottery, Dogs, and Horses
Leaf 62. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"An old Parson, of Dr. Syntax type, falls into the water from his horse which rolls in the stream. His hat, wig, and 'Funeral Sermon' are in the water, where a dog chases geese. On a rustic bridge (right) two women and a child are watching in alarm, a milk-pail falls from the head of one of them. In the background (left) two horses gallop up a slope pursued by a dog, one rider loses his seat, the other his hat."--British Museum online catalogue
Alternative Title:
Miseries of traveling and Being mounted on a beast who as soon as you have watered him ...
Description:
Title etched below image., Text below title: Being mounted on a beast who as soon as you have watered him on the road, proceeds very coolly to repose himself in the middle of the pond, without taking you at all into his counsel, or paying the slightest attention to your remonstrances., Restrike. For original issue of the plate, see no. 10837 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 121., and On leaf 62 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Topic):
Clergy, Falling, Accidents, Bodies of water, Horses, Dogs, Geese, Pedestrian bridges, and Pails
Leaf 73. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Two scenes printed on one sheet, the subjects relate to Bunbury's days as a student at Cambridge. "Pot Fair Cambridge": pots are laid out on tables for sale. A fat divine stumbles backward as dogs fight in the foreground. A seller at right is alarmed as he threatens to fall onto her table. "The College Gate": Three men ride off in different directions after coming through a gate with square brick pillars surmounted by stone vases. Behind the left rider walks a fat divine wearing an academic cap. Through the gateway we are shown a short fat man in a clerical wig standing on a mounting block as a groom approaches with his horse."--Metropolitan Museum of Art online catalog
Alternative Title:
Pot fair Cambridge ; The college gate
Description:
Titles etched below images., Two images on one plate, each with its own title and statement of responsibility., Restrike. For an earlier issue of the plate, published ca. 1790, see Metropolitan Museum of Art online catalog, accession no.: 59.533.1861., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Top image is a reduced copy of no. 4729 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Bottom image is a reduced copy of no. 5804 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and On leaf 73 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Name):
University of Cambridge, and King's College (University of Cambridge). Chapel,
Subject (Topic):
Pottery, Dogs, Students, Teachers, Gates, Horses, and Clergy
Leaf 70. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Attribution to Rowlandson from Grego., Restrike. For original issue of the plate, published ca. 1811, see: Grego, J. Rowlandson the caricaturist, v. 2, page 214., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], A reduced copy of no. 6143 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and On leaf 70 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Name):
Richmond Hill (Richmond upon Thames, London, England)
Subject (Topic):
Carriages & coaches, Horses, Dogs, Whips, Staffs (Sticks), and Telescopes
Leaf 36. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
A scene beside a river: In the foreground two men who had been fishing have been pulled into the river by the rope attached to a ferry that is crossing to the other side when the horse that is pulling it bolts down stream. A third man is about to fall into the water as well as a fourth companion chases the runaway horse and his owner
Description:
Title etched below image., Restrike. For original issue of the plate, published ca. 1824, see Lewis Walpole Library call no.: 824.00.00.11., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Plate numbered in upper right corner: No. 1., and On leaf 36 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Published by Thos. McLean, 26 Haymarket [i.e Field & Tuer]
[approximately 20 April 1784] and [approximately 1868?]
Call Number:
Folio 724 836C (Oversize)
Collection Title:
Leaf 48. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
A parody of The Nightmare by Henry Fuseli in which Fox lies prone on a bed with a demon on his chest. Behind them a horse with bulging eyes pokes his head through the bedcurtains. On a table in the foreground are a pair of dice and dice-box
Alternative Title:
Covent Garden nightmare
Description:
Title etched below image., Attributed to Rowlandson in the British Museum catalogue., Restrike; design has been altered with the addition of a covering over Fox's naked legs, and the erroneous signature "Gillray" has been added in lower left. For original issue of the plate, see no. 6543 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Plate originally published ca. 20 April 1784; see British Museum catalogue., Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 129., Temporary local subject terms: Prudery., and On leaf 48 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. by W. Humphrey, No. 227 Strand [i.e. Field & Tuer] and Field & Tuer
Subject (Name):
Fuseli, Henry, 1741-1825., Fox, Charles James, 1749-1806, Great Britain. Parliament, 1783-1784., and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Beds, Sleeping, Nightmares, Draperies, Demons, and Horses
publish'd according to act of Parliament 25 March 1740 [that is 1868?]
Call Number:
Folio 724 836C (Oversize)
Collection Title:
Leaf 33. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on the jockeying for position of the European powers in early 1740. A race-course on the sea-shore with a variety of animals and riders representing different countries: first comes Cardinal Fleury (France) falling from his fox which has stumbled at the winning post on "[Baron] Sinclair's papers". Behind the fox stands the devil holding a sheet of paper with a picture of five ships, lettered "Baltic Sea", an allusion to the French failure to form an alliance in that region. The devil pulls down one of the scales hanging from the umpire stand; the heavier scale represents the Imperial allies with swords, coins, a picture of the Imperial eagle and a note reading "ballance of power", while the lighter one holds objects connected with France and Spain, a cardinal's hat, mask, fox, and notes of "50,000 livers" and "10,000 pistoles" as well as a paper lettered "Mediation". On the umpire stand, America is in conversation with Africa while Europe embraces Asia for the sake of "Protection [of]Trade". Further to the left stands Captain Jenkins holding out his severed ear. Behind Fleury's fox runs the Spanish wolf, its rider unseated by the British lion's lashing tail, lettered "No Search Free Trade". The Russian bear, ridden by a man with a scimitar, follows; the bear kicks its hind legs at the Turkish elephant that is draped with a cloth lettered "Belgrade" in reference to the recent ceding of that city to Turkey. The sultan stands behind the elephant, offering a bag of money to a Frenchman wearing a bag-wig; a monkey also wearing a bag-wig, representing France, crouches in front of the bear. A Dutchman, smoking a pipe, stands beside a distance post having abandoned the race; his boar is laden with trade goods. Behind, on the left, the devil and a fool lead a group of Roman Catholic bishops, roped together, towards a closed building labelled "Conclave" where they will elect a successor to Pope Clement XII. In front of them seven men representing the European powers are seated at a round table with papers lettered "Alliance" and "Sinclair"; Cardinal Fleury turns aside towards another devil asking, "Extricute me now & I'm yours for ever". Further forward, a British herald, supported by classical female soldiers, blows a trumpet; beside them Fleury raises the front of his robe attempting to catch billowing smoke, lettered "Universal Monarchy". In the foreground, Time sits on his hour-glass holding a paper with a picture of a wolf dressed as a cardinal; rats chew at the bottom of the sheet; Fortune looses her grasp of Theodore of Corsica who throws his orb after his crown as it flies off on outspread wings; a British bulldog savages a Spanish wolf while a French fox runs off behind a bush; Captain Coram shows the plan of the Foundling Hospital to a woman and child seated on the ground; a Catholic ecclesiastic wrings his hands saying, "Ye have taking away my Gods, what have I more"; a man bends down to lift a chest full of "10000 pieces of Eight"; Emperor Charles VI rides on an eagle towards the finishing post, holding a shield with the British coat of arms in front of him while a shield with the fleur-de-lis falls to the ground; he is preceded by Charles Albert of Bavaria, fully armed on horseback, and carrying a shield with the motto, "Never conquered"; in front of him, a French ambassador kneels pleading with the British lion who tramples on a shield with the fleur-de-lis and prepares to fire a cannon. At lower right, Britannia pushes aside France (a woman in classical dress with a helmet, and a cock at her side holding out a paper lettered "Mediation") and points to a map showing the island of Cuba offered by a British herald and a sailor. In the background, to left, is the bay of Cadiz in which the Spanish fleet is shut up, British ships sail freely on the sea; a nymph holding a pennant lettered, "Quatuor Maria Vindico" (I claim the four seas), rides a dolphin; beyond are the island of Cuba and distant mountains. Lettering beneath on either side of a medal of a fighting cock which is itself lettereed "Aut Mors Aut Victoria" (Death or Victory)."--British Museum online catalogue
Description:
Title etched below image., Restrike. For original issue of the plate, see no. 2449 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], and On leaf 33 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Name):
Charles VI, Holy Roman Emperor, 1685-1740, Neuhof, Théodore-Antoine, baron de, 1690-1756, Charles VII, Holy Roman Emperor, 1697-1745, Fleury, André Hercule de, 1653-1743, and Coram, Thomas, 1668?-1751
