"Half length portrait of a good-looking man, dressed in the fashion of the day, standing in profile to the right."--British Museum online catalogue. and "Renwick Williams, who had been identified on 13 June as the mysterious Monster, see BMSat 7648, &c, was examined at Bow Street on 14 June, &c., and was tried at the Old Bailey on 7 July 1790. He was found guilty but judgement was respited till December. This portrait is evidently based on a sketch made at the trial, see BMSat 7730."--British Museum online catalogue, curator's comments.
Description:
CtY-LW, Formerly attributed to Gillray. See British Museum online catalogue., Published probably by John Wallis, whose shop was located at this address from 1775-1808. See Maxted, I. London book trades 1775-1800., Sheet trimmed to plate mark., and Title etched below image.
Publisher:
No. 16 Ludgate Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Gillray, James, 1756-1815, associated name., Harvey, Francis--Ownership., Wallis, J. (John), -1818, publisher., Williams, Renwick--Portraits., and Williams, Renwick--Trials, litigation, etc.
"An ogre (left) holds a large knife and fork in each hand; in the left hand he clutches also the petticoats of a young woman, who hangs horizontally, face downwards but raised in profile to the right, screaming with terror. Her legs and posteriors are exposed, but fastened to the latter is a round shallow pot serving as a shield. The Monster has a large head with raised eyebrows and starting eyeballs, his mouth is wide open as if about to bite his captive. His body diminishes in size and terminates in small feet, planted wide apart. Two young women (right) flee from the Monster, looking back and screaming. The petticoats and foot of a third fugitive appear on the extreme right."--British Museum online catalogue.
Alternative Title:
Porridge-potts preferable to cork-rumps
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Williams, Renwick.
"An ogre (left) holds a large knife and fork in each hand; in the left hand he clutches also the petticoats of a young woman, who hangs horizontally, face downwards but raised in profile to the right, screaming with terror. Her legs and posteriors are exposed ... The Monster has a large head with raised eyebrows and starting eyeballs, his mouth is wide open as if about to bite his captive. His body diminishes in size and terminates in small feet, planted wide apart. Two young women (right) flee from the Monster, looking back and screaming. The petticoats and foot of a third fugitive appear on the extreme right."--British Museum online catalogue, description of an earlier state of similar composition.
Description:
Later state, with altered title and removal of the pot shielding the woman's posterior, of a print originally issued with the title: The monster disappointed of his afternoons luncheon, or, Porridge-potts preferable to cork-rumps. Cf. No. 7727 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Printmaker from British Museum catalogue., and Title etched below image.
Publisher:
H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Williams, Renwick.
Date assigned by curator., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Title etched below image., and Two lines of verse below title: Oh bonny lass will you lie in a barrack ...
Subject (Name):
Auchincloss, Hugh Dudley--Ownership. and Harvey, Francis--Ownership.
"An obese and gouty parson (left) reclines in an arm-chair, inspecting through an eye-glass a sucking-pig which a buxom maidservant brings in on a dish. She shows it to the clerk, who sits beside the parson, with a paper: 'An Estimate of the Tythes of this Parish'. The latter sniffs at the pig's snout. Two dogs eagerly fawn on the maid. Through the doorway (right) a lean yokel sourly scratches his head, waiting for the verdict on his pig. The parson's swathed leg is supported on a stool; beside him are a bottle and glass, a crutch and chamber-pot. On the wall is a picture of a group of church spires, suggesting that he is a pluralist, though the room is bare and old-fashioned."--British Museum online catalogue.
Description:
Title etched below image.
Publisher:
S. W. Fores, No. 3 Piccadilly
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fores, S.W., publisher., and Harvey, Francis--Ownership.
"A design in two compartments, one above the other, the title between them. In both a pack of hounds with human heads chases a crowned stag; in one the stag is George III, in the other (below) Louis XVI. [1] The stag (left) is beside a signpost pointing 'To Windsor', [written in ink] Windsor Castle appearing on the extreme left. The huntsman (right) is the Prince of Wales riding on the heels of the last hound, his whip outstretched. The foremost hound, who has almost reached the stag is Sheridan, next is (?) Lord Sandwich, or perhaps the Duke of Queensberry, next Fox. [The head has a feminine appearance, and has been identified by Grego as Mrs. Fitzherbert. But black eyebrows and traces of 'gunpowder jowl' indicate Fox, whose absence would be inexplicable.] The next pair are a judge (? Loughborough) and Powys. The last two are Burke and Lord Stormont. Beside the Prince, his back to the other dogs, and urinating as a sign of contempt, is Pitt, turning his head to scowl up at the Prince. [2] The names of the hounds have been written in a contemporary hand beneath the print. The stag (right) has been reached by the hounds, three of whom are biting him. He has passed a signpost 'A Versailles'. The foremost hound is 'M. de Limon'; close behind are 'Le Baron de Talleyrand' furiously biting the stag's shoulder, and 'Le Comte de Vauban'; the next two, 'Le Comte de La Touche' and 'le Marquis de Sillery'. The last two are women: 'la Comtesse de Blot' and 'la Comtesse de Buffon' who wears feathers in her hair, and turns her head to gaze at Orleans, the huntsman, whose mistress she was. Orleans rides a clumsy hack, blowing a horn, and is dressed in the French manner, with the boots and whip of a French postilion (in place of his accustomed English riding-dress). His long queue streams out behind him."--British Museum online catalogue.
Description:
Attributed to Rowlandson in British Museum catalogue., Publisher's advertisment follows publication information: ... where may be seen the completest collection of caricatures &c. in the Kingdom, also the head & hand of Count Struenzee. Admittce. 1s., and Title from text etched in center of design; letter "r" in "first" etched above line and inserted with a caret.
Publisher:
S. W. Fores, No. 3 Piccadilly
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Burke, Edmund,--1729-1797--Caricatures and cartoons., Fores, S.W., publisher., Fox, Charles James,--1749-1806--Caricatures and cartoons., Genlis Sillery, Charles Alexis Pierre Brulart de,--marquis de,--1737-1793--Caricatures and cartoons., George--III,--King of Great Britain,--1738-1820., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Harvey, Francis--Ownership., Latouche-Tréville, Louis-René de,--1745-1804--Caricatures and cartoons., Limon, Geoffroi,--marquis de,---1799--Caricatures and cartoons., Louis--XVI,--King of France,--1754-1793., Mansfield, David Murray,--Earl of,--1727-1796--Caricatures and cartoons., Orléans, Louis Philippe Joseph,--duc d',--1747-1793--Caricatures and cartoons., Pitt, William,--1759-1806--Caricatures and cartoons., Powys, Thomas,--1737-1809--Caricatures and cartoons., Sandwich, John Montagu,--Earl of,--1718-1792--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., and Vauban, Jacques Anne Joseph Le Prestre,--comte de,--1754-1816--Caricatures and cartoons.
The political and humourous works of Thomas Rowlandson, 1774-1825
Container / Volume:
Vol. 1 (Box 2 of 2) | Folder I-32b
Image Count:
1
Resource Type:
Prints & Photographs
Description:
Attributed to Rowlandson by curator., CtY-BR, Date of publication assigned by cataloger., Possibly part of a plate from: Rowlandson, T. Outlines of figures & landscapes. [London] : Publish'd by S.W. Fores, No. 3 Piccadilly ..., [1790-92]., Sheet trimmed within plate mark., and Title devised by curator.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Riviere & Son Binding.
The political and humourous works of Thomas Rowlandson, 1774-1825
Container / Volume:
Vol. 1 (Box 2 of 2) | Folder I-32a
Image Count:
1
Resource Type:
Prints & Photographs
Description:
Attributed to Rowlandson by curator., CtY-BR, Date of publication assigned by cataloger., Possibly part of a plate from: Rowlandson, T. Outlines of figures & landscapes. [London] : Publish'd by S.W. Fores, No. 3 Piccadilly ..., [1790-92]., Sheet trimmed within plate mark., and Title devised by curator.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Riviere & Son Binding.
Attributed to Rowlandson by Grego., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Probably a plate from: Rowlandson, T. Outlines of figures & landscapes. [London] : Publish'd by S.W. Fores, No. 3 Piccadilly ..., [1790-92]., and Title devised by curator.
Publisher:
S. W. Fores, No. 3 Piccadilly
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fores, S.W., publisher., and Harvey, Francis--Ownership.
