"The interior of an art-school. A stout woman (nude) sprawls awkwardly on an armchair on the model throne, round which fat Dutchmen are grouped. One, seated on an upturned tub (right), paints at a large canvas on an easel, the figure being realistically drawn. Others sit on the floor or on stools, drawing on smaller canvases. One stands (left) behind a high desk. Some smoke pipes. The room is lit by a smoky lamp hanging from the roof, throwing the light directly on the model. On the wall are prints, casts on brackets, and a picture. A ladder leans against a beam. The artists wear the round hats, short jackets, and bulky breeches of Dutchmen in caricature."--British Museum online catalogue.
Description:
Attributed to Rowlandson by Grego., Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 306-7, For an earlier state before the addition of Fores's name at the end of imprint, see no. 8195 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Title etched below image.
Publisher:
T. Rowlandson, No. 52 Strand & S. W. Fores, No. 3 Piccadilly
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fores, S.W., publisher., and Harvey, Francis--Ownership.
"A fashionably dressed man stands in back view, a round hat in his hand, a bludgeon under his left arm. He wears a tail-coat with a large cape-like collar with revers. Above this appears the high stiff collar at the back of his waistcoat. His hair falls on his coat collar and his shoulders are frosted with hair-powder (a fashion of the day), cf. BMSats 7537, 8192. He wears half-boots and breeches tied below the knee with a bunch of strings."--British Museum online catalogue.
Description:
Companion print to: "Neck or nothing.", Printmaker identified as Gillray in the British Museum catalogue., and Title etched below image.
Publisher:
H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Keate, Georgiana Jane, 1770-1850, artist.
"George III (three-quarter length) stands in profile to the left, nearsightedly examining an oval miniature of Oliver Cromwell by the light of a candle held in his left hand. The half length, looking to the right, in armour, probably derives from the pl. after Cooper in Mechell's ed. of Rapin's 'History', 1733. The candlestick is of massive plate holding a candle-end supported on a save-all (cf. BMSat 8091). The King is only slightly caricatured, but his receding forehead and chin and open mouth are exaggerated."--British Museum online catalogue.
Description:
Title from text below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Cromwell, Oliver,--1599-1658--Caricatures and cartoons., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"A short fat man (left) dressed as a military officer, clasps the inflated petticoats of a thin woman who walks away from him, looking over her left shoulder, her hand raised in a negative gesture. She is much taller than her admirer, and shows a hideous profile, her mouth wide open; her attitude is theatrical. She wears a high cap and the extended petticoats which had recently been fashionable (see BMSat 7099, &c). He looks up at her with a yearning smile. Both are grotesquely caricatured."--British Museum online catalogue.
Alternative Title:
"Turn fair Clora, turn, ah cruel, turn again."
Description:
Printmaker from British Museum catalogue. and Title etched above image.
Publisher:
H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Grenville (left) stands in St. James's Park in profile to the right, firing a gun with a wide barrel at a group of winged money-bags, &c, flying in the upper right corner of the design, rising on smoke issuing from the chimneys of 'Buckingham House'. A pen in his round hat indicates his Secretaryship. Dead game hangs from his person: a hare whose body is a money-bag inscribed 'Secretaryship of State £7000 pr Ann.', a goose, whose similar body is inscribed 'Sinecures £9000pr Ann.', and two goslings, respectively 'Private Pension £4000' and '£3000 pr Ann.' The central bird at which he fires at close range is a winged document: 'Ranger of the Park'; winged bags are '75000 pr Ann', '3000 pr Ann', and '7000 pr Ann'. All these he hits. A winged ducal coronet is flying up towards the line of fire. A group of dogs with human faces surrounds him; they lick his boots, look up at him expectantly, or watch the shot; one has a collar inscribed 'Whitehall'. The southern part of the east front of Buckingham House fills the right part of the design. Behind Grenville are trees. ..."--British Museum online catalogue.
Alternative Title:
Billy Ranger the Game Keeper in a fine sporting country
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Grenville, William Wyndham Grenville,--Baron,--1759-1834--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, printmaker.
"Two men in back view walk arm-in-arm, one (left) is short and fat, the other tall and thin. The former wears a short coat or spencer over his tail-coat, with wrinkled top-boots and a round hat, and carries a riding-switch. His hair is in a short queue with projecting side-pieces. The other wears a cylindrical hat with brim curled up at the sides, a coat reaching almost to his ankles with five capes forming a point in the centre of the back, with shoes tied with strings. He carries a bludgeon. The shoulders of both men are frosted with powder, see BMSat 8190. There is a landscape background. The spencer was a short double-breasted overcoat without tails called after George John Spencer, 2nd Earl Spencer (1758-1834), who is probably here caricatured. Gillray anticipates the earliest use of the word (1796) in the 'O.E.D.' The name derives from Earl Spencer's bet in 1792 that he would invent a coat which should become the fashion. 'Social England', ed. Traill, 1904, v. 676. This garment was associated by Byron in 'English Bards and Scotch Reviewers' with Sir Lumley Skeffington (1771-1850) ..."--British Museum online catalogue.
Alternative Title:
Spencer & a threadpaper and Spencer and a thread-paper
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Spencer, George John Spencer,--Earl,--1758-1834--Caricatures and cartoons.
"Pitt, very thin, stands rigidly erect in profile to the right. Mrs. Hobart, immensely fat, completely fills a globe which stands on a rectangular platform on castors, and whose circumference rests against Pitt's post-like person. She looks up at him expectantly; he stares over her head with a pained expression. Beneath the title is etched: 'Definitions from Euclid. Def: Ist B: 4th. A Sphere, is a Figure bounded by a Convex surface; it is the most perfect of all forms; its Properties are generated from its Centre; and it possesses a larger Area than any other Figure. - Def: 2d B: Ist A Plane, is a perfectly even & regular Surface, it is the most Simple of all Figures ; it has neither the Properties of Length or of Breadth ; and when applied ever so closely to a Sphere, can only touch its Superficies, without being able to enter it - Vide. Euclid, illustrated; by the Honble Mrs Circumference.'"--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Buckinghamshire, Albinia Hobart,--Countess of,--1738-1816--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Pitt, William,--1759-1806--Caricatures and cartoons.
"The patient sits in profile to the left with chattering teeth, holding his hands to a blazing fire on the extreme left Ague, a snaky monster, coils itself round him, its coils ending in claws like the legs of a monstrous spider. Behind the patient's back, in the middle of the room, Fever, a furry monster with burning eyes, resembling an ape, stands full-face with outstretched arms. On the right the doctor sits in profile to the right at a small table, writing a prescription, holding up a medicine-bottle in his left hand. The room is well furnished and suggests wealth: a carved four-post bed is elaborately draped. On the high chimney-piece are 'chinoiseries' and medicine-bottles. Above it is an elaborately framed landscape ..."--British Museum online catalogue, description of earlier state.
Alternative Title:
Ague and fever
Description:
Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 226-7., Companion print to: The hypochondriac., One line of quoted text etched on either side of title: "And feel by turns the bitter change of fierce extremes ..., Reissue of print published in 1788 by T. Rowlandson. Cf. No. 7448 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Title etched below image.
Publisher:
S. W. Fores, No. 3 Piccadilly
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fores, S.W., publisher., and Harvey, Francis--Ownership.
"The King, Queen, and six Princesses, three quarter length, are seated round a frugal tea-table. The King, in profile to the right, faces his daughters, holding his cup and saucer to his lips, and saying, with a staring eye, "delicious! delicious". The Queen sits in the centre behind the small tea-pot, holding her cup and saucer in bony fingers, and looking with a wide and cunning smile towards the Princesses, saying, "O my dear Creatures, do but Taste it! You can't think how nice it is without Sugar: - and then consider how much Work you'll save the poor Blackeemoors by leaving off the use of it! - and above all, remember how much expence it will save your poor Papa! - O its charming cooling Drink!" The Princess Royal sits at the end of the row, on the extreme right, with four sisters diminishing in age on her right, a sixth just indicated behind the Queen. They hold, but do not drink, cups of tea, with expressions varying from sulky discontent to defiant surprise."--British Museum online catalogue.
Alternative Title:
John Bull and his family leaving off the use of sugar
Description:
Dedication etched below title: To the masters & mistresses of families in Great Britain this noble example in oeconomy is respectfully submitted., Printmaker from British Museum catalogue., and Title etched at top of image.
Publisher:
H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Amelia,--Princess, daughter of George III, King of Great Britain,--1783-1810--Caricatures and cartoons., Auchincloss, Hugh Dudley--Ownership., Augusta Sophia,--Princess, daughter of George III, King of Great Britain,--1768-1840--Caricatures and cartoons., Charlotte,--consort of George III, King of Great Britain,--1744-1818--Caricatures and cartoons., Charlotte,--Queen, Consort of Frederick I, King of Württemberg,--1766-1828--Caricatures and cartoons., Elizabeth,--Princess of England,--1770-1840--Caricatures and cartoons., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Mary,--Duchess of Gloucester,--1776-1857--Caricatures and cartoons., and Sophia,--Princess, daughter of George III, King of Great Britain,--1777-1848--Caricatures and cartoons.
"A monster, representing Austria, puts to flight a disorderly rabble of French soldiers who fall over each other in their haste. He has enormous legs which are joined to his shoulders, probably to indicate that he is 'nobody' (cf. BMSat 5570); his head consists of a large military cap, decorated with the Habsburg eagle, from which issue enormous moustaches and two puffs of smoke (from simulated nostrils); he smokes a large curved metal pipe, and from his supposed mouth issues a blast of smoke directed against the French troops. His legs are arrogantly astride, his arms akimbo, he wears a huge sabre and spurred jack-boots. The French soldiers in the foreground are ragged and ill-armed, one holds a pitchfork, those behind have muskets. One holds up a tricolour flag inscribed 'Liberta[s]' and cries "La Liberté! La Liberté - de s'enfuir". In the upper left corner of the design is etched: '"While loyal honour warm'd a Fr'enchmans breast, "The field of Battle was a glorious test; "Nobly ambitious for his King to fight, "To die or conquer was a Soldiers Right. "A strange reverse the Democrats display, "And prove the "Right of Man" - to run away -'."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
