"Frontispiece to 'All the Talents', 18th edition, satirical verses by 'Polypus', i.e. E. S. Barrett, attacking the late Ministry. The print (Hogarthian in manner) has little relation to the verses, and is probably adapted from an earlier satire, perhaps on Bute. A creature with the body of a man and the face of an ape, with a tail, tramples on burning papers. It wears spectacles, a large wig, bands, old-fashioned laced coat (with a star), and tattered breeches. On one foot is a shoe; the left. leg is in a large jack-boot (? originally an emblem of Bute). In the right hand is a crozier with which he pulls down two books from a shelf: 'Magna Charter' and 'Coronation Oath'. Behind him a musket inscribed 'Army', the barrel pointing upwards, is firing a blast at the falling books. His left hand rests on a book or ledger, open on a book-stand, in which he writes with the feathered end of his pen. The page is headed 'Finance'; from the book hangs a paper: 'Country Dances'. The burning papers are inscribed 'Negotiation' [bis], 'Sinecures'. He is smoking a pipe from which thick clouds of smoke rise and obscure a profile bust portrait of Pitt. Below the design: 'Monstrum horrendum, informe, ingens, cui lumen ademptum.'."--British Museum online catalogue. and British Museum curator's comments: The monster symbolizes the blind and reckless politician. The verses, though published after the fall of the Ministry ... were written before it, and do not allude to the Catholic question, here indicated by the treatment of the 'Coronation Oath'. Nor are the peace negotiations, ... directly referred to. They contain a tribute to Pitt, and gibes at Petty, ... here illustrated. They went through nineteen editions in 1807 ....
Description:
Lettered below title with a line from Virgil (Aeniad, III, 658): Monstrum horrendum, informe, ingens, cui lumen ademptum., Plate from: All the Talents, 18th edition, satirical verses by 'Polypus.', and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Barrett, Eaton Stannard, 1786-1820, artist., Harvey, Francis--Ownership., Pitt, William,--1759-1806--Caricatures and cartoons., and Stockdale, John Joseph, 1770-1847, publisher.
Subject (Topic):
Animals in human situations., Apes., and Pipes (Smoking)
"Melville, protected by Justice, stands on the 'Rock of Innocence' (l.) firing two cannon at a man-of-war, 'The Impeachment', which has already foundered on the 'Rocks of Honor and Justice'. In the foreground (l.) a bear, Whitbread (not Fox as Wright and Evans say), stands despairingly in his boat which is about to be swamped. It is in the form of a shallow tub (a brewing utensil), and is 'The Vanity-Cooler'. A pennant, 'Vanity', streams from the mast. The tattered sail is formed of papers patched together and inscribed 'Ist Report' ['. . . 2nd', '3d', &c] to '10th Report'. Whitbread's broken oar, inscribed 'Popular Clamour', falls from his paw. The boat will founder despite the efforts of three winds to fill the sail and take it into calmer water. These are heads with butterfly wings (l.) and are (l. to r.) Stanhope, Wilberforce, and Derby. Melville, in profile to the right., a stalwart figure in Highland dress with thistles in his feathered bonnet, holds a flaming torch in each hand, one 'Truth', the other 'Reason', and puts them to the touch-holes of two cannon, 'Adam' and 'Plomer'. He is lit by rays which descend from behind a swirling cloud, taking the form of wings, from which two arms emerge: in the r. hand is a pair of scales inscribed 'Impartiality'; a paper inscribed 'Integrity' outweighs 'Defamation'; on the left arm is a shield inscribed 'Justice' which is held over Melville. The blasts from the cannon are striking the battered ship; she heels over, still flying a tattered tricolour flag of 'Faction' [repeated thrice]. Two of the crew are in the water: Sidmouth, in the foreground (r.), clings to a 'Broad-Bottomd Goose-Coop' [cf. BMSat 10530], from which three cackling geese thrust their heads; it has a (tricolour) label inscribed (?) 'C. J Fox [scored through] Downing . . . [Street]'. Behind him Lauderdale's head and arms emerge from a wave, desperately trying to reach a floating barrel of 'East India Roupees'. In the foreground the waves are menacing; toward the horizon (r.) the sea is calm. A sun inscribed 'Posterity' is rising and irradiates the sky; other rightays descend from a point behind a cloud, forming a pyramid whose base is the irradiated horizon; across this is the word 'Pitt' in large letters."--British Museum online catalogue.
Alternative Title:
Manager in distress
Description:
Title etched below image. and Two lines of quoted verse following title: "So, shall my little-bark attendant sail," "pursue the triumph, and partake the gale!"
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Derby, Edward Smith Stanley,--Earl of,--1752-1834--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Lauderdale, James Maitland,--Earl of,--1759-1839--Caricatures and cartoons., Melville, Henry Dundas,--Viscount,--1742-1811--Caricatures and cartoons., Sidmouth, Henry Addington,--Viscount,--1757-1844--Caricatures and cartoons., Stanhope, Charles Stanhope,--Earl,--1753-1816--Caricatures and cartoons., Whitbread, Samuel,--1764-1815--Caricatures and cartoons., and Wilberforce, William,--1759-1833--Caricatures and cartoons.
"An elderly couple kept awake in their double bed by fleas."--British Museum online catalogue.
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Printmaker from British Museum online catalogue., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, publisher.
Subject (Topic):
Bedbugs., Bedrooms. , Beds., Couples. , Fans (Accessories), and Sleepwear.
"Two men with double butterfly nets chase butterflies in a formal garden with box-edged flower-beds set in gravel. One tramples over a bed of tulips to the horror of two ladies who stand in the doorway (right) and an old man in a night-cap who leans from a first-floor window. The house, like the walled garden, is old-fashioned with mullioned windows, an aged vine against the wall, and an attached glass hothouse. In the background a gardener drops a flower-pot in consternation. Beyond the wall is a church among trees. British Museum online catalogue.
Description:
Attributed to Rowlandson by Grego. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Holland, William, active 1782-1817, publisher., and Rowlandson, Thomas, 1756-1827, artist.
Subject (Topic):
Butterflies., Butterfly nets., Flower gardens., and Greenhouses.
"Fox and his wife, facing the spectator, sleep in a magnificent , ducal bed, whose head and curtains form a background to the design. They disturbed by nightmares. Fox extends both arms in gloomy terror as Naooleon springs on his bed (r.) and seizes the collar of his night-shirt, the other side of which is tugged at by the ghost of Pitt (l.) who floats towards him dressed in a shroud, and supporting the curtain with his left. arm. Pitt exclaims: "Awake, arise, or be for ever fall'n!" Fox's head is jerked forward, his hair rises, and his (bonnet-rouge) night-cap falls off. Napoleon leaps from a cannon on which his left. toe rests. It is inscribed 'Pour Subjuguer le Monde' [cf. BMSat 10599, &c.]. Behind it, and forming a background to the right. of the design, are clouds of fiery smoke, from which emerge a forest of spears with an imperial eagle topping a banner inscribed: 'Horrors of Invasion'. Napoleon wears his feathered bicorne with spurred jack-boots and raises his sword fiercely. An eagle whose (tricolour) collar is inscribed 'Prussia hovers menacingly over Fox'. The fringed bed-cover is covered with a pattern of roses; from under it (l.) project heavy jagged thorn-branches with a few roses; the branches are inscribed: 'India Roses', 'Emancipation Roses', 'French Roses', 'Coalition Roses', 'Volunteer Roses'. A ghastly creature, Death, crawls from under the coverlet, which rests on the carpeted floor: a grinning skull-like jaw appears; a corpse-like arm holds up an hour-glass whose sands are almost run out. Round the arm is twined a tricolour ribbon inscribed 'Intemperance', 'Drosy [sic]', 'Dissolution'; its r. hand clutches a spear. A bull-dog, its collar inscribed 'John Bull', snarls savagely at Napoleon, resting its fore-paws on the foot of the bed: it befouls a paper: 'List of the N[ew] Broad-Bottom Administr[ation] [cf. BMSat 10530], 'Citizen Volp[one]' [cf. BMSat 9892, &c], 'Lord Pogy' [Grenville's nickname] ' - Bett Armstead' [Mrs. Fox], 'Doctor Clysterpipe' [Sidmouth, cf. BMSat 9849], 'Miss Petty' [Lord H. Petty]. On the head of the bed are the arms of the Duke of Bedford, with his motto, 'Che Sara Sara' (Mr. and Mrs. Fox were in Bedford's house in Arlington Street). A patterned carpet covers the floor."--British Museum online catalogue.
Description:
Text following title: A nightly scene near Cleveland Row. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fox, Charles James,--1749-1806--Caricatures and cartoons., Fox, Elizabeth,--1750-1842--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Pitt, William,--1759-1806--Caricatures and cartoons.
"The undergraduate, cap in hand, stands with bent head facing a table at the opposite end of which stands the Master, obese, drink-blotched, and angry, delivering sentence. Six Fellows stand at the table, three a side, all glaring at the culprit, and much caricatured. A gaiter lies on the table. At the door, and immediately behind the undergraduate, stands a college servant, his hand on the door-handle, holding a long wand (like that held by the butler of Trinity College, Cambridge, in BMSat 7017). The room is bare with a panelled wall, the only furniture the table and a carved armchair behind the Master."--British Museum online catalogue.
Alternative Title:
Rake's progress at the university ; no. 5 and Rake's progress at the university.
Description:
Fifth of five prints in a series entitled: The rake's progress at the university., Printmaker from British Museum catalogue., and Title from text within curly brackets below image, following series title.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"The undergraduate advances dejectedly, raising his cap to a Fellow wearing cap and gown and gaiters, who walks with another wearin clerical wig and bands with a cocked hat, long coat to the ankles, and gold headed cane. The former points angrily at the gaiters which the undergraduate (like himself) is wearing. The scene is the side of a College Court showing an edge of grass in the foreground."--British Museum online catalogue.
Alternative Title:
Rake's progress at the university ; no. 4 and Rake's progress at the university.
Description:
Fourth of five prints in a series entitled: The rake's progress at the university., Printmaker from British Museum catalogue., and Title from text within curly brackets below image, following series title.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"An elderly 'cit' sleeps in a low, upright chair, leaning back till his profile faces the ceiling. His hands are clasped over his chest, his wig dangles from his coat-collar, and he puffs from tightly shut lips. The room is bare with a boarded floor. On a round table are a jug and glass, and the sleeper's pipe lying on 'Cobbett's Political Register'."--British Museum online catalogue.
Description:
Campanion print to: "Wide-awake.", Printmaker from British Museum catalogue., and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Fox, as the Devil, has sprung into the air, supported by small feathered wings inscribed 'Honesty' and 'Humility' and by two stout crutches, which rest upon dark clouds. He has a heavy hairy body with cloven hoofs, and wears a bonnet rouge with tricolour cockade and the triple plume of the Prince of Wales. The two crutches have the heads, respectively, of Sidmouth (left) and Grenville. He wears a long narrow cloak with a tricolour collar; it is inscribed 'Loyalty, Independence & Public-Good'. The end of this is clutched by John Bull, a fat 'cit' (resembling John Gilpin, see BMSat 6886, &c), who is drawn up into the air, losing hat and wig. Fox says, looking over his right shoulder with a sinister grin: "Come along Johnny! - take fast hold of my Cloak, & I'll bring you to the land of Milk & Honey!!!" The terrified John answers: " - O yes, I will try to holdfast! - but I'm damnably afraid that your Cloak may slip off before we get there, & I may chance to break my Neck!" Below John's feet and at the base of the design (left), are the roofs of London, including the top of the gateway of St. James's Palace and the dome of St. Paul's. Fox is flying towards the façade of Carlton House, which emerges from clouds; over its roof rises a sun emitting rays, the disk inscribed 'New Constitution'. Above the colonnade is the inscription 'Carolus. II. Redimmus'. Resting on the clouds below Carlton House are three tiny scenes: 'Liberty': two gamblers throwing dice, one Sheridan the other the Prince; men watch them. 'Chastity', the Prince and Mrs. Fitzherbert, indicated by feathers in her hair, embrace on a sofa. 'Temperance', men carouse at a round table; one sprawls on the floor. Fox, as the Devil (cf. BMSat 6383, &c), under the cloak of patriotism, is carried to power by two props, Sidmouth and Grenville, on whose coalition with the Foxites the new Ministry, see BMSat 10531, &c, is. based. This relies not on St. James's but on Carlton House, the secrets of which, as in Le Sage's story, are revealed in three scenes satirizing the life of the Prince. The allegation that the new Ministry was subservient to Carlton House was natural, see BMSat 10252, &c, and recurs, see (e.g.) BMSats 10530, &c, 10543, 10697, but proved unfounded, see G. M. Trevelyan, 'Lord Grey of the Reform Bill', p. 153 f., and cf. BMSat 10526, &c."--British Museum online catalogue.
Alternative Title:
Devil upon two sticks conveying John Bull to the land of promise
Description:
Attribution following title: Vide le Sage. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fox, Charles James,--1749-1806--Caricatures and cartoons., Gillray, James, 1756-1815, artist., Grenville, William Wyndham Grenville,--Baron,--1759-1834--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Sidmouth, Henry Addington,--Viscount,--1757-1844--Caricatures and cartoons.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
"Members of the new Ministry in a handsome room prepare themselves for office, each intent on his toilet. Both Fox and Grey look into a large pier-glass on the extreme left., whose frame is surmounted by the Royal Arms and Prince's feathers, indicating Carlton House and the Prince's 'ostentatious patronage' of the new Ministry. [W. Fitzpatrick, 'H.M.C., Dropmore MSS.' viii, p. viii.] Fox (Foreign Secretary), wearing a tattered shirt, shaves, holding a small bowl filled with lather. On a chair are the coat (blue with red facings, the Windsor uniform) and feathered cocked hat which he is about to put on; against it leans a sword with a jewelled hilt, while his discarded coat and bonnet rouge with tricolour cockade lie beneath it. Beside him stands the taller Grey, brushing his teeth. He wears naval uniform (as First Lord) Behind him, also in profile to the left., stands Sidmouth (Lord Privy Seal), his head and shoulders the centre of clouds of powder, which Vansittart is puffing at him from a powdering-bag. His Windsor uniform is protected by a long towel; in his coat pocket is a clyster-pipe (see BMSat 9849). In the foreground little Lord Henry Petty struts with pointed toe, delighted at the effect of his Chancellor of the Exchequer's gown, which trails on the ground behind him, far too long. Windham (Secretary for War and Colonies), behind him, sits full face over a tub, washing his feet; he wears waistcoat and rolled-up shirt-sleeves; his hat and stockings are on the ground. Next is the centre figure, Lord Grenville (First Lord of the Treasury), in shirt and bag-wig, hitching up his breeches, and thus accentuating his heavy posteriors, which gave a second meaning to the term Broad-bottom Ministry (see BMSat 10530). Moira (Master of the Ordnance) stands stiffly with his back to the wall, tying his high black stock. He wears regimentals with boots and cocked hat. The Duke of Bedford, very neat in shirt and breeches, sits on a stool pulling on a top-boot, resting his leg on the left shoulder of Tierney, who sits at his feet, drawing on a Hessian boot. Both are in profile to the right., and are preparing for a journey to Ireland. Beside Bedford are two papers: 'New way of Improving the Irish-Breed of Black Cattle' and 'Road from Wooburn Farm to Ireland' [on this Tierney is sitting]. Behind Bedford, Sheridan struggles into a shirt; on the wall hangs his discarded Harlequin dress with mask and wooden sword (see BMSat 9916). Lord Spencer (Home Secretary), behind and on the r. of Sheridan, in waistcoat and shirt-sleeves, washes his hands in a basin on a table. On the extreme right. is the corner of a dressing-table, in the mirror of which Erskine delightedly adjusts his hat over his Chancellor's wig. He wears an enormously long Chancellor's gown with the Purse of the Great Seal hanging from his arm. Behind him on the wall hangs his discarded barrister's wig. The mace, reversed, leans against the table."--British Museum online catalogue.
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Bedford, John Russell,--Duke of,--1766-1839--Caricatures and cartoons., Erskine, Thomas Erskine,--Baron,--1750-1823--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Grenville, William Wyndham Grenville,--Baron,--1759-1834--Caricatures and cartoons., Grey, Charles Grey,--Earl,--1764-1845--Caricatures and cartoons., Harvey, Francis--Ownership., Hastings, Francis Rawdon-Hastings,--Marquess of,--1754-1826--Caricatures and cartoons., Humphrey, Hannah, active 1774-1817, publisher., Lansdowne, Henry Petty-Fitzmaurice,--Marquess of,--1780-1863--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., Sidmouth, Henry Addington,--Viscount,--1757-1844--Caricatures and cartoons., Spencer, George John Spencer,--Earl,--1758-1834--Caricatures and cartoons., Tierney, George,--1761-1830--Caricatures and cartoons., Vansittart, Nicholas,--1766-1851--Caricatures and cartoons., and Windham, William,--1750-1810--Caricatures and cartoons.