"The cobbler leans savagely over his wife who is tied to a chair, and with her wrists bound. With his awl between his teeth he pulls at the thread with which he is stitching up her mouth. She is an elderly virago with pendent breasts, who glares up at him, crisping her fingers; their faces are close together. A buxom young woman leans delightedly over the pair, holding up a candle."--British Museum online catalogue, description of an earlier state.
Alternative Title:
Cobblers cure for a scolding wife
Description:
Date of publication from Grego; a questionable date of 1813 is also assigned in the British Museum catalogue for the earlier reissue., For an earlier reissue with the title corrected, the plate number added, and the year of publication in imprint crossed out, see no. 12148 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Later reissue; plate number has been added and beginning of imprint statement has been burnished from plate., Originally issued without plate number, with the word "wife" in title misspelled "wiff," and with the imprint "London, Pub. Aug. 4, 1809, by Thos. Tegg, No. 111 Cheapside." Cf. Lewis Walpole Library call no.: 809.08.04.01+., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Plate numbered "294" in upper right corner., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Tegg, Thomas, 1776-1845, publisher.
Also issued separately., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Numbered in upper right corner of design: 274., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Publisher and date of publication from Grego., Temporary local subject terms: Food -- Cruet -- Night cap., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Rowlandson, Thomas, 1756-1827, artist., and Tegg, Thomas, 1776-1845, publisher.
"An elderly old-fashioned doctor, holding his gold-headed cane, sits bending forward to inspect the tongue of his agonized patient. The latter, grotesquely obese, sits in a low arm-chair (right) with his lean and hideous wife beside him; a thin grotesque footman, his hair standing on end, stands behind the doctor's chair, leaning towards his master. All three put out their tongues, and all register dismay; the equally ugly doctor gapes in unhelpful concern. The grotesque heads are closely grouped against a high window. A grandfather clock (left) shows that the time is 2.22. A thermometer hangs on the wall."--British Museum online catalogue, description of an earlier state.
Alternative Title:
Toadstools mistaken for mushrooms
Description:
"Price one shilling coloured."--Lower right corner of design., Also issued separately., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 254., Date of publication based on earlier state with the complete imprint "Pubd. September 1st, 1813, by Thos. Tegg, No. 111 Cheapside." Cf. No. 12145 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Plate numbered "210" in upper right corner., Reissue, with beginning of imprint statement burnished from plate., Temporary local subject terms: Thermometer -- Doctor -- Clock., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"Napoleon emerges from the flames of a huge fire burning on the summit of a rock, on the face of which is an opening, like the door of an oven, whence issue flames and serpents. These are being stirred up by the long spear of a Cossack (right), who gazes up at Napoleon, while a sturdy Dutchman (left) plies a huge pair of bellows. The head of Napoleon is based on Gillray's 'Apotheosis of the Corsican-Phoenix', British Museum Satires No. 11007, but as a 'Mock Phoenix', he has not the wings and body of a bird, but the body of a man, though one claw extends from the fire, dropping an orb, as in that print. His flaming crown rises from his head, as in British Museum Satires No. 11007, but he clutches his breast with the right hand, and raises the left arm in a gesture of agonized despair; his sceptre falls into the fire. The flames and smoke have more lateral spread than in British Museum Satires No. 11007, and are filled with demons, ranging from quasi-human devils and imps to serpents. The Dutchman, in bulky breeches, wears a large orange cockade in his hat; he looks up, the smoke from his pipe merging with that of the pyre. The Cossack is bearded, with the high furred cap of other prints. The scene is a plateau surrounded by rocky peaks."--British Museum online catalogue.
Alternative Title:
Vain attempt to rise again
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
A boat crammed with shipwrecked men, with an oar projecting to the right. One man leans his elbows on the gunwale while two of his companions throw a corpse overboard.
Description:
Earliest date for publication based on watermark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Sheet trimmed within plate mark on top and bottom edges., Terminal date for publication based on publisher's street address, which is "Surrey Side, Westminster Bridge" on the lettered state described by Grego; this address was only used by Thomas Palser until 1816. See British Museum online catalogue., and Title, artist, and publisher from lettered state described by Grego.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Palser, Thomas, active 1803-1843, publisher., and Rowlandson, Thomas, 1756-1827, artist.