A lady (a Muse?), with a cello and open book with musical notations at her feet, addresses, on behalf of Leveridge's songs, Venus and Bacchus, shown in clouds above; Cupid stands at his mother's side presumably helping to persuade her
Description:
Title, printmaker and artist, state, and date from Paulson, With: Engraved title page for "A collection of songs with the musick by Mr. Leveridge. In two volumes. London : Engrav'd and printed for the author in Tavistock-Street, Covent-Garden, 1727.", "The ornaments around the title page many also be by Hogarth, but I see no very good reason to thinks so"--Paulson, p. 71., Sheet trimmed to plate mark., and Frontispiece only.
A lady (a Muse?), with a cello and open book with musical notations at her feet, addresses, on behalf of Leveridge's songs, Venus and Bacchus, shown in clouds above; Cupid stands at his mother's side presumably helping to persuade her
Description:
Title, printmaker and artist, state, and date from Paulson, With: Engraved title page for "A collection of songs with the musick by Mr. Leveridge. In two volumes. London : Engrav'd and printed for the author in Tavistock-Street, Covent-Garden, 1727.", "The ornaments around the title page many also be by Hogarth, but I see no very good reason to thinks so"--Paulson, p. 71., Sheet trimmed to plate mark., Ms. note in Steevens's hand above print: Not inserted by Mr. Nichols., and On page 47 in volume 1. Plate mark 9.6 x 24.8 cm, on sheet 17.3 x 10 cm.
Frontispiece to James Miller, 'The Humours of Oxford', 2nd edition (London, 1730); scene in a tavern; at centre Haughty, a Fellow of one of the Oxford colleges, sits drunkenly disputing with the Vice-Chancellor, who stands at right; on the other side of the table at left, standing, are Conundrum (another Fellow), also drinking, and a servant, behind Conundrum on the wall, a framed 'Oxford Alm[anac]'; in the doorway, holding a truncheon, the Vice-Chancellor's attendant
Description:
Title and date from Paulson., Date based on other work by Van der Gucht., Sheet trimmed to plate mark., Ms. note in Steevens's hand above: Humours of Oxford / Old Impression / 169., and On page 52 in volume 1. Sheet trimmed: 17.8 x 11.1 cm.
Frontispiece to James Miller, 'The Humours of Oxford', 2nd edition (London, 1730); scene in a tavern; at centre Haughty, a Fellow of one of the Oxford colleges, sits drunkenly disputing with the Vice-Chancellor, who stands at right; on the other side of the table at left, standing, are Conundrum (another Fellow), also drinking, and a servant, behind Conundrum on the wall, a framed 'Oxford Alm[anac]'; in the doorway, holding a truncheon, the Vice-Chancellor's attendant
Description:
Title and date from Paulson., Date based on other work by Van der Gucht., Sheet trimmed to plate mark., Ms. note in Steevens's hand above: Modern Impression., and On page 52 in volume 1.
A bearded man in a hollow tree reaches out his hand toward a gentleman below. Another man enters the hollow tree at its base. An owl looks on from a branch above; around the base of the tree are lion, boar, cat, and donkey
Alternative Title:
Lawyer's fortune, or, Love in a hollow tree
Description:
Title from letterpress title page on same sheet., Letterpress title page in red and black: The lawyer's fortune, or, Love in a hollow tree / written by **********. Revis'd and compar'd with the first edition in 1705. London : Printed for E. Underhill, and sold by the booksellers of London and Westminster, MDCCXXXVI. (Price six-pence)., Title page with woodcut image of an elephant walking a tight-rope., Ms. note in pencil in Steevens's hand above frontispiece: Imputed to Hogarth. See N 246. Mounted below: A lengthy ms. note in ink in Steevens's hand on separate sheet mounted beneath., and On page 83 in volume 1.
A bearded man in a hollow tree reaches out his hand toward a gentleman below. Another man enters the hollow tree at its base. An owl looks on from a branch above; around the base of the tree are lion, boar, cat, and donkey
Alternative Title:
Lawyer's fortune, or, Love in a hollow tree
Description:
Title from letterpress title page on same sheet., Letterpress title page in red and black: The lawyer's fortune, or, Love in a hollow tree / written by **********. Revis'd and compar'd with the first edition in 1705. London : Printed for E. Underhill, and sold by the booksellers of London and Westminster, MDCCXXXVI. (Price six-pence)., Title page with woodcut image of an elephant walking a tight-rope., Ms. note in pencil in Steevens's hand above frontispiece: Imputed to Hogarth. See N 246. Mounted below: A lengthy ms. note in ink in Steevens's hand on separate sheet mounted beneath., and On page 83 in volume 1.
Pyne, W. H. (William Henry), 1769-1843, printmaker
Published / Created:
[1 June 1806]
Call Number:
806.06.01.01
Image Count:
1
Resource Type:
still image
Abstract:
In a drawing room, left, a woman with a very cross expression on her face sits on a settee threading a needle. Before her, a thin man sits on chair staring into the fire, a despairing expression on his face; at his feet are two open books: Much ado about nothing and The art of Tormenting. Behind him, another man rages as he stomps on a glove; the other glove also lies on the floor near-by and fragments of torn paper fly from his hand. The third man, far right, looks at the enraged man, a speech bubble from his mouth reads "Sunt lacrymae rerum!" On the wall are three pictures: Mountain of misery, a classical scene of worshippers outside a temple with Jupiter in the clouds: a whole length picture of Fortitude; and, a whole length picture of Temperance
Title and date supplied by curator., Statement of responsibility written in ink below image, on mounting sheet., and Mounted as the frontispiece in Horace Walpole's copy of his Fugitive pieces in verse and prose.
Van der Gucht, Gerard, 1696-1776, printmaker, artist
Published / Created:
[1740]
Call Number:
724 791K
Collection Title:
Volume 3, opposite page 466. Epistles, elegant, familiar, & instructive, selected from the best
Image Count:
1
Resource Type:
still image
Abstract:
"Frontispiece to the catalogue of the sale of Charles Jervas' studio (1739/40); an allegorical female figure holding a palette and brushes standing on the right, who lays an oval bas-relief portrait of Jervas on a plinth attached to a pyramid, while a cherub cuts the inscription on the plinth below: 'The Collection of Charles Jarvis Esq Consisiting of Paintings, Prints, Drawings, Basso Relievo, &c &c'; with classical artistic fragments to left and classical buildings in the background, including Trajan's column, and a fragment on the right inscribed 'Heath Auctioneer'."--British Museum online catalogue
Description:
Title, artist, and printmaker from the Catalogue of engraved British portraits., Frontispiece to: A catalogue of the most valuable collection of pictures, prints, and drawings late of Charles Jarvis Esq; deceased. [London] : [publisher not identified], [1740]., Sheet trimmed within plate mark., Folded to 20.3 x 12.2 cm; mounted on leaf 24 x 14 cm., and Bound in opposite page 466 in volume 3 of an extra-illustrated copy of: Knox, V. Epistles, elegant, familiar, & instructive, selected from the best writers ... London : Rivington [etc.], 1791.
Publisher:
publisher not identified
Subject (Name):
Jervas, Charles, approximately 1675-1739,
Subject (Topic):
Artists' materials, Columns, Pyramids, Sculpture, and Portraits