Title written in ink below image., Attribution to Francis Hayman from local card catalog record. This is possibly the original drawing for the frontispiece engraved by Grignion that was issued in later editions of Hervey's Meditations among the tombs., Date of production based on publication date of the book in which the drawing is found., and Bound in as the frontispiece in James Hervey's copy of the first edition of his Meditations among the tombs.
Frontispiece. True and affecting history of Henrietta Belgrave.
Image Count:
1
Resource Type:
still image
Abstract:
Illustrated frontispiece showing five scenes from the fictitious account, each with a caption etched below
Alternative Title:
Henrietta de Bellgrave
Description:
Title from text above image., Frontispiece to: The true and affecting history of Henrietta Belgrave. Derby : Thomas Richardson; Simpkin, Marshall, and Co., London, [1830?]., and Sheet trimmed within plate mark.
Portrait of Henry Fielding; half length, profile to left, in round frame on pedestal with ornaments, including books (with title Joseph Andrews, [Tom] Jones, Amelia, Statues at Large), masks, quill and sword; frontispiece to Murphy's edition of 'The Works of Henry Fielding' published by A. Millar; state without printmaker's name
Description:
Title etched within image., Printmaker identified from finished plate., Sheet trimmed within plate mark., and Cf. Paulson, R. Hogarth's graphic works, no. 241.
Portrait of Henry Fielding; half length, profile to left, in round frame on pedestal with ornaments, including books (with title Joseph Andrews, [Tom] Jones, Amelia, Statues at Large), masks, quill and sword; frontispiece to Murphy's edition of 'The Works of Henry Fielding'published by A. Millar
Description:
Title etched within image., Sheet trimmed within plate mark., and On page 194 in volume 2.
Portrait of Henry Fielding; half length, profile to left, in round frame on pedestal with ornaments, including books, masks, quill and sword; after Hogarth; frontispiece to an 1766 edition of 'The Works of Henry Fielding' published by A. Millar
Description:
Title etched within image., Sheet trimmed within plate mark., Copy of: Paulson, R. Hogarth's graphic works, no. 241., and On page 194 in volume 2.
An emblematical image of Hogarth's short journey with some friends 'by land and water, backwards and forwards, without head or tail': a sort of human torso with arms placed upright on the ground, a red kerchief is placed about the neck, the coat is half painted blue and shaped like that of a sailor of this period, half painted brown and being longer than the other half and fitted with a cape at the shoulders like that of a landsman; the hand on the former
Description:
Title etched above and below image., Sheet trimmed to plate mark., Plate for: Gosling, W. An account of what seemed most remarkable in the five days peregrination of the five following persons ..., Not in: Paulson, R. Hogarth's graphic works., Ms. note in pencil in Steevens's hand above print: See Nichols's Book, 3d edit, p. 413., and On page 210 in volume 3.
Publisher:
Publish'd as the act directs Novr. 27th 1781 by Rd. Livesay at Mrs. Hogarth's Leicester Fields
Cooper, Richard, approximately 1730-1820, printmaker
Published / Created:
[1 April 1810]
Call Number:
Portraits D157 no. 1
Image Count:
1
Resource Type:
still image
Abstract:
A three-quarter length portrait of Mrs. Damer, with sculptor's tools at the base
Alternative Title:
Honourable Mrs. Damer
Description:
Title etched below image., Artist identified as Angelica Kauffmann in the Catalogue of engraved British portraits., Frontispiece to: La Belle assemblée, April 1810., and Sheet trimmed within plate mark.
Cooper, Richard, approximately 1730-1820, printmaker
Published / Created:
[1 April 1810]
Call Number:
810.04.01.01 Object Room B:D
Image Count:
1
Resource Type:
still image
Abstract:
A three-quarter length portrait of Mrs. Damer, with sculptor's tools at the base
Alternative Title:
Honourable Mrs. Damer
Description:
Title from item., Artist identified as Angelica Kauffmann in the Catalogue of engraved British portraits., Plate engraved for the frontispiece to La Belle assemblée, April 1810., and With plate maker's name stamped on verso: G. Harris No. 31 Shoe Lane, London.
