Manuscript on paper, in two different hands, containing Joannes de Sacro Bosco's De sphaera mundi and Additiones (1r-22v) and Gherardo da Cremona's Theorica planetarum (23r-38v). First hand is unidentified; second hand, Jacobus de Milisapris, has copied the Theorica planetarum. Also includes a number of astronomical illustrations; in De sphaera mundi: f. 1v ("de forma mundi notatur hec spera"); in Theorica planetarum: ff. 23v, 26r-v, 29r, 33r, 34r. Manuscript is a palimsest; original text is a 15th-century Italian religious text
Alternative Title:
Tractatus de spera de Iohannis de sacro busco. Theorica planetarum and Tractatus de sphaera / written by Jacobus de Milisapris de Porturraris at Padua ; finished "at 2 P.M. on 9 September 1467"
Description:
In Latin., Titles from opening rubrics., Script: first hand writes in humanist minuscule; second hand in gothic textualis., Decoration: headings in red. Rubrication., Layout: 1 column of 30 lines., Binding: seventeenth-century paper binding over paper boards., Foliation added in red modern pencil., and Scribal note (f. 38v): Explicit Theorica planeta[rum] per me Iacobu[m] de Milisapris de Portuna[v]o[n]is. Anno C[hrist]i optimi 1467 die nono me[n]sis septembris hora m[er]curii. In paduano studio i[n] [con]trata colombino[rum].
7 leaves of unfoliated binder's blanks inserted at both beginning and end., Armorial bookplate of Frederick North, fifth Earl of Guilford (1766-1827)., ff. 1-12 foliated in ink in a hand later than the manuscript, the remaining leaves with modern pencil foliation., ff. 17 apparently a contemporary insertion., and On parchment binder's blanks.
Subject (Name):
Duveen, Denis I., bookplate and North, Frederick, Earl of Guilford, 1766-1827, bookplate.
Binders leaves : ff. 4-16, 18, 20, 22, 24-25, 27, 29, 31, 33, 35, 38, 39-40, 43, 45, 47, 49, 51-83 mostly blank with several modern annotations in pencil., ff. 42 : anonymous additions written in England, ca. 1700 (missing from volume)., and On paper with modern foliation in pencil including binder's blanks.
Copied in A.H. 1269 (A.D. 1852 or 53). and Muhammad Shafiq (died 1879 AD) was a major Ottoman calligrapher, who excelled in his instructional calligraphic pieces. This particular work is one of them. It exhibits the most important features of one of the Arabic calligraphic styles, the naskhi script. As can been seen, it surveys the art of connecting the various Arabic letters with other Arabic letters in a harmonious way, which results, ultimately, in the final beauty of the calligraphic piece. The two opening pages show the type of late Ottoman illumination, revealing the clear European influences. The shown pictures exhibit intricate arabesque floral design, typical of the late Ottoman period. Of interest in this particular manuscript is the binding, which reveals its Islamic origin. Beside the typical flap, which is the hallmark of most cherished Islamic bindings throughout history, the covers are richly gilt in floral decorations echoing the floral design of the opening pages.
Description:
Calligraphic naskhi. Decorated in gold and colors. and Islamic binding, in maroon, with flap.
Subject (Topic):
Arabic language and literature --Primers (Calligraphy)
