Wash drawing of the ornate silver bell that was kept by Horace Walpole in the Tribune at Strawberry Hill. Made for a pope by Benvenuto Cellini, this bell is covered with images in relief of insects, snakes, and other animals. Images of the Virgin and boy-angels cover the top part of the bell; an image of a wreath of leaves runs along the bottom of the bell
Description:
Title written in ink below image., Attribution to John Carter from local catalog card., Date of production based on probable date for Richard Bull's assembly of the extra-illustrated volume in which this drawing appears. See Hazen., Mounted on page 189 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., and For further information, consult library staff.
Subject (Name):
Cellini, Benvenuto, 1500-1571. and Strawberry Hill (Twickenham, London, England)
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[ca. 1790]
Call Number:
Drawings W87 no. 8 Box D170
Image Count:
1
Resource Type:
still image
Abstract:
A young, fashionably dressed man walks down the street while sweeping his walking stick back in forth in front of him. He has struck a passerby on the shin, the latter holding the injury in both hands wincing in pain. From the caption: ... who must always remember when in action to sing or whistle a tune, in order that the swing may be kept in proper time. By carefully observing these rules, great execution may be performed on the ancles [sic] and shins of every person within the sphere of attraction
Alternative Title:
Six different methods of carrying a stick with their effects. Compartment no. 1
Description:
Title from letterpress caption below image., Pen and ink drawing on a letterpress broadside with ornamental border., Letterpress caption in six lines below image: May be practised with a small cane, switch, or whip, giving the arm full play; the practitioner should be a young giddy fellow, about one and twenty ..., One of a series of six drawings by Woodward with the same letterpress heading., and For further information, consult library staff.
View of a brick tower at the top of the hill; at its runs a stream. Trees flank each side of the image in the foreground
Description:
Inscribed in ink below the title: Built by Thos. Greening Esq. (when Gardener of Kensington Gardens under his late Majesty King George the Second) for the purpose of a termination to the view from his house, now Sion School at Brentford-Encl: and also for exhibiting illuminations, and fire works on the Kings birthday, and other public occasions, it standing directly opposite the Kings Palace at Richmond, where his late Majesty usually resided., Inscription in pencil on verso: [Mercer] ?35, Farington of his drawing of ... Monument., Joseph Farington, English landscape painter, 1747-1827., and For further information, consult library staff.
Subject (Topic):
Kensington Gardens (London, England), Towers, and Architectural follies
Tracing of a benefit ticket for William Milward, for his performance of Colonel Feignwell, in Centlivre's 'A Bold Stroke for a Wife' at Lincoln's Inn in 1728; illustrated with a scene from Gay's 'The Beggar's Opera' with Lockit, Lucy, Macheath, and Polly Peachum in a jail cell
Alternative Title:
Benefit ticket for Milward
Description:
Title etched below image., Possibly a tracing by Ireland., Copy of: Paulson, R. Hogarth's graphic works, no. 112., Ms. note in pencil lower right corner of print: 66. Ms. notes in pencil above: See Nichol's Book, 3d Edit, p. 423. Ms. note in pencil below: sold for £7.7.0., and On page 6 in volume 1.
Subject (Name):
Milward, William, 1702-1742. and Gay, John, 1685-1732.
Volume 1, page 2. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
A wife has chased her husband out of the house and comes up behind him, holding a broom above her head, ready to strike. He has stopped to pray, hands clasped in front of his chest. Through the open door of their house a chair and some shelves can be seen; a set of antlers hangs above the doorway. The face of another person is visible in a second-story window; they peer out at the scene, amused
Description:
Titled by the artist in ink below image., Signed in upper right corner with the artist's initials., Date from local card catalog record., and Mounted with eleven other drawings on page 2 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Volume 1, page 2. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
A thin man, dressed in macaroni fashion, stands in profile to the right, holding a cane in his right hand and a bouquet in his left hand; a sword hangs from his side. A child stands behind him, hat held out as if begging for money
Alternative Title:
This club was instituted and kept at Almacks and called the Macaroni Society
Description:
Titled by the artist in ink below image., Attribution to Bunbury based on inclusion of the drawing in a volume of the artist's work., Date from local card catalog record., and Mounted with eleven other drawings on page 2 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Pen and ink drawing depicting Thomas Carve, (1590-1672?), chaplain to the British forces in Germany, historian and apostolic at Vienna. Carve is shown seated, half-length facing slightly left with a heavy beard and wearing cleric robes; behind him a curtain held with a cord with a tassel on the right. His right hand crosses over his lap and holds a closed volume
Description:
Title from caption inscribed by artist below image. and Possibly by John Brand. Cf. Pen and ink copy attributed to John Brand after an original engraving by M. Vliemayr first published in 1651 and republished in 1795 by Willliam Richardson.
Wash drawing showing three of the bronze lamps kept by Horace Walpole in the Tribune at Strawberry Hill. The lamp depicted at top is in the shape of a foot and includes upon the ankle a figure of cupid fallen asleep over the flame; the lamp depicted below that is in the shape of a face; and the lamp depicted at the bottom is more traditional in form, with the handle at left and spout at right
Description:
Title written in ink below image., Attribution to John Carter from local catalog card., Date of production based on probable date for Richard Bull's assembly of the extra-illustrated volume in which this drawing appears. See Hazen., Mounted on page 165 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., and For further information, consult library staff.
Drawing of two small statues that were kept by Horace Walpole in the Tribune at Strawberry Hill. The female figure on the left, labeled "No. I" lightly in pencil above, stands on a pedestal with her arms extended towards the viewer; human and animal images cover her clothing, griffins and birds decorate the plaques extending behind her head, and a castle tower (?) serves as a hat. The figure on the right, labeled "No. II", is shaped like an Egyptian sacophagus, the portion below the crossed arms being covered with hieroglyphs
Description:
Title written in ink below image., Attribution to John Carter from local catalog card., Date of production based on probable date for Richard Bull's assembly of the extra-illustrated volume in which this drawing appears. See Hazen., Mounted on page 176 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., and For further information, consult library staff.
