A sketchbook of drawings of antiquities, with brief notations about the objects depicted, in multiple hands. Horace Walpole describes the volume in his 1774 Description of Strawberry Hill as "a book of drawings of vases, bas-reliefs, and other antiquities." These very fine, detailed drawings in a variety of media -- graphite, pen and ink, wash, and watercolor -- are in some cases mounted onto the leaves, in other cases, drawn directly onto the rectos
Alternative Title:
Drawings from coins, medals, bronzes, etc. from Greek and Roman antiquities and Book of drawings of vases, bas-reliefs, and other antiquities
Description:
Pietro Santi Bartoli, Italian painter, etcher and engraver, active in Rome., Title from Hazen., No text; a few notes in Italian and Latin., Title from f. [1r] of item. "The title, distributed over six lines on the frontispiece ... was riddled with gaps -- "SO...TI [or "SC...TI"]/D... / VAR ... /COSE / ANTI / CHE"--which I suggest should be read as "Scritti di varie cose antiche" (Notes on various ancient objects)". From Irène Aghion's unpublished research. Aghion also identifies the artist as Bartoli., Cited in Allen T. Hazen's Catalogue of Horace Walpole's library, no. 2371 (New Haven : Yale University Press, 1969) and titled: Drawings from coins, medals, bronzes, &c., In his Description of Strawberry Hill (1774), Horace Walpole cites the volume as: A book of drawings of vases, bas-reliefs, and other antiquities., Rebound in blue morocco by Hodgson of Liverpool, with gold tooled borders and blind-stamping on boards. 'Antiquities. Original drawings' in gold on spine; gilt edges. Binder's stamp on verso of front flyleaf., With the armorial bookplate of Earl of Derby, 1775-1851 and press mark 26. B ; and with the bookplate of Horace Walpole (BP1)., Numbered pages bound in the following sequence: 1-2, 4-5, 3, 6-7, 9-10, 8, 11-16, 18-20, 17, 22-149., Blank leaves: 2-5, 7-8, 16-17, 65. Page 21 missing., and Rebound in blue morocco by Hodgson of Liverpool. Bookplate 1. Not in Manuscript Catalogue of 1763. Bookplate of Lord Derby.
Subject (Topic):
Art, Greek, Art, Roman, Classical antiquities in art, Antiquities, Roman, Greek, Bas-reliefs, Coins, Medals, and Vases
Circular design; in the center a sitting Britannia is shown holding the hand of a young sailor whose other hand holds a hat. Britannia's spear rests against her shoulder, and her shield rests against the pedestal on which she sits. A cannon lies by the feet of the sailor, and two ships are visible on the water in the background. The words "Marine Society institvted MDCCLXV" are inscribed along the inner edge of the top part of the circle, and within the bottom part of the circle is the inscription "Incorporated MDCCLXXII."
Description:
Title from local catalog card., Unsigned; artist unidentified., Date of production based on the inclusion in the design of the Marine Society's 1772 incorporation date., Formerly laid in with one other drawing at page 121 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted together with two other drawings to 49 x 37 cm., and Original case shelved separately.
Volume 2, page 396.1. Inquiries into the origin and progress of the science of heraldry in England.
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of six seals, each numbered from "No. 1" to "No. 6".
Description:
Title devised by curator., Artist identified as Tovey in the Sotheby's catalogue description of the volume in which this drawing is bound., Date based on publication date of the work in which this drawing is bound., "Plate I"--Written above image., and Mounted on page 396.1 in volume 2 of James Dallaway's interleaved, extra-illustrated copy of his: Inquiries into the origin and progress of the science of heraldry in England. Gloucester : Printed by R. Raikes, for T. Cadell, London, 1793.
Subject (Name):
Henry II, King of England, 1133-1189., Henry III, King of England, 1207-1272., and Edward I, King of England, 1239-1307.
Volume 2, page 396.3. Inquiries into the origin and progress of the science of heraldry in England.
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of eight seals, each numbered from "No. 15" to "No. 22".
Description:
Title devised by curator., Artist identified as Tovey in the Sotheby's catalogue description of the volume in which this drawing is bound., Date based on publication date of the work in which this drawing is bound., and Mounted on page 396.3 in volume 2 of James Dallaway's interleaved, extra-illustrated copy of his: Inquiries into the origin and progress of the science of heraldry in England. Gloucester : Printed by R. Raikes, for T. Cadell, London, 1793.
Subject (Name):
Edward III, King of England, 1312-1377., Henry III, King of England, 1207-1272., and Edward I, King of England, 1239-1307.
Volume 2, page 396.2. Inquiries into the origin and progress of the science of heraldry in England.
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of eight seals, each numbered from "No. 7" to "No. 14".
Description:
Title devised by curator., Artist identified as Tovey in the Sotheby's catalogue description of the volume in which this drawing is bound., Date based on publication date of the work in which this drawing is bound., and Mounted on page 396.2 in volume 2 of James Dallaway's interleaved, extra-illustrated copy of his: Inquiries into the origin and progress of the science of heraldry in England. Gloucester : Printed by R. Raikes, for T. Cadell, London, 1793.
Subject (Name):
Edward II, King of England, 1284-1327., Henry III, King of England, 1207-1272., and Edward I, King of England, 1239-1307.
Volume 2, page 398.1. Inquiries into the origin and progress of the science of heraldry in England.
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of sixteen seals, in four rows of four, each identifiying text below
Description:
Title devised by curator., Artist identified as Tovey in the Sotheby's catalogue description of the volume in which this drawing is bound., Date based on publication date of the work in which this drawing is bound., and Mounted on page 398.1 in volume 2 of James Dallaway's interleaved, extra-illustrated copy of his: Inquiries into the origin and progress of the science of heraldry in England. Gloucester : Printed by R. Raikes, for T. Cadell, London, 1793.
Subject (Name):
Edward III, King of England, 1312-1377., Henry VI, King of England, 1421-1471., Henry VIII, King of England, 1491-1547., and Edward I, King of England, 1239-1307.
Volume 2, page 396.4. Inquiries into the origin and progress of the science of heraldry in England.
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of two circular seals side-by-side, the leftmost seal showing an armorial shield with bear and griffin supporters, surmounted by two helmets. On the seal on the right a shield on its side flanked by a lion rampant and an eagle, with feathers on either side and a crowned lion at top; this seal also has Latin text around its edge
Description:
Title devised by curator., Artist identified as Tovey in the Sotheby's catalogue description of the volume in which this drawing is bound., Date based on publication date of the work in which this drawing is bound., and Mounted on page 396.4 in volume 2 of James Dallaway's interleaved, extra-illustrated copy of his: Inquiries into the origin and progress of the science of heraldry in England. Gloucester : Printed by R. Raikes, for T. Cadell, London, 1793.
Volume 2, page 398.3. Inquiries into the origin and progress of the science of heraldry in England.
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of two seals, one above the other. The top seal shows Henry VIII on a throne holding the globus cruciger in his left hand and a dagger in his right hand; he is flanked by two armorial shields surmounted by crowns, and Latin text runs along the circular border of the seal. The bottom a seal of the Archbishop of York with Saint Peter holding a key and Saint Paul with a sword under the arches of a building and with Cardinal Thomas Wosley's coat of arms (in reverse) below identified by text in Latin encircling the border
Alternative Title:
Ego et rex meus
Description:
Title devised by curator; alternative title written in ink., Artist identified as Tovey in the Sotheby's catalogue description of the volume in which this drawing is bound., Date based on publication date of the work in which this drawing is bound., and Mounted on page 398.3 in volume 2 of James Dallaway's interleaved, extra-illustrated copy of his: Inquiries into the origin and progress of the science of heraldry in England. Gloucester : Printed by R. Raikes, for T. Cadell, London, 1793.
Subject (Name):
Henry VIII, King of England, 1491-1547.
Subject (Topic):
Seals (Insignia), Coats of arms, Kings, and Clergy
One sheet with sketches on front and back, mostly in ink, of bridges from a variety of angles
Description:
John Chute (1701-1776), English architect and connoisseur of the arts and literature, member of Horace Walpole's 'committee of taste.' and Originally laid in: Slight architectural sketches by John Chute, Box 1.
Studies of two couples and two men, most with caricatured faces. One of the couples is dancing (?); the other is shown with the woman sitting on the man's lap, he with a lewd grimace on his face
Description:
Title devised by cataloger., Attributed to Thomas Rowlandson., and For further information, consult library staff.
