"View inside the institution; paintings hang from walls, artists set up around sides with canvases supported by easels copying the displayed work; a table in centre of room with paints and brushes; an arch leads on to the next room with a similar set up."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 13., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 1, opposite page 98.
Publisher:
Pub. 1st April 1808 at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England), England, and London.
Subject (Name):
British Institution.
Subject (Topic):
Galleries & museums, Interiors, Painting, and Art education
"Scene in an auction room, a sale in progress; paintings hang from walls and are displayed from an easel, a crowd gathers in room."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 6., Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 1, opposite page 32., 1 print : etching and aquatint on wove paper, hand-colored ; sheet 25.2 x 30.7 cm., Imperfect; plate number erased from sheet, and sheet trimmed within plate mark on top edge., Watermark: 1805., and Mounted on leaf 24 of volume 9 of 14 volumes.
Publisher:
Pub. Feb. 1, 1808, at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Christie, Manson & Woods.
Subject (Topic):
Audiences, Crowds, Events, Interiors, and Art auctions
"Scene in an auction room, a sale in progress; paintings hang from walls and are displayed from an easel, a crowd gathers in room."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 6., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 1, opposite page 32.
Publisher:
Pub. Feb. 1, 1808, at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Christie, Manson & Woods.
Subject (Topic):
Audiences, Crowds, Events, Interiors, and Art auctions
"Interior of the Athenian Lyceum on Piccadilly, during a meeting of the Debating Society."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 29., Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 1, opposite page 223., and Mounted on leaf 27 of volume 9 of 14 volumes.
Publisher:
Pub. Augt. 1, 1808, at R. Ackermann's Repository of Arts, 101 Strand
"Interior of the Athenian Lyceum on Piccadilly, during a meeting of the Debating Society."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 29., Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 1, opposite page 223., and 1 print : aquatint and etching on wove paper, hand-colored ; plate mark 23.2 x 28 cm, on sheet 26.5 x 33.9 cm.
Publisher:
Pub. Augt. 1, 1808, at R. Ackermann's Repository of Arts, 101 Strand
"Portrait seen almost half-length to right, head in three-quarter profile to right, wearing wig and partially open coat; after Reynolds (Mannings 73); lettered state after quotation re-arranged on two lines."--British Museum online catalogue
Description:
Title engraved below image., State from: Russell, C.E. English Mezzotint portraits and their states., Date range for publication from the British Museum online catalogue, registration no.: 1902,1011.2113., Sheet trimmed to plate mark., Two lines of verse below title: The suffrage of the wise, the praise that's worth ambition, is attain'd by sense alone, & dignity of mind., Window mounted to 51 x 36 cm., Mounted opposite page 37 (leaf numbered '65' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan., and With small ink ownership stamp ("T.L" within a double-lined oval) in lower left beneath painter's name. Also with ink annotations on verso, in a contemporary or slightly later hand: "N16693" and "private plate" written in lower left, and "5 s." written in lower right.
"Members of the Grenville family surround a table on which a black footman places a basket containing an attractive baby. The child kicks and crows as the man lifts up the wrapping which had covered her. A blue ribbon with a seal or jewel hangs from the basket, which is labelled 'for the Marchioness Broad Bot[tom]', with a paper: 'Copy of Verses to the Marchioness of Broad ... ' [the words dwindle to illegibility]. The Marchioness and the Marquis (right), side by side, lean towards the basket. The former, in back view, is dressed as an abbess, with a large cross on her rightobe where it covers her heavy posterior. An enormous rosary hangs from her waist; she wears many rings, and a gold-trimmed gown under her black robe. Her husband, who has just risen from a chair, peers through his spectacles; he wears military uniform, his left hand rests on an enormous cross worn in place of a sword. On the farther side of the table his two brothers, Thomas Grenville and Lord Grenville, wearing monkish robes with rosaries round their necks, stare with impassive disapproval at the foundling. On the left and in profile to the right stand Buckingham's two sons, Lord George Grenville (less stout than his brother, but with an equally projecting posterior, see British Museum Satires No. 11064) and Lord Temple, his breeches pocket stuffed with guineas. [The identifications are those of Lord Holland.] The child is on a round library table covered with green cloth, and with drawers inscribed 'Lists of Pensions', 'Lists of Sinecures', 'Lists of Places', 'Crown Grants'. Through the open door (left) two fat liveried servants stare at the scene. Behind them a Jesuit descends a staircase, holding a paper: 'Inquisition.' The room is an oratory, with an altar (right), much burlesqued in Gillray's manner when designing emblems of 'Popery', cf. British Museum Satires No. 10404. An open book leans against the open sanctuary which supports a chalice and the Host. Its pages are headed 'Sante Marie', 'Sante Joseph', 'Sante Diable', 'Sante Napoleone'. Within the sanctuary is a demon hugging money-bags. In front of the book is a bell. The book is flanked by wine-bottles: in the neck of one is a calvary, in that of the other a bunch of roses (cf. British Museum Satires No. 10558, &c. Two fat cherubs with heavy posteriors, holding palm branches, flank the chalice. ...."--British Museum online catalogue
Alternative Title:
Misfortune of not being born with marks of "the talents"!
Description:
Title etched below image., Text below title: "What! a relation to the Broad-bottom's? O Sainte Marie! why there's not the least appearance of it! Therefore, take it away to the workhouse directly!", 1 print : etching with aquatint ; plate mark 25.4 x 35.7 cm, on sheet 25.9 x 36.5 cm., Printed on wove paper; hand-colored., and Sheet trimmed to plate mark on bottom edge. With circular ink stamp "Marks Collection" on verso.
Publisher:
Publish'd May 19th, 1808, by H. Humphrey, 27 St. James's Street
Subject (Name):
Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Grenville, William Wyndham Grenville, Baron, 1759-1834, Grenville, Thomas, 1755-1846, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, and Nugent, George Nugent Grenville, Baron, 1788-1850
Subject (Topic):
Black people, Infants, Baskets, Servants, Religious articles, Robes, Tables, Altars, Chandeliers, and Doors & doorways
"Members of the Grenville family surround a table on which a black footman places a basket containing an attractive baby. The child kicks and crows as the man lifts up the wrapping which had covered her. A blue ribbon with a seal or jewel hangs from the basket, which is labelled 'for the Marchioness Broad Bot[tom]', with a paper: 'Copy of Verses to the Marchioness of Broad ... ' [the words dwindle to illegibility]. The Marchioness and the Marquis (right), side by side, lean towards the basket. The former, in back view, is dressed as an abbess, with a large cross on her rightobe where it covers her heavy posterior. An enormous rosary hangs from her waist; she wears many rings, and a gold-trimmed gown under her black robe. Her husband, who has just risen from a chair, peers through his spectacles; he wears military uniform, his left hand rests on an enormous cross worn in place of a sword. On the farther side of the table his two brothers, Thomas Grenville and Lord Grenville, wearing monkish robes with rosaries round their necks, stare with impassive disapproval at the foundling. On the left and in profile to the right stand Buckingham's two sons, Lord George Grenville (less stout than his brother, but with an equally projecting posterior, see British Museum Satires No. 11064) and Lord Temple, his breeches pocket stuffed with guineas. [The identifications are those of Lord Holland.] The child is on a round library table covered with green cloth, and with drawers inscribed 'Lists of Pensions', 'Lists of Sinecures', 'Lists of Places', 'Crown Grants'. Through the open door (left) two fat liveried servants stare at the scene. Behind them a Jesuit descends a staircase, holding a paper: 'Inquisition.' The room is an oratory, with an altar (right), much burlesqued in Gillray's manner when designing emblems of 'Popery', cf. British Museum Satires No. 10404. An open book leans against the open sanctuary which supports a chalice and the Host. Its pages are headed 'Sante Marie', 'Sante Joseph', 'Sante Diable', 'Sante Napoleone'. Within the sanctuary is a demon hugging money-bags. In front of the book is a bell. The book is flanked by wine-bottles: in the neck of one is a calvary, in that of the other a bunch of roses (cf. British Museum Satires No. 10558, &c. Two fat cherubs with heavy posteriors, holding palm branches, flank the chalice. ...."--British Museum online catalogue
Alternative Title:
Misfortune of not being born with marks of "the talents"!
Description:
Title etched below image., Text below title: "What! a relation to the Broad-bottom's? O Sainte Marie! why there's not the least appearance of it! Therefore, take it away to the workhouse directly!", and Mounted on leaf 54 of volume 6 of 12.
Publisher:
Publish'd May 19th, 1808, by H. Humphrey, 27 St. James's Street
Subject (Name):
Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Grenville, William Wyndham Grenville, Baron, 1759-1834, Grenville, Thomas, 1755-1846, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, and Nugent, George Nugent Grenville, Baron, 1788-1850
Subject (Topic):
Black people, Infants, Baskets, Servants, Religious articles, Robes, Tables, Altars, Chandeliers, and Doors & doorways
"Canning stands on a platform (left) which is surrounded by a dense crowd of ruffianly looking Irishmen, some with pikes and banners. With his top-hat in his right hand, the (gloved) left hand extended, he says: Gentlemen, may I beg to know what it is you all want?--you may depend upon my firm support. One of the mob, raising a clenched fist, answers: Now dont you know what we want better than ourselves? so you do. O the devils in it but you have a bad memory. Well den we want our Rights my dear honey. Other shouts are: Yes and our Wrongs; And the Parliament; And the Union back again. A tattered ruffian with a cocked blunderbuss inscribed Redress says Musha--bad luck to you. Two shout O Connell for ever, and a third says: By the powers of Potteen we'll have O'Connell in Parliament to assist you my darling. Two men shout Erin go Bragh. A man holding a pike shouts Canning for ever well done my Jewel. Four others: Down with the Orangemen; Success to Captain Rock [see British Museum Satires No. 14675]; And the good old days of King James; Och! Spelspeen. A villainous-looking monk holds a large cross inscribed Religion; it is topped by a spike supporting a bonnet rouge. A crosier to which is tied a large money-bag inscribed Catholic Rent is held high. Banners are inscribed: O'Connell for ever; Six Millions of People [red] surmounted by a green pennant on which is an Irish harp; and Toleration. In the foreground a woman with two children gazes up at Canning; a few other women are among the crowd. A man seated on the shoulders of another plays a fiddle: a bottle is brandished and bludgeons, one spiked, are displayed. An enormous crowd with pikes, receding in perspective, is indicated in the background."--British Museum online catalogue
Alternative Title:
Paddy coming it strong!!
Description:
Title etched below image. and With circular ink stamp "Marks Collection" on verso.
Publisher:
Pubd. Feby. 1825 by G. Humphrey, 24 St. James's Street
Subject (Name):
Canning, George, 1770-1827 and O'Connell, Daniel, 1775-1847.
Caption title., First line: Mankind having now arrived at the utmost stretch of their perogative ordained by the foreknowledge of God ..., Date of publication inferred from the date of the execution., Printed in two columns; with a woodcut illustration of a man being taken to the gallows on a cart at head of sheet., Execution broadside that describes the crime and trial of David Proctor, who was found guilty of raping (and infecting with venereal disease) his daughter-in-law, the nine-year-old Charlotte Waters., and Laid down on a sheet of thicker later paper. For further information, consult library staff.
Publisher:
publisher not identified
Subject (Geographic):
England and Nottingham.
Subject (Name):
Proctor, David, -1795. and Waters, Charlotte, approximately 1786-
Subject (Topic):
Executions and executioners, Trials (Rape), Carts & wagons, and Criminals
