Manuscript, in a single hand, of a copy by Mark Noble, with annotations, of his sister's diary of their tour through Derby and Stafford, recording their impressions of the counties' great houses and churches; and relating anecdotes and historical notes about the inhabitants, the churches and monuments, local legends and superstitions. She explores the town of Ashborne and Ashborne School, while a guest at Sandy Brook, the home of a Mrs. Gisborne; reminiscenses about Dr. Taylor and Dr. Johnson, and the students of Taylor's including the brother of the antiquarian Thomas Astle. In the chapel at Ashbourne Hall, she examines a monument Sir Brook Boothby had erected there in memory of his daughter Penelope and deplores his harsh treatment of his wife, said to have been a dwarf. In Derby, she passes by Sir Michael Gresley's seat, and relates details of their difficult relationship. She praises the furniture at Ilam Hall; visits John Gisborne's mansion at Sudbury; writes approvingly of his character; and concludes her narrative with a description of his wife and children. They visit Lichfield Cathedral and write about the monuments and renovations
Description:
Mrs. Sarah Chattock was the sister of the antiquarian Rev. Mark Noble (1754-1827)., In English., Binding: marbled paper. Written on front cover: Mrs. S. Chattock's Tour through Derby & Stafford Shires with note by her brother the Rev. Mark Noble., and For further infromation, consult library staff.
Subject (Geographic):
England, Derbyshire., Staffordshire., England., Derbyshire (England), and Staffordshire (England)
Subject (Name):
Ashbourne Hall (Ashbourne, England), Boothby, Brooke, 1743-1824., Bertram, Saint., Camden, William, 1551-1623. Britannia., Cokayne family., Chattock, Sarah., Greene, Richard, 1716-1793., Gisborne family., Gisborne, J. 1770-1851 (John),, Gisborne, Thomas, 1758-1846., Gresley family., Mary, Queen of Scots, 1542-1587, Laporte family., Johnson, Samuel, 1709-1784., Noble, Mark, 1754-1827., Taylor, John, 1711-1788., Ashbourne (England), Ilam Hall (Staffordshire, England), Lichfield Cathedral., and Sudbury Hall (England)
Subject (Topic):
Description and travel, Architecture, Domestic, Gentry, Conduct of life, Monuments, Sepulchral monuments, Travelers' writings, English, and Social life and customs
Manuscript on parchment of 1) Dares Phrygius, De excidio Troiae historia, in the Latin translation ascribed to Cornelius Nepos, followed by the lists of those killed by the heroes on both sides. 2) Geoffrey of Monmouth (Galfredus Monemutensis, d. 1154), Historia regum Britanniae. 3) De origine Normannorum, a short history of Normandy up to Henry I, King of England and Duke of Normandy (d. 1135). The main part of this text derives from Hugh of Saint-Victor (Hugo de Sancto Victore, d. 1141), Excerptiones allegoricae, X, 10 (PL 177.284) and is followed by a short list of Dukes of Normandy. 4) Three unidentified poems on the miracles of St. Benedict, followed by rhymed liturgical prayers to be said in the presence of the relics of the saint, and another poem on St. Benedict. This manuscript, which from the beginning contained all four texts described above, was copied in a Benedictine abbey
Description:
In Latin., Script: Carefully copied by one hand in Northern Gothica Textualis Libraria., Headings and running titles in red, many now poorly legible. Heightening of majuscules in red. Large decorated Romanesque initials, red or green, at the head of artt. 1 and 2; 2- or 3-line plain initials alternately in red and blue and 1-line initials in the same colours in the middle of the text in art. 2; on f. 91r, at the beginning of Book XI, there is a 3-line flourished initial in blue with red penwork, which may be added later. 3-line red plain initial at the beginning of art. 3. 2-line initials in art. 4, of the same kind as in artt. 1-2., and Binding: Eighteenth century. Sprinkled calf over cardboard; the covers have gilt edges.
Subject (Geographic):
Connecticut, New Haven., Great Britain, Normandy (France), and Troy (Extinct city)
Subject (Name):
Dares, Phrygius. and Benedictines.
Subject (Topic):
Devotional literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Literature, Medieval, Manuscripts, Medieval, and History
Manuscript, on paper with a table of contents on a single parchment leaf, in a single hand, containing the "Summer" portion of this Dominican-compiled German legendary
Description:
In Middle High German., Bookseller description available., Layout: Double columns of mostly 35 lines., Script: German cursive., Decoration: some rubrication. Three-line and one-line capitals in red., and Binding: tooled and stamped brown leather over wooden boards; four-compartmented spine. Remains of metal clasps with leather straps.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Christian saints, Manuscripts, Medieval, Saints, and Lives and legends
Manuscript on paper and parchment of (1) Guido delle Colonne (13th cent.), Historia destructionis Troiae: Italian version by Filippo Ceffi (14th cent.); and (2) Boccaccio, Filostrato; with (3) notes on deceased military figures, poems, and pen and ink drawing
Description:
In Italian., Script: Copied by the Florentine scribe, Tedice di Ghuigliadore, while a prisoner in Naples in Gothica Cursiva Currens (Mercantesca)., Decoration: Artt. 1, 2, 6 and 7 are undecorated. In art. 4, there are red headings and paragraph marks; and 4-line red initials at the opening of each book. In art. 5, there are red headings and 2-line red initials. On f. 1r, a 3-line red flourished initial with penwork and a border in a wavy serrated pattern, suggesting a plant issuing from a vase. On f. IVr (art. 3), a full-page pen-and-ink drawing of a battle between the Greek and Trojan armies, with Achilles ("Achille"), Hector ("Ettore"), and Troilus ("Troiolo") in the foreground, and ships at the port and city of Tenedos ("Tenedon") in the background., and Binding: Quarter, reddish brown leather and wooden boards, sewn on four split thongs.
Subject (Geographic):
Connecticut, New Haven., and Troy (Extinct city)
Subject (Name):
Boccaccio, Giovanni, 1313-1375. and Colonne, Guido delle, active 13th century.
Manuscript on paper of Raoul LeFevre, Le Recueil des histoires de Troies. With Author's Prologue to Philip the Good, Duke of Burgundy
Description:
In French., Watermarks: similar in design to Briquet Lettres et Monogrammes 9747., Script: Written in bold batarde by two scribes. Scribe 1) ff. 1r-125r; Scribe 2) 125r-262r., On f. 6r, a 4-line initial in red and black, crude. 3- to 1-line plain initials and paragraph marks, in red. Rubrics, sometimes with calligraphic flourishes extending into margins, throughout., and Binding: Eighteenth century. Yellow edges. Blue diced calf, gold-tooled, with red labels.
Subject (Geographic):
Connecticut, New Haven., and Troy (Extinct city)
Subject (Name):
Lefèvre, Raoul, fl. 1460. and Philip, Duke of Burgundy, 1396-1467.
Manuscript volume, on paper, containing two secular vernacular romances attributed in the dedication to a single unidentified author. The first, I Nobili Fatti di Alessandro Magno, is an Italian translation of the Latin version of the life of Alexander the Great by Pseudo-Callisthenes. The second text is The Romance of Troas. Troas, a descendant of Hector, is the king of Thessaly; his son Troiano journeys to Britain and joins the army of King Arthur's father, Uther Pendragon, who is leading an army of Britons, Trojans and Romans against the Greeks
Description:
In Italian., Ownership inscription and drawing of arms of "Alessandro dale Carte" on rear flyleaf., Bookplate of Sir Thomas Phillipps on front pastedown; Phillipps MS number inscribed on recto of f1., Layout: single columns of variable length., Script: Italian cursive bookhand., Decoration: Rubricated (ff. 1-91 only)., and Binding: nineteenth-century half-calf, rebacked.
Subject (Geographic):
Connecticut, New Haven., and Troy (Extinct city)
Subject (Name):
Alexander, the Great, 356-323 B.C. and Pseudo-Callisthenes.
Subject (Topic):
Arthurian romances, Italian prose literature, Manuscripts, Medieval, and Uther Pendragon (Legendary character)
Manuscript on paper (various watermarks), composed in four parts, of 1) Pomponius Mela, De chorographia libri tres, ending abruptly in III.107. 2) Vibius Sequester, De fluminibus, fontibus, lacubus, nemoribus, paludibus, montibus, gentibus. 3) Unidentified text(s) on the names of the Roman provinces and their regions (ff. 47v-48v) and the names of the cities in the provinces (ff. 48v-50r). 4) Dares Phrygius, De excidio troiae historia, ending abruptly and missing f. 54. Arts. 5-9, a series of exordia, appear to be school exercises in Latin prose composition, all poorly written and heavily corrected. They follow approximately the text of Justinus' Epitoma, but are much abbreviated; the Latin is often incomprehensible without a prior knowledge of the historical narrative. 10) Short unidentified passages on Epirus
Description:
In Latin., Script: Part I (ff. 1-38): Written by multiple scribes in humanistic cursive script, above top line. Part II (ff. 41-50): Written by several scribes in humanistic cursive, above top line. Part III (ff. 51-76): Written by several scribes in varying styles of humanistic cursive, above top line. Part IV (ff. 72-76): Written by a single (?) scribe in humanistic cursive script., Part I: Plain red initials, 5- to 1-line. Epigraphic heading on f. 1r; other headings in humanistic bookhand, in red. Part II: Epigraphic headings and plain initials, 3- to 1-line, in black. Part III: Epigraphic heading, f. 51r, and plain intials in black. Part IV: Heading on f. 72r in red., The patterns of stains suggest that the parts were originally separate booklets., and Binding: Eighteenth century, Italy. Paper case, once white.
Subject (Geographic):
Connecticut, New Haven., Rome (Italy), and Troy (Extinct city)
Subject (Name):
Mela, Pomponius.
Subject (Topic):
Cosmography, Education, Medieval, Manuscripts, Medieval, and Description and travel
A subscription ticket for the "Analysis of Beauty", based on Leonardo's Last Supper, depicts Christopher Columbus demonstrating how to make an egg stand on its end. The five observers look at the cracked egg, upright on the table, in amusement at the evidence of an inventive mind at work. Two other eggs intertwined with two eels lie on a plate in the center of the table. A dog peeps over the edge of the table in the foreground; the cutlery is pushed off to one side
Description:
Title, publisher, and state from Paulson., Text engraved below image: "Rec'd [blank] of [blank] five shillings being the first payment for a short tract in quarto call'd the Analysis of Beauty; wherein forms are consider'd in a new light, to which will be added two explanatory prints serious and comical, engraved on large copper plates fit to frame for furniture." N.B. The price will be rais'd after the subscription is over.", A subscription ticket for Analysis of beauty., With the subscription ticket "Columbus breaking the egg", first state, trimmed to the image, mounted on the verso of the t.p., and Trimmed to the image; mounted on verso of title page in Horace Walpole's copy of Analysis of beauty.
A subscription ticket for the "Analysis of Beauty", based on Leonardo's Last Supper, depicts Christopher Columbus demonstrating how to make an egg stand on its end. The five observers look at the cracked egg, upright on the table, in amusement at the evidence of an inventive mind at work. Two other eggs intertwined with two eels lie on a plate in the center of the table. A dog peeps over the edge of the table in the foreground; the cutlery is pushed off to one side
Description:
Title, publisher, and state from Paulson., Text engraved below image: "Rec'd [blank] of [blank] five shillings being the first payment for a short tract in quarto call'd the Analysis of Beauty; wherein forms are consider'd in a new light, to which will be added two explanatory prints serious and comical, engraved on large copper plates fit to frame for furniture." N.B. The price will be rais'd after the subscription is over.", A subscription ticket for Analysis of beauty., Ms. note in pencil in Steevens's hand centered at top of page: Columbus., Ms. note in pencil in Steevens's hand between this print and another to the right: See Mr. Nichols's book, 3d. edit. p. 324., With Hogarth's signature in ink and wax seal. Also dated October 1, 1752 to Arlander Dobson Esqr., and On page 163 in volume 2. Sheet trimmed to plate at top: 22.3 x 19.6 cm.
