A scene of a busy market in the West Indies with enslaved, free Africans, and white mingling amongst the vendors: The Black vendors are seated on the ground with their wares displayed around them, including produce (mellons, pineapples, bananas, etc.), livestock (goats, pigs, poultry, etc.); one man (left) is holding a lizard (iguana?); a little boy holds a bird on his finger. One woman carries her chickens and a piglet in a basket balanced on her head. Customers, both Black and mixed-race, mingle with vendors. White women with umbrellas and white men wearing hats walk among the vendors; a horse and carriage and buildings are in the background
Description:
Title from text below image., Based on a 1806 etching with the title: Negroes Sunday Market at Antigua. Engraved by Cordon, Pub. by G. Tustolini, London, 1806. See National Maritime Museum, Greenwich, UK. Accession reference: National Maritime Museum, ZBA2594., Motte started publishing in 1818 in Paris, opened a branch in London in 1830, and moved to 70 St. Martin's Lane in 1831. See British Museum online catalogue., "From an original drawing taken in 1806."--Lower left, below design., After W.E. Beastall and the engraving by Cardon. Cf. Negroes Sunday market at Antigua / engraved by Cardon. Pub. by G. Tustolini, London, 1806. Accession reference: National Maritime Museum, ZBA2594., and Imprint partially burnished and illegible.
Publisher:
Printed by Motte, 70 St. Martins Lane
Subject (Geographic):
Antigua.
Subject (Topic):
Black people, Animals, Farm produce, Markets, Poultry, and Slave trade
Title from caption below image., Text following title: This is enough to make a parson swear., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker, artist
Published / Created:
May 1831.
Call Number:
831.05.00.02+
Image Count:
1
Resource Type:
still image
Abstract:
Grey stands in the center pulling back a curtain on the large painting (right) addressing the three men (probably Peel, Cumberland, and Wellington) who look on in amazement. Grey says, "Gentlemen this is a fine color'd picture representing Futurity. The idea of which was concieved [sic] by an injured people and painted by a new and promising artist. Reform." Reading from the left Peel looks at himself in the painting seated in a chair at a loom, "Why if there a'nt me at a spinning Jenny." Cumberland, hat flying off, looking at himself depicted in the painting on his backside, "And me dying on a dunghill." And Wellington closest to the painting that depicts him as a wounded soldier holding a broom and begging with his cap in hand, observes "And me begging." In the painting is a tower with the British and French flags the former with the year 1814, referencing the Wellington's successful campaign to end the Peninsular War
Description:
Title from text below image. and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Pub. by G. Tregear, Cheapside
Subject (Geographic):
Great Britain
Subject (Name):
Great Britain. Parliament, Wellington, Arthur Wellesley, Duke of, 1769-1852, Ernest Augustus, King of Hanover, 1771-1851, Peel, Robert, 1788-1850, and Grey, Charles Grey, Earl, 1764-1845
Subject (Topic):
Reform, Politics and government, Begging, Spinning machinery, and Paintings
Title from caption below image., Date of publication from unverified data from local card catalog record., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
April 25th, 1831.
Call Number:
831.04.25.01+
Image Count:
1
Resource Type:
still image
Abstract:
"A cricket-match. The King (left), who is nearest the picture-plane and larger in scale than the others, has just bowled, with arms flung wide, a huge ball inscribed 'Reform', hitting the batsman, Wellington, in the stomach and knocking him against the stumps. Grey fields near the King, exclaiming, 'Hu.a he's Out'; the King: 'Aye and with a Ground hopper too'. Farther off (left to right) are Burdett (in top-boots), Lord John Russell, who says 'Thats what I call a Purger' [see British Museum Satires No. 16602], and Brougham. All the players wear shirts and waistcoats. There are also two others in the field (as spectators they wear coats), Aberdeen (indicated by tartan) who says 'Foul Foul', and Cumberland. In the background are many frantically cheering spectators and a marquee from which flies a flag inscribed 'Umpire Public Opinion'."--British Museum online catalogue
Alternative Title:
Bowled out, or, The King and all England against the Boroughmongers, K-g & all England against the Boroughmongers, and King and all England against the Boroughmongers
Description:
Title from text below image.
Publisher:
Pub. by Tregear, Cheapside
Subject (Name):
William IV, King of Great Britain, 1765-1837, Wellington, Arthur Wellesley, Duke of, 1769-1852, Grey, Charles, 2nd Earl, 1764-1845, Burdett, Francis, 1770-1844, Russell, John Russell, Earl, 1792-1878, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Aberdeen, George Hamilton Gordon, Earl of, 1784-1860, and Ernest Augustus, King of Hanover, 1771-1851
"Distraught customers besiege an apothecary's counter. A fat man pounds with a pestle in a mortar; a dandified shopman serves; another, with a knowing wink, takes a canister from a shelf. A boy holds out a coin: 'I wants a pennorth O Camphor'. A man with a bottle demands 'Spirits of Wine and mustard'. A woman says 'I feel very poorly'. A man and a woman both call for 'Camphor' and a man with a jug says 'Soap Sir'. (For the cholera epidemic see British Museum Satires No. 16922, &c.)"--British Museum online catalogue
Description:
Title from text below image., Attributed to Robert Seymour in the British Museum catalogue., One of three individually-titled Illustrations on page 2 of: McLean's monthly sheet of caricatures, or, The looking glass. No. 24 (1 December 1831)., Sheet trimmed with loss of the other two llustrations issued on the same page., and Temporary local Medical Library subject terms: Pharmacies, interior.
Publisher:
T. McLean
Subject (Topic):
Cholera, Drugstores, Interiors, Mortars & pestles, Counters, and Consumers
Two men, one a low class man and the other well-to-do, pass each other, both with angry faces. Dialogue in image: How dare you sneeze as I walk by. How dare you walk by as I sneeze
Description:
Title from caption below image. and Lithographer from British Museum catalogue.
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[1831]
Call Number:
831.00.00.39
Image Count:
1
Resource Type:
still image
Description:
Title from heading above image., Caption below image: Hey laddie can ye no tell what's the matter wi' me, for I dinna ken myself., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms:, and Watermark.
