Manuscript on paper of Julius Caesar (100-44 B.C.), Commentarii de bello Gallico; with flyleaf notarial documents
Description:
Script: Copied by one hand (scribe named John for unknown commissioner), writing Gothica Hybrida Libraria and using some Capitalis majuscules (especially "a"); while the flyleaves are written in documentary Gothica Semihybrida., Decoration: Headings and explicit formula in purplish red, generally in imitation Capitalis; 3- (once 4-) line initials in the same colour, mostly in imitation Capitalis; running headlines in red on the recto pages, containing the number of the book in Roman numerals., Binding: Blind-tooled red leather over wooden boards, sewn on four double cords; both covers are decorated with frames of fillets; the central panel is decorated in Lederschnitt; plaited headbands; and two brass clasps attached to the rear board., and In Latin.
Manuscript on paper of Adolfus von Wein, Doligamus. The text, a series of fables concerning the deceitful conduct of women, is heavily annotated with interlinear glosses and lengthy explanatory prose passages inserted both between segments of the text and in the outer margins. With Albertus Magnus, attributed author, De secretis mulierum; and Pope Pius II (Aeneas Sylvius Piccolomini), Carmen in laudem Friderici Caesaris, a poem written in praise of Friedrich III (1415-93), King of the Germans and later crowned Holy Roman Emperor
Description:
In Latin., Watermarks: similar to Piccard, Ochsenkopf XIII.173 and XI. 201, and similar in design to Briquet Main 11090, 11092-93., Script: Written by a single scribe in inelegant gothic cursive, with a smaller script for commentary and interlinear notations., Crude decorative initials, 2-line, in red, some with foliage designs in body of letter; first letter of each verse stroked with red., Some loss of marginalia due to trimming on ff. 8v, 9r., and Binding: Twentieth century. Red paste-paper case with a black, gold-tooled label.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Adolfus, von Wien, 14th cent. and Frederick III, Holy Roman Emperor, 1415-1493.
Subject (Topic):
Didactic literature, Latin (Medieval and modern), Fables, Laudatory poetry, Latin, Manuscripts, Medieval, and Scholia
Manuscript on paper, composed in 3 parts, of unidentified sermons. The three sections appear to have the same origin and to have been united soon after their making. The scribe and owner was a lay brother in the convent of Augustinian Canons St. Dorothea in Vienna
Description:
In German and Latin., Watermarks: Part I: balance, var. Piccard, Waage V.331?; star, var. Briquet 6077?. Part II: bull's head, unidentified?. Part III: column var. Briquet 4408?; bull's head var. Briquet 14825? (last three folios)., Script: Part I (ff. 1-76) copied by various hands writing Gothica Cursiva Libraria with Bastarda features. Part II (ff. 77-160) copied by one hand in Gothica Cursiva Libraria with Bastarda features. Part III (ff. 161-261) copied by five hands in Gothica Cursiva Libraria., Part I: Headings in red, often missing; heightening of the majuscules in red; plain red 4-line initials; they are flourished with black penwork on ff.18v-19r. Part II: Headings in red, sometimes missing. Red heightening of majuscules on ff. 125v-126r only. Spaces and guide-letters for 2-3 line initials (4-line initial on f. 77r) , which have not been executed., Part III: The decoration of art. 15 consists of 3-4 line plain initials in red; at the opening a 5-line flourished initial in red. Art. 16 has red stroking of the opening majuscules of all verses and 2-line plain red initials. In art. 17 the majuscules are heightened with red. The Fables in art. 15 are illustrated with unframed watercoloured pen drawings., and Binding: Contemporary blind-tooled calf over unbevelled wooden boards, worm-eaten. Spine with three raised bands. Remnants of two brass clasps attached to the rear cover, containing several times the inscription in relief "Osan".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Augustinian Canons. and Catholic Church
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Sermons, and Sermons, German
Manuscript fragment on parchment of an index from a missal of the temporale, sanctorale, and Common of the saints
Description:
In Latin., Script: written in gothic script (littera textualis formata) in red and black ink., and Decoration: the 1-line initials at the beginning of each line are in red or in black highlighted with red; the feasts of Advent, the canon and prefaces of the Mass, the first Sunday after Easter, the beginning of the sanctorale, and all the items of the Commons are written in red; other important feast days such as Christmas, Epiphany, Easter, and Pentecost begin with a paragraph mark in red; punctuated with the punctus.
Manuscript on paper, composed of four parts. Part I (ff. 1-13): Calendar, etc. Part II (ff. 14-138): Jacobus de Voragine, Legenda aurea. Part III (ff. 139-173): Anonymous letter to John Huss written after the Council of Constance; 35 articles of erroneous dogmatic teaching of the Greek church, written in the circle of the papal court during the endeavour to reconcile the Greek and Roman Churches at the Councils of Ferrara and Florence (1437-39). Part IV (ff. 174-269): Latin-German vocabulary
Description:
In Latin and German., Watermarks: unidentified mountain in gutter., Script: Each part written by a single hand in hybrida script., Part I: KL in calendar in blue; other charts and diagrams in shades of red and black. Small plain initials, headings, initial strokes and underlining in red. Parts II and III: Red or blue initials, 4- to 3-line, some with simple designs. Headings, paragraph marks, initial strokes, underlining in red. Guide letters for decorator. Part IV: Plain initials, and initial strokes, in red, for ff. 174r-176r., and Binding: Ca. 1500 (?), Austria. Parchment stays from early manuscripts in center of quires. Original (?) sewing on three tawed skin, double, twisted sewing supports laced into grooves in flush wooden boards and fastened with square pegs. The grooves are filled in with glue. The spine is rounded and backed (naturally?) and back bevelled. A plain, wound endband is sewn on a tawed skin core and also laced and pegged. The spine is lined with coarse cloth in the center and vellum at the ends, extending on the outside. Covered in plain, kermes pink, tawed skin (sheep?) possibly a later addition. Trace of one fastening, the catch on the upper board. There may have been a chain attachment at the head of the lower board. The insides of the boards have been varnished; off-set impressions of pastedowns from early manuscripts on both boards.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jacobus, de Voragine, approximately 1229-1298., Council of Constance, and Council of Florence
Subject (Topic):
Christian legends, Latin language, German, Latin prose literature, Manuscripts, Medieval, and Schism, The Great Western, 1378-1417
Manuscript on parchment of Johannes de Deo, Liber poenitentiarius
Description:
Script: Copied by a single hand in an abbreviated Northern Gothica Textualis Libraria. F. 55v is badly written by a contemporary hand., Decoration: Red headings, expect on on ff. 14v-21r and 39v to the end, where they are not executed or are replaced by headings in brown ink written by later hands. Red stroking of majuscules. 2-line (3-line on ff. 1v and 10r) red plain initials, often with very long and developed penwork extensions in the same color in the margins or in the intercolumnar space. F. 55v is undecorated., Binding: Original binding of red pigskin over rounded wooden boards, sewn on two split leather thongs. The covers are blind-tooled with a frame and a St Andrew's cross traced in fillets. Plaited headbands. Remnants of a strap fixed to the rear board. Flyleaf cut from a 13th century parchment manuscript., and In Latin.
Manuscript on paper of a theological and moral treatise based on hundreds of quotations, mostly from texts of a scientific nature
Description:
In Latin., Script: two scribes: art. 1 is copied in Gothica Cursiva Formata close to Fractura; art. 2 in Gothica Semihybrida Currens with many abbreviations; in this art. the first line of each chapter is in clumsily executed large Gothica Textualis Formata., Headings, paragraph marks, stroking of majuscules and underlining of the references to the authorities and their works, all in red ink (the underlining was beforehand traced by the scribe in black ink). Plain red 1-line initials at the opening of each chapter, sometimes with marginal extensions (a 3-line initial at the beginning of the text, f. 9r). Instructions for the rubricator are found in the margins., and Binding: original undecorated red pigskin over wooden boards; spine with four raised bands. Two clasps attached to the rear cover, with quadrangular brass catches on the front cover; a hole about the center of the top of the rear cover indicates that the booklet once was a liber catenatus. On the front cover a rectangular parchment title label with handwritten inscription in Gothica Cursiva Libraria: “De confessione. De amore Dei. De beatitudine” (16th century?).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Aristotle.
Subject (Topic):
Classical literature, Ethics, Manuscripts, Medieval, and Science, Medieval
Manuscript fragment on parchment of a missal containing: St. Chrysogonus (24 November); St. Catharine of Alexandria (25 November); St. Virgil, Bishop of Salzburg (27 November); Common of an Apostle; and Common of Martyrs
Description:
In Latin., Script: written in a formal gothic script (littera textualis formata)., and Decoration: There is a 7-line initial "E" on fol. 1v in pink with red and white highlights on a gold ground; green and blue vines with pink flowers extend from the initial into the lower margin and the forks in the vines were once filled with gold wedges; other 1- to 4-line initials are in red; rubrics are written in red in the same script as the text; punctuated with the punctus; hyphenation is in the same ink as the text.
Manuscript fragment on parchment of a missal containing the Fifth Sunday after Epiphany and the Sunday of Septuagesima
Description:
In Latin., Script: written in gothic script (littera textualis)., and Decoration: 1-, 2-, and 3-line initials alternate in blue and red; other 1-line initials are in black highlighted with red; rubrics written in red in the same script as the text; punctuated with the punctus, punctus interrogativus, and punctus elevatus; hyphenation in the same ink as the text.
