Manuscript on paper (no watermarks), divided into five distinct parts. Part I: Aristotle, De caelo. Part II: Aristotle, De incessu animalium, with marginal notes drawn from Michael of Ephesus; De longitudine vitae; De iuventute. Part III: Porphyry, Isagoge, with marginal notes. Part IV: Aristotle, Categories. Part V: Aristotle, De interpretatione, with marginal commentary of Michael of Ephesus; Analytica priora; Analytica posteriora. With Scholia to Galen, De naturalibus facultatibus, De locis affectis, De elementis secundum Hippocratem
Description:
In Greek., Script: Part I (ff. 1r-51v): Written in a rather careless Greek minuscule by two scribes: Scribe 1, ff. 1r-16v; Scribe 2, ff. 17r-51v. Some marginal and interlinear notes by a later hand. Part II (ff. 52r-80v): Written in minuscule, large and rather careless, by Scribe 2 of part I; marginal and interlinear notes by same hand. Part III (ff. 81r-88v): Written in Greek minuscule, small and very neat (tops of letters close to but not touching ruling), by Scribe 3; marginal and interlinear notes in red by original scribe; notes in brown by a different hand. Part IV (ff. 89r-129v): Written in minuscule, large and rather careless, by Scribe 4, who adds flourishes in the margins; a few marginal notes by a later hand. Part V (ff. 130r-198v): Written in minuscule by several scribes: Scribe 5 (ff. 130r-176r), a small neat hand; Scribe 6 (ff. 177r-198v), a large and progressively more careless hand; f. 176v by a small, neat later hand. A few notes in margins by a later hand., Part I: Diagrams, labelled by the original scribe: syllogisms, consisting of geometrical figures and other groups of curved or straight lines. One simple 2-line initial in red; line-fillers and heading also in red. Part II: Contains a few diagrams of syllogisms. Title in red crossed out and rewritten in blackish-brown; one 2-line initial in red. Part III: Four-line initials in red, with floral ornaments; red also used for headings, notes of original scribe, and diagrams of syllogisms. Part IV: Many diagrams of syllogisms with labels by the original scribe; some doodles in the margins. Part V: Spaces left for initials within the text were never filled., Water damage on ff. 9r-16v and ff. 161-174; Parts I and III eaten by worms. The pattern of the damage suggests that the parts of the manuscript were not originally bound together., and Binding: 18th-19th centuries. Brown calf blind- and gold-tooled. Cloth label attached to the spine reads "ARISTOTELIS OPERA VARIA G. M-S."
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Aristotle. and Michael, of Ephesus.
Subject (Topic):
Classical literature, Manuscripts, Medieval, Scholia, and Science, Ancient
Manuscript scroll, on parchment, in a single hand, containing the Greek Orthodox Office of Holy Communion, a series of prayers, hymns and verses intended for private recitation before, during and after taking communion. Text includes prayers attributed to Saint John Chrysostom and Saint Basil the Great
Description:
In Greek., Script: archaizing scribal hand., Scroll composed of seven vellum sheets, written on both sides in single columns., Titles are written in gold. Each prayer begins with an illuminated initial, also outlined in gold. There is a gilded ornamented tailpiece., Note, in Greek, in a sixteenth-century hand, at the end of the text, attributing the manuscript to the Royal Monastery of Docheiariou., and Schøyen MS 662.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Monē Docheiariou (Athos, Greece) and Orthodoxos Ekklēsia tēs Hellados.
Subject (Topic):
Orthodox Eastern monasticism and religious orders, Lord's Supper (Liturgy), and Manuscripts, Medieval
Manuscript on paper (rough; light brown) of 1) Tzetzes, Scholia in Hesiodi Opera et dies. 2) Hesiod, Opera et dies. The codex has been repaired extensively. Certain leaves have been replaced in different periods; in most cases the missing text was supplied in the same format. (Folios added later: 39, 68, 84, 94-97.)
Description:
In Greek., Script: The main text was written by a single copyist who used a well spaced, but crude, style of writing for the work of Hesiod, and a more cramped, abbreviated style for the commentary of Tzetzes. Numerous interlinear and marginal notes in several hands., Title of work and simple initial on f. 1r in red; other ornamental initials, some of which incorporate animal motifs, in black. Diagrams, also in black ink, include: f. 67v (outer margin) mortar and pestle; f. 67v (lower margin) man driving a cart pulled by two oxen; f. 69v (lower margin) plow, with parts labelled., The manuscript is in poor condition with loss of text due to: faded ink, water stains, worm-holes, and repaired leaves., and Binding: between 1800 and 1829. Tan, diced goatskin, gold-tooled. Bound by C. Lewis (active in London 1807-36).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Hesiod.
Subject (Topic):
Classical literature, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Scholia
Manuscript on paper (sturdy, brown; no identifiable watermarks) of a collection of religious texts including: Anastasius of Sinai, Quaestiones; St. John Chrysostom, Homiliae in Matthaeum 1-15; St. Basil, Ascetica. With other religious tracts, sermons, philosophical notes, and a commentary on the Gospel of John, mostly unidentified
Description:
In Greek., Script: This codex is composed of three distinct sections. Part I (ff. 1-133): Written by two scribes. Scribe 1 copied ff. 1r-133v in a neat scholarly hand characterized by extensive abbreviations; Scribe 2 added notes on f. 4 in a more cramped minuscule. Part II (ff. 134-223): Completed by a single scribe in minuscule. Part III (ff. 224-228): Written by a single scribe in tiny minuscule similar to that of Scribe 1. Signature added later., Part I: Small initials and chapter headings, in red. Part II: Some rubrication., The codex is stained throughout; mending tape and worm holes frequently render the text illegible., and Binding: 16th-17th centuries. Four chain-stitched supports link the quires and are laced into square-edged, flush, wooden boards with grooved edges. Colored, beaded endbands are sewn on fine cords attached to the boards. There are two twisted thread placemarks attached to the headband. The edges are bright yellow; the spine round and smooth with a spine lining extending across about one third of the outside of the wooden boards. Covered in dark brown goatskin, blind-tooled with an x surrounded with diamond-shaped tools stamped at random, within an outer border. One board is mended and both have small lumps in corners and center where bosses would normally be, underneath the present cover. There are traces of plaster where the leather is worn through over the lumps. There are two pins in the edge of the upper board, three corresponding holes going through both board and pastedown in the lower. Straps wanting. Flyleaf of the 11th century from a Latin liturgical manuscript.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
John Chrysostom, Saint, -407.
Subject (Topic):
Asceticism, Catenae, Christian philosophy, Manuscripts, Medieval, Religious literature, Greek (Hellenistic), and Sermons
