Manuscript, on parchment, in a single cursive gothic bookhand, of this popular Latin devotional work on the life of Christ. Long attributed to St. Bonaventure, the work is now considered to be by the fourteenth-century Franciscan Johannes de Caulibus. This version, copied in England, contains the three "Canticle chapters" often omitted in later copies
Description:
In Latin., Annotations: numerous corrections and additions in a contemporary or near-contemporary hand, apparently the records of a collation of this copy of the text against another version., Layout: laid out in double columns, ruled in plummet., Script: written in a single cursive gothic bookhand., Decoration: numerous two-line initials in blue and red., and Binding: modern brown calf over contemporary wooden boards (leaving original lacing paths visible).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jesus Christ, Johannes, de Caulibus, 14th cent., and Franciscans.
Subject (Topic):
Biography, Christian literature, Latin (Medieval and modern), Devotional literature, Devotional literature, Latin (Medieval and modern), and Manuscripts, Medieval
In Middle English., Layout: single columns of 17 lines., Script: gothic bookhand., Decoration: some initials, line fillers, underlining, in red ink., and Binding: nineteenth-century full brown morocco, gilt.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Christian life, Devotional literature, English (Middle), English literature, English poetry, Manuscripts, Medieval, Salvation, and Typology (Theology)
Manuscript, on parchment, in a single hand, of the text of Love's translation of the Meditationes vitae Christi. Interpolated is an anonymous Middle English translation of the Meditationes de passione Christi
Description:
In Middle English., Ownership inscription of Sir John Gage on f. 126., Layout: single columns of 24 lines., Script: English bookhand., Decoration: initials in blue with red penwork; six initials in red., and Binding: nineteenth-century vellum.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Love, Nicholas, active 1410.
Subject (Topic):
Devotional literature, English (Middle), English literature, English prose literature, and Manuscripts, Medieval
Manuscript, on parchment, in a single hand, of Love's translation of the Meditationes vitae Christi
Description:
In Middle English., All corners repaired, not affecting main text block. Approximately 34 missing leaves; replaced by manuscript copies of the missing text in a modern cursive., Layout: single columns of 32 lines., Script: English bookhand., Decoration: rubricated. Some marginal note initials in blue with red penwork., and Binding: nineteenth-century blind-tooled brown morocco.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Love, Nicholas, active 1410.
Subject (Topic):
Devotional literature, English (Middle), English literature, English prose literature, and Manuscripts, Medieval
Manuscript on parchment of The Mirrour of the Blessed Lyf of Jesu Crist, translated into English by Nicholas Love. With Memorandum stating that the original copy of the translation was given to Thomas Arundell, Abp. of Canterbury, for his approval, in 1410
Description:
In Middle English., Script: Written by one hand in bastard Anglicana., Initials at beginning of each day, 4-line, on ff. 22r, 34r, 53r, 106r, gold against pink and blue grounds, with white filigree, partial borders of acanthus leaves and daisy buds in purple, pink, orange and blue, black hair-spray with green leaves and gold dots. (Similar initials or more important decoration probably occurred on the folios missing at the beginning of Prohemium, Monday, Friday and Chapter 64.) 3- and 2-lines initials gold against pink and blue, with white filigree, short border of hair-spray with green leaves and gold dots. 1-line initials and paragraph marks gold with blue penwork or blue with red used in text and in running titles and notations in outer margin. Line-fillers in blue and gold; rubrics throughout., Outer margin of f. 37 cut off., and Binding: 19th-20th centuries. Olive green goatskin, blind-tooled, with gold-tooled label. Two clasp-and-catch fastenings. Bound by Zaehnsdorf (London, ca. 1842-1930). Original flyleaf (f. iv) is a bifolium, inserted sideways, from a manuscript written in England, 14th century, in Anglicana formata. On the recto and verso at top, portions of a prose text by Richard Rolle; on the recto and verso at bottom, Rolle's Commandment of Love.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Love, Nicholas, fl. 1410. and Rolle, Richard, of Hampole, 1290?-1349.
Subject (Topic):
Devotional literature, English (Middle), English literature, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript, on vellum, in a single hand, of the complete text of Love's translation of the Meditationes vitae Christi, a text often attributed to Pseudo-Bonaventure or Johannes de Caulibus. This version concludes with the "additional" chapter on the sacrament
Description:
In Middle English., Presentation inscription at end of text, in red ink: This booke is gyffyne to Allyse Belacyse. Be the gyfte of Johane Countesse of kente., Presentation inscription following the previous, in black ink: I Allyse Belacyse, gyfe this booke to Elysabeth my serua[n]t wt. my handys., Layout: single columns of 34 lines., Script: English bookhand., Decoration: illuminated initial and a full illuminated bar border on the first page of text; other illuminated initials., and Binding: eighteenth-century full paneled calf, gilt. Six-compartmented spine, decorated, gilt. Spine tag in red leather: Lyffe of Jesu Criste.
Subject (Geographic):
Connecticut, New Haven., and England.
Subject (Name):
Love, Nicholas, active 1410.
Subject (Topic):
Devotional literature, English (Middle), English literature, Manuscripts, Medieval, Women, and Books and reading
Manuscript, on vellum, in a single hand, of the complete text of Love's translation of the Meditationes vitae Christi, a text often attributed to Pseudo-Bonaventure or Johannes de Caulibus. The manuscript also contains John Lydgate's Fifteen joys of Our Lady and the anonymous poems, The fifteen ooes of Christ and The charter of Our Lord Jesus Christ
Description:
In Middle English., Layout: single columns of 45 lines., Script: English bookhand., Decoration: illuminated initial and three-quarter border on first page of text; three other illuminated initials with gold., Verse ownership inscriptions of Erkynwald Gyttyns on three back flyleaves, accompanied by pen trials and sketches., Ownership inscription of Francis Layton on verso of third front flyleaf., and Binding: eighteenth-century half calf over marbled boards.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Love, Nicholas, active 1410. and Lydgate, John, 1370?-1451?
Subject (Topic):
Devotional literature, English (Middle), English literature, English poetry, and Manuscripts, Medieval
Manuscript fragment on parchment of a missal containing: Mass for Mary from the Nativity to the Purification; Mass for Mary from the Purification to Easter; Mass for Mary from Easter to Pentecost; and Mass for the patron saint of the church
Description:
In Latin., Script: written in two sizes of gothic script (littera textualis formata), with a slightly smaller script for chants., and Decoration: 2- and 3-line initials are in gold on ground of blue and purple decorated with white penwork; 1-line capitals including the first letter after the initials in gold are in brown filled with yellow wash; rubrics written in red or in brown underlined with red and are in the same script as the text; punctuated with the punctus, punctus elevatus, and punctus interrogativus; hyphenation is in the same ink as the text; the use of "Ff" suggests England.
Manuscript fragment on parchment of a missal (use of Sarum) containing Feria IV after the Twenty-fourth Sunday after Trinity and the Twenty-fifth Sunday after Trinity
Description:
In Latin., Script: written in gothic script (littera textualis)., and Decoration: there are three 2-line initials in blue with red penwork trailing up and down the entire margin or the column; 1-line initials are in brown; rubrics are written in red; punctuated with the punctus and punctus elevatus; hyphenation is in the same ink as the text.
