Manuscript on paper of 1) Augustine of Hippo, Confessions; Retractiones. 2) Matthaeus de Cracovia, Tractatus de confessione et puritate conscientiae. 3) Thomas Aquinas, De perfectione spiritualis vitae. 4) Bernard of Clairvaux, De consideratione. 5) Series of short texts, including works by Bernardus de Reyda, Guillelmus Bloc, and Iacobus de Iüterbog
Description:
In Latin., Script: Probably copied by 10 hands: scribe (A), Cornelius de Middelburg alias de Clinghe, writing Gothica Hybrida Libraria (Bastarda), ff. 1r-104r8 (artt. 2, 3, and the beginning of 4); scribe (B), writing a more rapid Semihybrida, ff. 104r9-113r (central part of art. 4); scribe (C), writing Semihybrida Libraria, ff. 113v-125r (final part of art. 4); scribe (D), writing Semihybrida Libraria/Currens, ff. 125v-126v (art. 5); scribe (E), writing Hybrida Currens, ff. 127r-127bis v and 139r bottom lines-148v (beginning and final part of art. 6); scribe (F), writing Hybrida Currens, ff. 128r-139r bottom lines (central part of art. 6); scribe (G), writing Hybrida Libraria, ff. 149r-155v15 (artt. 7 and beginning of 8); scribe (H), writing Semihybrida Libraria, ff. 155v16-220v (main part of art. 8); scribe (I), Arthurus Reyniers, writing Hybrida Libraria, ff. 225r-247r (artt. 9-11); and scribe (K), writing Cursiva Currens (art. 12)., Decoration: Differs according to the various sections of the manuscript, but in general, there are red headings; red stroking of majuscules; red underlining; and 2- or 3-line red plain initials, sometimes with interior reserved shapes (mostly missing ff. 132v-148v and after f. 215r). Folios 151r-220r (art. 8) contain red numbering. Folio 1r contains red or blue 3- or 4-line flourished initials with interior reserved shapes and developed penwork in the contrasting colour, extending into the margin., and Binding: Original brown calfskin over bevelled oak boards, damaged, sewn on four leather thongs. Both covers are blind-tooled with frame, lozenge and triangle patterns; stamped with rosette, fleur-de-lys, star, "ihs", and dragon patterns. The remains of two leather straps are attached to the rear board, associated with pins (lost) on the front board. The endleaves are fragments of bifolia from a 14th cent. parchment liturgical manuscript.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Augustine, of Hippo, Saint, 354-430., Mateusz, z Krakowa, Cardinal, ca. 1330-1410., Thomas, Aquinas, Saint, 1225?-1274., and Bernard, of Clairvaux, Saint, 1090 or 1091-1153.
Subject (Topic):
Adultery (Canon law), Biography, Christian literature, Latin (Medieval and modern), Manuscripts, Medieval, and Simony (Canon law)
Manuscript on parchment containing Ceremonials for a nuns' convent and related texts. Contents: 1) Ceremonial for the vestment of a nun. 2) Ceremonial for the communion of a sick nun. 3) Ceremonial for administering the extreme unction. 4) Ceremonial at the death of a nun. 5) Commendations for the dead nun. 6) Ceremonial for the burial of a nun. 7) Seven Penitential Psalms. 8) Antiphons, Responses and Hymns for the aspersions with holy water and the processions, with musical notation and rubrics in Latin, for the feast of Purification of the Virgin (2 February, f. 52v), Palm Sunday (ff. 54r and 59r), Maundy Thursday (f. 61r), Easter, Ascension, Pentecost (ff. 66r and 68r), the Rogation Days (f. 69r), the Vigil of Pentecost, Corpus Christi (f. 73r), the Assumption of the Virgin (15 August, f. 74v), the Dedication of the Church (f. 76r), Trinity Sunday (f. 78r) and again Purification (f. 79v). These are followed by the various melodies, with Dutch rubrics, for three liturgical formulas. 9) Text of Versicles for various periods and feasts of the ecclesiastical year. 10) Versicles for the Common of the Saints. 11) Dutch prayers for a dying nun. 12) Ceremonial for the consecration of candles at Purification, the consecration of ashes on Ash Wednesday, the consecration of palms on Palm Sunday, the washing of the altar on Maundy Thursday, partly with musical notation. 13) Fragment of the Antiphons for Pentecost, with musical notation
Description:
In Latin and Dutch., Script: the main scribe (A) wrote Gothica Textualis Formata on ff. 1r-46v, l. 4 (with the exception of f. 39, where another hand wrote a smaller Gothica Textualis Formata). Hand B wrote Gothica Hybrida Formata (Bastarda) on ff. 46v, l. 6 - 87v, l. 4 (artt. 7-11). Hand C copied ff. 88r-94v (art. 12) in Gothica Textualis Formata. F. 95 is 16th century addition copied in a clumsy Gothica Semitextualis. The musical notation is a variant of the Hoefnagel type. There are several later additions of music and text., Decoration: Rubrics, underlining and paragraph marks in red; red stroking of majuscules. 1-line versals and 2-line plain initials in red. 2-line flourished initials alternately red and blue; cadels with red heightening on the pages with musical notation; 3- or 4-line litterae duplices with penwork extensions in red, blue and green on ff. 1r, 18r, 40r, 46v, and 86r., and Binding: circa 1500. Blind-tooled brown calf over wooden boards, both covers decorated with twice a panel containing two rows of four animals in tendrils in a frame of 16 dragons in tendrils (the so-called 24 Animals panel), separated by a frieze with the Peasants' Dance. Spine with three raised bands. Remnants of two clasps. The pastedowns are two parts of a document in Dutch on parchment (a large section between the two is missing) datable 25 August 1443.
Subject (Geographic):
Connecticut, New Haven., and Flanders (Belgium)
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Convents, Manuscripts, Medieval, Monastic and religious life of women, Nuns, Processionals (Liturgical books), and Religious life and customs
Manuscript on parchment (trimmed) in two volumes of Petrus Comestor, Historia Scholastica, translated into French by Guyart des Moulins. Missing the beginning of Numbers (v. 1, one folio following f. 115), the beginning of 3 Kings (v. 1, one folio following f. 236), and part of Luke (v. 2, one folio following f. 260).
Alternative Title:
Historia scholastica
Description:
In French., Script: Written in a formal batarde with some loops by one scribe. Marginal glosses in a similar but smaller script by the same hand. Corrections by a later hand (15th century) in brown ink., One large, 2-column miniature, 18-lines, f. 3r, of three scribes, set in a wide (25 mm.) frame, brown, decorated with a continuous garland of flowers in gold, green and white, outlined on both inner and outer edges with bands of pink, gold and blue, highlighted in white. Text surrounded by a 3/4 band of pink and gold with white highlights, edged in black. Full border: curling sprouts of blue, gold and some red and light blue acanthus on green stems, largely confined to the corners and centers of the border, with blossoms containing animals, devils, knights; the intervening spaces filled with trailing vines of green and gold leaves with varied flowers in red, blue, light blue, strawberries, grapes and beans as well as denser vines in black ink with leaves in gold and green, with flowers, as above; the entire border densely filled with pen flecks, black, with gold dots., Historiated initials (one column, 8-line), for the Seven Days of Creation (ff. 4v, 5r, 5v, 6v, 7v, 8v and 10r), roundels, with circular frames, brown with garlands as above, in some cases with the top and bottom of the roundel lopped off, set against a field of acanthus and/or flowers, as above, and set between two thin gold bands, edged in black. Short, thin borders of acanthus, vines, and flowers as above, divided from text by gold and pink bands, edged in black. Each miniature with a 5-, 4- or 3-line initial, blue with white highlights, filled with strapwork and blue and pink ivy with white highlights, on irregular gold ground. 2-line initials throughout, gold filled with red set against a blue ground or vice versa, trailing black hairspray with gold, red and blue dots. Initials cruder in v. 2. Line-fillers in both text and glosses in similar fashion. Running headings (in v. 1 only), and keys for glosses in red throughout. Traces of tabs in outer margins., and Binding: 1981. Bound in a brown, linen buckram case in the Yale Library Conservation Studio to replace an 18th century brown calf binding. One board of this binding retained in box.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Petrus, Comestor, 12th cent.
Subject (Topic):
History Bibles, French literature, Illumination of books and manuscripts, Medieval, Literature, Medieval, and Manuscripts, Medieval
Manuscript on parchment (trimmed) in two volumes of Petrus Comestor, Historia Scholastica, translated into French by Guyart des Moulins. Missing the beginning of Numbers (v. 1, one folio following f. 115), the beginning of 3 Kings (v. 1, one folio following f. 236), and part of Luke (v. 2, one folio following f. 260).
Alternative Title:
Historia scholastica
Description:
In French., Script: Written in a formal batarde with some loops by one scribe. Marginal glosses in a similar but smaller script by the same hand. Corrections by a later hand (15th century) in brown ink., One large, 2-column miniature, 18-lines, f. 3r, of three scribes, set in a wide (25 mm.) frame, brown, decorated with a continuous garland of flowers in gold, green and white, outlined on both inner and outer edges with bands of pink, gold and blue, highlighted in white. Text surrounded by a 3/4 band of pink and gold with white highlights, edged in black. Full border: curling sprouts of blue, gold and some red and light blue acanthus on green stems, largely confined to the corners and centers of the border, with blossoms containing animals, devils, knights; the intervening spaces filled with trailing vines of green and gold leaves with varied flowers in red, blue, light blue, strawberries, grapes and beans as well as denser vines in black ink with leaves in gold and green, with flowers, as above; the entire border densely filled with pen flecks, black, with gold dots., Historiated initials (one column, 8-line), for the Seven Days of Creation (ff. 4v, 5r, 5v, 6v, 7v, 8v and 10r), roundels, with circular frames, brown with garlands as above, in some cases with the top and bottom of the roundel lopped off, set against a field of acanthus and/or flowers, as above, and set between two thin gold bands, edged in black. Short, thin borders of acanthus, vines, and flowers as above, divided from text by gold and pink bands, edged in black. Each miniature with a 5-, 4- or 3-line initial, blue with white highlights, filled with strapwork and blue and pink ivy with white highlights, on irregular gold ground. 2-line initials throughout, gold filled with red set against a blue ground or vice versa, trailing black hairspray with gold, red and blue dots. Initials cruder in v. 2. Line-fillers in both text and glosses in similar fashion. Running headings (in v. 1 only), and keys for glosses in red throughout. Traces of tabs in outer margins., and Binding: 1981. Bound in a brown, linen buckram case in the Yale Library Conservation Studio to replace an 18th century brown calf binding. One board of this binding retained in box.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Petrus, Comestor, 12th cent.
Subject (Topic):
History Bibles, French literature, Illumination of books and manuscripts, Medieval, Literature, Medieval, and Manuscripts, Medieval
In Low German., Script: Written in a neat batarde by two scribes: Scribe 1, ff. 1r-17v; Scribe 2, ff. 19r-186r., Fourteen good full-page miniatures of typical Southern Netherlandish production of the late 15th century. The miniatures (except those on ff. 1v, 18v, 159r) are painted over ruling for a normal text page and are set in wide arched frames of gold and black, within a full border of blue, gold, pink, and pale orange acanthus leaves, with red, purple, and blue flowers. Illuminated initials, 7-, 5-, or 4-line, with full borders on ff. 1r, 96r, 127r, 146r, 158r, 166r, and 177r: blue with white highlights filled with red, blue, and green trilobe leaves on a gold ground, borders as for miniatures. The text is set off from the border by a narrow black, gold, white, and red frame not joined to the initial. Nine illuminated initials, 5- or 4-line, with three-quarter borders: gold on pink and blue, with white highlights, borders as for miniatures. 6-, 5-, 3-, and 2-line initials in gold on pink and blue, with white highlights; black ink hair-spray, with gold trilobe leaves and flowers, attached. 1-line initials in blue with red penwork or gold with black penwork; within the text, a black initial occasionally marked with a red stroke. Line-fillers in Litany only; leaves, cables, oblique lines with dots attached, etc., in blue or gold. Rubrics in orange-tinted red or crimson., and Binding: Seventeenth century. Resewn on three twisted vegetable fiber cores laced into wooden boards. The colored, beaded endbands are embroidered on a piece of material, probably parchment, which extends to the outside of the boards. The spine is round and lined with parchment; the edges gilt and with a faintly discernable honeycomb pattern. Covered in light brown calf, extensively gold-tooled. There are two fastenings, the catches on the upper board, brass clasps attached to leather straps which are nailed to the lower board through metal plates. The lower joint has cracked and all the spine leather is detached from the bookblock, giving the effect of a case binding.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
In Latin., Written in round gothic script, by one scribe., Twelve full-page miniatures on the verso of tipped-in leaves (blank on recto), rather routine and careless. Each miniature facing a 6-line initial, black, with white highlights, on a gold ground, filled with blue and black trilobe leaves. Ten historiated initials, in the same style as the illuminated ones, illustrating the suffrages. Each initial with a border, as above. 2-line initials, gold on red and blue grounds with white highlights; some (on rectos) with black ink hair-spray with blue and gold flowers. 1-line initials, blue, with red penwork or gold, with black penwork. Rubrication for headings and to mark antiphons, verses etc.; also for dates and major feasts in calendar., and Binding: Sixteenth century. The backs of the quires are cut in on either side of the sewing supports and at the kettle stitches. Original sewing on five supports attached to wooden boards. Edges gilt and gauffered. Covered in dark brown calf with a panel stamp of two sets of horizontal inhabited vines within text borders, divided by a line of fleurs-de-lis and flowers in diamonds. The four panels are enclosed by the inscription: "Ora pro nobis sancta dei genitrix ut digni efficiamur promissione Christi". Spine lining, endbands and silver (?) clasps and catches added when the book was rebacked. One joint cracked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment (trimmed) of a Book of Hours, with Calendar and prayers in Flemish
Description:
In Latin and Flemish., Script: Written in liturgical gothic bookhand by one scribe., Three full-page miniatures of mediocre quality. Each miniature set in a narrow frame of gold, black, pink, and white; full border of blue and gold acanthus leaves, red, pink, and blue flowers and strawberries, and black pen flecks. One 7-line historiated initial on f. 216r (Flemish Prayers): Pieta, pink with white highlights on gold; full border as above; text separated from border by a narrow band attached to initial of gold and pink, edged in black. Illuminated 5-line initials with full borders (eg. ff. 13r, 18r, 28r), pink or blue with white highlights on gold, filled with blue or pink trilobe leaves. 2-line initials, gold on pink and blue with white highlights, one on f. 92r (Advent Office) with a band attached, as above, and small sections of border, as above; one 3-line initial on f. 179r (Obsecro te) in similar manner. 1-line initials, blue with red penwork and gold with black penwork; initials within text washed in yellow. KL monograms as 2-line initials; Latin names of months and important feasts in red. Line fillers: oblique lines with dots attached, stylized plant motifs, dots, etc., in blue or gold. Rubrics in faded red., and Binding: Nineteenth century. Brown, originally black, sheepskin; stamped in gold on the spine: "Psaterium." Red edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment. One of a number of Books of Hours almost certainly made in Flanders for the English market. During the 16th century, some references to Thomas of Canterbury were erased or altered, and the word "pape" in the Calendar was changed to "ape".
Description:
In Latin., Script: Written in liturgical gothic bookhand., Decoration: Twenty-three fine miniatures (originally twenty-five) tipped in, in red, blue and gold frames, with gold quatrefoils in the corners; each with a 3/4 bar border, red and blue, with a full border of English-style acanthus, red, blue, pink and gold against cusped gold grounds, especially at corners and centers, surrounded by green, red, blue and pink flowers and berries, and ivy in black pen with gold and blue leaves, some with birds, in red bounding lines. Twenty-three historiated initials, 6-line, pink and blue with white highlights on gold grounds with black cusping. 6-line initials, pink and blue, with white highlights, filled with acanthus on gold, against pink and blue grounds, framed in gold and edged with black cusping. 3-line initials, gold, edged in black, on pink and blue grounds with white filigree. 1-line initials and line endings in the same manner. Calendar with 3-line KL monograms, as above, with hair-spray extensions and bar border, outer margin, and with hair-spray terminals. Kalends, Ides in blue and gold; important feasts in red., Shows signs of use (water stains, rubbing), but no serious damage to text or illumination., and Binding: 16th-17th centuries. Wound sewing on five large, tawed-skin supports, the backs of the gatherings cut in about 3 mm. on either side of the supports and at the kettle stitches. Dull gilt edges and traces of blue endband tie-downs. Covered in gold, striped velvet with two ribbon ties.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
In Latin., Script: Written in two sizes of liturgical gothic by two scribes. Scribe 1) ff. 1r-22v and 28r-130r; Scribe 2) ff. 22v-26v. Many later marginal notes throughout, including titles at the top of each page., One very crude full-page miniature on f. 71v (Office of the Dead): mourners at a bier. Set in a narrow arched frame of gold edged in black, in a border of pink, blue, and green acanthus leaves (concentrated at corners), flowers in same colors, infilled with black ink hair-spray with gold dots; the whole rather carelessly done. 6- and 5-line initials (ff. 57r and 72r): blue with white highlights, on gold ground, infilled with blue, green, and pink trilobe leaves, with segmented bar border (strapwork corners) in blue, white, pink, black, and gold; full border as for miniature. Other illuminated initials (5- to 2-line, as above) with segmented bar borders without strapwork, and full borders as for full-page miniature. 5-line initials (ff. 35r and 38r) gold, on pink and blue ground with white highlights; in inner margin, a simple bar border sprouting black hair-spray with gold leaves at top and bottom. 2-line initials: gold on pink and blue grounds with white highlights. 1-line initials within text sometimes marked with a red stroke. Line fillers: occasionally a red cable after a rubric or, in the litany, oblique red and blue strokes with dots attached (perhaps added later, as colors do not match those of 1-line initials). Rubrics in orange-tinted red., Mold at bottom of ff. 122-130; text not damaged., and Binding: Nineteenth century. Brown calf, blind- and gold-tooled.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on paper, composed of two independant sections. Part I (ff. 1r-121v): Sermons, excerpts and treatises. With works by Thomas de Hibernia and Albertus de Padua. Part II (ff.122r-180v): Works by St. John Chrysostom; with a treatise on temptations and special Mass prayers
Description:
In Latin., Script: Part I: Copied by one hand in small Gothica Hybrida Currens. Some additions in a larger and more formal handwriting. Marginal captions. The scribe is Iohannes de Lovanio (John of Louvain), called (de) Dynen, lector in the convent of the Hermits of St. Augustine in Venice. Part II: Copied by the priest Jean Frassent in Gothica Cursiva Formata (Bastarda), which is less carefully executed on the final pages. Calligraphic extensions at the ascenders on the top line., Part I: Underlining and plain initials. Headings underlined or framed or written in red. Framed running headlines on the pages where a new article begins. Part II: Headings, heightening of the majuscules, and red 2-line plain initials in art. 41. The heightening is continued up to f. 137v, but the initials have not been executed from art. 42 onwards. Guide letters for all initials., and Binding: Contemporary Northern French or Flemish binding, which no doubt was made for Part II and rebacked when Part I was added: blind-tooled brown calfskin over bevelled wooden boards; the decoration consists of frames and a lozenge pattern traced in triple fillets, the lozenges filled with three tools: a rose, an acorn motif and a standing figure (?). Remnants of two clasps attached to the rear cover, with engraved brass catches on the front cover. On the 19th-century (?) spine the gold-tooled inscriptions "SERMONES" / and "IOANNES / CHRYSOSTOMUS".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Albertus, de Padua, d. 1328., John Chrysostom, Saint, -407., and Thomas, of Ireland, approximately 1265-approximately 1329.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Manuscripts, Medieval, and Sermons, Latin
