Manuscript on parchment of Vegetius, Epitome rei militaris
Description:
In Latin., Script: Written in small gothic bookhand by a single scribe., Three illuminated initials, 3-line, at the beginning of the Prologue (f. 1v), Bk. 3 (f. 29v), Bk. 4 (f. 58r), blue or mauve with white filigree against gold ground thinly edged in black. Initials filled with stylized leaves, blue and mauve with white filigree. Black inkspray with spiky gold leaves and small blossoms in pink or blue extend into the margins to form partial borders. Numerous small initials, 2-line, gold, on mauve and blue ground with white filigree. Running headlines in red and blue; headings in red. Paragraph marks alternate red and blue. Initials stroked with pale yellow., and Binding: Eighteenth century, England or France. Bound in olive green goatskin gold-tooled with a "broken cable" border and decorated edges. Probably bound by Richard Wier (active in London and Toulouse to ca. 1792). Decorated edges. Title on spine: "Vegetius De Viris Il".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Vegetius Renatus, Flavius.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Manuscripts, Medieval, and Military art and science
Manuscript of parchment roll composed of 8 membranes, written in 4 columns. Column 1) Chronology of the popes from Peter to the antipope John XXIII. 2) Chronology of the rulers of the Empire from Augustus to Louis of Bavaria, Holy Roman Emperor from 1328-47. 3) Chronology of the Monarchs of France, beginning with the Trojan nobles and concluding with Charles VI, king from 1380-1422. 4) Chronology of the kings of England, from King Lud in the time of Julius Caesar to King Henry IV (d. 1413).
Description:
In French., Script: Written in batarde script by a single scribe., Text is accompanied by parallel schematic genealogical diagrams in red consisting of connected roundels inscribed with the names of various rulers in succession, between the columns. The genealogical diagrams are periodically interspersed with 58 roundels framed in red with lively pen drawings in brown ink with washes in blue, pink and green, depicting cities and churches whose foundations are ascribed to particular rulers or occurred during their reigns. Each of the genealogical diagrams begins at the top of the text with a roundel, depicting respectively (I) Mount Calvary, (II) Rome, (III) Venice (whose foundation is ascribed to Trojan nobles) and (IV) London. Included are drawings of Constantinople, Hagia Sophia, Santiago de Compostela; the majority of the drawings appear in the chronology of the French monarchs, with depictions of Paris, St. Genevieve, St. Denis, St. Martin-de-Champs, and others. The buildings are all late medieval in character and do not bear resemblance to the monuments themselves., Four illuminated initials, 4-line, at the top of each column, blue with white filigree against gold ground with stylized foliage or geometric patterns in red and blue. At the top of each initial, black inkspray with gold leaves; at the first initial (left column), decoration extends into the left margin to form a partial border. Numerous smaller initials, 2-line, gold on blue and mauve grounds with white filigree. Headings in red., Binding: Unbound., and Art. 3 also known as "A tous nobles."
Subject (Geographic):
Connecticut, New Haven., France, Great Britain, and Holy Roman Empire
Subject (Topic):
Illumination of books and manuscripts, Medieval, Church history, Chronology, Kings and rulers, Legends, Manuscripts, Medieval, and History
Manuscript on parchment of Gregory the Great's Homilies on the Gospels and Iohannes Diaconus's Life of Gregory
Description:
In Latin., Script: copied by several scribes in Northern Gothica Textualis Formata. A change of hands is visible between f. 120 recto and verso., Red stroking of majuscules. Red headings and explicit formulas. Alternately red and blue flourished initials or litterae duplices of various sizes, with penwork in the opposed colours or in both colours, sometimes very elaborate, extending into the margins or containing birds or fish., and Binding: English blue morocco binding over cardboard, by W.H. Smith and Son, Ltd., dated 1948. In the center of both covers a blind-tooled strapwork motif. Spine with raised bands; in the compartments the same strapwork motif, and the gold-tooled inscriptions "GREGORII / HOMILIAE" and "MS. / FROM ROYAU/MONT ABBEY / XIII CENT." Two clasps.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Gregory I, Pope, approximately 540-604.
Subject (Topic):
Fathers of the church, Manuscripts, Medieval, and Sermons, Latin
Manuscript on parchment of The Horloge de Sapience, a loose translation and adaptation into French of Henry Suso, Horologium sapientiae. With a Colophon, in French verse, stating that the translation was made by a French Franciscan master of theology at Neufchateau in 1389
Description:
In French., Script: Written in batarde script, below top line., Plain initials, 4- to 1-line, headings, paragraph marks, initial strokes, foliation and underlining, all in red., and Binding: 1800-1810, France. Diced brown calf, blind-and gold-tooled. Edges gilt. Stains from turn-ins of early binding on original front parchment pastedown. Rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Seuse, Heinrich, 1295-1366. and Franciscans
Subject (Topic):
Manuscripts, Devotional literature, French, Literature, Medieval, Manuscripts, Medieval, and Mysticism
In Latin., Script: copied by one hand in Northern Gothica Textualis Formata, in two sizes., Rich decoration: 1-line versals and 2-line initials, both of the dentelle type; 2-line KL-monograms of the same type in the Calendar. Floral outer margin borders normally on the pages with 2-line initials. Four-margins borders and miniatures above 3 lines of text opening with a 3-line foliate initial, on ff. 13r (Annuntiation), 25r (Visitation), 38r (Crucifixion), 39v (Pentecost), 41r (Nativity), 46r (Annuntiation to the Shepherds), 50r (Adoration of the Magi), 58v (Flight into Egypt), 65r (Coronation of the Virgin), 76r (Saint John on Patmos), 99r (Funeral mass). The miniatures are rounded at the top. The borders contain acanths and a multitude of gold vine and other leaves, flowers, animals, hybrids and monsters. The artist is said to be Péronet Lamy, an illuminator in the service of the Dukes of Savoy in the second quarter of the fifteenth century., and Binding: contemporary binding: brown calf over rounded wooden boards. Both covers entirely blind-tooled with rows of juxtaposed stamps: monkeys and fleurs-de-lys in the central panel; rosettes and phoenix(?) in the frame. Clasps missing.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment (very stiff) of a Book of Hours; With Calendar in French
Description:
In Latin., Script: Written in liturgical gothic verging on batarde, by one scribe., Crude miniatures by two artists whose compositions, figure types, and painterly technique reflect faintly the work of Jean Colombe, active in Bourges in the late fifteenth century. The miniatures by the first artist (all except ff. 74r and 138r) are in arched frames, in purple or crimson ink, occasionally with black cusping on the arch, tangential or close to upper bounding line, set within a 3/4 strip, either beige with alternating blue and pink flowers and black flecks, edged in black, or gold with blue and red trilobe leaves., Traced full or 3/4 borders, one (f. 25r) compartmentalized in gold and blue, with an angel bearing the arms of the Coquille family (azure, 3 escallops or [Coquille], impaled with ermine [Garnier]), red bounding line, filled with blue and green acanthus, flowers, strawberries, grotesques, gold balls, and pen flecks. Initials accompanying miniatures, 4- and 3-line, pink and blue with white highlights on gold, filled with a flower on a beige ground. The miniatures by the second artist (ff. 74r and 138r), probably an assistant to the first, are in thick crimson frames, with 3/4 borders as above, except with finer and stiffer acanthus, each with an initial, 4- or 3-line, gold on blue and crimson with white highlights. Calendar with zodiac signs and occupations of the months set within 3/4 borders, as above. 2-line initials, KL monograms, as above; name of month, dates, major feasts in gold, other feasts alternately in blue and red. Rubrics in crimson or in blue., and Binding: Nineteenth century. Tan calf case, heavily gold-tooled spine and doublures. Bound by C. Lewis (leading figure in English binding 1800-40). Dark red-brown cover (16th-17th centuries) inset on sides.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
In Latin and French., Script: Written by a single scribe in Gothica Cursiva Formata (Bastarda) in two sizes. The ascenders on the top line often have calligraphic extensions., Red headings. Heightening of the majuscules in yellow. All initials (1- or 2-lines) are on a rectangular background and are executed in paint and liquid gold. At the opening of the various Hours there are 4-line initials of the same type, always accompanied by full acanthus borders and an arch-topped miniature. The borders are framed in gold and may also contain leaves, flowers, fruit, birds., and Binding: Modern limp vellum with two pairs of white leather ties. The preceding 19th-century binding is preserved: dark brown leather over cardboard, both covers framed with blind-tooled fillets; spine with four raised bands and gold-tooled title: "HEURES DE SENLIS"; gilt edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment. Includes Calendar, Fifteen Joys of the Virgin, and Seven Requests to the Lord, all in French
Description:
In Latin and French., Script: Written in Northern Gothica Textualis Formata by two hands, marked by a different use of the two forms of a. Hand A, the main scribe, using almost only double-bow a, copied ff. 1r-21v11; 33r-108v11; 125r-144v. Hand B, who normally writes box-a, copied ff. 21v12-32v; 108v12-124v., Illuminated leaves have been excised after ff. 14, 58, 86, 94, 137., Headings in blue or red ink. The majuscules are heightened in yellow. The decoration consists of line-fillers in gold and blue and red paint and the following initial types: (1) dentelle initials, 1 line; (2) foliate initials, 2 lines; (3) foliate initials, 4 lines, always accompanied by full acanthus borders and, except on f. 142r, by a picture in an arched compartment above 5 lines of text. Seven of these miniatures remain. The borders are framed in gold ink. All ordinary text pages, including the Calendar, have unframed outer margin borders the height of the text area, with patterns traced from rectos to versos., and Binding: Nineteenth century (?). Red velvet over cardboard boards, on which the original decorated gilt brass bosses (4 corner pieces and a central piece) and one decorated clasp in the same material, fixed to the rear cover, have been mounted. Yellow silk pastedowns. Gilt edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
