Manuscript on paper of the Sermones de sanctis of Conradus de Brundelsheim, O. Cist. (Soccus, d. 1321); 119 numbered sermons; and includes marginal notes, table of feasts to which the sermons of artt. 1 and 7 relate, table of themes of the sermons in art. 1, table of contents of artt. 2-7, detailed index of subjects
Description:
In Latin., Script: Main text, art. 1, copied by scribe Konrad Hildebrand (Conradus Hilprandi) in a highly abbreviated Gothica Cursiva Libraria/Currens, with the first line of each sermon in large, clumsily executed Northern Gothica Textualis. The remainder of the manuscript copied at least partly by other hands in the same kind of script., Decoration: Red stroking of majuscules and punctuation, red headings, paragraph marks and underlining up to f. 282r. C. 4-line red initials, plain or with interior reserved shapes or/and with penwork in the same colour or in green., and Binding: brown leather over heavy rounded wooden boards, sewn on four double cords. Both covers blind-tooled with a frame and diagonal lines in double fillets. On each cover there are five brass bosses. There were originally two leather straps, fixed to the rear board over two brass pins. An iron staple, attached to a four-link iron chain ending in a ring, is fixed to the top of the rear board. On the front board, the 15th century shelfmark “h” is written in black ink.
Manuscript on paper of Bernardus Claraevallensis (Bernard of Clairvaux, 1090-1153), 1) Sermones de diversis, nos. 1-32 and 40-42. 2) In psalmum XC sermones XVII. 3) Super "Missus est" homiliae (In laudibus Virginis matris).
Description:
In Latin., Script: Two hands writing careful Gothic scripts: A (ff. 3r-71v) Cursiva Libraria; B (ff. 72r-136r) Hybrida Libraria., Paragraph marks and underlining in red. Red stroking of majuscules. Red plain initials (2-3 lines; 4 lines f. 3r, 7 lines f. 73r); red flourished initials with black penwork (9 lines, f. 72r, 7 lines and of a less careful execution f. 116v). All initials have guide letters in the margin., Most pages slightly damaged by the acid ink. Water stains at the bottom of the outer margins of the leaves in the final quires., and Binding: Original brown leather over heavy wooden boards, sewn on four split leather thongs; plaited leather headbands; spine missing. The covers are blind-tooled with frames and lozenges of triple fillets and the following stamps: a lare and a small lozenge-shaped fleur-de-lis; a large and a small rozette; a circular Pascal Lamb; a rectangular stamp with inscription "MARIA". Remnants of two brass clasps attached to the front board.
Manuscript on paper, with parchment for outer and inner conjugate leaves of each quire, composed of four "booklets" or units of similar format. Part I: 1) William of St. Thierry, Epistola ad fratres de monte Dei, formerly attributed to Guigo and Bernard of Clairvaux. Part II: 2) Bernard of Clairvaux, Sermo in festo annuntiationis B. V. Mariae. 3) Bernard of Cluny [?], Sermo de villico iniquitatis, formerly attributed to Bernard of Clairvaux. 4) Bernard of Cluny, Preface to art. 3. Part III: 5) Bernard of Clairvaux, De gradibus humilitatis et superbiae. 6) Jean, l'Homme de Dieu, Tractatus de ordine vitae et morum institutione, formerly attributed to Bernard of Clairvaux. Part IV: 7) Bernard of Clairvaux, Sermo I pro Dom. VI post Pentecosten. 8) Bernard of Clairvaux, Sermo II pro Dom. VI post Pentecosten. 9) Bernard of Clairvaux, Sermo II pro Dom. VI post Pentecosten. 10) Anonymous sermon on the Virgin Mary. 11) Nicholas of Clairvaux, Sermo in natali S. Benedicti de euangelio. 12) Bernard of Clairvaux, Sermo in obitu Domini Humberti
Description:
In Latin., Watermarks: Part I: unidentified P in gutter. Parts II-IV: similar in design to Briquet Lettre Y 9182-84., Script: Part I (ff. 1-34): Written by a single scribe in well formed upright gothic script exhibiting batarde influence in the long descenders. Part II (ff. 35-46): Written in a script similar to that of Part I, but with less batarde shading. Part III (ff. 47-82): Written possibly by the same scribe as Part II. Part IV (ff. 83-99): Written in small cramped gothic script similar to those in I-III., Part I: Carefully executed red and blue divided initial, 8-line, on f. 1r; infilled and surrounded by delicate foliage designs in red and purple ink, on a green ground, with flourishes extending down inner border. Similar initial, f. 1v, without green ground and with blue scroll design for crossbar. Headings, paragraph marks, initial strokes, underlining, and Nota marks in red. Part II: Fine initial, 8-line, on f. 35r, divided red and blue, infilled and surrounded by six foliage designs in red penwork on green ground, with a central flower of six petals touched with yellow. Plain blue initial, 3-line, on f. 39v, with some floral designs in body in natural color of paper; red initials, 2-line, ff. 40r and 45v. Headings, initial strokes, underlining and corrections, in red. Paragraph marks in red or blue. Guide-letters for rubricator. Part III: Divided initial I, red and blue, 10-line, on f. 47r, with red and purple foliage designs on green ground surrounding initial, and with flourishes extending down inner margin. Blue initial, 4-line, on f. 68v, infilled and surrounded by penwork designs in red. Plain initials, 2-line, headings, initial strokes, paragraph marks, corrections, and some marginal notes, in red. Guide-letters and instructions for rubricator. Part IV: Blue initial, 5-line, on f. 83v, with interior floral designs in natural color of parchment; body infilled and surrounded by red penwork designs extending down inner margin. Initials, 5- to 2-line, headings, paragraph marks, in red., and Binding: 16th-17th centuries (?). Original sewing on four tawed, slit straps, the spine rounded and the supports prominent and defined. Plain, wound endbands on vegetable fiber cores, the covering leather saddle-stitched around them. Covered in dark brown calf with round and lozenge-shaped tools in diamonds and triangles formed by intersecting fillets in a central panel in a double outer frame. One fastening, the catch on the upper board and the strap wanting. Turk's head knot placemarks on the fore edge. Rectangular label removed from upper edge of front cover; two modern brown labels, stamped in gold, on spine: "Bernardi Varia" and "M. S." Original front pastedown: lower portion of a parchment bifolium (Germany, 15th century) of the Doctrinale of Alexander of Villa Dei with lines 1056-79 visible on verso and 1520-44 on recto. Ca. 5 mm. between lines of text. Binding restored.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bernard, of Clairvaux, Saint, 1090 or 1091-1153., Catholic Church, and Cistercians.
Subject (Topic):
Didactic literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Monasticism and religious orders, Sermons, and Theology
Manuscript on paper of devotional treatises by numerous authors, including Guillelmus Iordani (Willem Jordaens, c. 1321-1372), Pseudo-Augustinius, Iacobus Mediolanensis, and Leroquais
Description:
In Latin., Script: copied by one hand in Gothica Hybrida Libraria/Formata; the ascenders on the top line and the descenders on the bottom line may have calligraphic extensions. The last treatise is by another scribe using the same type of script., Stroking of majuscules, underlining, paragraph marks and headings in red., and Binding: original binding, sewn on three double cords. Brown leather over wooden boards with rounded edges. Plaited headbands. Parchment endleaves. Remnants of one brass clasp attached to the rear board. Red leather tabs.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pseudo-Augustinus.
Subject (Topic):
Christian literature, Latin (Medieval and modern) and Manuscripts, Medieval
Manuscript on paper of Vincent of Beauvais, Speculum Historiale, Books 21-25. Previously bound together with the Vinland Map (Beinecke MS 350A).
Description:
In Latin., Watermarks: Briquet Tête de boeuf 15056., Script: Written by a single scribe in a well-formed running hand with bâtarde shading and flourishes in the upper and lower margins that are often decorated with red. The same scribe also wrote the Hystoria Tartarorum (Beinecke MS 350A.1). A somewhat later hand, (approximately 1500), added running titles in the upper margin in italic script., Rubrics, Roman numerals and some simple initials in red., and Binding: Fifteenth century. Sewn on four tawed, twisted, double supports laced into grooves extending approximately 25 mm on the inside of beech boards and pegged. The spine is square and lined with vellum extending onto the inside of the boards between sewing supports. Covered in brown leather blind-tooled with concentric frames, the center panel filled in with small, square bird tools. The entire binding was tooled upside down. Impressions of the tools go through to the wood. Four fastenings, the clasps on the upper board. Restored; endbands added and clasps wanting. On the glue left from the original pastedowns, now wanting, are the offset impressions from a single, heavily annotated manuscript document that was cut in half vertically; dated 1437 from the Council of Basel.
Manuscript fragment on parchment of a portion of old statutes related to the Carthusian order
Description:
In Latin., Script: written by two scribes in gothic script, one writing littera hybrida script (fols. 1-2) and the other writing littera textualis (fols. 3-4)., and Decoration: there are spaces for 2-line initials and rubrics, but they have not been added; 1-line capitals within text are in black; punctuated with the punctus, punctus elevatus, and punctus flexus; hyphenation is in the same ink as the text.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Carthusians.
Subject (Topic):
Manuscripts, Medieval and Monasticism and religious orders
Manuscript on paper of John of Freiburg (Iohannes Lector Friburgensis OP, d. 1314), Summa confessorum, German adaptation by Berthold of Freiburg (Bertholdus Friburgensis OP, 14th century).
Description:
In German., Watermarks: var. Piccard, v. 15, VIII.1547?; var. Piccard, v. 110, III.1667?., Script: Copied by Johannes Geratwol in Gothica Cursiva Libraria/Currens with some Bastarda characteristics., Headings, heightening of the majuscules and mostly 1-line plain initials in red or green. The initial on f. 1r has green penwork. The first lines of all titles in art. 1 are underlined in red., and Binding: Original pigskin, blind-tooled with lozenges traced in double fillets over bevelled oak boards. Spine with three raised bands, a label with handwritten title (worn) and a small label with the shelfmark "634"; the same number is written on the front cover. Traces of one strap attached to the rear cover and clutching over a pin (lacking) on the front cover.The binding stays and the lining inside the spine are said to come from a 12th-century Antiphonary from Tyrol, with text from the office for Epiphany. One strip of the spine lining would be from an unidentified 14th-century manuscript.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Johannes, von Freiburg, d. 1314. and Dominicans
Subject (Topic):
Manuscripts, Christian literature, German, Confession, Catholic Church, and Manuscripts, Medieval
Manuscript on paper of Summa de casibus conscientiae by Bartholomaeus de Sancto Concordio (Bartholomaeus Pisanus O.P., c. 1260-1347).
Description:
In Latin., Script: Copied by Jodocus Sparlützel in a single hand in Gothica Hybrida Libraria. The scribe is elsewhere given the name Jodocus Sparlützel (Swicker) de Wil., Decoration: Red stroking of the majuscules and red underlining. Red plain initials, normally 1-2 lines; the initial of the first lemma beginning with a given letter of the alphabet is larger (up to 7 lines) and may be a flourished initial with penwork in the same red colour. Many initials are given strange and fancy forms. Erroneous initials are found on ff. 109r, 246v, 248v. An initial “U” is missing on f. 246r, and in art. 4, no initials “T”, “X”, “Y” and “Z” were provided by the scribe., and Binding: Original binding, with a repaired spine, composed of (very damaged) undecorated brown leather over wooden boards, and sewn on three double cords(?), with plaited headbands. Five brass bosses are on each cover. Two clasps are attached to the rear board and rectangular engraved catches are on the front board. The inscription, in Northern Gothica Textualis Formata, is not deciphered.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bartholomew, of San Concordio, 1262-1347. and Dominicans.
Manuscript on paper of texts on the Psalms and Canticles, and other texts
Description:
In Latin., Script: apparently four hands: A writing a bold Gothica Hybrida Libraria copied ff. 1r-186r and 201r; B writing Gothica Cursiva Currens copied ff. 189r-199va15; C writing Gothica Semihybrida Libraria/Currens copied ff. 199va16-200v; D writing Gothica Semihybrida Currens copied ff. 203r-299v; the document on f. 226v is probably in the same handwriting. Scribe D is the unrecorded Hinricus Landesberch in Wernigerode., Red underlining, paragraph marks, heightening of majuscules and plain initials, generally 2 lines, at the head of various texts larger. Pointing hands., The manuscript contains: 1) Honorius Augustodunensis (Honorius of Autun, c. 1090- c.1150), Expositio in psalmos CI-CL et in cantica veteris et novi testamenti. 2) Alanus de Insulis (Alain de Lille, c. 1120-1202), Glosatura super cantica veteris et novi testamenti. 3) Notes on the Book of Psalms, its subdivisions, significance, on Ps. 1 and Ps. 150, etc. 4) Extracts on the Psalms from a florilegium of the works by or attributed to St. Augustine, called Summula Florigeri sancti Augustini. 5) Treatise on the virtues and vices arranged according to the course of the sun through the signs of the Zodiac; the names of the months and of the zodiacal signs are given in Latin and in German, with examples from the Bible and legend. 6) Miracles and legends. 7) Copy of a notarial document. 8) Isidorus Hispalensis (Isidore of Seville, d. 636), Quaestiones in vetus testamentum. 9) Vision of the horrors of Hell shown to St. Paul of Thebe (Paulus Eremita, 228-341). 10) Rabbi Samuel, De adventu Messiae praeterito, translated from the Arabic by Alphonsus Bonihominis OP (d. c. 1353). 11) Two sermons on the Immaculate Conception, quoting many exempla. 12) Incomplete legend of St. Catharine of Alexandria. 13) Ps.-Augustinus Hipponensis, De essentia divinitatis: an excerpt from Eucherius Lugdunensis (Eucherius bishop of Lyons, d. c. 450), Formulae spiritalis intelligentiae, chapter 1., and Binding: original undecorated white deerskin over bevelled heavy wooden boards, sewn on three double thongs; spine with plaited headbands; in its upper compartment a paper label with a 17th-century indication of the content; in the second compartment a paper label with the number "VIII". On each cover five small brass bosses on indented square plates; marks of two leather straps attached to the rear cover, the holes of the pins visible in the front cover. At the top of the front cover a contemporary Table of Contents is written in ink in Gothica Hybrida Libraria, now badly legible; at the bottom of the same cover, in a large Gothica Hybrida Formata: "Tractatus Honorii pape" [sic]. The rear pastedown (half detached) consists of a large fragment and scraps on paper from a 15th-century Latin register of personal interdicts attached to persons with German names; the handwriting is Gothica Cursiva Currens.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Alanus, de Insulis, -1202., Catherine, of Alexandria, Saint., Honorius, of Autun, approximately 1080-approximately 1156., Isidore, of Seville, Saint, -636., Paul, the Hermit, Saint, -approximately 341., Pseudo-Augustinus., and Samuel, Marochitanus.
Subject (Topic):
Christian hagiography, Exempla, Manuscripts, Medieval, Theology, and History
Manuscript on paper containing theological texts in Latin
Description:
In Latin., Script: two contemporary scribes: A copied ff. 1r-204v in Gothica Semihybrida Currens; B copied ff. 206r-231r in Gothica Hybrida Currens., In the first section, copied by hand A, heightening of majuscules, underlining, paragraph marks and headings (in larger script), all in red; some headings, in black, are underlined in red and placed in a rhomboid frame in the same colour; 2-3-line plain initials in red, with guide letters; the 3-line initial on f. 1r is framed in red; the initial on f. 169r has rudimentary flourishing in the same colour. The final section, copied by hand B, is undecorated, although spaces for initials were provided. Some pages badly damaged by the acid ink., The manuscript contains: 1) Antonius Rampegolus (de Rampigollis) de Ianua (d. after 1423), Compendium morale (Figurae Bibliorum). 2) Comparisons of the Virgin to the sky, the firmament, a mirror, a lily, balsam, thunder, a sword, paradise, water or a river, a garden, a tree, joy, a staff, dew, gold, a door, etc. With quotations from Alanus (de Insulis?), Alcabitius, Algazel, Aristotle, Averroes, Avicenna, Chalcidius, Constantinus Africanus, Galenus, Hermes Trismegistus, Ignatius, Isidore of Seville, Orosius, Philaretus, Plato, Pliny, Sedulius, Simplicius, Solinus, Theophrastus, Tondalus, etc. 3) Ps.-Bernardus Claraevallensis (Pseudo-Bernard of Clairvaux) or Ps.-Beda Venerabilis (Pseudo-Bede), Meditationes passionis Christi per septem diei horas. 4) Planctus beatae Mariae virginis, ascribed to Bernardus Claraevallensis (Bernard of Clairvaux). 5) Note on the torments of Hell, after Ps.-Bernardus Claraevallensis. 6) Note on the delights of Heaven. 7) Henricus Totting de Oyta (d. 1397), Quattuor notabilia (Solutiones quarumdam quaestionum ad dominum Rudolphum). 8) A theological treatise in fourteen questions on indulgence and remission of sins. 9) Short treatise of canon law on qualifications for preaching and theological argument. 10) Bonaventura (1221-1274), De praeparatione ad missam. 11) Honorius Augustodunensis (c. 1090-c. 1150), Inevitabile sive de praedestinatione et libero arbitrio inter magistrum et discipulum dialogus, two extracts, respectively corresponding with the edition PL 172.1198-1199 and 1201 (the latter extract ending incomplete). 12) Rabbi Samuel, De adventu Messiae praeterito, translated from the Arabic by Alphonsus Bonihominis O.P. (d. c. 1353), with an introductory letter by the translator to master Hugh de Vaucemain, general of the Dominican Order, dated 1339. 13) Nicolaus de Dinckelsbühl (c. 1360-1433), Dicta super beatitudines., and Binding: original binding: brown leather over rounded wooden boards, with some worm-holes, the outer lower edge of the rear board broken off; both covers blind-tooled with a frame and diamond pattern of double fillets, the diamonds decorated with three different stamps: a large quadrangular stamp with a quatrefoil, a circular stamp with a six-pointed star, and a circular stamp with a rosette; in the triangles a small circular stamp containing a trefoil. Hinges broken. Spine with four double raised bands and braided leather headbands. Remnants of two clasps attached to the rear cover. On the lower edge the ca. 1500 title “Figure morales [?]” written in ink close to the spine is faintly visible. Parchment pastedowns. The front pastedown consists of (1) a notarial document in Latin, dated 6 Jan. 1428, written in Gothica Cursiva; (2) a leaf, partly covered by the preceding document, from a Formulary of Canon Law, 14th century, written in Gothica Cursiva Antiquior. The rear pastedown consists of fragments of two bifolios from a 13th-century Latin moral treatise, written in Gothica Textualis Libraria and containing innumerable Biblical quotations.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Christian literature, Latin (Medieval and modern) and Manuscripts, Medieval
