Manuscript on parchment of Ivanus Veronensis, Eloquium
Description:
In Italian., The manuscript also contains a collection of quotations, added at a much later date, tending to demonstrate that one should not immoderately grieve over the dead., Script: main text copied by a single scribe, who writes a careful Gothica Cursiva Libraria (Cancelleresca), only towards the end becoming somewhat more rapid., and Binding: early binding of leather over wooden boards; sewing on three white leather straps fixed with nails on the outer side of both covers. One clasp.
Manuscript on paper containing ascetic and devotional treatises, the Life of St. John Calybita, and Italian poetry in praise of the Virgin
Description:
In Latin and Italian., Script: copied by two similar hands: A, writing a rapid Southern Gothica Textualis Libraria, copied ff. 2r-56v and 69r-104v; B, writing a more formal version of the same script, under slight Humanistic influence, copied ff. 57r-68v. The Latin of both scribes is very defective., Red headings and paragraph marks. 2-line red and blue plain initials, with guide letters., The manuscript contains: 1) Ps.-Augustinus Hipponensis, Manuale (preface and chapters 1-24). 2) Pseudo-Augustine, Soliloquia animae ad Deum, large final part of chapter 2. 3) Arnulphus de Boeriis (ca. 1200 (?), Ps.-Bernardus Claraevallensis), Speculum monachorum. 4) Ps.-Bernardus Claraevallensis, Sermo de vita et passione Domini. 5) Vita S. Iohannis Calybitae or Vita S. Iohannis monachi. 6) Flores ex operibus S. Bernardi de dignitate et excellentia beatae virginis Mariae. 7) Bernardus Claraevallensis (Bernard of Clairvaux, 1090-1153), Epistola 111, written in the name of the monk Elias to the latter's parents. 8) Ps.-Bernardus Claraevallensis, Contemplationes de passione Domini secundum septem horas canonicas. 9) Ps.-Bernardus Claraevallensis, Formula honestae vitae. 10) Ps.-Bernardus Claraevallensis, Octo puncta perfectionis assequendae. 11) Ps.-Bernardus Claraevallensis, Varia et brevia documenta pie seu religiose vivendi. 12) Bonaventura OFM (1221-1274), Regula novitiorum, 3. 13) Bonaventura, Regula novitiorum, 4.1-3. 14) Matthaeus de Cracovia (c. 1335-1410; Ps.-Thomas de Aquino, Ps.-Bonaventura; here ascribed to Iohannes de Capistrano OFM, 1386-1456), De modo confitendi et de puritate conscientiae (Speculum munditiae). 15) F. Carboni, Incipitario della lirica italiana dei secoli XIII e XIV, v. 1, Studi e Testi, v. 277 (Vatican City, 1977), 863. 16) Carboni 212. 17) Carboni 96. 18) Religious poems in Venetian dialect. 19) Lamentatio Virginis Mariae ad Crucem, attributed to Philippus de Grevia (Philippus Cancellarius, Philippe de Grève, d. 1236). 20) Zeno Veronensis (d. before 380), Tractatus, 1.1.7.20-21. 21) Moral sentences and quotations by or ascribed to St. Bernard of Clairvaux. 22) Ps.-Bernardus Claraevallensis, Sermo 12., and Binding: the two covers and the spine are covered with a fragment from a large Italian choirbook in Southern Gothica Textualis Formata; parts of two 4-line red staves with notation in Nota Quadrata and two lines of text are preserved.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Mary, Blessed Virgin, Saint
Subject (Topic):
Devotion to., Asceticism, Christian hagiography, Christian poetry, Italian, Devotional literature, Latin (Medieval and modern)., and Manuscripts, Medieval
Manuscript on parchment of Caesar, Bellum Gallicum, translated into Italian by Pier Candido Decembrio in 1438. With Dedication of the translation to Filippo Maria Visconti, Duke of Milan
Description:
In Italian., Script: Written below top line in a bold round humanistic hand by a single scribe who added extra rulings in outer margins for headings, annotations, etc., in red. Additional annotations in humanistic cursive, in a brighter shade of red., Elegant illuminated title page (f. 2v) with the title, written in blue over an erasure, in a circular wreath, green with gold flowers, and framed by narrow gold bands with fillets and inkspray issuing from the top and bottom with blue and deep red flowers, green leaves and gold balls. Full border, f. 1r, white vine-stem ornament on blue, green, deep red and gold ground between thin gold frames. In lower border, medallion, blank, framed by wreath, green with yellow highlights and narrow deep red frame. Partial border, f. 3r, white vine-stem ornament on blue, green and deep red ground between narrow gold frames, enlarged to elongated dots at terminals; white vine-stem ornament extends into upper (trimmed) and lower margins, with single gold balls with hair-line strokes. 8 large initials, 11- to 3-line, gold on blue, green, gold and deep red ground with white vine-stem ornament shaded with pale pink. First few words of each book in gold; incipits, explicits and marginalia in red., and Binding: Date? Italy. Vellum case with title in ink on spine: "Cesare Comment". Gilt, gauffered edges and gold and cream silk endbands. Fragments of a printed service book with musical notation partially visible under pastedowns.
Subject (Geographic):
Connecticut, New Haven., and Rome
Subject (Name):
Caesar, Julius.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Literature, Medieval, Manuscripts, Medieval, and History, Military
Manuscript on parchment of Diodorus Siculus, Bibliotheca Historica, Books I (parts 1 and 2)-II, in an unidentified and freely adapted Italian translation (e.g., the opening portion of Book II is greatly abbreviated).
Description:
In Italian., Script: Written in an elegant, upright mercantesca script by a single scribe, below top line., Spaces for headings and decorative initials remain unfilled. Initial on f. 1r later addition., and Binding: Fifteenth century, Italy. Sewn on four tawed skin, slit straps nailed in channels on the outside of wooden boards. Yellow edges. Pink, green and cream endbands sewn on five cores. Covered in dark red goatskin with corner tongues, blind-tooled with a central ornament in a panel bordered with rope interlace in concentric frames. Two fastenings, leaf-shaped catches on the lower board and the upper board cut in for the clasp straps. Rebacked twice.
Subject (Geographic):
Connecticut, New Haven., and Egypt
Subject (Name):
Diodorus, Siculus.
Subject (Topic):
History, Ancient, Literature, Medieval, Manuscripts, Medieval, and History
Manuscript on parchment of the book of Tobit in Italian translation, with the Italian translation of Jerome's prologue, as well as a hymn in honour of St. Bernardinus of Siena (1380-1444), and a genealogy of Christ
Description:
In Italian., Script: main text copied by a single hand writing Humanistica Textualis Formata., and Binding: restored contemporary blind-tooled binding of leather over wooden boards.
Manuscript on parchment of a Book of Hours. With prayers in Italian, probably made for a female member of the Augustinian order
Description:
In Latin and Italian., Script: copied by one hand in Southern Gothica Textualis Formata (Rotunda)., Headings in red. 1-line versals alternately in red and blue; 2-line flourished initials with marginal extensions alternately in red and blue, the penwork in the contrasting colour (the normal type of initials throughout the manuscript); 3-line flourished KL ligatures in art. 1; 5-line litterae duplices or initials in the style of litterae duplices with developed penwork at the opening of the various Hours in art. 2; 6-line ditto in art. 3; a 4-line flourished initial at the opening of the Mass of the Virgin in art. 5. All initials are half inset., and Binding: original Italian brown cloth over wooden boards, sewn onto three double leather thongs; the cloth is embroidered with silver thread to a design of stars, squares and maltese crosses. Gilt and gauffered edges.
Manuscript on paper of a Papal bull dated 22 October 1463 in unidentified Italian translation, announcing the adherence of Pope Pius II to the Hungarian-Venetian league
Description:
In Italian., Watermarks: unidentified horn in gutter., Script: Written in upright mercantesca bookhand (no loops)., One initial, 4-line, in black ink on f. 1r., and Binding: Nineteenth century. Rigid vellum case.
Manuscript on paper (trimmed) of 1) Alphabetical index. 2) Extract from Petrarca, Africa, VI, 885-918. 3) Petrarca, Canzoniere. 366 poems. 4) Transcription of a note on the front flyleaf of the Virgil manuscript copied by Petrarch, Milan, Biblioteca Ambrosiana, MS S.P. Arm. 10, scaf. 27. 5) Petrarca, Trionfi
Description:
In Italian., Script: Copied by one hand writing an unusual and upright form of Humanistica Cursiva Libraria, marked by a conspicuous shape of r; a second hand copied the replacement leaves 108 and 109, and a third hand copied f. 149r-v; both using the same type of script., Pale red headings (the one on f. 9r in Capitalis), subscriptions and plain initials (Capitalis). On f. 9r (beginning of art. 3) splendid 5-line trompe-l'oeil initial in Veneto-Paduan style in the shape of a square purple stone slab showing the letter V and plants in relief, slightly damaged., A section in the middle of ff. 85 and 86 is missing and has been replaced by pieces of paper written by a contemporary hand, and Binding: Seventeenth century. Limp parchment with two modern leather ties. On the spine the inscription in ink: "Petrar** Manuss***".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Petrarca, Francesco, 1304-1374.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian poetry, and Manuscripts, Medieval
Manuscript on paper of Commentary on the Epistles of St Paul. Includes a note attributing authorship to Gregorius Ariminensis O.E.S.A. (Gregory of Rimini, d. 1358).
Description:
Script: Copied by one hand in a script resembling Humanistica Cursiva. Running headlines in Capitalis., Decoration: The quotations from St Paul are underlined. The manuscript was originally undecorated, although space was provided for headings and initials with guide-letters. The uneven and fanciful decoration visible in the manuscript was added in the second half of the sixteenth century: painted intials, pictures of figures, including paintings of Christ and Paul, all completed in the same "byzantizing" style. Art. 1 contains a full-pace decoration showing a small triptych with three figures., Binding: 16th century dark brown leather over wooden boards. Four raised bands are on the spine. Both covers are blind-tooled with fillets and multiple rows or groups of stamps. Some brass bosses preserved on each cover. Two clasps attahced to the front cover., and In Italian.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Gregory, of Rimini, -1358.
Subject (Topic):
Christian literature, Italian and Manuscripts, Medieval
