Manuscript on parchment of Martial, Epigrams. The codex was misbound; the epigrams are out of order. Excerpts from the critical commentary of Domizio Calderini (Professor of Rhetoric at Rome in 1470) surround the text on ff. 1r-24v and 165r-193r. With an unidentified prose text outlining the development of civilization
Description:
In Latin., Script: Written by one scribe in a neat italic for the text and a less formal hand for the commentary and for the unidentified text on ff. 193r-194v., Gold initials, 5-line, on blue, dark red and green grounds, with white and gold highlights, mark the beginning of each book. Small, plain initials, alternating red and blue, for each epigram. Commentary and titles, in various shades of red., Final folios creased and rubbed; some loss of marginal text due to trimming and wear., and Binding: 18th-19th centuries. Vellum case, blind-tooled.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Martial.
Subject (Topic):
Epigrams, Latin, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Scholia, and Verse satire, Latin
Manuscript on paper of a number of ascetical treatises and prayers, including: 1) Pseudo-Bernard of Clairvaux, Octo versus. 2) Andrea da Pistoia, Epistola a un amico. 3) Aegidius O.S.B. (frate Gillio), Liber virtutum
Description:
In Italian., Script: the main section is copied by a single hand writing Southern Gothica Textualis Libraria; the headings in Southern Gothica Semitextualis Libraria. The Prayer to the Virgin is in Semitextualis under Hybrida influence; the two final Latin quotations in a large decorative impure Textualis Formata. The Pseudo-Bernard is in small rapid Italian Hybrida, the Latin Psalm verses in a larger and more formal form of the same script, with large opening majuscules. In the main section headings and stroking of majuscules in red; 1- and 2-line plain red initials half inserted, with large guide letters in the margin; a 3-line similar initial on f. 2r. The text opens with an outline initial in black., Manuscript on paper of a number of ascetical treatises and prayers, including: 1) Pseudo-Bernard of Clairvaux, Octo versus. 2) Aegidius O.S.B. (frate Gillio), De aedificatione animae, or Liber virtutum, translated from Latin into Venetian and from Venetian into Tuscan. 3) Andrea da Pistoia O.P., Epistola a un amico. (Perhaps the author is to be identified with Andreas Franchi de Pistorio (1335-1401)). 4) Prayers ascribed to St. Augustine. 5) The Apostles' Creed as supposed to be jointly composed by the twelve Apostles; the Seven Sacraments; the Seven Gifts of the Holy Spirit; the Seven Virtues; the Seven Mortal Sins; the Ten Commandments; the Works of Charity; the Ten Impediments of Penance; the Fifteen Signs announcing the Last Judgment. 6) Prayer to the Virgin., and Binding: unbound.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Andrea da Pistoia.
Subject (Topic):
Italian letters, Manuscripts, Medieval, and Virtue
Manuscript on paper of Epistolae Magni Turci, texts on the winds, and other texts
Description:
In Latin., Watermark: Hand topped by Star, similar to Briquet 10706., Script: Hand A is copied in Humanistica Cursiva; Hand B is copied in Gothico-Humanistica Libraria., Art. 4 is not decorated. In artt. 2-3 there are 2-or 3-line initials, in black ink and in outline; they have generally not been executed on the first pages. Guide letters do not seem to have been written consistently. The schematic drawing of art. 1 is traced in lead and consists of two concentric circles inscribed in a square and crosswise divided with double lines., The manuscript contains: 1) Circular diagram of the world with the four main directions of the winds and the Latin names of 12 winds. 2) Laudivius Zacchia (Laudivio da Vezzano, ca. 1435-after 1475, Ps.-Mahomet II), Epistolae Magni Turci. 3) De Hermaphrodito, ascribed to Hildebertus Cenomannensis (Hildebert of Le Mans,1065-1133) and others, here ascribed to Antonius Panormitanus (Antonio Beccadelli,1394-1471). 4) Note on the winds and their Latin names, according to the title based on Papias, Isidore of Seville and Boccaccio., and Binding: modern paper binding; on the front cover a printed label with the title “EPISTOLAE / MAGNI TURCI / MANUSCRIT”.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Latin letters, Medieval and modern, Latin poetry, Medieval and modern, Manuscripts, Medieval, Turks, and Winds
Manuscript on parchment (hairside yellow and speckled) of Cicero, Epistolae ad familiares. With Extract from Aulus Gellius, Noctes Atticae III.8.8: Epistula Fabricii et Aemilii consulum ad Pyrrhum regem. The text was copied ca. 1400 and the border decoration added between ca. 1415 and 1431
Description:
In Latin., Script: Written in a neat fere-humanistic hand by a single scribe, below top line., 14 elegant illuminated initials and partial borders at the beginning of each of the 16 books (the opening pages of Books XII and XV have been excised). Initials, 5- to 3-line, blue with white filigree or red with gold filigree on cusped grounds of gold. Most of the illuminated initials filled with bust-length portraits, presumably of Cicero's correspondents, on red, blue or diapered ground. Some initials filled with vine scrolls with trilobe leaves in red with white highlights against gold ground. Partial borders, scrolling vine with trilobe leaves or acanthus in blue, pink, red and gold with white highlights and green, red and blue with gold highlights. Small figures of angels, dressed in green with gold wings in borders or margins, some playing musical instruments, one holding an open book, one holding the cloth of Veronica. Other marginal figures include the "Agnus Dei" and a pelican piercing its breast. The figures are all characterized by white faces, small angled black eyes, and a preference for green and gold, the green with contour lines in gold. Plain initials alternate red and blue. Rubrics throughout., and Binding: Nineteenth century, France (?). Red velvet case with a dark green gold-tooled label: "M. T. Ciceronis Epistolae Ad Familiares MS. in Membranis". Gilt edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cicero, Marcus Tullius.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin letters, and Manuscripts, Medieval
Manuscript on paper of 1) Phalaris, Epistolae, translated into Latin by Francesco Griffolini of Arezzo and dedicated to Malatesta Novella of Cesena. 2) Unidentified couplet. 3) Ps.-Brutus, Epistolae, translated by Rinuccio Aretino and dedicated to Pope Nicholas V. 4) Ps.-Plutarch, Epistola ad Traianum. 5) Ps.-Philip of Macedon, Epistola ad Aristotelem. 6) Plutarch, Pyrrhus (extract), Lat. tr. of Leonardo Bruni. 7) Ps.-Caesar, Epistola ad Ciceronem. Arts. 8-11 are excerpts from an 11th- or early 12th-century supplement to Curtius Rufus, Historia Alexandri Magni. 12) Ps.-Phalaris, Epistula ad Demotelem, Lat. tr. Giovanni Aurispa. 13) Tibullus (attributed), Priapea I.
Description:
In Latin., Watermarks: similar in design to Briquet Fleur 6597, 6601., Script: Arts. 1 and 3-12 written in humanistic cursive by a single scribe, above top line; arts. 2 and 13 added in a more flamboyant style of humanistic cursive., Two illuminated initials, 4-line, gold against blue, green and dark red grounds with white vine-stem ornament and white dots. From the corners issue penwork inkspray with leaves, green with yellow or gold highlights, and blue or red blossoms, extending into margins to form partial border. Plain initials alternate in blue and red. Headings in pale red., and Binding: Date? Italy (?). Sewn through pieces of vellum. Limp vellum case with title in ink on spine: "Phalaridis Epistole". Badly worm eaten.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Alexander, the Great, 356-323 B.C. and Phalaris, Tyrant of Agrigentum, 6th cent. B.C.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin letters, Literature, Medieval, and Manuscripts, Medieval
Manuscript on paper of Jerome, Epistolae, etc., translated into Italian by Ser Nicolaus Berti Martini de Gentiluzis de Sanctogeminiano, a notary in Florence (ca. 1388-1468). With Ps.-Augustine, Epistula ad Cyrillum, concerning the death of St. Jerome
Description:
In Italian., Watermarks: similar to Piccard Schere III.710, Briquet Chapeau 3387; unidentified eagle., Script: Written by a single scribe in a small upright gothic script with both notarial and humanistic influence, above top line., One illuminated initial, f. 4r, 6-line, gold, filled with red and blue penwork in geometric patterns. The penwork extends the whole length of the text column to form a partial border, terminating in the upper and lower margins in a scroll of blue penwork with small flowers, heart-shaped leaves and red dots. Numerous penwork initials of good quality, 5- to 2-line, alternate in red and blue with purple and red penwork respectively, often extending into the margins. Headings in red. Majuscules and display script touched with yellow., and Binding: ca. 1500, Florence. Sewn on three tawed skin, slit straps attached to oak boards, with brown and natural color endbands (later additions?) sewn on tawed skin cores laid in grooves on the outside of the boards. Covered in orange/brown sheepskin neatly blind-tooled with rope interlace in concentric frames. Spine: double fillets at head and tail and outlining the supports on the spine; fine diapering with double fillets in the panels. Four flower-shaped catches on the lower board, two wanting. Remains of vellum label (worm eaten) on the spine and pieces of string used as place marks. Off-set impressions of medieval liturgical manuscript on front and back pastedowns. Orange edges. Sticky from excessive oiling.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jerome, Saint, -419 or 420.
Subject (Topic):
Christian legends, Illumination of books and manuscripts, Medieval, Latin letters, Literature, Medieval, and Manuscripts, Medieval
Manuscript on parchment of St. Jermone, Epistulae et tractatus. With Ambrosius Mediolanensis (St. Ambrose, 339-397), De excessu fratris
Description:
In Latin., Script: Apparently four scribes: A, Iohannes de Carnago, is the main scribe and copied ff. 1r-260v (with the exception of 8 lines at the bottom) in Gothico-Humanistica Semitextualis Libraria; B copied from the bottom lines of f. 260v to f. 270v, in Humanistica Textualis Libraria; C copied ff. 271r-275v in Gothico-Humanistica Textualis Libraria; and D copied ff. 276r-304v in Gothico-Humanistica Semitextualis Libraria., Headings in red. Red heightening (stroking) of the majuscules. 2-3-line flourished initials (with guide letters) in red with penwork varying from pale red to purple. A large (10 lines) decorated flourished initial in red, with developed purple penwork ("R" instead of "D") in littera duplex style on f. 229v. Two Gothic historiated initials on gold background with floral marginal extensions: f. 1r: St. Jerome with lion and boy holding open a book (damaged); f. 25v: a monk copying., and Binding: Sixteenth century. Brown leather over cardboard boards, the covers blind-tooled with a triple fillet lozenge inside a floral roll frame, the center and the corners gold-tooled with two different floral tools. Spine with four raised bands and remnants of gold-tooled lilies in the compartments. Edges painted blue. Marks of two pairs of ties.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jerome, Saint, -419 or 420.
Subject (Topic):
Christian literature, Latin, Illumination of books and manuscripts, Medieval, Latin letters, and Manuscripts, Medieval
Manuscript on paper (slightly polished) of 1) Giacomo Curlo, Preface addressed to Ferdinand I of Naples. 2) Giacomo Curlo, Epitoma Donati in Terentium. 3) Antonio Cassarino, Preface addressed to Giacomo Curlo. 4) Plutarch, Apophthegmata, Latin translation by Antonio Cassarino. 5) Phalaris, Epistolae, translated by Francesco Griffolini of Arezzo and dedicated to Malatesta Novella of Cesena. 6) Phalaris, four additional Epistolae, translated into Latin by Francesco Griffolini of Arezzo and dedicated to King Alfonso I of Naples. 7) Pliny, Epistolae I.1-III.15.
Description:
In Latin., Watermarks: ff. 1-112, similar to Briquet Lettre R 8941; ff. 113-160 and 209-256, similar to Briquet Echelle 5904, 5908; ff. 161-208, 257-265, similar to Piccard Kreuz II.616, 619, 622., Script: Written in an unusual style of loose and sloping humanistic script with cursive features; angular, little shading of letters, well spaced., Plain lumpy initials, 3- to 2-line, alternate blue and red. Headings and paragraph marks in red., and Binding: Fifteenth century, Spain (?). Original wound sewing on four tawed skin, slit straps laced through tunnels in the edges of wooden boards to channels on the outside and pegged. Yellow edges. The beaded chevron endbands are sewn with red and yellow thread on tawed skin cores laid in grooves in the boards. Covered in brown sheepskin with the surface mostly worn off; decorated with concentric frames, the central panel and one frame filled in with square goat (?) and flower tools standing on a point. Title in ink on a paper label, now mostly wanting. Four truncated diamond-shaped catches on the lower board have a raised design of the Virgin and child and a flower.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Donatus, Aelius., Alfonso V, King of Aragon, 1396-1458., Curlo, Giacomo., Ferdinand I, King of Naples, 1423-1494., and Terence.
Subject (Topic):
Latin letters, Literature, Medieval, Manuscripts, Medieval, and Scholia
Manuscript on parchment of Part I: Excerpts from Seneca, Phaedra. Part II: Justinus, Epitoma historiarum Pompei Trogi
Description:
In Latin., Script: Part I (ff. 1-2, palimpsest): Written by several scribes in humanistic bookhand; for the passages from Seneca, the initial letter for each verse is set between vertical bounding lines. Part II (ff. 3-130): Written by a single scribe, below top line, in humanistic bookhand that sits somewhat above the ruled line; the conclusion of the text on ff. 129v-130r was added by a different hand., One large illuminated initial, f. 3r, 9-line, pink with white highlights on irregular angular ground, blue with white filigree and a thin white line outlining the ground. Filled with a stylized interlacing pattern of white vine-stem, white with green and yellow shading against gold ground. Numerous small initials, 3-line, yellow, on blue or blue and pink grounds with white filigree. Initial heading in gold; running headlines for book numbers in red., and Binding: Nineteenth century, Italy. Rigid vellum binding, gold-tooled. Traces of turn-ins and bosses from earlier binding on f. 130 and possibly on f. 1.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Justinus, Marcus Junianus. and Trogus, Pompeius.
Subject (Topic):
History, Ancient, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval