Manuscript, on parchment, incomplete, of a Carthusian psalter with the Canticles and the Creed, with musical notation
Description:
In Latin., Incomplete. Text ends with Psalm 77., Layout: single columns of 24 lines., Script: large gothic script., Decoration: smaller initial in alternate red and blue; 12 historiated initials; full illuminated border to one page with figures of Carthusian monks and an abbot., and Binding: contemporary pigskin over wooden boards; metal clasps, corner pieces and central bosses.
Subject (Geographic):
Connecticut, New Haven., and Germany
Subject (Name):
Catholic Church and Carthusians.
Subject (Topic):
Liturgy, Prayers and devotions, Manuscripts, Medieval, Manuscripts, Renaissance, and Psalters
Manuscript on paper of Sebastian Brant (1457-1521), De praestantia artis impressoriae elogium, a 52-verse poem in praise of the art of printing, addressed to the German priest, humanist, printer and publisher Johann Bergmann von Olpe (ca. 1460-1532).
Description:
In Latin., Script: written in a small vertical Humanistica Cursiva., and Undecorated.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bergmann, Johann, fl. 1494-1499. and Brant, Sebastian, 1458-1521.
Subject (Topic):
Laudatory poetry, Latin (Medieval and modern), Manuscripts, Medieval, and Printing
Manuscript on parchment of a book of hours in the Premonstratensian use
Description:
In Latin., Script: Written by a single copyist in two sizes of liturgical gothic script., One miniature, f. v verso: Saul on the Road to Damascus, an addition (between 1500 and 1510) of fair quality, in an arched frame, brown and gold; a scatter border of flowers and insects on a beige ground, brown edging. Large initials, one (f. 4r) 8-line (45 x 45 mm.) on burnished gold with tooling, the others either on burnished gold with tooling (ff. 1r, 38r, 72v, 127v) or on pink and blue grounds (ff. 154r, 161r, 193v), set in full scatter borders of acanthus twigs (either gold with pink and brown or red, blue, and/or pink), flowers and, in some cases, birds, over compartmentalized (blue/gold, pink/beige, blue/dark blue, beige/brown), beige and parchment (with and without a background of black pen flecks) grounds; some borders without bounding lines. On f. 1r, an unidentified coat of arms in each corner of the border. Upper left and lower right, sable, in chief 2 wreaths vert with dots gules and or, in base a rose per pale gules and argent, barbed vert, seeded or. Upper right, or, a bear (?) rampant argent, langued gules. Lower left, ermine, a fess gules with 4 plates, cottised sable. Small initials, 3-line, gold, either filled with pink with gold filigree on a blue ground decorated with acanthus and black flecks, or filled with blue on a pink ground decorated with black filigree; some with additional flowers or pink and blue acanthus; all associated with short border strips, as above. Numerous 3- and 4-line initials, blue, filled with red curling acanthus drawn in pen, surrounded by red or crimson penwork. 2- and 1-line initials in red or blue. Rubrics throughout., Pieces of the illuminated borders have been cut from ff. 4, 38, 127, 154, and 193. Ink has run or been rubbed in several places, including ff. v verso and 1r., and Binding: Sixteenth century. Sewn on three double vegetable fiber cords laced into wooden boards. The book is so tightly bound that it is impossible to determine whether or not the sewing is original. No endband grooves. Edges gilt. Covered in dark brown calf with a panel stamp of the Virgin and Child on a crescent, within a flambent aureole in the center of each board, hearts pierced with an arrow and a dagger (?) in a diamond, stars in circles above and below the central stamp, all within a vine scroll border. Traces of one fastening, two later fastenings added. Rebacked, very possibly by the binder who rebacked MS 7 as there is a similar, unusual, endcap treatment.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church and Premonstratensians.
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on paper (unidentified watermarks) of Georg Rollenhagen (1542-1606), Isagoge in astrologiam. This manuscript is apparently the autograph of the Astrologia iudiciaria sive genethliacum reported to have been composed by this German evangelical minister, rector of the Gymnasium at Magdeburg and poet
Description:
In Latin and German., Script: Apparently copied by one hand writing a small Humanistica Cursiva Currens in many different forms, often difficult to decipher. Headings in the same script or in fancy capitals. The passages in German are in Gothica Cursiva Currens., Astrological diagrams, tables and calculations, all like the text of a rapid execution., and Binding: Original half binding of blind-tooled white pigskin decorated with rolls, the covers in an unorthodox way covered with green-blue blind-tooled parchment (?). On the front cover the gold-tooled initials "IMD" and the date "1599". Spine with three raised bands, with the number "10" painted in red in the second compartment. At the top illegible title label.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Rollenhagen, Georg, 1542-1609.
Subject (Topic):
Astrology, German literature, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment. The Obituary was organized in the early 16th century, obits being transcribed from a 15th-century manuscript recording the deaths of members and benefactors; the majority of the obits were entered subsequently, at the time of the decease of the persons involved. Includes a sealed transcription of a charter, granted by Joseph Bergaigne, Provincial of the Franciscan Order, dealing with the lightening of the obligations incurred towards the benefactors and drawn up in the Convent of Poor Clares at Trier, Jan. 1618, and confirmation of that charter drawn up at Trier, 16 May 1725. Its patronym "Sta. Maria Magdalena" is mentioned in one of the printed documents kept together with the manuscript
Description:
In German., Script: Many Gothic hands ranging from the early 16th to the 19th centuries, but mostly from the 16th and 17th centuries., The Day Letters are in red ("A") or stroked with red ("B-G"). Names of months and feasts in red., and Binding: Original brown blind-tooled leather over oak boards, decorated with double fillets and small lozenge tools ("Ihesus" and "Maria" monograms) and rosettes; bound on five white leather thongs. Spine with five raised bands, rebacked. Remnants of one brass clasp attached to the rear cover. The front pastedown is detached.
Subject (Geographic):
Connecticut, New Haven., and Trier (Germany)
Subject (Name):
Poor Clares.
Subject (Topic):
Manuscripts, Medieval, Monasticism and religious orders, and Necrologies
Manuscript on parchment. The Obituary was organized in the early 16th century, obits being transcribed from a 15th-century manuscript recording the deaths of members and benefactors; the majority of the obits were entered subsequently, at the time of the decease of the persons involved. Includes a sealed transcription of a charter, granted by Joseph Bergaigne, Provincial of the Franciscan Order, dealing with the lightening of the obligations incurred towards the benefactors and drawn up in the Convent of Poor Clares at Trier, Jan. 1618, and confirmation of that charter drawn up at Trier, 16 May 1725. Its patronym "Sta. Maria Magdalena" is mentioned in one of the printed documents kept together with the manuscript
Description:
In German., Script: Many Gothic hands ranging from the early 16th to the 19th centuries, but mostly from the 16th and 17th centuries., The Day Letters are in red ("A") or stroked with red ("B-G"). Names of months and feasts in red., and Binding: Original brown blind-tooled leather over oak boards, decorated with double fillets and small lozenge tools ("Ihesus" and "Maria" monograms) and rosettes; bound on five white leather thongs. Spine with five raised bands, rebacked. Remnants of one brass clasp attached to the rear cover. The front pastedown is detached.
Subject (Geographic):
Connecticut, New Haven., and Trier (Germany)
Subject (Name):
Poor Clares.
Subject (Topic):
Manuscripts, Medieval, Monasticism and religious orders, and Necrologies
Manuscript on paper (lightweight and brittle) of Lutheran Church, Sacramentarium et Collectae
Description:
In German., Watermarks buried in gutter and obscured by text., Script: Written in gothic textura and cursive by many scribes. Scribe 1 (ff. 1r-17v) writes in a large gothic textura. Scribe 2 (ff. 18r-27r) writes in an even cursive script. Other cursive hands make notes and additions on ff. 1r-27r, and are intermingled in the text of ff. 27v-42v., Elaborate capitals on ff. 1r-17v, all by the first scribe, in brown ink. On ff. 18r-26v, headings in gothic textura, square capitals, or humanistic script, above the cursive text. Musical notation on a 5-line staff on ff. 15r-16v (the Lord's Prayer)., Most of the folios are now detached from the binding; some attempt was made to repair this, using paper strips. Margin of f. 1 repaired; does not affect the text., and Binding: Nineteenth century. Vellum case, blind-tooled.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Liturgies, Lutheran Church, Manuscripts, Medieval, and Sacramentaries
Manuscript on paper of 1) Hieronymus (347-420), Epistola 14 (Ad Heliodorum). 2) Hieronymus, Epistola 52 (ad Nepotianum). 3) Johannes Lange (1503-1567), Sibyllae Erythreae Vaticinium, translated from the Greek into Latin by Iohannes Langus
Description:
In Latin., Script: Copied by two hands in Humanistica Cursiva, with large interlinear spaces., Undecorated, except for a Gothic flourished initial in brown ink on f. 1r and a capital at the opening of art. 2, both probably later additions. In art. 3 the initial at the beginning of the text is not executed. The heading of art. 2 is partly in Capitalis., and Binding: Sixteenth century. Blind-tooled brown leather over pasteboard (very worn), decorated with a fleuron in the center of the covers, rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jerome, Saint, -419 or 420.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Monasticism and religious orders, and Manuscripts, Medieval