Manuscript on paper (polished) of Scholia on Hesiod, Works; the text breaks off abruptly at the end of the commentary for line 755, where Scribe 2 has finished the final 12 lines begun by Scribe 1.
Description:
In Greek., Watermarks: Briquet Ancre 592 and similar to Briquet Arbalete 744, Tete de boeuf 14867 and Harlfinger Ancre 83., Script: Written in two distinct hands. Scribe 1 was responsible for the commentary and left ample space to supply the text of Hesiod; he did not complete his task. Scribe 2 supplied the first two verses of each Hesiod passage under discussion, wrote the final twelve lines of commentary contained in the codex (ff. 68v-69r), and added the heading and initials in red. All the additions of Scribe 2 are in a darker ink and bolder style of writing; he is the same scribe as that in MS 257, and as Scribe 3 in MS 290 and Scribe 1 in MS 490., Two headpieces in black ink (ff. 1r, 9r); heading and two initials on f. 1r in red., and Binding: 18th-19th centuries. Paper case, "alla rustica". The name of Tzetzes is still legible on front cover. Both the style of binding and the hand on the front cover are the same as those for Beinecke MS 290.
Manuscript on paper of Scholia in Oppiani Librum Primum here attributed to Theodore Magister, preceded by the life of Oppian and perioche of his work; portions of the text of Oppian are quoted as lemmata
Description:
In Greek., Watermarks: similar to Briquet Ancre 558 and to Harlfinger Ancre 78., Script: Written by 3 scribes. Scribe 1 (ff. 1r-35v) writes in an elaborate minuscule with heavy vertical strokes and uses a pen which gives considerable shading. Scribe 2 (ff. 36r-65v) writes a minuscule which slants to the right, and has shading similar to that of Scribe 1. Scribe 3 (ff. 66r-84v) writes in an upright minuscule with little shading., Headpiece, 2-line initial and heading on f. 3r in dark red., and Binding: Nineteenth century. Brown calf, blind-tooled.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Oppian, active 2nd century.
Subject (Topic):
Didactic literature, Greek, Manuscripts, Medieval, and Scholia
Manuscript on paper of a play in five acts, written for an audience of nuns by a Dominican friar. The only surviving manuscript containing this text
Description:
In Italian., Script: the original text copied by a single hand, writing Humanistica Cursiva. The changes and additions are written in Humanistica Cursiva Currens under Gothic influence., Play (Commedia) in five acts, in verse, about S. Catherine of Alexandria, written for an audience of nuns (see the frequent allusions to Christ as “sposo celeste”) by a Dominican friar whose initials are F.N.F. There are many important changes and additions by a slightly later, rapid hand., and Binding: early paper binding.
Manuscript on paper of Titus Maccius Plautus (c. 254-184 B.C.), Stichus, in an Italian adaptation in verse
Description:
In Italian., Script: copied by one hand in Humanistica Cursiva., Written in campo aperto in one narrow column of mostly seven 6-line strophes on the page., No decoration. There are numerous pointing hands with exaggeratedly long forefingers, generally accompanied by the name of a character., and Binding: loose grey paper cover.
Manuscript on parchment and paper of the Alfonsine Tables, a scientific work on astronomy, executed on parchment and decorated, but unfinished, to which paper leaves have been added at a not much later date, and the text completed, probably by a scholar
Description:
In Latin., Watermarks: 1) ladder in a circle with star at top, two varieties, similar to Briquet 5920; 2) eagle displayed within a circle, similar to Briquet 203., Script: Four scribes have written the manuscript: (1) the professional, humanistic hand of the parchment section; (2) the rapid, partly illegible cursive hand of the paper leaves; (3) a late humanistic hand which has supplied "radices" in red and brown inks in the lower margins of ff. 33-38; (4) a hand that filled in the numerals on the whole of f. 63r and a part of f. 36v, distinguishable by his numeral "7"., In the parchment section, headlines and part of the writing in red (the sixth place in each table is outlined in yellow glair, except in the table on f. 57r, where the ninth, fifteenth, and twenty-first places are outlined in blues). Longitudinal spaces between columns of the tables in the parchment section, ff. 38v-42v, 53r, and 61r-70v, have been decorated with arabesque patterns of vines, leaves, and flowers in great variety and usually in differing combinations of glair and blue, but the work has been left unfinished toward the end of the section. No illustration., and Binding: Modern. Blue morocco, gilt, matching slipcase of straight-grained blue morocco, by R. Wallis, original gilt edges.
Manuscript on paper (one leaf) of Three poems. MS 352, f. 88 from a larger volume, may be Benivieni's working copy, since words and verses have been added and deleted throughout; all three columns on both recto and verso have been struck out. The three poems were once thought to be the autograph works of Lorenzo de' Medici
Description:
In Italian., Script: Written in a vigorous notarial script., Leaf is mutilated and has been repaired extensively., and Boxed.
Manuscript on paper of a copy of the correspondence of Cardinal Ludovico Madruzzo and his nephew, Cardinal Carlo Gaudenzio
Description:
In Latin., Script: copied by a single hand writing Humanistic Cursive., Copies of the correspondence of Cardinal Ludovico Madruzzo, prince-bishop of Trent 1567-1600, and his nephew, Cardinal Carlo Gaudenzio, prince-bishop of Trent 1600-1629., and Binding: original binding: yellow parchment over cardboard.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Gaudenzio, Carlo. and Madruzzo, Ludovico, 1532-1600.
Manuscript on paper (sturdy) of what is probably the first version of the treatise, finished ca. 1476-77. The order of contents is as follows: fortresses; temples, churches and theaters; columns and other architectural details; plans for palaces; aqueducts; measuring and surveying; instruments of war
Description:
In Italian., Watermarks: anchor and star similar to Briquet Ancre 478, Bergamo 1502., Script: Written in italic script by a single scribe who left blank spaces for illuminated initials., Outer and lower margins of almost every page filled with architectural or mechanical sketches drawn either directly on the leaves (ff. 1r-5v) or on small strips of paper pasted onto the margins of the leaves (ff. 6r-57v), in brown ink, sometimes with green or pink washes. The drawings illustrate every section of the text; many have explanatory inscriptions., and Binding: Eighteenth century. Red edges. Mottled, brown calf, streaked on the turn-ins. Blind-tooled, with a gold-tooled spine.
Subject (Geographic):
Italy., Connecticut, and New Haven.
Subject (Name):
Martini, Francesco di Giorgio, 1439-1502.
Subject (Topic):
Architecture, Illumination of books and manuscripts, Medieval, Italian literature, Manuscripts, Medieval, and Military art and science
Manuscript on parchment of a collection of over 300 decrees issued by various Venetian governmental bodies: Maior Concilium (Maggior Consiglio), Concilium Sapientum (Consiglio dei Sapienti), Concilium X (Consiglio dei Dieci), Concilium Rogatorum (Consiglio dei Rogati), and others, and by several doges, between 1427 and 1540
Description:
In Latin and Italian., Script: copied by various hands in Humanistica Cursiva. No decoration., The manuscript also includes an oath formula for Jews, as well as a fragment of commentary on Psalm 96 from Pseudo-Jerome's Breviarium in Psalmos., and Binding: contemporary Venetian binding: blind-tooled calfskin over wooden boards, both covers decorated with two frames traced with quadruple fillets, one frame filled with a tulip roll stamp, the other one with various tools: a cherub's head, a ropework diamond, flowerets and a maple leaf. Five engraved brass bosses (four corner pieces and a center piece) on each cover (two are replacements). Four engraved brass clasps in the same style (two at the side edges and one each at the top and at the bottom edge).
Subject (Geographic):
Connecticut, New Haven., and Venice (Italy)
Subject (Topic):
Legal documents, Manuscripts, Medieval, and Politics and government
