Hodges, C. H. (Charles Howard), 1764-1837, printmaker
Published / Created:
[1 January 1788]
Call Number:
Folio 49 3582 (Oversize)
Image Count:
1
Resource Type:
still image
Abstract:
"The naked body of Christ laid on a stone slab covered with a cloth, supported by Mary Magdalen; the Virgin fainting and a crowd of mourners; the crown of thorns and the nails on the ground."--British Museum online catalogue
Description:
Title etched below image, on either side of etched Walpole arms bearing the motto "Fari quae sentiat.", Plate from: A set of prints engraved after the most capital paintings in the collection of ... the Empress of Russia ... London : J. & J. Boydell, 1788, v. 2., Text below title: Print the size of the picture., Sheet trimmed to plate mark., Mounted on page 203 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., and Note in brown ink in Horace Walpole's hand on mounting page: See page 68 preceding.
Publisher:
Published Jany. 1st, 1788, by John & Josiah Boydell, No. 90 Cheapside, London
"The Prince of Wales lies on his back, much foreshortened, his head towards the spectator, arms outstretched, his feathers and coronet by his left hand. On his body stand the Duke of Grafton (left) and the Duke of Richmond (right); the former's right foot is on the Prince's left hand, his left foot on his chest, Richmond's left foot is on the Prince's right hand, his right foot on his chest; he stoops to look at the Prince, resting his hands on his knees. Lord Sydney, partly concealed by the legs of the two dukes, sits on the Prince, his head turned in 'profil perdu'. Pitt stands with his right foot on Grafton's shoulder, his left on that of Richmond, reaching up to a shelf on which is the crown on a cushion. In his right hand is a document inscribed 'Jo. Durnford's address'. Between Pitt's legs and above Sydney's head is a baron's coronet. Below this hangs a tailor's goose."--British Museum online catalogue
Description:
Title from item, Date of publication from British Museum catalogue: December 29th, 1788., Six lines of verse inscribed below design: 'Still inimical to their Country, see Two Chips of Charles's block supporting me And Sy-y, well sirnam'd [the] Taylor's Goose, As Hot and Heavy as that Thing in use, Shall lend his Weight of Breech & length of Chin The Heir Apparent crush & poke me, in.', and Sheet trimmed within plate mark.
Publisher:
Publish'd by Mr. Bradshaw, Coventry Street : Miss Humphrys, Bond Street, No. 51
Subject (Geographic):
Great Britain
Subject (Name):
Dornford, Josiah, 1764-1797, Pitt, William, 1759-1806, George IV, King of Great Britain, 1762-1830, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Sydney, Thomas Townshend, Viscount, 1733-1800, and Charles II, King of England, 1630-1685
A well-dressed woman lounges on a sofa inside a tent in a military camp; behind her is a sword and a gorget. Behind the sofa is a screen with the same embroidered design; the ground is covered with an ornate rug. She holds a letter in her right hand and a riding crop in her left hand as she looks up at the viewer with a seductive smile. Her blouse is unbuttoned to expose her breasts. At her feet is a vase with flowers
Description:
Title engraved below image., Numbered '168' in lower left corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed for Robert Sayer, No. 53 Fleet Street as the Act directs
Subject (Topic):
Military camps, Prostitutes, Screens, Sofas, and Tents
"Portrait seen half-length slightly to right holding rapier in his right hand, and resting his right arm on ledge before music manuscript and violin, eyes to front, wearing red coat, cravat and wig; sky behind."--British Museum online catalogue
Description:
Joseph Bologne, Chevalier de Saint-Georges, a champion fencer, violinist and conductor in Paris; son of George Bologne de Saint-Georges and Nanon, his African slave. First classical composer of African ancestry; also known as the "Black Mozart"., Title etched below the image in dotted letters., and Ten lines of French verse in two columns below title: Dans les armes jamais on ne vit son egal ...
Publisher:
Publish'd April 4th, 1788, by Bradshaw, No. 4 Coventry Street
Subject (Name):
Saint-Georges, Joseph Bologne, chevalier de, 1745-1799,
Watson, James, approximately 1740-1790, printmaker
Published / Created:
[1 January 1788]
Call Number:
Portraits W218A no. 2++
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait, whole-length standing three-quarter to right, right hand on the chancerial burse, propped on a table to left, holding a document in left hand, wearing ornate embroidered robe over his suit, a sash from left shoulder, lace cravat and long wig, with a classical statue in the garden beyond the balustrade to right."--British Museum online catalogue
Description:
Title etched below image., State from: Smith, J.C. British mezzotinto portraits., and Frontispiece to the second volume of: A set of prints engraved after the most capital paintings in the collection of ... the empress of Russia - lately in the possession of the Earl of Orford at Houghton ... London : J. & J. Boydell, 1788.
Publisher:
Published Jany. 1st, 1788, by John & Josiah Boydell, No. 90 Cheapside, London
Within the frame of an oval 'window', one well-dressed young woman sits facing the viewer with her back to the wall, looking intently at a watch in her right hand. Her companion leans on the back of a chair, facing the seated woman, her back to the viewer. She points to the wall-clock which hangs on the wall behind the sitter as does a mirror which is positioned so as to see the back of the sitter's head and the faint outline of her companion. In the right foreground on an oval table at the sitter's elbow sits a tea tray -- two cups and saucers, a creamer, a small teapot, and a box. Also on the table stands a samovar
Description:
Title from item., Sheet trimmed within plate mark with loss of all but top sliver of imprint statement., An early work by Morland that is a campanion painting to "The novelists", both of which use his wife and sister, wife of William Ward, as the two women models. Cf. Memoirs of the life of the late George Morland / by J. Hassell. London : J. Cundee [etc.], 1806, Appendix no. 78., and Two lines of verse on either side of title: This tormenting suspence my fond hopes o'er cast, lest the youth of my choice prove unkind. Be patient sweet, Mistress, the appointment's not past, and I'm certian he'll not be behind.
A woman sits at a table in front of a window, a patterned rug beneath them. She looks at a kitten walking towards her on the table and points with her left hand to a bird raised away from the table in her right hand. The two chairs and windows are covered in stripped fabric. An oval mirror is hung on the wall behind her
Description:
Title from item., Description based on imperfect impression; sheet trimmed within plate mark., Temporary local subject terms: Sitting room -- Upholstered furniture or slip covers -- Ladies' costume., and Watermark.
Publisher:
Published Feby. 4th 1788 by Robt. Sayer, 53 Fleet Street
"The interior of a barber's shop. The barber, ranting and gesticulating wildly, holds up the open tragedy of Alexander the Great; in his right hand is a pair of tongs. His hair hangs loose and on his head is his barber's basin. He is fashionably dressed, but wears an apron, which, blowing aside in his violent action, displays a large hole in his breeches. A stool, jug, &c, have been overturned, hair-pins lie on the ground, a cat flees in alarm. His little apprentice (left), holding a wig and a tress of hair, looks on with amusement, as do a man and woman (right) who look over a flight of stairs which ascends from the room. The room is a poor one, with plaster coming from the wall, a broken candle on the chimney-piece, over which is a torn print of a tragedy-king reclining on a couch. Two wig-boxes stand on the floor, one inscribed 'Tragedy Wigs', the other 'Comedy Wigs'."--British Museum online catalogue
Description:
Title from caption below image., Numbered "588" in lower left corner., No. 38 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
Printed for & sold by Carrington Bowles, No. 69 St. Paul's Church Yard, London
An old apple-woman sits asleep beside a table on which fruit (apples and strawberries) is arranged, with baskets under the table. A dog sleeps beside her. A little boy (left) pushes a shaft of wheat up her nose as a little girl behind him eggs him on. The children are dressed up, as if for Sunday, and the scene is in the fields near London, St. Paul's on the horizon. Behind the woman (right) is a closed box, resembling a sentry-box, on which are placards including an enlistment notice: 'All able bodied men willing to serve five guineas."
Description:
Title from caption below image., Numbered "586" in lower left corner., No. 37 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
Printed for & sold by Carrington Bowles, No. 69 St. Paul's Church Yard, London
Subject (Geographic):
England
Subject (Topic):
Children, Dogs, Food vendors, Older people, Posting signs & notices, Produce stands, Sleeping, and Teasing
