Manuscript, on parchment, containing the Penitential Psalms, the Litany of the Saints, the Psalms of the Passion, and other Latin prayers and devotions. The text is preceded by two pages of rubrics in Middle French; there are Middle English rubrics concerning indulgences on ff. 55-57. Several pages contain short pieces of music in the margins, probably in a contemporary hand and The manuscript also contains two miniatures not original to the text. The first (f. 4) is a full-page miniature of St. Christopher in color against a stylized landscape and a gold ground with a title sewn to the top margin, possibly predating its current binding by 50 years. The second (ff. 62b-63) is a double-page miniature of the Adoration of the Magi; the figures are outlined in ink and finished with washes in green, red and blue. Possibly intended as a pattern for embroidery or for wall-painting
Description:
In Latin, with a small number of rubrics in Middle French (ff.1-2) and Middle English (ff. 55-57)., Front and back pastedowns from a contemporary? printed German play about Adam and Eve., Layout: first section in single columns of 17 lines; second section in single columns of 12 lines., Script: gothic liturgical script., Decoration: Rubricated. Approximately 110 initials in blue with red penwork. Full-page miniature illustration of St. Christopher; double-page illustration of the Adoration of the Magi., and Binding: 16th-century English blind-stamped calf, with panels of heads in medallions, rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Devotional literature, Latin (Medieval and modern), Illumination of books and manuscripts, and Manuscripts, Medieval
Manuscript on two fragments of a single parchment leaf, now crudely patched together in their original format. Contains lines of text from a Prayer "ad clericum faciendum"; Antiphon and Psalm; Part of an "ordinatio monachi"; and Prayer "ad barbas tonendas". The manuscript presumably originated in one of the episcopal seats of the period and perhaps in one of the monastic cathedrals
Description:
In Latin., Script: Written in a fine, large Anglo-Saxon square minuscule with headings, in red square capitals (mostly faded)., and Removed from a binding; numerous sections spotted and discolored.
Subject (Geographic):
England., Connecticut, and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Cathedrals, Manuscripts, Medieval, and Pontificals
Manuscript on paper of a collection of prayers, written at the Benedictine monastery of Tegernsee. Bound in with the manuscript are 3 printed works, each paginated separately; all with full-page engravings and full engraved borders: Das Leben der allerheyligsten vnnd vbergebenedeyten Jungkfrawen vnd Mutter Gottes Maria (Augspurg: Christoff Mang, 1609); Von den Siben Engelfurstenbetrachtungen vnd Gebett. Item. Von dreyerley Ambtern dess Heiligen Schutz Engels (Augspurg: Chrisostomo Dahertzhofer, 1612); Sunder Spiegel, Das ist (Augspurg: Chrisostomo Dahertzhofer, 1612).
Description:
In German., Script: Written by Melchior Wigg (alias Bruder Paulus) in a small even gothic cursive script, with loops. The scribe's signature on f. 117v is executed in large gothic textura, in blue ink, with red., A few initial I's extend the length of the writing area, done in blue with red or red alone; crude. 7- to 5-line initials in blue, with red penwork. On f. 77r, an elaborately split uncial d in blue. 4-, 3-, and 1-line initials in red or blue, sometimes with black or red penwork. Capitals stroked with red. Rubrics and red paragraph marks throughout., Some water stains and wax spills, none affecting the text. Reinforced in gutter by adding paper strips. Many pages trimmed, with loss of text., and Binding: 18th century. Black goatskin over wooden boards; on spine, gold filets and stars. Remains of 2 fore-edge clasps. Edges gilt.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Benedictines., Catholic Church, and Tegernsee (Abbey)
Manuscript on paper (watermarks trimmed; unidentified) of various prayers
Description:
In German and Latin., Script: Text written in formal gothic by one scribe. Prayers added on the flyleaves, front and back, by several later hands in italic of the 17th century and later. 2- and 1-line initials in blue-grey or orange-tinted red. 1-line initials within the text, with red stroke. Extensive rubrication in orange-tinted red., and Binding: 16th-17th centuries. Sewn on three single, round, vegetable fiber cords laced into wooden boards. "Made" endbands glued on and extending onto the outer face of the boards. Red edges and numerous place marks of vellum or tawed skin on the fore-edge. The spine rounded and lined. Covered in dark brown calf with two brass catches on the upper board and brass clasps hinged to the lower. The lower board is detached and one clasp and some leather at head and tail of the spine are wanting.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Augustinians. and Catholic Church
Subject (Topic):
Manuscripts, Medieval, Monasticism and religious orders, and Prayers
Manuscript on paper of Prayers to be said at various times during the Mass. Composed by Paul Pellisson-Fontanier (1624-93).
Description:
In French., Script: Written by the master calligrapher Jean Pierre Rousselet, a follower of Nicholas Jarry, active in Paris between 1677 and 1736., Two full-page miniatures and nine historiated headpieces in gouache, all in frames best described as resembling the frames of 18th-century mirrors; the frames blue and purple with white highlights and gold side-pieces decorated with red flowers in diamonds; floral swags at bottom. Tail pieces with swags, as above and filled with gold, on f. 48v with the Holy Spirit as a dove. 3- and 2-line initials, blue with white highlights on gold; 1-line initials in red. Titles in gold, red and blue capitals; running headings and rubrics in red., and Binding: 18th-19th centuries. Black goatskin, gold-tooled. A red label and salmon pink doublures and flyleaves. Gilt edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pellisson-Fontanier, Paul, 1624-1693. and Catholic Church
Subject (Topic):
Liturgy, Devotional literature, French, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Missals
Manuscript on parchment of 1) Psalter in English, in the 8-part liturgical division, beginning defectively. Text is the later version of the Wycliffite translation of the Psalms. 2-7) Book of Hours, use of Sarum. 8) St. Jerome's Psalter, with introductory prayer and text followed by a suffrage to the Virgin. With Notes on Historia, Alegoria, Anagogia, Tropologia
Description:
In Middle English and Latin., Script: Written in small, well formed gothic bookhand., Five 6- to 5-line initials at the liturgical divisions of the Psalter (Psalms 26, 52, 68, 80, 97; initials for Psalms 1, 38, and 109 missing, offset initials on ff. 35v, 109r, and 156r), pink and blue with white highlights against cusped gold grounds, filled with brown, blue, and pink foliage with curling foliate serifs; pink, blue and gold bar border in outer margin with foliate shoots, terminals and horizontal extensions full across in upper and lower margins. Eleven 5- to 4-line initials (ff. 139v, 158v, 161r, 162r, 163r, 163v, 164r, 165v, 168r, 169v, 176v), gold, edged in black against a cusped ground, quartered in blue and pink, with white highlights and floral hair-spray. 3-line initials, blue with red penwork throughout. Capitals alternating red and blue. Rubrics throughout. Red and blue line-fillers in litany., and Binding: 19th-20th centuries. Brown leather case, blind-tooled. Red edges. Smells like a Middleton binding.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Devotional literature, English (Middle), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Psalters
Manuscript on parchment of a Psalter, with astrological notes, a Calendar, and other litanies and prayers
Description:
In Latin., Written by two scribes in tiny gothic textura. Scribe 1: ff. 2v-91v; Scribe 2: ff. 91v (last folio of quire 8)-95v. Several later hands have added scribbles, prayers, and inscriptions on ff. 1r-2r, 10r, 95v, 96r, 97v, 98r, 99r., Small (6-line) and rather crude historiated initials. The initials for Ps. 52 (the Fool) and Ps. 109 (the Trinity) are missing. In each initial, the figure drawn in black and colored pink, green, and/or blue on a gold ground; the initials attached to cusped, tapering bar border, blue, red, and gold, with white highlights, with ivy terminal, black with red and green leaves. Gold and blue calligraphic initials (2-line), with blue and red penwork respectively; 1-line initials, alternating red and blue. KL monograms, gold on red and blue, with white highlights. Because the initial I was placed in the margin without an inset space in the text, the illuminator often missed it (e.g., for Ps. 70 on f. 42r; for Ps. 113 on f. 62r, and for Ps. 125 on f. 68v)., and Binding: 15th-16th centuries. Resewn on three two-layered tapes of tawed skin attached to wooden boards. The endband cores are of tawed skin with a tawed skin braid at the head, a new endband added at the tail. The spine is square and the cover adhered to it. Covered in tawed skin, originally pink, with corner tongues. Cover repaired at spine and two corners and two silver clasps added. In a flexible grey leather pouch.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Astrology, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Psalters
Manuscript on paper in a neat bookhand of 57 devotional poems written in celebration of the feasts of the Roman Catholic Church from Trinity Sunday to the close of the Time after Pentecost. The volume opens with a 13 stanza poem, "For Trinitie Sunday," followed by a 12 stanza poem, "Of the Blessed Sacrament." Thereafter the poems cover feasts and saints' days from St. Barnaby's Day (June 11) to St. Catherine's Day (November 25); there are several feasts represented by two poems and The verses are in a variety of stanza forms. Stanzas are numbered, and each poem is headed by a title within rules and closes with "Amen."
Description:
In English. and Volume may be the surviving second volume of a set covering the complete church year.
Manuscript on parchment (uneven quality, severely trimmed) of a Florilegium comprised of a series of meditations and prayers. The text, apparently a unicum, is a cento of biblical, liturgical, and patristic citations, with some additional material spuriously attributed to St. Bernard. The most important sources are the Song of Songs, the other Wisdom books, the Prophets, and, in the Trinitarian section, Augustine's De Trinitate
Description:
In Latin., Script: Written by three scribes. Art. 19 (ff. 189r-190r) written by Scribe 3 in an informal gothic bookhand, no later than ca. 1300. Scribes 1 and 2 collaborated on the rest of the manuscript: arts. 1, 3-5, 6 (ff. 124r-125r), 9-18 written by Scribe 1 in a neat, but somewhat irregular gothic bookhand, arts. 2, 6 (ff. 125v-132r), 7-8 written by Scribe 2 in an undisciplined gothic bookhand., The manuscript is outstanding for the quality and complexity of its program of illustration. In its original state it included at least fifty full-page miniatures, of which forty-six survive, one-hundred-and-sixty smaller miniatures, and forty-one historiated initials. Twenty-three tinted drawings were added on blank and added folios at a later date (between 1300 and 1350). The decoration is the work of at least three artists. The miniatures, initials, and marginal decoration are the work of two hands, one of whom contributed only two full-page miniatures (ff. 61r and 64r) that depend on the style usually associated with the name of Master Honore. The other, predominant hand works in a flatter, more linear style associated with Northeastern France. Full-page miniatures, in art. 1 only, some divided into two or three registers, in blue or orange frames, surrounded by a narrow gold band, with orange lozenges at the corners, each with an ivy spray, in black ink with five gold leaves; predominantly blue or vermilion tesselated or tooled gold grounds; two (ff. 25r and 55r) with fleurs-de-lis in lozenges. On each text page in art. 1 there is a smaller miniature, 9- to 5-line, with a witness who gesticulates towards the full-page miniature on the facing page; each miniature in a blue and/or pink frame with gold squares in the corners. Almost every folio in arts. 2-18 with at least one small miniature 10- to 5-line, framed as above. Arts. 11 and 14 illustrated almost exclusively with historiated initials, 6- to 4-line, blue, pink and/or orange against grounds of the same colors, with short ivy branches extending from the serifs, many with grotesque terminals., Illuminated initials, 2- to 1- line, in art. 1 only, gold against irregular blue or pink grounds, with white filigree, edged in black, some of the 2-line initials with ivy borders, as above. The borders, especially in arts. 2-18, are populated with grotesques and other marginal illustrations, the majority apparently non-narrative and without reference to the adjacent texts and miniatures, in the same style as the miniatures by the predominant hand. Names of Hebrew letters in art. 12 in red., Lower outer corners cut from ff. 167-192. Marginal decoration on many folios severely trimmed. Gold has flaked off considerably from the full-page miniatures on ff. 13r, 15r, 19r; some flaking of gold on ff. 6v, 18v, 25r, 34r, 44r, 51r., and Binding: ca. 1966. Bound in two volumes (I: ff. 1-96; II: ff. 97-192) in native tanned vermilion Nigerian goatskin, by J. Greenfield, without any adhesive touching the bookblock itself. Previously bound in brown leather in a single volume.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Devotional literature, Latin (Medieval and modern)., Exempla, Fathers of the church, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment (greatly trimmed) of a fragment of a Book of Hours. The twenty-six folios are the only fragment known to remain of the Book of Hours of Blanche of Burgundy (d. 1348), Countess of Savoy and granddaughter of Saint Louis of France, which was executed in Paris in the atelier of Jean Pucelle. The manuscript received additional texts and miniatures in the third quarter of the fourteenth century, when it was owned by Charles V, King of France, 1364-80.
Description:
In Latin., Script: Written in gothic bookhand; ff. 1r, 1v, 4r, and 4v added in the third quarter of the fourteenth century by Jean L'Avenant., Contains fifty of the original two hundred and fifty-five miniatures, the majority executed between Pucelle's death in 1334 and Blanche's death in 1348, the remainder between ca. 1370 and 1378, the terminus ante quem being the death of Charles's wife, Jeanne de Bourbon, represented on one of the destroyed leaves. All of the miniatures are in tricolor quatrefoils, the first, earlier set against pink or blue grounds with white filigree, gold frames and gold leaves on hair-line stems, the later miniatures with the grounds in pink or blue imitation relief., Each folio with a 3/4 bar border, detached from initial, pink, blue and gold with ivy terminals, or a single bar with ivy attached to initial, in inner margin; some with grotesque terminals, and birds and hunters in the margins and bas-de-page. 2-line initials, with heads, ivy, the arms of Savoy (ff. 2r, 14r, 18v, etc.) or the arms of Burgundy (f. 3v); blue or pink with white highlights on gold grounds. 1-line initials, blue or gold with red or black penwork. Line endings, red, blue and gold, on ff. 1 and 4 only. Rubrics throughout., and Binding: Eighteenth century. Red-brown sheepskin heavily gold-tooled with floral borders and corner fans, the center filled in with a circle made up of fan tools.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pucelle, Jean, fl. 1320. and Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval