Manuscript, on parchment, containing the Penitential Psalms, the Litany of the Saints, the Psalms of the Passion, and other Latin prayers and devotions. The text is preceded by two pages of rubrics in Middle French; there are Middle English rubrics concerning indulgences on ff. 55-57. Several pages contain short pieces of music in the margins, probably in a contemporary hand and The manuscript also contains two miniatures not original to the text. The first (f. 4) is a full-page miniature of St. Christopher in color against a stylized landscape and a gold ground with a title sewn to the top margin, possibly predating its current binding by 50 years. The second (ff. 62b-63) is a double-page miniature of the Adoration of the Magi; the figures are outlined in ink and finished with washes in green, red and blue. Possibly intended as a pattern for embroidery or for wall-painting
Description:
In Latin, with a small number of rubrics in Middle French (ff.1-2) and Middle English (ff. 55-57)., Front and back pastedowns from a contemporary? printed German play about Adam and Eve., Layout: first section in single columns of 17 lines; second section in single columns of 12 lines., Script: gothic liturgical script., Decoration: Rubricated. Approximately 110 initials in blue with red penwork. Full-page miniature illustration of St. Christopher; double-page illustration of the Adoration of the Magi., and Binding: 16th-century English blind-stamped calf, with panels of heads in medallions, rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Devotional literature, Latin (Medieval and modern), Illumination of books and manuscripts, and Manuscripts, Medieval
Manuscript on two fragments of a single parchment leaf, now crudely patched together in their original format. Contains lines of text from a Prayer "ad clericum faciendum"; Antiphon and Psalm; Part of an "ordinatio monachi"; and Prayer "ad barbas tonendas". The manuscript presumably originated in one of the episcopal seats of the period and perhaps in one of the monastic cathedrals
Description:
In Latin., Script: Written in a fine, large Anglo-Saxon square minuscule with headings, in red square capitals (mostly faded)., and Removed from a binding; numerous sections spotted and discolored.
Subject (Geographic):
England., Connecticut, and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Cathedrals, Manuscripts, Medieval, and Pontificals
Manuscript on parchment (calfskin) of a collection of prayers, passion narratives and hymns
Description:
In Middle French and Latin., Script: Copied by one hand in Gothica Textualis Libraria (Textus Quadratus, approximately Oeser variant II), with a tendency to develop cadels on the top line, in some cases (f. 57v) featuring a human profile., Headings in red. Heightening of the majuscules in yellow. 1-line plain versals alternately red and blue; 2-line plain initials and 4-line initials (plain or of the littera duplex type, but without penwork; 5-line on ff. 2r, 126v and 145r) in red and/or blue. Although the main prayers and hymns generally begin with a 4- or 5-line initial, the distribution of the various kinds of initials often seems at random., and Binding: Seventeenth century. Plain brown leather over pasteboard. The spine gold-tooled, with five raised bands. Paper pastedowns; red sprinkled edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Hymns, Manuscripts, Medieval, and Passion narratives (Gospels)
Manuscript on paper of a collection of prayers and hymns, compiled in 1518 by the humanistic-minded Benedictine monk Vitalis of Rothenthal (Rubrevallensis) (fols. 1-110).
Description:
In Latin., Script: copied by one hand in Gothica Semihybrida Libraria with Bastarda/Fractura features. Art. 1 is written in s. XVI2 Gothica Semihybrida Currens. Art. 74 is printed in black and red in Gothic Textura., Decoration: Headings and stroking of the majuscules in red. Each prayer opens with a 3-6 line calligraphic initial (cadel) in red; more rarely with a plain initial in the same colour. Guide letters. In Book of Hours, f. 126v (facing f. 1r of the printed foliation), full-page woodcut, hand coloured in green, blue, yellow and red, of the Virgin and Child in the Sun, standing on the Moon., Binding: original blind-tooled brown pigskin over wooden boards; spine with two double raised bands. The covers decorated with a frame of foliage enclosing a central rectangular panel containing three rosettes; the rosettes are repeated in the three compartments of the spine. Two engraved brass clasps attached to the rear cover, with engraved brass catches on the front cover; the corner pieces are missing., Watermark of the manuscript part: perhaps var. Briquet 2172., and Bound with a printed Book of Hours (Vienna, Hieronymus Vietor and Iohannes Singrenius for Leonardus and Lucius Alantse, 1513 September 14).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Benedictines. and Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Prayer books
Manuscript on paper of a collection of prayers, written at the Benedictine monastery of Tegernsee. Bound in with the manuscript are 3 printed works, each paginated separately; all with full-page engravings and full engraved borders: Das Leben der allerheyligsten vnnd vbergebenedeyten Jungkfrawen vnd Mutter Gottes Maria (Augspurg: Christoff Mang, 1609); Von den Siben Engelfurstenbetrachtungen vnd Gebett. Item. Von dreyerley Ambtern dess Heiligen Schutz Engels (Augspurg: Chrisostomo Dahertzhofer, 1612); Sunder Spiegel, Das ist (Augspurg: Chrisostomo Dahertzhofer, 1612).
Description:
In German., Script: Written by Melchior Wigg (alias Bruder Paulus) in a small even gothic cursive script, with loops. The scribe's signature on f. 117v is executed in large gothic textura, in blue ink, with red., A few initial I's extend the length of the writing area, done in blue with red or red alone; crude. 7- to 5-line initials in blue, with red penwork. On f. 77r, an elaborately split uncial d in blue. 4-, 3-, and 1-line initials in red or blue, sometimes with black or red penwork. Capitals stroked with red. Rubrics and red paragraph marks throughout., Some water stains and wax spills, none affecting the text. Reinforced in gutter by adding paper strips. Many pages trimmed, with loss of text., and Binding: 18th century. Black goatskin over wooden boards; on spine, gold filets and stars. Remains of 2 fore-edge clasps. Edges gilt.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Benedictines., Catholic Church, and Tegernsee (Abbey)
Manuscript on paper (watermarks trimmed; unidentified) of various prayers
Description:
In German and Latin., Script: Text written in formal gothic by one scribe. Prayers added on the flyleaves, front and back, by several later hands in italic of the 17th century and later. 2- and 1-line initials in blue-grey or orange-tinted red. 1-line initials within the text, with red stroke. Extensive rubrication in orange-tinted red., and Binding: 16th-17th centuries. Sewn on three single, round, vegetable fiber cords laced into wooden boards. "Made" endbands glued on and extending onto the outer face of the boards. Red edges and numerous place marks of vellum or tawed skin on the fore-edge. The spine rounded and lined. Covered in dark brown calf with two brass catches on the upper board and brass clasps hinged to the lower. The lower board is detached and one clasp and some leather at head and tail of the spine are wanting.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Augustinians. and Catholic Church
Subject (Topic):
Manuscripts, Medieval, Monasticism and religious orders, and Prayers
Manuscript on paper (watermarks obscured by binding and trimming) of prayers and hymns to the Virgin Mary
Description:
In Italian and Latin., Script: Written by one scribe in round gothic bookhand., Four poorly executed initials in gold and colors on ff. 1r, 2r (two), and 4r; the last accompanied by green and gold dots. Red initial strokes; rubrics throughout., and Binding: single quire tacketed to a piece of folded vellum.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Mary, Blessed Virgin, Saint and Catholic Church
Subject (Topic):
Devotion to., Hymns, Italian, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on paper of Prayers to be said at various times during the Mass. Composed by Paul Pellisson-Fontanier (1624-93).
Description:
In French., Script: Written by the master calligrapher Jean Pierre Rousselet, a follower of Nicholas Jarry, active in Paris between 1677 and 1736., Two full-page miniatures and nine historiated headpieces in gouache, all in frames best described as resembling the frames of 18th-century mirrors; the frames blue and purple with white highlights and gold side-pieces decorated with red flowers in diamonds; floral swags at bottom. Tail pieces with swags, as above and filled with gold, on f. 48v with the Holy Spirit as a dove. 3- and 2-line initials, blue with white highlights on gold; 1-line initials in red. Titles in gold, red and blue capitals; running headings and rubrics in red., and Binding: 18th-19th centuries. Black goatskin, gold-tooled. A red label and salmon pink doublures and flyleaves. Gilt edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pellisson-Fontanier, Paul, 1624-1693. and Catholic Church
Subject (Topic):
Liturgy, Devotional literature, French, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Missals
Manuscript on parchment of 1) Psalter in English, in the 8-part liturgical division, beginning defectively. Text is the later version of the Wycliffite translation of the Psalms. 2-7) Book of Hours, use of Sarum. 8) St. Jerome's Psalter, with introductory prayer and text followed by a suffrage to the Virgin. With Notes on Historia, Alegoria, Anagogia, Tropologia
Description:
In Middle English and Latin., Script: Written in small, well formed gothic bookhand., Five 6- to 5-line initials at the liturgical divisions of the Psalter (Psalms 26, 52, 68, 80, 97; initials for Psalms 1, 38, and 109 missing, offset initials on ff. 35v, 109r, and 156r), pink and blue with white highlights against cusped gold grounds, filled with brown, blue, and pink foliage with curling foliate serifs; pink, blue and gold bar border in outer margin with foliate shoots, terminals and horizontal extensions full across in upper and lower margins. Eleven 5- to 4-line initials (ff. 139v, 158v, 161r, 162r, 163r, 163v, 164r, 165v, 168r, 169v, 176v), gold, edged in black against a cusped ground, quartered in blue and pink, with white highlights and floral hair-spray. 3-line initials, blue with red penwork throughout. Capitals alternating red and blue. Rubrics throughout. Red and blue line-fillers in litany., and Binding: 19th-20th centuries. Brown leather case, blind-tooled. Red edges. Smells like a Middleton binding.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Devotional literature, English (Middle), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Psalters
Manuscript on parchment of a Psalter, with astrological notes, a Calendar, and other litanies and prayers
Description:
In Latin., Written by two scribes in tiny gothic textura. Scribe 1: ff. 2v-91v; Scribe 2: ff. 91v (last folio of quire 8)-95v. Several later hands have added scribbles, prayers, and inscriptions on ff. 1r-2r, 10r, 95v, 96r, 97v, 98r, 99r., Small (6-line) and rather crude historiated initials. The initials for Ps. 52 (the Fool) and Ps. 109 (the Trinity) are missing. In each initial, the figure drawn in black and colored pink, green, and/or blue on a gold ground; the initials attached to cusped, tapering bar border, blue, red, and gold, with white highlights, with ivy terminal, black with red and green leaves. Gold and blue calligraphic initials (2-line), with blue and red penwork respectively; 1-line initials, alternating red and blue. KL monograms, gold on red and blue, with white highlights. Because the initial I was placed in the margin without an inset space in the text, the illuminator often missed it (e.g., for Ps. 70 on f. 42r; for Ps. 113 on f. 62r, and for Ps. 125 on f. 68v)., and Binding: 15th-16th centuries. Resewn on three two-layered tapes of tawed skin attached to wooden boards. The endband cores are of tawed skin with a tawed skin braid at the head, a new endband added at the tail. The spine is square and the cover adhered to it. Covered in tawed skin, originally pink, with corner tongues. Cover repaired at spine and two corners and two silver clasps added. In a flexible grey leather pouch.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Astrology, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Psalters
