Title devised by curator., Printmaker from signature on lettered state: J.S. Müller sc., Variant state, probably a proof before letters, of a plate from: Designs by Mr. R. Bentley for six poems by Mr. T. Gray. London : Printed for R. Dodsley, 1753., Publication information from book in which the lettered state of this plate was published., Sheet trimmed to plate mark., and Mounted on page 80 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[1773]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 91. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
A scene from Tristram Shandy in which Susannah stands holdings her nose with her right hand while in her left she holds a candle over the cradle where the swaddled infant Tristram lies with a plaster on his nose. She addressed the doctor with obvious fury, her mouth agape. On the left Dr. Slop raises his left fist at her while in his right he holds a cataplasm in a ladle, ready to fling at her. His hat lies at his feet, and his wig is ablaze. Obadiah stands behind him carrying in his hands a chamber pot and a bowl, a medicine bottle tucked under his arm. The two men stand before a screen. The walls of the room are hung with portraits and a mirror; a grandfather's clock showing the time as 6:15 stands against the wall behind the cradle and Susannah. Two medicine bottles sit on a table partially hidden behind the screen. In the foreground lies an over-turned chair
Description:
Title from later state., Artist and printmaker from signatures on later state: HWBunbury delin. ; J. Bretherton f., Proof state, before any lettering and before additional shading added to the design. For the lettered state, see no. 5216 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Publisher and date of publication inferred from imprint statement on later state., Sheet trimmed within plate mark., Temporary local subject terms: Medical: Cataplasm -- 'Dr. Slop' -- Dishes: Bowls -- Lighting: Long handle candlesticks -- Domestic service: Maid -- Furniture: Hall clock -- Folding screen., and Mounted on page 91 of: Bunbury album.
Publisher:
J. Bretherton
Subject (Name):
Sterne, Laurence, 1713-1768.
Subject (Topic):
Illustrations, Cradles, Longcase clocks, Physicians, Quarreling, Screens, Servants, and Women domestics
"A man on horseback in a street with his arms around two women, one of whom is crying at right, an old lady sat in profile in the foreground holding a bunch of flowers and a dog drinking from a fountain behind, a man watching the farewell with crossed arms at left, a church building behind a high wall before which a carriage is waiting behind; circular design, after Henry William Bunbury."--British Museum online catalogue
Description:
Title from text on later state., Artist and printmaker from text on later state: H. Bunbury Esqr. delint. ; engraved by T. Watson., Early state, before any lettering. For the final lettered state, published 28 May 1781 by Watson & Dickinson, see British Museum online catalogue, registration no.: 1872,0511.128., Sheet trimmed within plate mark., and Mounted on page 23 of: Bunbury album.
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr. Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue
Description:
Title, imprint, artist, printmaker and state from Paulson., Sheet trimmed with plate mark., Ms. note in pencil in Steevens's hand below print: Aqua fortis proof. See Mr. Nichols's book, 3d. edit. p. 299., and On page 149 in volume 2.
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr. Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue
Description:
Title, imprint, artist, printmaker and state from Paulson., Sheet trimmed within plate mark., and On page 150 in volume 2.
A companion to Plate I, the firefighters have become gardeners and the water flows onto the trees in pots that surround the statue of Henry VIII, royal steams of benevolence. Lord Bute is the head gardener
Alternative Title:
Pl. 2
Description:
Title etched below image., Date, publisher, and state as described by Paulson., Ms. note in pencil in Steevens's hand above print: Plate II. Ms. note beneath image: Times, Plate 2; proof taken during the life-time of Hogarth., Ms. note in ink on square of paper mounted below in Steevens's hand: This second part of The times (for and impression of which the late Lord Exeter paid Mrs. Hogarth ten guineas, the money to be returned if she published the plate) is every way inferior to the first. Since the death of Mrs. Hogarth, it is become the property of the Boydells., and On page 193 in volume 2.
Publisher:
Wm. Hogarth
Subject (Name):
Henry VIII, King of England, 1491-1547 and Bute, John Stuart, Earl of, 1713-1792
Subject (Topic):
Seven Years' War, 1756-1763, Cities & towns, and Gardens
In a winter landscape, a man smoking a pipe carries an axe under one arm as he walks down a path in a field, a dog walking beside him; in his belt is a large knife, and in the distance on the left is a thatched cottage beyond a fence and stone wall
Description:
Title from published state. See: British Museum online catalogue, registration no.: 1941,1011.3. and Artist, printmaker, and publication information from statement of responsibility and imprint on published state: Barker pinxt. ; F. Bartolozzi R.A. sculpt. London, Published June 1, 1792, by Thos. Macklin, Poets Gallery, Fleet Street.
Portrait of Thomas Wood, standing whole-length directed slightly to right, his right hand tucked into his coat, left hand at his side, a bunch of flowers at left lapel, in an ordered garden with windmills in the background; after Ogborne; unlettered proof before margin cleared
Description:
Title, artist and publication information from Chaloner Smith. and Engraved from a painting by David Ogborne. Cf. Chaloner Smith.
Publisher:
Publish'd March the 1st 1774, by John Thane, printseller and medalist in Gerrard Street, Soho
"View across a cornfield to Hogarth's house at Chiswick and neighbouring houses among trees; in the foreground, to left, a man holding a staff is seated beside a tree with a dog at his feet."--British Museum online catalogue
Description:
Title from Paulson., Printmaker and date from British Museum online catalogue, viewed October 2023., Published state with imprint: "Publish'd as the Act directs by Jane Hogarth at the Golden-head Leicester Fields 1st May 1781.", Formerly attributed to William Hogarth and dated ca. 1750. See curator's comments in the British Museum catalogue., Ms. note in pencil in Steevens's hand above print: Ranby's house., and On page 154 in volume 2. Sheet trimmed within plate mark to: 10 x 14.9 cm.
Publisher:
Jane Hogarth
Subject (Geographic):
Chiswick (London, England), England, and Chiswick.
"View across a cornfield to Hogarth's house at Chiswick and neighbouring houses among trees; in the foreground, to left, a man holding a staff is seated beside a tree with a dog at his feet."--British Museum online catalogue
Description:
Title from Paulson., Printmaker and date from British Museum online catalogue, viewed October 2023., Published state with imprint: "Publish'd as the Act directs by Jane Hogarth at the Golden-head Leicester Fields 1st May 1781.", and Formerly attributed to William Hogarth and dated ca. 1750. See curator's comments in the British Museum catalogue.
Publisher:
Jane Hogarth
Subject (Geographic):
Chiswick (London, England), England, and Chiswick.
