"The Duchess of Devonshire (right), wearing very wide hooped petticoats, shelters a fox beneath them. Its head projects from a slit which she holds open with her hands, its tail shows between her feet. She says:"Here my dear Reynard when all trouble's past, You'll find a Borrough open at the last."Her hat is trimmed with the usual ostrich plumes and fox's brush, cf. BMSat 6530, &c. North stands facing her, saying "He's IN for a Borrough". Beneath the design is inscribed:"In vain may Wits reprove, and Criticks blame, Nor shall concealment in this cause defame, Reynard in gratitude of such protection, Now pays the devoirs of his Election.""--British Museum online catalogue for original print entitled: Parliment [sic] security or a borrough in reserve
Alternative Title:
Reynards resource and Borough secured
Description:
Title etched above image., Sheet trimmed within plate mark., Printmaker from British Museum catalogue., and Reissue of number 6559 with different title and alterations to the plate. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v.6.
Publisher:
Pubd. by E. Rich, May 24, 1784, No. 55, opposite Andertons [sic] Coffee House, Fleet Street
Subject (Geographic):
England and London.
Subject (Name):
Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, and Great Britain. Parliament
Title from caption below center image., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published Feby. 1831 by S. Gans, 15 Southampton St., Covt. Garden
Subject (Topic):
Freemasonry, Courtship, Couples, and Eating & drinking
"A fashionably-dressed young woman reclining to left on a garden bench, looking provocative; roses and a sign-post lettered 'Spring Guns set here' behind to right, and a tree behind to left."--British Museum online catalogue
Description:
Title etched below image., Date range for publication from the British Museum online catalogue, registration no.: 2010,7081.1943., For a larger version with the same title, engraved by John Raphael Smith and published by Carrington Bowles in 1780, see no. 5814 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Numbered "303" in lower left corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed for Carington Bowles, No. 69 in St. Pauls Church Yard, London. Publish’d as the act directs
A man looks up in horror at the image of a demon, smoking a pipe and holding a lantern, sitting astride his sleeping wife beside him in their truckle bed. A horse looks on, his head poking through the casement window. Beside their bed is a candle, chamber pot, and a chair on which he has thrown his coat. Probably deriving (remotely) from Fuseli's 'Nightmare'.
Alternative Title:
Nightmare
Description:
Title etched below image., Sheet trimmed to plate mark at top and bottom., and Matted to 41 x 55 cm.
Publisher:
Pub. by W. Holland, October 26, 1794, No. 50 Oxford Steet [sic]
Visual puns on various kinds of teas: Strong Black, Mixed, Hyson, Fine Dust, Gunpowder
Description:
Title from item., Sheet trimmed within plate mark., A.C. or A. Crowquill, for a time the joint pseudonym of Charles Robert Forrester and Alfred Henry Forrester; later used by Alfred Henry Forrester alone., No. 1 in a series of at least four prints published by Smith, Elder & Co. No.2 is signed: A Crowquill fecit., and Date from unverified card catalog record: 1834?
Design consists of two images with individual titles above. In the upper image "An obliging disposition" a gentleman in a chaise longue is asked by his visitor to cover his debt: "Sir, you will oblige me to pay this bill, if not I must oblige you". On the wall behind them is a print showing a boxer; on floor beside the chaise are a pair of epees, a portfolio, and boxing gloves and In the image below, Manors make the man, a country gentleman with a walking stick addresses a country bumpkin. They exchange in conversation: Do you know sir that you are fishing in my Manor? No sir, I thought I was fishing in my own manner
Alternative Title:
More scraps
Description:
Title from text below lower image., Plate numbered in upper right corner: No. 4., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published April 1, 1830, by R. Ackermann, 96 Strand and Printed by Engelmann, Graf, Coindet & Co.
Copy (not reversed) of the first state of Plate 2 of Hogarth's 'The Rake's Progress' (Paulson 133): a fashionable interior with Tom, in elegant indoor dress, surrounded by tradesmen vying for his custom: a poet, a wigmaker, a tailor, a musician (with a list of presents given by aristocrats to the popular castrato, Farinelli), a fencing master (said to be named Dubois), a prizefighter with quarter-staffs (said to be James Figg), a dancing master (John Essex?), a landscape-gardener (said to be Charles Bridgeman), a bodyguard, a huntsman and a jockey.--British Museum online catalogue
Alternative Title:
Rake's progress. Plate 2 and To recompense the Sire's continu'd fast, ...
Description:
Title from text engraved above image., "Plate 2"--Lower right, below image., A reissue, with a new publication line and with ornamental borders added, of the second of eight prints in a series; all are copies of the first states of Hogarth's plates with new verses in the columns below the image; copies were made with Hogarth's consent in 1735. See Paulson, R. Hogarth's graphic works (3rd ed.), page 90., Original publication line: Published with the consent of Mr. William Hogarth by Tho. Bakewell according to Act of Parliament July 1735., The ornamental borders along the left and right edges are printed from a separate plate (images 25 x 2.8 cm, on plate mark 25.7 x 36.5 cm)., and Ornamental borders partially obscure image and plate number.
Publisher:
Publish'd wth. [the] consent of Mrs. Hogarth, by Henry Parker, at No. 82 in Cornhill
A scene with a group of mourners in a landscape, a palm tree to the left with a monkey watching and pointing to the drama. A man standing to the right reads from a book; three other figures, another man and a woman with a child on her back weep as they watch two men lower the deceased into the grave. The man on the right says, "How precious pale he look in de face." The other man holding the other end of the stretcher says, "Aye-Aye, him be no Moor."
Description:
Title etched below image., Later state of a plate first published by Gabriel Shire Tregear in 1834, the year in which the Slavery Abolition Act came into force. The original print was one of twenty caricatures with the series title 'Tregear's Black Jokes'. The prints developed the theme of the earlier 'Life in Philadelphia' caricatures (of which Tregear published copies), lampooning the social aspirations of Philadelphia's black population. After Tregear's death, the plates for 'Tregear's Black Jokes' passed to his former shopman Thomas Crump Lewis (1808-81), whose publication line is on this later state. The three mentions of Tregear's name on the plate have either been changed to Lewis's or simply effaced., Dated 1860 by the Library of Congress, but Hickman suggests that the prints were issued before that date., "Catalogue of prints"--Etched in lower right corner., and Sheet trimmed to plate mark.
Publisher:
T.C. Lewis & Co., 96 Cheapside, London
Subject (Topic):
Black people, Death, Funeral rites & ceremonies, Graves, Shovels, Grief, Crying, and Monkeys
Newman, W., active approximately 1834-1835, printmaker, artist
Published / Created:
[approximately 1834]
Call Number:
834.00.00.31
Image Count:
1
Resource Type:
still image
Abstract:
Twenty-six vignettes with scenes punning on various botanical terms
Description:
Title from text at top of image. and Date of publication inferred from printmaker W. Newman's short period of activity; see Matthew Crowther's post entitled "Rediscovering W. Newman, fl. c. 1834-35" from The Printshop Window website (theprintshopwindow.wordpress.com; accessed 14 February 2024).
Publisher:
Published by James Pattie at his Wholesale Periodical & Caricature Shop, No. 16 High Street, St. Giles's
Title from text above images., Seven individual images on one plate; each image has individual title., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. Jan. 10, 1824 by Thos. McLean 26 Haymarket
Subject (Topic):
Accidents, Hangings (Executions), Ice skating, and Vomiting
