Title and original date derived from pencil note below image., Place of publication derived from artist's place of residence., Original work created 1935., "LEA" on plate lower left., No. 11 in series Frauenleben [A Woman's Life]., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., In pencil at margin lower left: 8/60 Das Kranke Kind, In pencil at margin lower center: Frauenleben., and In pencil at margin lower right: Lea Grundig 1935.
Rembrandt Harmenszoon van Rijn, 1606-1669, printmaker
Published / Created:
[19th century].
Call Number:
Print20106
Image Count:
1
Resource Type:
still image
Description:
Title supplied by curator., Original date is 1639. This is a 19th century restrike., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Name):
Mary, Blessed Virgin, Saint.
Subject (Topic):
Pulse, Death, Medicine in the Bible, Deathbeds, Saints, Priests, and Angels
Personne, Jean, active 1493-1499, playing card maker
Published / Created:
[1495?] and [between 1800 and 1900?]
Call Number:
PLAYING CARDS GEN 1074
Image Count:
2
Resource Type:
text and still image
Description:
BEIN PLAYING CARDS GEN 1074: Imperfect: Kings (3), Queens (2), and Jacks (2) only. From the Cary Collection of Playing Cards., Title devised by cataloger., Date of publication from Keller., Possibly a restrike., Composition of deck unkown., Card backs: marbled., and Allemagne, H. R. d'. Cartes à jouer du XIVe au XX siècle,
"Potiphar's wife accusing Joseph to have attempted to seduce her, in front of her husband; the young woman sits on a chair at centre and addresses Potiphar, who stands at [right]; Joseph stands at [left]; after a drawing formerly attributed to Rembrandt."--British Museum online catalogue, description of the Caylus etching from which this print was copied
Alternative Title:
Femme de Putiphar accuse Joseph devant son mari
Description:
Title supplied by cataloger., Text below title, lightly printed and only partially legible: La femme [de Putiphar accuse] Joseph devant son mari., According to Nicholas J.S. Knowles, the handwriting on the plate and a few stylistic clues point to Thomas Rowlandson as printmaker. Knowles posits that Rowlandson copied a print by Caylus (IFF 378(6).II; British Museum online catalogue, registration no.: 1865,0208.6) rather than copying the original drawing formerly attributed to Rembrandt (currently in the Louvre, inventory number: NV 22908, Recto). Rowlandson made a series of reproductive prints after old master prints starting from about 1783, and Knowles suggests an early- to mid-1780s date for creation of this particular plate., and Late-20th century restrike on modern paper, with pencil annotation "TR/RP/80" in lower right that suggests a 1980 printing date. The copper plate would have been in the possession of the successor Leadenhall Press in England at the time, according to Nicholas J.S. Knowles.
Publisher:
publisher not identified
Subject (Name):
Joseph (Son of Jacob), and Potiphar's wife (Biblical figure),
Leaf 59. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Alternative Title:
After supper of heaven I dream ...
Description:
Title and printmaker from Grego., Six lines of quoted verse below design: "After supper of heaven I dream, but that is fatt pullets & clouted cream ..., Restrike. For original issue of the plate, published 6 May 1807, see: Grego, J. Rowlandson the caricaturist, v. 2, pages 72-3., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Companion print to: The holy friar., and On leaf 59 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Leaf 30. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Perceval, in back view, and in barrister's wig and gown, holds a magic lantern by which he displays the Pope in the guise of a ragged beggar, for the benefit of John Bull and the King. George III is seated on the throne and looks at the screen through a telescope held by Eldon, inscribed 'Ill-done's Patent Magnifying Papascope'. The King, much alarmed at what he sees, clutches the mace which Eldon holds, with the Purse of the Great Seal attached to it. Beside the King (right) stand a bishop in back view, and a man wearing academic cap and gown. Perceval' s lantern is inscribed 'Percev[al] Humbu[g]'. Canning stands in front of it; Castlereagh beside it, both pointing at John Bull, a yokel in a smock, who has fallen to the ground in terror at the lantern-display, guineas falling from his pocket. The figure on the screen is an old man with patched robes, two keys hanging from a girdle, a sack of 'Bulls' on his back. In place of his triple crown he wears three hats like a Jewish old clothes' man, and for a crosier he has a branching stick. Close to the screen and with his back to it, Portland sits on a block of stone (cf. British Museum Satires No. 10718), talking to Hawkesbury. On the stone is drawn a wig on a block with the inscription 'Retrospective View of Portland' [i.e. as a former Whig]. In the shadow, between and behind Canning and Castlereagh, stands Melville in Highland dress; on his sporran: 'Ex Privy' [Counsellor]. Three other figures are not characterized. In the foreground a dog, its collar inscribed 'John Bull', is biting the 'Union Bill 1800', where it is headed by an Irish harp; a fragment, with the Royal Arms, has been torn off. The dog befouls a 'Catholic Petition'. On the wall is a large playbill: 'Theatre Royal St Stephens By his Majesty's Servants Feby 1807 Horrid Tragedy of Raw Head and Bloody Bones in a Red Cloak Mesrs Percivall, Canning, H-b-y [Harrowby], Portland Castlereagh Wonderful Deceptions, Messrs Proteus & Ill-done.'"--British Museum online catalogue
Alternative Title:
What is this spectre of affright, with which they would delude our sight? ...
Description:
Title from British Museum catalogue., Four lines of verse in two columns below image: What is this spectre of affright, with which they would delude our sight? A shadow thrown upon the wall, a magic-lanthorn-shew! that's all! Page 15., Artist identified as Samuel de Wilde in the British Museum catalogue., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [approximately 1868?], and On leaf 30 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Published by S. & H. Oddy, Oxford-Street, London and Field & Tuer
Subject (Name):
Restrike. For original issue of the plate, see no. 10962 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Perceval, Spencer, 1762-1812, Pius VII, Pope, 1742-1823, George III, King of Great Britain, 1738-1820, Eldon, John Scott, Earl of, 1751-1838, Castlereagh, Robert Stewart, Viscount, 1769-1822, Canning, George, 1770-1827, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Dundas, Henry, 1742-1811, and Harrowby, Dudley Ryder, Earl of, 1762-1847.
Subject (Topic):
John Bull (Symbolic character), Projectors, Thrones, Telescopes, Ceremonial maces, Clergy, and Dogs
publish'd according to act of Parliamt., March 3d, 1764. and [printed 1820s?]
Call Number:
Paulson 764.03.03.02.1+
Image Count:
1
Resource Type:
still image
Abstract:
The figure of Time reclines against a broken column surrounded by symbols of destruction: a collapsing church tower, dead trees, a bankrupcy notice served on Nature, a tombstone, a clock without hands, Phaeton falling from his chariot, a will, a shop-sign for "The World's End", a gallows, a burning impression of Hogarth's print "The Times" and broken objects, including an artist's palette, hour-glass, crown, rifle, bell, bottle, and broom. Two medallions on either side of the caption and their surrounding text concern the Line of Beauty. Three more columns of text between the medallions include quotes in Latin from Tactius and Maximus of Tyre, with an English translation
Alternative Title:
Bathos, or, Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures and Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures
Description:
Title, state, and publisher from Paulson., Title engraved above image: Tail piece. The Bathos., and Restrike on wove paper, likely printed in the 1820s or later. Level of plate wear is slightly less than that seen on impressions issued in: The works of William Hogarth, from the original plates restored by James Heath. London : Printed for Baldwin and Cradock ... by G. Woodfall ..., [1835-37].
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Aesthetics, Death, Gallows, Hangings (Executions), Signs (Notices), Time, and Tombs & sepulchral monuments
Leaf 17. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
Charles Fox, in strait jacket, with unruly hair and a wild look on his face, is examined by Dr. Monro, the physician to Bedlam, who looks at him through a quizzing glass. Fox confesses that his troubles come from loosing his place, i.e., the fall of the Fox-North Coalition, while Dr. Monro pronounces him an incurable
Alternative Title:
Dazzled with hope he could not see the cheat ...
Description:
Title from Grego., Six lines of verse in two columns below image: Dazzled with hope he could not see the cheat, of aiming with impatience to be great. With wild ambition in his heart we find, farewell content and quiet of his mind. For glittering clouds he left the solid shore, and wonted happiness returns no more., Attribution to Rowlandson from the British Museum catalogue and Grego., Restrike. For original issue of the plate, see no. 6495 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 124., and On leaf 17 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. April 4th, 1784, by W. Humphry, No. 227 Strand and Field & Tuer
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806 and Monro, John, 1715-1791
Subject (Topic):
Politics and government, Mentally ill persons, Physicians, Physical restraints, and Quizzing glasses
Tom Nero's body is laid out on a round table in a dissecting theatre. In niches on either side are two skeletons labeled "Gentn: Harry" and "Macleane" after two recently hanged criminals. Three doctors work on dissecting Tom's body as a dogs feeds on his entrails. The room is filled with doctors reading and discussing, the whole presided over by the chief surgeon in a large chair emblazoned with the arms of the Royal College of Physicians
Description:
Title and printmaker from British Museum catalogue., Publisher and series title from Paulson., Restrike; probaby a plate issued in: The original works of William Hogarth. [London] : Sold by John and Josiah Boydell ..., 1790 [that is 1795]., and Final plate in a series of four: The four stages of cruelty.
Publisher:
Wm. Hogarth and John and Josiah Boydell
Subject (Topic):
Anatomy, Criminals, Dogs, Dissections, Medical education, Rake's progress, Physicians, and Skeletons
The scene is the interior of a perpendicular Gothic church. The sand in the hourglass has run out, but the preacher continues to lecture, oblivious to the fact that his congregation has fallen asleep. The clerk below the pulpit eyes the bosom of the young woman sleeping in the lower right, fan in one hand and a book open to "... of Matrimony" about to slip from her fingers. An angel supports a banner that reads "et mon droit".
Description:
Title and state from Paulson., Restrike on wove paper, likely printed in the 1830s or later. Level of plate wear is similar to that seen on impressions issued in: The works of William Hogarth, from the original plates restored by James Heath. London : Printed for Baldwin and Cradock ... by G. Woodfall ..., [1835-37]., and "Price one shilling"--Lower right corner, mostly worn from plate and illegible.
Publisher:
Wm. Hogarth
Subject (Topic):
Clergy, Lust, Preaching, Religion, Religious services, and Sleeping
