Title from item., Sheet trimmed within plate mark., "Price. 6d.", Dickinson Imprint from earlier state in lower left corner, blacked out on plate but partially legible., Three columns of verse below image: Here, may the wand'ring eye with pleasure see both knaves and fools in borrow'd shapes agree ..., Copy, with English verse only, of No. 1635 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2., Temporary local subject terms: Court manners: bowing -- Spring Gardens., and Mounted to 29 x 45 cm.
Publisher:
Printed for & sold by Geo. Foster at the White Horse opposite the north gate in St. Paul's Church Yard, London
Title etched within image., Publication attributed to John Bowles and dated based on imprint from other prints in the series., Print for June. One of a series of etchings representing the months of the year. Only the image for January has the series title "Lilliputian figures"., Six lines of verse below title: So sweet you look my honey suckle, who would not to your beauty bruckle ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Lilliputians., Month designation in series erased from this impression?, and Restrike date suggested in an unverified card catalog record: ca. 1810.
Title etched within image., Publication attributed to John Bowles and dated based on imprint from other prints in the series., Print for March. One of a series of etchings representing the months; only the image for January has the series title "Lilliputian figures"., Six lines of verse below title: So often Dick you take a pot, That half your business is forgot ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Lilliputians., Month designation in series erased from this impression., and Restrike date suggested in an unverified card catalog record: ca. 1810.
"Satire on marriage, illustrating a riotous scene in a country village where a shrewish wife and hen-pecked husband are mocked by their neighbours in procession. The couple ride on one horse, the man facing the tail, preceded by another man on horseback who throws grain from a pannier to the crowd. Further to the right, cuckold's horns in the form of a stag's head, a ram's head and a cow's head are held aloft, the latter attached to a woman's shift, and "rough music" is played on pots and pans. In the background, is a river and a similar procession takes place on the far bank.."--British Museum online catalogue, description of an earlier state
Description:
Title from text above image., Undated later state, by a different publisher; see No.1703 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2., Publication date from unverified data in local card catalog record., Sheet trimmed within plate mark., Four columns of verse below image: First pans and kettles of all keys, from trebles, down to double bass ..., Temporary local subject terms: Fairs: "Horn Fair", Charlton, Kent -- Banners: Horns and women's undergarments used as banners on stick -- Kitchen utensils: pots as noisemakers -- Ladles -- Horns: stag's head and antlers on stick -- Ram's horns on stick -- Cow's horns on stick -- Grain -- Distaffs -- Processions: Skimmington -- Buildings: cottages -- Rowboats -- Alehouses -- Signs with horns -- Tubs on poles -- Matrimony -- Countrymen -- Swans -- Shrews -- Literature: verse purported to be from Hudibras by Samuel Butler, 1612-1680., Watermark and countermark., "Hudibras" at the end of verse erased from this impression., and Mounted to 36 x 51 cm.
Publisher:
Printed for John Bowles at the Black Horse in Cornhill
Subject (Topic):
Parades & processions, Spouses, Marriage, Dwellings, Dogs, and Horses
"Portrait after a drawing by Hogarth; head and shoulders of a man with a prominent forehead and hooked chin, to left looking down, wearing a wide-brimmed hat set at a tilt and cravat; with another head in profile to left wearing a plumed cocked hat, behind; before plate reduced and inscription curtailed and re-engraved."--British Museum online catalogue
Description:
Title etched below image, with line break before the word 'engravers'., Date in plate has been changed from 1786 to 1781., Sheet trimmed to plate mark., For another state published by W. Dickinson see: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 3099., and On page 208 in volume 3.
A "Lilliputian" couple in the costume of late 17th century walk from right to left, the verse engraved below them. The design and verse are encirled by a rococco border which incorporates objects and figures that amplify the subject verse
Alternative Title:
Sir Jeffrey Jumble and my lady Grave-airs
Description:
Title from item., Later state of one of a series of etchings representing the months of the year. The month name "January" has been burnished from the top of the image, as has the text "The twelve months represented by" that was present above the remaining text "Lilliputian figures". For an earlier state, see British Museum online catalogue, registration no.: 1874,0214.1., Date of publication based on the ca. 1840 date given in the British Museum for the earlier state of the plate., Six lines of verse below title: Dear Duck, while thus abroad we go, expos'd to chilling frost and snow ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Series title, including month designation, partially erased from this impression., Traces of an earlier imprint burnished from plate and replaced with John Bowles's publication line., and Suggested restrike date in an unverified card catalog record: ca. 1810.
Publisher:
Printed and sold by Iohn Bowles at the Black Horse in Cornhill
Sir Tony Watch-waters and Dame Grizell his beautiful wife
Description:
Title etched within item., Publication attributed to John Bowles and dated based on imprint from other prints in the series., Print for August. One of a series of etchings representing the months of the year. Only the image for January has the series title "Lilliputian figures"., Six lines of verse below title: Hah madam, have I caught ye napping, how luckily for me things happen ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Lilliputians., Month designation in series erased from this impression., and Suggested restrike date in an unverified card catalog record: ca. 1810.
publishd [sic] according to act of Parliament, March 12 1739/40.
Call Number:
740.01.00.01++
Image Count:
1
Resource Type:
still image
Alternative Title:
European coursers, heat I
Description:
Title from item., Sheet trimmed within plate mark., "Pr. 1s."--Following imprint., Three columns of verse below image: What secret springs to action princes move Inferior mortals strive in vain to prove ..., Temporary local subject terms: Emblems: trade revived., Bowditch's ms. notes on mounting sheet., Some damage to bottom edge resulting in minor loss of text in imprint and price., and Mounted to 43 x 56 cm.
Publisher:
Printed & sold by Ed. Ryland in Ave Mary Lane, Ludgate Street, London
publish'd according to act of Parliament 25 March 1740.
Call Number:
740.03.25.01+ Impression 1
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: America -- Cuba -- Havanna -- Clergy: cardinals -- Personifications: figure of Folly -- Figure of Fortune -- Robert Jenkins -- Mottoes: aut mors aut victoria., Annotation in unidentified hand below image., Restrike?, and Mounted to 34 x 48 cm.
Publisher:
publisher not identified
Subject (Name):
Charles VI, Holy Roman Emperor, 1685-1740, Neuhof, Théodore-Antoine, baron de, 1690-1756, Charles VII, Holy Roman Emperor, 1697-1745, Fleury, André Hercule de, 1653-1743, and Coram, Thomas, 1668?-1751
publish'd according to act of Parliament 25 March 1740 [that is 1868?]
Call Number:
Folio 724 836C (Oversize)
Collection Title:
Leaf 33. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on the jockeying for position of the European powers in early 1740. A race-course on the sea-shore with a variety of animals and riders representing different countries: first comes Cardinal Fleury (France) falling from his fox which has stumbled at the winning post on "[Baron] Sinclair's papers". Behind the fox stands the devil holding a sheet of paper with a picture of five ships, lettered "Baltic Sea", an allusion to the French failure to form an alliance in that region. The devil pulls down one of the scales hanging from the umpire stand; the heavier scale represents the Imperial allies with swords, coins, a picture of the Imperial eagle and a note reading "ballance of power", while the lighter one holds objects connected with France and Spain, a cardinal's hat, mask, fox, and notes of "50,000 livers" and "10,000 pistoles" as well as a paper lettered "Mediation". On the umpire stand, America is in conversation with Africa while Europe embraces Asia for the sake of "Protection [of]Trade". Further to the left stands Captain Jenkins holding out his severed ear. Behind Fleury's fox runs the Spanish wolf, its rider unseated by the British lion's lashing tail, lettered "No Search Free Trade". The Russian bear, ridden by a man with a scimitar, follows; the bear kicks its hind legs at the Turkish elephant that is draped with a cloth lettered "Belgrade" in reference to the recent ceding of that city to Turkey. The sultan stands behind the elephant, offering a bag of money to a Frenchman wearing a bag-wig; a monkey also wearing a bag-wig, representing France, crouches in front of the bear. A Dutchman, smoking a pipe, stands beside a distance post having abandoned the race; his boar is laden with trade goods. Behind, on the left, the devil and a fool lead a group of Roman Catholic bishops, roped together, towards a closed building labelled "Conclave" where they will elect a successor to Pope Clement XII. In front of them seven men representing the European powers are seated at a round table with papers lettered "Alliance" and "Sinclair"; Cardinal Fleury turns aside towards another devil asking, "Extricute me now & I'm yours for ever". Further forward, a British herald, supported by classical female soldiers, blows a trumpet; beside them Fleury raises the front of his robe attempting to catch billowing smoke, lettered "Universal Monarchy". In the foreground, Time sits on his hour-glass holding a paper with a picture of a wolf dressed as a cardinal; rats chew at the bottom of the sheet; Fortune looses her grasp of Theodore of Corsica who throws his orb after his crown as it flies off on outspread wings; a British bulldog savages a Spanish wolf while a French fox runs off behind a bush; Captain Coram shows the plan of the Foundling Hospital to a woman and child seated on the ground; a Catholic ecclesiastic wrings his hands saying, "Ye have taking away my Gods, what have I more"; a man bends down to lift a chest full of "10000 pieces of Eight"; Emperor Charles VI rides on an eagle towards the finishing post, holding a shield with the British coat of arms in front of him while a shield with the fleur-de-lis falls to the ground; he is preceded by Charles Albert of Bavaria, fully armed on horseback, and carrying a shield with the motto, "Never conquered"; in front of him, a French ambassador kneels pleading with the British lion who tramples on a shield with the fleur-de-lis and prepares to fire a cannon. At lower right, Britannia pushes aside France (a woman in classical dress with a helmet, and a cock at her side holding out a paper lettered "Mediation") and points to a map showing the island of Cuba offered by a British herald and a sailor. In the background, to left, is the bay of Cadiz in which the Spanish fleet is shut up, British ships sail freely on the sea; a nymph holding a pennant lettered, "Quatuor Maria Vindico" (I claim the four seas), rides a dolphin; beyond are the island of Cuba and distant mountains. Lettering beneath on either side of a medal of a fighting cock which is itself lettereed "Aut Mors Aut Victoria" (Death or Victory)."--British Museum online catalogue
Description:
Title etched below image., Restrike. For original issue of the plate, see no. 2449 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], and On leaf 33 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Name):
Charles VI, Holy Roman Emperor, 1685-1740, Neuhof, Théodore-Antoine, baron de, 1690-1756, Charles VII, Holy Roman Emperor, 1697-1745, Fleury, André Hercule de, 1653-1743, and Coram, Thomas, 1668?-1751
