Profile head of a woman facing left with her elaborate hair style occupying the upper two thirds of the print. Her monumental coiffure is decorated with vegetables, carrots and parsnips in particular, while from the top protrude a bunch of asparagus, a pair of scales containing potatoes and herbs reminiscent of then-fashionable ostrich plumes, and trails of hanging pea-pods for ribbons
Description:
Title from item., Trimmmed within plate mark and torn at corners., Signed in lower left of image by the engraver(?) MD, i.e. Matthias Darly, and below image by the artist(?) [Miss] Bath on the right., Publisher's initials "MD" form a monogram., British Museum catalogue suggest a date of publication: July 11, 1777., and Numbered in plate at top: 16, V.2.
A lady (Mrs. Catherine Macaulay) with an aquiline profile sits at a table opposite a clergy man (Dr. Wilson) as she writes with a quill pen. The walls are lined with full bookshelves separated in the middle by a fireplace with a mantelpiece on which sits a bust of "Alfred rex". Both figures wear the same enormous hair as in British Museum no. 5441
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., In black ink plate numbered "2" added to upper right corner in ink., Mrs. Macauley and Dr. Wilson also appear in another Mattina Darly satirical print. See number 5441 in v. 5 of British Museum catalogue: A speedy & effectual preparation for the next world. [London] : Pub. May 1, 1777 by M Darly 39 Strand., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Contemporary annotations in pencil in lower margin: Mrs. M[...?]ly ; Dr. Wilson.
Publisher:
Pub. May 1, 1777, by MDarly, 39 Strand
Subject (Geographic):
England
Subject (Name):
Macaulay, Catharine, 1731-1791. and Wilson, Thomas, 1703-1784.
Satire: a young couple seated together on a sofa as they drink coffee, a plate beside her on a table. The husband on the right has his arm around his bride as they look at each other fondly
Alternative Title:
Honeymoon
Description:
Title engraved below image.
Publisher:
Printed for Carington Bowles, at his Map & Print Warehouse, No. 69 in St. Pauls Church Yard, London
A satire on both the work of Georges-Louis Leclerc, count de Buffon, and his famous Histoire naturelle, générale et particulière as well as the women's fashion of dressing their hair in a high pyramid shape topped with ornate feathers
Alternative Title:
Male and female of a particular biped species, accurately described by Buffon in his History of Naturals
Description:
Title etched below image., Signed in lower left corner with the monogram "IS"., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
publisher not identified
Subject (Name):
Buffon, Georges Louis Leclerc, comte de, 1707-1788.
A young dandy carrying walking stick and sword and with huge buttons on his coat, walks towards the left of the print, a long horn sprouting from his forehead and a diminutive woman emerging from his left shoulder. Behind him, arm in arm with a woman, a smiling man points to the first. All three are dressed in the fashion of the mid to late 1770s, the woman with a cork bustle and tall hairdo under her hat
Alternative Title:
Alas! Poor Benedick
Description:
Title from item. and Conjectured date from card catalog.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Topic):
Cuckolds, Couples, Dandies, British, and Clothing & dress
Three caricatured women, with mountainous and feathered headdresses sit, feet in the air and hands clasped under their kness, floating down the Thames under the arches of a bridge, on their cork rumps. They are floating towards our right. At the extreme left three heads are blowing the wind that makes the ladies float. Five little ducks also appear in the lower left corner. This print may refer to the regatta at Richmond
Description:
Title from item., Initial letters of publisher's name in imprint form a monogram., Three lines of text below title: 1 Prize. an entire new WIG, completely furnished with curls, cushion, feathers && and free admittance to all public amusements. 2 prize. a new pair of CORKS..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Headdress: female, 1776 -- Female costume: cork rump -- Birds: swans -- Regattas -- Arches of London bridge -- Winds.
A very fat woman on the left of the print faces her very thin counterpart on the right, in a room where long shadows indicate the morning hour. Both ladies wear the style of hat known as a calash (introduced in 1765), that on the left nearly round and the one on the right angular and ribbed. The woman on the left sits in an armchair with one foot on a stool as cats play in the bonnet dropped near her chair, while the woman on the right holds a fan and sits erect on a folding stool, her cork rump protruding behind her and a dog playing on her broad brimmed hat
Alternative Title:
Calash lady's and Calash ladies
Description:
Title from item., MD of publisher's name form a monogram., and Numbered in plate at top: 11, V.2.
Wearing a fanciful approximation of classical garb, Andromache and Hector embrace each other in a sad farewell. Standing behind Hector on the right, a tearful man in 18th century dress holds a pike and a basket containing bottles. Behind Andromache on the left, a grim faced and tearful woman holds a naked baby who reaches for Hector's hand. Above the woman is a signpost on which is printed "A single-horse chaise" and further inscribed "one bird in hand's worth two in the bush, Mary Security", a phrase also illustrated by a hand holding a fat bird and two birds on a twig
Description:
Title from item., Signed (by engraver?) in lower left of plate: H[en] Ibb., MD of publisher's name form a monogram., and Numbered in plate at top: 49 V.2
