"Several scenes combined in one design. The Associations of various counties to present petitions and form committees to demand reforms are represented in the upper right portion of the plate: A procession of men walks (right to left), their leader holding a standard with the arms of the county inscribed "County of York 30 Decr 1779" (the date of the meeting at which it was agreed to present a petition and prepare a plan for an Association to secure reform). He holds a paper inscribed "Petition" and says, "Virtue & Fortitude shall Guide us". Representatives of the other petitioning and associating counties follow, with the appropriate dates on labels issuing from their mouths: ...". The last man carries an ensign flag on which is inscribed "London Newcastle upon Tyne Bristol Westminster &c. &c. &c." Beneath the procession is engraved "Immortal Gods! What Honor waits the men who save their Country from impending Ruin." The leader is probably intended for Sir George Savile. On the left George III is seated in his closet; a young man stands before him addressing, not the king, but an imaginary audience, saying, "The only Patriot His Power is too Confined". This is perhaps intended for Lord George Gordon's private interview with the King on 27 Jan. 1780; ... . Outside the door of the royal closet and facing the petitioners is a monster with wings and three heads, breathing fire. In the lower right, ... Britannia sits on a ruinous stone pedestal which is being further undermined by a female figure with a forked tail and the legs of a satyr; she is applying a lever to its base saying, "And shall not I, Corruption is my name, Undermine the British Constitution". Lord North attacks the pedestal with a pickaxe, saying, "I will assist you Sister in the same Design". Bute, in Highland dress with the Garter ribbon and star, flourishes a broadsword, while he takes from Britannia the staff and cap of Liberty; he says, "Away wi ye to the Deel Where is your Liberty now". Britannia, holding her shield and 'Magna Carta', says to the marching petitioners above her head, "Tis you alone my Friends who can revive my Drooping Hopes & save me from Distraction". Behind Britannia (left) and in a glory of rays stands a man inscribed "Chatham" with outstretched arms, saying "O Cleanse Yon Augean Stable". He points towards the design beneath the king's closet. This represents the House of Commons (left); the Speaker in his chair, members seated on each side of a table. It is seen through two pillars, up one (right) climbs an alligator, round the other is a serpent with a branch of apples in its mouth. Above is inscribed "Ruled by Powerful Influence". A procession of members walks (left to right) from the House up a path leading to the door of the king's closet above. They carry scrolls inscribed "25 000"; "5000"; "£40,000"; "15,000 £10,000, £50 000". One says, "Secure in the Enjoyment of Places Pensions & Emoluments of Office we fear not the Clamour of Yorkshire Clodpoles"; another says, "God help the Rich the Poor can beg". Their leader carries an "Address of Thanks". Beneath this gang of ministerialists a mythological figure leaning against an anchor and a gushing water-conduit (? Neptune) says,"Is there not some Chosen Curses, ... Public Treasure Wasted in Corrupting the Morals of the People". He is saying, "No New Taxes but a Retrenchment of Public Expences.""--British Museum online catalogue
Alternative Title:
Public virtue displayed in a contrasted view
Description:
Title from item.
Publisher:
Printed for Danl. Wilson at No. 20 Portugal Street Lincolns Inn
Subject (Geographic):
Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820., Savile, George, Sir, 1726-1784., North, Frederick, Lord, 1732-1792., Bute, John Stuart, Earl of, 1713-1792., Pitt, William, Earl of Chatham, 1708-1778., Gordon, George, Lord, 1751-1793., and Neptune (Roman deity),
Subject (Topic):
Taxation, Politics and government, Britannia (Symbolic character), Petitions, and Dragons
Two elderly women in hats sit, the one on the left is facing forward with arns across her chest; the woman on the right turns to the right and holds a sheet in her hands
Description:
Title below image., Trimmed within design; lines in pencil drawn on left and top., Date and place of publication based on John Nixons known years of activity and location., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Ms. annotation in lower left of image: John Nixon.
"Half length portrait of an elderly clergyman in profile to the right with a long sharp nose and receding chin."--British Museum online catalogue
Description:
Title etched below image., Printmaker and questionable year of publication from British Museum catalogue., Sitter identified as Benjamin Buckler (1718-1780), fellow of All Souls, Oxford, where there is a portrait of him ascribed to Gainsborough. See British Museum catalogue., and Sheet trimmed to plate mark.
Volume 1, page 29. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A game of billiards is being played on a table, one corner of which only is visible, so curiously elongated that it gives the impression of a triangular table. The two players stand by the corner of the table, the one who is about to make a stroke appears from his leanness, frogged coat, and long pigtail queue to be a Frenchman; he leans over the table in profile to the left, wearing pince-nez. His opponent watches him, standing on top-toe, his cue held over his left shoulder, his face screwed up in anxiety; he wears a bag-wig. A number of spectators look on with expressions of amusement or concern: on the right two men stand together grinning; on the left a man watches open-mouthed; behind the table a man watches with an expression of alarm, another takes cover behind him with a grin; a small boy stands beside them. In the foreground are two dogs, one, a greyhound, stands between the player's legs. On the wall behind the table is a rack of cues and two clock-faced scoring boards both pointing to the figure X. On the right is a door, on the left a small casement window. Pictures and prints decorate the wall (left to right): a print of Wilkes (bust) with two caps of liberty; a print of a nymph and satyr; a print of a man seated, three quarter length; a print of a man and woman whole-length; two framed landscapes."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Plate numbered "4" in upper left corner., and Mounted on page 29 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd Novr. 15th, 1780, by Watson & Dickinson, No. 158 New Bond Street
Subject (Geographic):
France.
Subject (Topic):
Billiard rooms, Billiards, Dogs, Games, Men, Servants, and Pictures
The cats' castle is assaulted by an army of rats; in five scenes with verses below
Description:
Title etched above image., Approximate date of publication supplied by curator. Prints with C. Sheppard's publication line are first known from 1778; see British Museum online catalogue., Sheet trimmed to plate mark., For a variant (later?) state with imprint "Printed & Sold by D. Ash, 27 Fetter Lane, London" and plate number "28" in upper left corner, see British Museum online catalogue, registration no.: 1862,1011.552., For a brief mention of The Lewis Walpole Library impression of this print, see: O'Connell, S. The popular print in England, 1550-1850, page 124., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Battles: Cats vs. rats -- Spikes on Temple Bar(?) -- Executions -- Food: Cheshire cheese -- Sieges -- Navy -- Ships: 'Royal Rat' -- Castles -- Military camp -- Flag of the rats: Cheshire cheese -- Flag of the cats: Three herring., and Window mounted to 20 x 29 cm.
"George III (left), seated in a chair, is being shown by the ghost of Chatham a procession of figures walking towards a pit (right) inscribed "Chaos". Chatham wears pseudo-classical draperies, a tie-wig crowned with a laurel wreath, and is surrounded by a glory of rays. He holds up a circular glass to the king, who looks through it with an expression of alarm. On the back of the king's chair is a crown surmounted by a weathercock which points to the South, probably to indicate that North's power is over, cf. BMSat 5659. Under his feet are torn county petitions, and an open book, "Lock on Government". The petitions are those of York, Westminster, Middlesex, Hampshire, Surrey. There is also the design of the façade of a building inscribed, "The Elevation of [a] Baby House". The leaders of the procession, who are on the brink of the pit, are the kings of France and Spain. A devil (right) with wings, horns, and a long barbed tail, points into the pit. Behind the two kings come North and Sandwich. North holds a rolled document inscribed "Taxes". Under his arm is a large money-bag with a gaping hole in it, by which is an open book or paper inscribed "New Way to pay old Debts, A Farce by Boreas" (Massinger's comedy had recently been revived at Drury Lane). On his right Sandwich walks with his arms folded, a paper under his arm is inscribed "Catches & Glees Mr Arne" (Arne (1710-78), the musical composer, is generally styled Dr; Sandwich was "the soul of the Catch Club", see BMSat 5342). From his pocket protrude papers, one inscribed "Greenwich Hospital", in allusion to the scandal caused by Captain Baillie's exposure of abuses there, see BMSat 5548. The other is inscribed "Love & Madness"; this is the title of a series of fictitious letters recently published purporting to be the correspondence of Hackman and Martha Ray, Sandwich's mistress, see BMSat 5540, &c, but really by Herbert Croft. See Walpole, 'Letters', xi. 139-40,13 Mar. 1780. Behind come Mansfield, in judge's wig and robes, and Bute in Highland dress, both with expressions of despair; they are being hurried along by a man with the face of a fiend who has seized Mansfield by the arm and Bute by the shoulders. Beside them walks a Dutchman, his hands in his breeches pockets, being propelled from behind by a devil, significant of the unpopularity of the Dutch Republic,"--British Museum online catalogue
Alternative Title:
Peep into futurity
Description:
Title from item. and Trimmed within plate line.
Publisher:
Published as the act directs May 16, 1780, by W. Wells, No. 132 opposite Salisbury Court Fleet Street London
Subject (Geographic):
Netherlands.
Subject (Name):
George III, King of Great Britain, 1738-1820., Pitt, William, Earl of Chatham, 1708-1778., Bute, John Stuart, Earl of, 1713-1792., Mansfield, William Murray, Earl of, 1705-1793., Sandwich, John Montagu, Earl of, 1718-1792., North, Frederick, Lord, 1732-1792., Charles III, King of Spain, 1716-1788., and Louis XVI, King of France, 1754-1793.
Two physicians greet each other. The one on the left has a large belly and holds his hands in his pockets. The one on the right is smaller and thinner and holds his hat in his hand. From a piece of paper protruding from his pocket reads: "Pitts[...] Salutarian."
Description:
Title etched below image. and Date conjectured from costume.