"The King, Queen, and three princesses are seated at a small dinner-table, on which is a soup-tureen, &c. The King holds a plate on which is an insect, turning round to address angrily a cook (right), who stands trembling beside him. Two alarmed servants stand behind the King's chair. The Queen and princesses make gestures of alarm; one princess (left) has risen from her chair in horror. On the extreme left stands a beefeater holding a jug, who lets glasses fall from a salver in his consternation. A draped window forms a background."--British Museum online catalogue
Description:
Title etched below image; source of the title "Lousiad canto 1st" as indicated., Printmaker from Grego., Date of publication from British Museum catalogue., Sheet trimmed to plate mark on right and left sides., and Frontispiece to: Pindar, P. The Lousiad. An heroi-comic poem. Canto I. London, G. Kearsley, 1787.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
George III, King of Great Britain, 1738-1820 and Charlotte, consort of George III, King of Great Britain, 1744-1818
"Five elderly women of fashion attend an altar of Love in a temple whose walls are wreathed with roses. The fat Mrs. Hobart, in profile to the right, pours incense on the flames of the altar; in her right hand is an open book, 'Ninon'. Behind her (left) Lady Archer, with the nose of a bird of prey, leads a lamb garlanded with roses; she guides the animal with a riding-whip. Miss Jefferies walks beside Lady Archer holding a basket of flowers. On the extreme left Lady Mount-Edgcumb, aged and bent, holds a dove in each hand. On the right of the altar Lady Cecilia Johnstone plays a lyre. The altar is decorated with rams' heads, a heart, arrows, and roses. A sculptured group of the three Graces stands in an alcove in the wall above the altar. In the background (left) is a mountain peak, Parnassus, on which sits a tiny figure of Apollo, playing a fiddle, the sun irradiating his head."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Three lines of quoted text following title: "Here, Love his golden shafts employs; here lights "his constant lamp; and waves his purple wings; "reigns here and revels." Milton., Sheet trimmed within plate mark., Temporary local subject terms: Music -- Literary quotation: Milton -- Mythology: Parnassus -- Three graces -- Elizabeth Jeffries., Watermark: J. Whatman., and The ladies are identified in ink on the back of the print: Ldy. Cecilia Johnson, Mrs. Hobart, Ldy. Archer, Ldy. Edgcumbe.
Publisher:
Pubd. May 12th, 1787, by H. Humphrey, New Bond Street
Subject (Name):
Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Archer, Sarah West, Lady, 1741-1801, Mount Edgcumbe, Emma Gilbert, Lady, 1729-1807, and Johnston, Henrietta Cecilia, Lady, 1727-1817
Subject (Topic):
Graces, The, Apollo, Altars, Interiors, Temples, Books, Roses, and Lyres
A pretty young woman with roses springing from her hair and around her neck sits on a spotted sofa with her feet up on the seat and one arm over the back. Her hand rests in that of a young man, also with roses around his neck, who leans over the back of the sofa, gazing at her. She is facing to the right
Description:
Title from item., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Sofa or settee -- Flowers -- Female costume.
Publisher:
Pubd. Feby 16, 1787 by J. Wicksteed, Henrietta Street. Covt. Garden
Title from caption engraved below image., Attributed to Kingsbury in the British Museum catalogue., and Temporary local subject terms: Coffeehouses: Nando's -- China -- Mary Edmonds, fl. 1772-1787.
"A foppish young man wearing a looped hat with cockade, double-breasted waistcoat, ruffled shirt, striped stockings, and low shoes with rosettes, walks (left to right) rapidly but affectedly. His head is turned to the left and he looks downwards; his left hand held up in a finicking manner."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Sheet trimmed within plate mark., Companion print to: Country simplicity., and Temporary local subject terms: Foppish young man.
Publisher:
Pubd. Jan. 1, 1787, by S.W. Fores at the Caricature Warehouse, No.3 Piccadilly
Title from item., Publication date based on that of the state described in the Catalogue of prints and drawings in the British Museum., Four lines of verse in two columns below title: Heightened by Baccus, see the amorous pair ..., Cf. No. 4524 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Mounted.
Publisher:
Printed for Robt. Sayer, Map and Printseller in Fleet Street
"A squalid domestic interior: the Prince of Wales (right) and Mrs. Fitzherbert (left) sit facing each other on each side of an open fireplace. A calf's head suspended from a string roasts before the fire. She mends a pair of breeches which he has taken off; on the breeches and on his left leg the word 'Honi' is conspicuous. He is out at elbows though fashionably dressed. Next to Mrs. Fitzherbert and on the extreme left is an infant in a wicker cradle, on rockers; the Prince negligently holds a string attached to the cradle. On the wall is a ballad: 'A Begging We will go &c.' The Prince of Wales' feathers also decorate the wall. On the extreme right is a small table, scantily laid for one. Weltje kneels beside it, unpacking a basket of potatoes. He looks round at George Hanger who stands behind the table in profile to the left holding a mug."--British Museum online catalogue
Description:
Title etched below image. and Temporary local subject terms: Domestic scene -- Furniture: chair -- Literary quotation: Colley Cibber's Love's last shift, or The fool in fashion -- Military uniform: Colonel in light infantry -- Roasting a calf's head -- Infant in wicker cradle -- Prince's debts -- Basket of potatoes.
Publisher:
Pub'd Feby. 26, 1787, by S.W. Fores at the Caricature Warehouse, N. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne,, Hanger, George,, and Weltje, Louis,
George III, dressed as an old woman, the Queen, and the Prince of Wales in a fool's cap decorated with his three feathers, are seated around a basin perched on the laps of the King and Queen, marked "John Bull's Blood" and filled with gold coins. All three eagerly spoon the coins into their mouths. Pouches hanging from their necks like goitres are full, except for that of the Prince of Wales, whose is empty. In the background is a wide open gate to the Treasury
Description:
Title from item., Printmaker from British Museum catalogue., Publication date inferred from watermark., Sheet trimmed within plate mark., Restrike, with aquatinting worn out in some areas. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 7166., Temporary local subject terms: Dishes: bowls -- Craws, monstrous -- Cutlery: ladles -- Coins -- Guineas as food -- Fool's cap -- Prince's debts -- Gate of the Treasury building -- Coalition feast -- Reconciliation of Prince George and his parents -- Miserliness of George III and Queen Charlotte -- Reference to John Bull., Watermark on the left side of sheet; fleur-de-lis on the right side., and Mounted.
Publisher:
Pubd May 29th, 1787, by S.W. Fores, Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, and George IV, King of Great Britain, 1762-1830
George III, dressed as an old woman, the Queen, and the Prince of Wales in a fool's cap decorated with his three feathers, are seated around a basin perched on the laps of the King and Queen, marked "John Bull's Blood" and filled with gold coins. All three eagerly spoon the coins into their mouths. Pouches hanging from their necks like goitres are full, except for that of the Prince of Wales, whose is empty. In the background is a wide open gate to the Treasury
Description:
Title from item., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Dishes: bowls -- Craws, monstrous -- Cutlery: ladles -- Coins -- Guineas as food -- Fool's cap -- Prince's debts -- Gate of the Treasury building -- Coalition feast -- Reconciliation of Prince George and his parents -- Miserliness of George III and Queen Charlotte -- Reference to John Bull., and Folded & mounted to 37 x 56 cm.
Publisher:
Pubd. May 29th, 1787, by S.W. Fores, Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, and George IV, King of Great Britain, 1762-1830
Title from item., Printmaker tentatively identified in the Britihs Museum catalogue., Statement following imprint: ... of whom may be had the new prints of Trip and Return from Brighton, Jovial crew &c., 'Mentor' in the title written in ink over illegible word that has been burnished out., Sheet trimmed within plate mark., and Temporary local subject terms: Literary allusion to Homer's Odyssey -- Mythology: Elysian Fields -- Mythology: Telemachus -- Mythology: Mentor -- Travesties: The Odyssey -- City of London arms reversed -- Puns on artists' names -- Pugilism -- Courtesans -- Horse racing -- Knocker on door: Delicacy -- Gambling -- Playing cards -- Drinking: Champagne and claret -- Treasury door: Knock and it shall be opened.
Publisher:
Pub'd as the act directs for the proprietor, by E. Macklew, N. 9, Haymarket, and W. Dickie, No. 195 Strand
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, and Newnham, Nathaniel, approximately 1741-1809
