Against the wall on two sides of the interior of a ladies' cloak-room at Vauxhall, a bench forms a latrine on which four fashionably dressed ladies are seated. On the right a woman resembling Lady Archer is shown in profile looking to the right as she applies paint to her cheeks in front of a mirror lit by two candles. A young woman seated beside her on the extreme right ties up her garter; this is inscribed 'on things (?) eternal'. She wears a large nosegay. All the women wear hats and have large bosoms and derrières except one, whose hair is ornamented with feathers, &c. On the ground are a glove, a nosegay, and papers inscribed 'Dr Leak venereal' [maker of much-advertised pills], &c. The room is lit by single candles in sconces
Description:
Title etched below image., Attribution to Kingsbury in British Museum catalogue., Sheet trimmed within plate mark., and Watermark.
Publisher:
Pub May 14 1788, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
England
Subject (Name):
Archer, Sarah West, Lady, 1741-1801
Subject (Topic):
Clothing & drews, Mirrors, Privies, Sconces, and Sexually transmitted diseases
"A fantastic representation of the supper at the ball given by the eleven Knights of the Bath installed on 19 May in Westminster Abbey, see BMSat 7318. Full accounts appeared in the newspapers, and the scene depicted appears intended for 'the Prince of Wales, Duke of York, and a select party of their friends' who 'supped privately in the cotillon room'. 'London Chronicle', 27 May 1788. The guests sit on each side of a long narrow table, scantily provided with food, the bench on the near side of the table showing legs and feet in characteristic attitudes. The design, long as it is, shows only a section of the table, the ends not appearing. [Pl. 1.] On the extreme left, on the near side two elderly and ugly ladies lean ingratiatingly towards Major Topham, the seat of whose breeches is decorated with Prince of Wales's feathers. On the opposite side, on the extreme left, is a couple identified as Sir J. Johnstone and lady. He is very unlike the herculean uncouth figure described by Wraxall, 'Memoirs', 1884, iv. 404. Next (opposite Topham) Lord Bathurst takes wine with Lord Stormont who grasps a decanter of French Wine. Burke, seated next Topham, on whom he turns his back, holds out an empty plate towards Hastings on the opposite side of the table who keeps to himself a whole ham; they regard each other with wary suspicion. On Hastings's left sits Mrs. Hastings, also looking warily at Burke. She is decked with jewels and wears a small crowned turban as a head-dress. Next her is a man wearing a ribbon and star, drinking, who is identified as the Marquis of Buckingham (K.G.). Opposite Mrs. Hastings sits a very fat lady talking to a lean man wearing epaulettes. They are identified as Mrs. Hobart [Whom she does not resemble] (actually Miss Jefferies) and Col. Jekyll. Next Jekyll, Lord Sandwich and an ugly (unidentified) man share the same jelly-glass, holding between them the plate on which it stands. On the extreme right, on the farther end of the table, a man of plebeian appearance drinks from a tankard; he is identified as Dr. Parr. The man between him and Buckingham is identified as the Duke of Portland, whom he does not resemble. [Pl. 2.] On the extreme left the Duke of Grafton turns towards the fat Mrs. Hobart (identified as Miss Jefferies). Opposite him a stout man drinking from a jelly-glass has been identified as Lord Nugent (whom he does not resemble). Next him Cornwallis, wearing ear-rings, puts his arm round the shoulder of a lady, identified as Lady Clive, who looks languishingly at him as she takes a (?) peach. Next her is Lord North. Opposite him is a man identified as Sir George Shuckburgh [He is unlike the Shuckburgh of Gillray's 'French Habits' (1798)] who takes his neighbour by the arm offering her a glass of wine; she demurs deprecatingly. On the farther side of the table, with no one seated opposite him, is the Prince of Wales, a fork held to his mouth (as in BMSat 8111), sitting impassively between Lady Archer and Lady Cecilia Johnston, two bedizened harridans, who ogle him, putting their hands on his shoulders. Next Lady Cecilia (right) is Mrs. Fitzherbert, ogling Wilkes, who sits next her, squinting and leering. On the near side of the table is a man in back view wearing a ribbon and (right) Lord Carlisle talking to Lord Heathfield who sits behind a sirloin of beef. Opposite him and on the extreme right is a pretty young lady identified as Miss Bingham. [Pl. 3.] On the extreme left, on the near side of the table, a middle-aged couple, holding knives and forks, turn to each other with animated smiles. Opposite them sits a good-looking young man wearing a ribbon and star (perhaps Lord Mornington). On his left the Duke of Richmond turns with an expression of pained surprise to Lord Rawdon. Opposite this pair two stout men turn to each other, both drinking. The central group of this plate, a pendant to that of the Prince of Wales on pl. 2, is the Duke of York sitting between two pretty young women, his right arm is round the shoulder of one, probably Lady Tyrconnel, the other holds his left arm and shoulder; both look languishingly at him. On the near side of the table are two more couples: Lord Amherst (caricatured) puts an arm round the waist of a lean and ugly old woman wearing the fashionable false 'derrière' in an exaggerated form. On the extreme right Lord Derby, his hand on his breast, drinks wine with the witch-like Lady Mount Edgcumbe. On the farther side of the table are two unidentified men, one of whom drinks from his plate; next him is a pretty young woman. On the extreme right Dundas turns to speak to his left-hand neighbour; he grasps a decanter and glass, spilling his wine. [Pl. 4.] On the farther side of the table Philip Francis turns to speak to Dundas. Opposite him, and on the extreme left, a stout lady, identified as Lady Salisbury (see BMSat 6115), sits in back view, her petticoats enormously inflated behind. She speaks to no one: Pitt, her right hand neighbour, leans behind the back of the Speaker (alternatively identified as Thurlow) to touch glasses with Fox, who smiles amiably, holding a decanter in his right hand. Cornwall bends avidly over his plate; he wears his Speaker's wig, the mace lies across his knees. Four figures sit opposite this group: the ugly Pepper Arden who gazes admiringly at a pretty young woman on his left; she appears displeased at her position between Arden and a fat woman who puts both knife and fork to her mouth. Next the latter is Lord Lansdowne, who seizes affectionately the hand of Lord Sydney who turns towards him with a smile; they drink to each other. Next Fox on the near side of the table a plain and elderly couple drink to each other; both are thin. They are identified as Lady Powlett and Sir H. Powlett. Opposite them, and, like the lady on his left, intent on his plate, is a military officer identified as General Bligh. His neighbour is old and haggard, her hair elaborately dressed. Next her and on the extreme right two men carouse together, both wear stars; one is identified as the Duke of Bedford, the other (right) as the Duke of Norfolk (neither had an order). Opposite, a man wearing a ribbon pours out wine for an elderly and ugly lady who receives the attention with a gesture of satisfaction. They are identified as Sir George and Lady Yonge. He is identical with the ass whose profile is shown on the extreme right in BMSat 7318, who can hardly be Yonge who appears elsewhere in that print."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Text in lower right corner of plate 4: All the works of Bunbury, & Gillray, to be had of S.W. Fores, No. 3 Piccadilly., A design on four plates, the prints to be pasted together to form a long strip; the imprint is on plate 1, the title on plate 2 and plate 3, the inscription relating to Bunbury, &c, on plate 4., Framed to 31 x 216 cm., and Several of the figures are identified in different hands below design. For further information, consult library staff.
Publisher:
Publish'd June 4th, 1788, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Topham, Edward, 1751-1820, Bathurst, Henry Bathurst, Earl, 1714-1794, Mansfield, David Murray, Earl of, 1727-1796, Burke, Edmund, 1729-1797, Hastings, Warren, 1732-1818, Hastings, Anna Maria Apollonia von Chapuset, 1747-1837, Sandwich, John Montagu, Earl of, 1718-1792, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Cornwallis, Charles Cornwallis, Marquis, 1738-1805, North, Frederick, Lord, 1732-1792, Archer, Sarah West, Lady, 1741-1801, Johnston, Henrietta Cecilia, Lady, 1727-1817, Fitzherbert, Maria Anne, 1756-1837, Carlisle, Frederick Howard, Earl of, 1748-1825, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, George IV, King of Great Britain, 1762-1830, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Amherst, Jeffery Amherst, Baron, 1717-1797, Mount Edgcumbe, Emma Gilbert, Lady, 1729-1807., Smith-Stanley, Edward, 1752-1834, Dundas, Henry, 1742-1811, Francis, Philip, 1740-1818, Cecil, Mary Amelia, Marchioness of Salisbury, 1750-1835., Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Cornwall, Charles Wolfran, 1735-1789, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Lansdowne, William Petty, Marquis of, 1737-1805, and Sydney, Thomas Townshend, Viscount, 1733-1800
Title etched below image., Questionably attributed to Rowlandson in local card catalog record., Traces of earlier imprint statement perhaps visible behind current imprint., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: Portal & Bridges., and Annotation in contemporary hand left of image, mostly trimmed away.
Publisher:
Pubd. Feby. 29, 1788, by Willm. Holland, No. 50 Oxford Street
"A stone bridge across a river collapses, all its piers having broken. Fox clings to the central piece of masonry which is falling; he says: "D**n the Piers they won't support us". Burke falls head foremost into the water, clutching a roll inscribed 'Impeachment'. Courtenay's head wearing a hat emerges from the water; a pair of legs and hands with a floating bag-wig are identified as Sir James Erskine."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted on page 61 with two other prints.
Publisher:
Publd. 11th April 1788 by Thos. Cornell, Bruton Street
Subject (Name):
Burke, Edmund, 1729-1797, Erskine, James Francis, 1743-1806, Fox, Charles James, 1749-1806, Courtenay, John, 1738-1816, and Hastings, Warren, 1732-1818
"A stone bridge across a river collapses, all its piers having broken. Fox clings to the central piece of masonry which is falling; he says: "D**n the Piers they won't support us". Burke falls head foremost into the water, clutching a roll inscribed 'Impeachment'. Courtenay's head wearing a hat emerges from the water; a pair of legs and hands with a floating bag-wig are identified as Sir James Erskine."--British Museum online catalogue
Description:
Title etched below image. and Signed with the monogram of James Sayers.
Publisher:
Publd. 11th April 1788 by Thos. Cornell, Bruton Street
Subject (Name):
Burke, Edmund, 1729-1797, Erskine, James Francis, 1743-1806, Fox, Charles James, 1749-1806, Courtenay, John, 1738-1816, and Hastings, Warren, 1732-1818
"A stone bridge across a river collapses, all its piers having broken. Fox clings to the central piece of masonry which is falling; he says: "D**n the Piers they won't support us". Burke falls head foremost into the water, clutching a roll inscribed 'Impeachment'. Courtenay's head wearing a hat emerges from the water; a pair of legs and hands with a floating bag-wig are identified as Sir James Erskine."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching with stipple on wove paper ; plate mark 17 x 18.3 cm, on sheet 18.9 x 20.5 cm., and Mounted on verso of leaf 43 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. 11th April 1788 by Thos. Cornell, Bruton Street
Subject (Name):
Burke, Edmund, 1729-1797, Erskine, James Francis, 1743-1806, Fox, Charles James, 1749-1806, Courtenay, John, 1738-1816, and Hastings, Warren, 1732-1818
Pitt and Fox stand square-off, fists raised in the House of Commons at the height of the Regency Crisis, just before the passage of the Regency Bill, 1789
Alternative Title:
Humphreys & Mendoza fighting for a crown and Humphreys and Mendoza fighting for a crown
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Mounted to 27 x 38 cm., and Watermark.
Publisher:
Pub'd by W. Dent December 22 1788 and Sold by W. Moore, Oxford Street
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Dundas, Henry, 1742-1811, Thurlow, Edward Thurlow, Baron, 1731-1806, Burke, Edmund, 1729-1797, North, Frederick, Lord, 1732-1792, Humphries, Richard, d. 1827, Mendoza, Daniel, 1764-1836, and Great Britain. House of Commons,
"The Prince and Mrs. Fitzherbert in the bedroom of a French inn ; a maidservant enters (left) with a tea-tray. The Prince, yawning and stretching with a dissipated air, is seated on the edge of a table; the revelry of the past night is indicated by an overturned decanter, broken wineglass, and a broken candle. Another candlestick and broken wine-glass lie on the ground, together with the Prince's top-boots. He wears slippers and his stockings are ungartered, the 'honi soit qui mal y' [pense] ribbon hanging round his leg. Mrs. Fitzherbert, seated on the bed, draws on a stocking; her garter inscribed 'Fox' lies on the ground (cf. British Museum satire 7306). The bed is heavily draped with fringed curtains. The Prince's feathered hat hangs on the wall."--British Museum online catalogue
Alternative Title:
Scene on the Continent
Description:
Title etched below image., Printmaker identified as Gillray in the British Museum catalogue., Probably a reissue; the final digit '8' in '1788' in imprint appears to have been altered from '6,' and the publisher's street address seems to have been burnished and re-etched. See British Museum catalogue., Companion print to: "Wife & no wife, or, A trip to the Continent.", Sheet trimmed within plate mark., and Temporary local subject terms: Morganatic marriages -- Motto: Honi soit qui mal y pense.
Publisher:
Pubd. April 5th, 1788, by W. Holland, No. 50 Oxford Strt
Subject (Geographic):
France
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, and Fox, Charles James, 1749-1806.
Subject (Topic):
Taverns (Inns), Bedrooms, Draperies, Hats, Servants, and Tableware
"Six heads, full-face, of Fox, arranged in a row, all with eyes closed or looking down. [1] 'Out of Place In Character', with tousled hair and ill-shaved face. [2] 'In Place Out of Character', with powdered hair and well-shaved face. Cf. Wraxall, 'Memoirs', 1884, ii. 269-74. [3] 'As he might have been'. The cap of Liberty is just above his head. [4] 'As he wod have been'. A ducal coronet is just above his (powdered) head. [5] 'As he should have been'. Blood drips from his decapitated head on which is a cap. [6] 'As he will be'. The Prince of Wales's coronet and feathers are just above his powdered hair on which is the word 'Regent'."--British museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., and Sheet trimmed within plate mark with nearly complete loss of imprint. Imprint from British Museum catalogue.
Publisher:
Pubd. Decr. 26, 1788, by S. Fores, No. 3 Piccadilly
