"Satire on medicine: to right, a man sits on a close stool holding a steaming glass vessel; behind him a doctor reads from a large volume propped against the lid of the stool; he wears a tall hat, large glasses and an ermine-trimmed robe which is held by a man with a moustache, hat, lace-trimmed collar and cloak who carries a sword; men in white pierrot costumes stand on either side behind the doctor each holding a large candle the smoke from which partly obscures the doctor's hat; at the end of the procession are three men in the same costumes carrying clysters on their shoulders; all are in profile to right and have large noses."--British Museum online catalogue, description of a different version of the same design
Description:
Title etched below image., Attribution to Isaac Cruikshank based on faint "I.C" signature in lower right corner of image., Copied from one of a set of satirical prints on medicine made by Desprez in Sweden in 1789; see British Museum online catalogue, registration no.: 1969,0719.2. For a different English copy of the same design, see British Museum online catalogue, registration no.: 2007,7058.4., "Dor. Bssi."--Lower left margin., "CAP: &"--Lower right margin., This record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local Medical Library subject terms: Clysters -- Water closets -- Dr. Bossey., and Contemporary annotation in ink below title: 'Tis only experiences that teaches proper remedies.
Publisher:
publisher not identified
Subject (Topic):
Quacks and quackery, Medical equipment & supplies, Physicians, and Candles
"A boxing scene (two couples): the Prince of Wales and Hanger are worsted by d'Eon and St. George. In the foreground (right) Hanger staggers backwards under the attack of St. George; his hat and bludgeon are on the ground beside him. St. George says, "Now in de Mouth, den in de Eye, & den where you like." Behind and on the left the Prince stands limply in front of an arched doorway. The Chevalier d'Eon, in profile to the left, faces the Prince with clenched fists. His dress and attitude recall the print of the famous fencing-match at Carlton House on 9 Apr. 1787, [Reproduced, Angelo, 'Reminiscences', 1904, ii. 46; attributed to Picot after Robineau. Attributed by Wright and Evans to Gillray, and reprinted in Bohn's 'Gillray', 1851 (No. 375).] though he is in the position of a boxer, not of a fencer. He wears a frilled muslin cap and fichu, with ruffled elbow sleeves as in that print; he says "vill you have de toder Stroke". The Prince, putting his right hand to his eye, says, "no no I find I cant Stand up to yow now I'm done, Oh! my Eye." His feathered hat is at his feet. Behind him is the curving baluster of a descending staircase. On the wall is the inscription: 'Gentlemen and Ladies Taught the polite Arts of Boxing, Fencing &c &c by------George & ------D'Eon'. On the left hang two crossed foils with a pair of fencing-masks. On the right is a picture of St. George in classical draperies riding down an ass which he transfixes with his spear."--British Museum online catalogue
Alternative Title:
St. George and the dragon and Madmoiselle riposting
Description:
Title from item., Attribution to Cruikshank from British Museum catalogue., and Matted to 47 x 62 cm; subjects identified on mat below image.
Publisher:
Pubd. Octr. 12, 1789 by S. Fores, No. 3 Piccadilly
"Pitt, Hastings, and Thurlow, the State Jugglers, are on a platform outside the gate of St. James's Palace. Above the gate projects the sign of the Crown inn, across which rests a plank forming a see-saw; on this the King (right) as Punch sits facing Queen Charlotte, dressed as Judy or Mother Shipton; she takes a pinch of snuff, the King holds out his hands as if in disapproval. A crowd of suppliants surrounds the platform. Pitt, bending towards them, pulls ribbons from his mouth; three men on the extreme left hold out their arms eagerly: one is a naval officer, a 'Log Book' under his arm shows that he is Sir Alexander Hood, see BMSat 5536, K.B. elect, see BMSat 7318. The second is Wilkes; the third cannot be identified. Hastings kneels between Pitt and Thurlow, his hands crossed humbly on his breast, a copious stream of coins issues from his mouth. Dundas, Lansdowne, Sydney, a bishop, and a fifth suppliant hold out their hats eagerly to catch the coins. Thurlow stands erect, his hands on his hips, flames and smoke issuing from his mouth inscribed "Hell-Fire, my Soul, Dam, Blast, Eyes, Heaven, Curse, Limbs, Blood". A little chimney-sweep [The sweep is said to represent Frederick Montagu, one of the Commissioners in Fox's India Bill. Wright and Evans.] and a ragged fishwife, a basket of fish on her head, stand gazing at him with wonder and admiration. On the extreme right, at the side of the platform, Fox, supported on the shoulders of Burke, slyly holds out his hat behind Thurlow; Sheridan (?) [Identified by Wright and Evans as the Duke of Norfolk] supports them. Beneath the title is etched : '"Who wrought such wonders as might make "Egyptian sorcerers forsake "Their baffled mockeries, & own ''The palm of magick our's alone.'' Churchll'."--British Museum online catalogue
Description:
Title from item., Printmaker identifiedin British Museum catalogue as Gillray who disguised his identity by signing the work with Sayers's initials., Sheet trimmed on one side within plate mark, with loss of design., Cf. No. 7320 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Numbered '39' in upper right corner of plate., and Quotations from Charles Churchill, 1731-1764.
Publisher:
Pubd. May 16th 1788 by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Hastings, Warren, 1732-1818, Thurlow, Edward Thurlow, Baron, 1731-1806, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Wilkes, John, 1725-1797, Sydney, Thomas Townshend, Viscount, 1733-1800, Lansdowne, William Petty, Marquis of, 1737-1805, Melville, Henry Dundas, Viscount, 1742-1811, Norfolk, Charles Howard, Duke of, 1746-1815, and Bridport, Alexander Hood, Viscount, 1726-1814
Subject (Topic):
Chimney sweeps, Fishmongers, Jugglers, and Seesaws
Title engraved below image., Numbered '137' in lower left corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark in lower right corner, partially obscured by design.
Publisher:
Printed for Robert Sayer, No. 253 Fleet Street as the act directs
"A man rides out of the gateway (left) which leads to the courtyard of an inn, three dogs barking at the heels of his horse. The horse is kicking, the rider has lost his stirrups and clutches the animal's mane. Part of the courtyard is visible showing the body of a high perch phaeton. Above it is the first-floor balcony with a balustrade. Outside the inn (right) are grass and trees."--British Museum online catalogue
Description:
Title from caption below image., Header above the image: Hints to bad Horsemen., Companion print to: Strong symptoms of starting. See British Museum catalogue, v. 6 no. 7610., and Two lines of verse below title: Alas what troubles of betide ...
"A game of marbles (taw, cf. BMSat 7393) for the crown is in progress; the Prince of Wales is dressed as a toddling child in petticoats but is larger in scale than the other figures; he leans towards Fox, Sheridan, and Burke (who are aiming at the crown) but is restrained by Pitt (right) who holds him in leading-strings, saying, "Hold, Not so fast Georgy". The Prince wears one of the cushioned caps ('puddings') then used to protect children's heads; in it are three feathers. The crown is at his feet, surrounded by a ring of marbles. Fox and Sheridan kneel side by side; Fox is about to play, saying, "My Game for a Crown". Sheridan, holding his marble, says, "Knuckle down and dont funck, [To funk = to advance the hand unfairly in playing marbles. Partridge, 'Dict. of Slang', 1937.] Charley". Burke stands behind them, leaning eagerly forward, saying, "My turn next Sherry". He wears a Jesuit's biretta (cf. BMSat 6026). Pitt, 'chapeau-bras', wears court dress. Behind the Prince is a circular stand on wheels for supporting a toddling child."--British museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Temporary local subject terms: Clerical hats: Jesuit's biretta -- Hats: Child's cushioned cap or 'pudding' -- Emblems: Prince of Wales's feathers -- Vehicles: go-cart -- Leading-strings -- Games: marbles -- Crowns -- George IV as a toddler -- Regency restrictions -- Regency crisis, 1788 -- Satire on children., and Watermark: fleur-de-lis on crowned shield with initials G R below.
Publisher:
Pubd. by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Pitt, William, 1759-1806, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
"Mrs. Damer, seated in profile to the left, chisels the posterior of a large and realistic Apollo standing in profile to the left holding a spear, the left arm extended. A little girl (left) in 'profil perdu', gazes at the Apollo in astonishment. On a pedestal (left) are two nude figures, one full-face, the other in quasi-back view, drawn with extreme realism. Beside them (left) is an armless torso on a terminal pillar. These three statues are 'Studies from Nature'. On the right is a bust of a child's head in profile to the left, on a pedestal inscribed 'A Model to make a Boy from'. Beside it lie a book, 'Sketches of Different Parts'. Behind Mrs. Damer (left) is a grinning whole length figure of 'Pan'. There are also two figures on tall pedestals: a Hercules and a headless figure, and a bust. All the figures in the studio are completely nude. Mrs. Damer wears gloves; her mallet is raised to strike her chisel."--British Museum online catalogue
Description:
Title from item., Sheet trimmed within plate mark., Mounted to 29 x 39 cm., and Watermark: countermark, letter V.
Publisher:
Pub. by Wm Holland, Garrick's Richard, No. 50 Oxford Street
Subject (Name):
Damer, Anne Seymour, 1748 or 1749-1828 and Pan (Greek deity)
Subject (Topic):
Artists' studios, Sculptors, British, Sculpture, and Spears
"The six Commissioners from Ireland seated on bulls, facing and clutching the tails of the animals (as in Gillray's 'Paddy', BMSat 5605), gallop towards the façade of Carlton House, where the Prince of Wales (left) and the Duke of York (right) look from behind pillars at the embarrassing deputation. Their leader, Leinster (left), holds a long document, saying, "Aye Aye the M------ of B------k------m will remember me when I go back". The others say (left to right), "By Jasus the folks stare at us as they do at Wild beastises"; "Lord what a nice Errand is this make him Regent whether or no"; "I say my Friend C------n-----y [Connolly] we shall be there the Day before the Fair"; "Well? Yes I dare say well why he was so bad he could say nothing but What, What, What, when we left Dublin" (it was noted (8 Feb.) as a sign of the King's recovery that he had resumed his habitual 'What, what', a phrase never used during his illness, F. Greville, 'Diaries', p. 213); "What no occasion for a R--g--t then by Jasus we will go back again and tell the Lads we are all mad & by the Lord 'tis my opinion we are come over for nothing at all at all." The bulls are being urged on by two men in court-suits with long rat's tails to show that they are 'rats'. They are (left) 'D . . . Q------', the Duke of Queensberry, and (right) 'M------s L------', Marquis of Lothian. From an upper window on the extreme right, inscribed 'Pall Mall Ordinary', Weltje (cf. BMSat 7509) looks down at the scene, saying, "Begar I must go prepare more Sourcrout for dese Wild Bullocks."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Sheet trimmed within plate mark., Temporary local subject terms: Irish Commissioners -- Irish Regency offered to George IV in 1789 -- Exterior of Carlton House -- Expressions of speech: 'What, what,' -- Inns: Pall Mall Ordinary -- Irish bulls -- Butchers' steels -- William John Kerr, 5th M. of Lothian, 1737-1815 -- John O'Neill, 1st Viscount, 1740-1798 -- William Brabazon Ponsonby, 1744-1806 -- James Stuart, fl. 1789 -- Thomas Connolly, ca 1738-1803., Watermark: armorial shield with fleur-de-lis above and initials G R below., and Mounted to 35 x 42 cm.
Publisher:
Pubd. March 7, 1789, by S. Fores, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Queensberry, William Douglas, Duke of, 1725-1810, Weltje, Louis, 1745-1810, Charlemont, James Caulfeild, Earl of, 1728-1799, and Leinster, William Robert FitzGerald, Duke of, 1749-1804
Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Possibly earlier version of nos. 7808 and 7809 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Temporary local subject terms: Sports: bird shooting -- Hunting dogs -- Guns -- View of St. Paul's Cathedral -- Rural scenes.
"Fox and his party (three quarter length) surround a Twelfth Night cake which Weltje was about to cut into portions. The cause of a sudden check to this proceeding is indicated by a broad ray of light (which strikes the cake and the bystanders) and by a scroll: 'The King shall enjoy his own again'. Weltje stands on the left, his arms extended towards the scroll, saying, "Den by Got we sail heb no Cake"; he drops his knife. He and Sheridan are the most agitated of the party: Sheridan with a face of despair looks up, saying, '"Now our Ruin is complete" School for Scandal'. (He is Joseph Surface as in British Museum Satires No. 7510, &c; the actual words are "Tis now complete!') Fox stands disconsolately, his hands in his pockets, his back to the ray. Burke (right), his arms folded, scowls up at the ray. Behind these three Stormont, Loughborough, and Sandwich (on the extreme right) regard it with less pronounced despair. Portland stands behind the cake, frowning fixedly. The centre of the cake is ornamented with the Prince of Wales's coronet and feathers (as are Weltje's buttons); on the centre feather is poised a crown. The cake has been marked in sections where it is to be cut, these are inscribed 'Ist Lord Admy' [Sandwich had been considered for the post and also for that of Ambassador to France], 'Secrety State foreign' [Fox], 'Secrety State home' [Stormont], 'Paymar Genl' [Burke], 'Ist Comm Board Control', and 'Treas Navy' (Sheridan's arm extends across this, the place intended for him, pending a transfer to the Chancellorship of the Exchequer, Sir G. Elliot, 'Life and Letters', i. 260-1)."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Temporary local subject terms: Quotation from Sheridan's School for scandal., and Mounted on page 67 with one other print.
Publisher:
Publ. by Thos. Cornell
Subject (Geographic):
Great Britain.
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816., George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Sandwich, John Montagu, Earl of, 1718-1792, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Mansfield, David Murray, Earl of, 1727-1796, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, and Weltje, Louis, 1745-1810
