Title etched below image., Sheet partially trimmed within plate mark., Publisher's advertisement following the imprint: ... where may be seen the completest collection of caricatures &c. in the kingdom, also the head & hand of Count Struenzee. Admit. 1 s., Below the title, eight numbered lines of rhymed comments, with each number corresponding to that of a character in the image. Four lines of verse sung by the "General Chorus" printed at the top center of image., Temporary local subject terms: Male costume: livery gowns -- Beefeaters -- Footmen -- Aldermen: Windsor aldermen -- Corporation of Windsor -- Smithfield -- Hog's head -- Literature: allusion to children's rhymes, Humpty Dumpty., and Watermark: armorial shield with fleur-de-lis.
Publisher:
Pub. March 8, 1790, by S.W. Fores at his museum, N. 3 Piccadilly
"One of a set of five, [Possibly there is a missing print: ? 'The Rector'] see BMSats 7778-81. A curate stands in profile to the right at a reading-desk in a country church, reading from a large book on which both hands are placed. He wears a surplice over spurred jack-boots. Behind him (left) steps ascend to the pulpit, below (right) the clerk in his box leans back asleep. Another sleeping man leans against the clerk's box. In the background is seen the end of a gallery in which six persons are seated."--British Museum online catalogue
Description:
Title etched above image., After Woodward. Cf. British Museum catalogue., Two lines of verse from Shakespeare's As you like it below image: ------ and first, -- the curate, ... ., and Temporary local subject terms: Clergy: curates -- Interiors: churches -- Churches: pulpits -- Sleeping churchgoers -- Literature: quotation from Shakespeare's As you like it, ii, 7, 143.
Publisher:
Pubd. Decr. 1, 1790, by W. Holland, No. 50 Oxford St.
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
July 14, 1797.
Call Number:
797.07.14.05
Image Count:
1
Resource Type:
still image
Alternative Title:
Secret influence
Description:
Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Adultery.
Title from item., Printmaker and publication year from British Museum catalogue., Sheet trimmed to and within plate mark., Publisher's announcement following imprint: where may be seen the compleatest [sic] collection of caracatures [sic] in the kingdom admitance 1 shillg., Two lines of quotation from Burke's Reflections below title: Is this a triumph to be consecrated at altars? ..., Temporary local subject terms: Sermons: sermon by Richard Price, Nov. 4, 1789 -- Literature: quotation from Reflections on the revolution in France by Edmund Burke, 1729-1797 -- Literature: sermon "On the love of our country" by Richard Price, Nov. 4, 1789 -- Pictures amplifying subject -- French crowns -- Plots: attack on Marie-Antoinette, Oct. 6, 1789 -- Chamber pots -- Close stools -- Interior of Versailles -- Pitchforks -- Guns -- Daggers -- Swords -- Beds: French royal bed -- Carpets -- Demons -- French revolutionary favors., and Window mounted to 32 x 43 cm., matted to 47 x 63 cm.
Publisher:
Pub Dec. 12 by S.W. Fores, N. 3 Piccadilly
Subject (Name):
Marie Antoinette, Queen, consort of Louis XVI, King of France, 1755-1793, Louis XVI, King of France, 1754-1793, Orléans, Louis Philippe Joseph, duc d', 1747-1793, and Price, Richard, 1723-1791
Title etched below image., Date of publication from unverified data in local card catalog record., Sheet partially trimmed within plate mark., Three lines of text below the title: The business of an earth stopper, the night previous to a day's sport, is to stop up the fox's earth ..., Reversed version of no. 14086 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Temporary local subject terms: Night scenes -- Fox hunting: earth stoppers.
Publisher:
publisher not identified
Subject (Topic):
Axes, Chimney sweeps, Dogs, Donkeys, Lanterns, Horses, and Spades
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[approximately 1790]
Call Number:
Drawings W87 no. 5 Box D170
Image Count:
1
Resource Type:
still image
Abstract:
A well-dressed man walking down the street holds the base of his walking stick and arrogantly points the end in an elevated fashion diagonally to the front. The ferrule catches the brim of a lady's hat and begins to lift it off of her head
Alternative Title:
Six different methods of carrying a stick with their effects. Compartment no. 4
Description:
Title from letterpress caption below image., Pen and ink drawing on a broadside with text in letterpress and ornamental border., Four lines in letterpress below title: Chiefly belongs to men of consequence of every denomination, and sometimes to those thoughtful gentlemen called absent men; it does less execution than any of the former, though properly managed, it is capable of lifting up the veil of a tall lady, or throwing off a hat as occasion may require., One of a series of six drawings by Woodward with the same typescript heading., and For further information, consult library staff.
Subject (Topic):
Staffs (Sticks, canes, etc.), Staffs (Sticks), and Etiquette
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[approximately 1790]
Call Number:
Drawings W87 no. 4 Box D170
Image Count:
1
Resource Type:
still image
Abstract:
A loquacious gentlemen holding a raised walking stick vertically in front of his body prepares to strike the foot of a passerby by feigning a blunder. From the caption: Provide a good stout stick (the heavier the better), well loaded with iron, and sally forth at the business time of the day ... enter on a long story and at the end of every marked sentence, make a sudden plunge with your stick downwards, which must be managed with great velocity, and at proper periods; by these methods your friend cannot fail feeling the force of your observations; and every person's toes must suffer that come within the reach of the argument
Alternative Title:
Six different methods of carrying a stick with their effects. Compartment no. 3
Description:
Title from letterpress caption below image., Pen and ink drawing on a broadside with typeface and ornamental border., Letterpress capation in fourteen lines below title: The person who has a desire to put this grace in practice, must be consciousness of possessing an unconquerable habit of talking incessantly, if that is not a leading trait in his character, he had better decline the study; but if hef finds himself master of so neccessary a qualification ..., One of a series of six drawings by Woodward with the same typescript heading., and For further information, consult library staff.
Subject (Topic):
Staffs (Sticks, canes, etc.), Staffs (Sticks), and Conversation
"A tailor on his raised shop-board (right) kneels in terror at the apparition of an emaciated corpse-like man and a fat pig with its throat cut standing on its hind-legs. Beneath the shop-board the head and shoulders of the Devil emerge from the flames of Hell; he holds a trident and a bulky roll of cloth inscribed 'Cabbage' (cf. BMSat 8035, &c.), implying that the tailor's pilfering has not been restricted to scraps of material. (The place where tailors kept their 'cabbage' was termed Hell; see Grose, 'Classical Dict. of the Vulgar Tongue'). The tailor wears a nightcap and apron; round his neck is a tape-measure; he says (excreting), "o Lord o Lord I am in a nasty Condition". A small demon (right) holds his nose. Beside the tailor are his goose, lying on a garment (which is burning from the heat of the iron); the heel of a loaf with a knife, onions and cucumbers lie next a paper inscribed 'sick and in prison and he [word erased, comforted] me'. reside an ink-pot are an open book: 'The Benevolent Society Benifet of \ Survivership', and a paper: 'Advice to overseers respecting the poor'. The corpse stands in back view holding out a minatory hand and turning his nead in profile to the right; he asks "who starved me to Death". The pig says "you have been the Cause of my death". A man on the extreme left looks through a door, saying, "Aye Aye this comes of your ingratitude for my saving your life". On the wall which forms a background are (left to right) two pictures, two broadside ballads, and a print: [1] The lower part of a picture of 'Howard' shows the legs of a man walking past a barred prison window, through which look two faces. (News was received on 26 Feb. of the death of John Howard, the prison reformer, 'Gent. Mag.', 1790, i. 276, but this Howard appears to be the corpse.) [2] 'A Song by Tom Stitch on the Windsor Corporation'. [3] 'A Song in Ridicule of my best Friend.' [4] A print of a gibbet from which hangs a noose inscribed 'The Desert.' [5] A large picture: 'Windsor Charity'; the tailor stands in a prison cell, pointing to an emaciated man lying on straw, turning to a woman who kneels at his feet, he says, clenching his fist, "let him Die & be d--d." The woman says, "for God sake don't Suffer my Poor father to Starve". The dying man says "I perish for want"."--British Museum online catalogue
Alternative Title:
Tailor befrited and Ghosts
Description:
Title etched below image., Printmaker from British Museum catalogue., Dated in contemporary hand in lower right corner: 'Sept. 1790.', Sheet partially trimmed within plate mark., and Watermark: armorial shield with fleur-de-lis above and monogram W below.
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[approximately 1790]
Call Number:
Drawings W87 no. 6 Box D170
Image Count:
1
Resource Type:
still image
Abstract:
A very disgruntled looking man walks down the street with his walking stick tucked firmly under his arm, the ferrule end pointing straight behind his torso. This arrangement deflects the 'hasty' approach of a young female nearby
Alternative Title:
Six different methods of carrying a stick with their effects. Compartment no. 5
Description:
Title from letterpress caption below image., Pen and ink drawing on a broadside with typeface and ornamental border., Three lines of typeface caption below title: Goes soberly to work; in a declining position under the arm, well be-mir'd at the end, it stops in a peculiar manner any hasty approach, and never fails doing execution in turning to the right or left., One of a series of six drawings by Woodward with the same typescript heading., and For further information, consult library staff.
Subject (Topic):
Staffs (Sticks, canes, etc.), Staffs (Sticks), and Etiquette
A thin man with a very large nose and lips embraces his new, very large wife whose features are equally exaggerated. They stand at the edge of a bed, he almost falling on her lap. A cat stands on a bracket shelf pulling at the man's pigtail queue. On the wall a picture amplifies the subject
Alternative Title:
Honeymoon
Description:
Title from caption below image., Companion print: Six weeks after the marriage., Printmaker from companion print., Artist from copy at the Library of Congress., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. by Willm. Holland, No. 50 Oxford Street
Subject (Topic):
Beds, Bedrooms, Cats, Interiors, Marriage, Spouses, and Wigs
