"Lord Barrymore and his two brothers are represented as figurines on the shelf of a chimney-piece, along which the title is etched. Each stands on a circular pedestal inscribed: (left to right) 'A Hell-gate Blackguard', 'A Newgate Scrub', and 'A Cripplegate Monster', the three brothers being known as Newgate, Hellgate, and Cripplegate. In the centre Barrymore, as Scrub, is seated as in Act iii of Farquhar's play, when in conference with Archer: dressed in livery and wearing an apron, his hands on his knees (cf. British Museum Satires No. 6221). On the left Augustus Barry, stripped to the waist and wearing boxing-gloves with a high hat, stands in the attitude of a pugilist, which his extreme thinness makes ridiculous. On the right Henry Barry grins and capers, holding a toy whirligig. He wears the fashionable dress of the bloods of the moment: high hat, long tight breeches reaching almost to the ankle, short wrinkled top-boots with enormous spurs. His coat is slipping off his shoulders and fastened by one button (a caricature of the fashion); all have cropped hair, cf. British Museum Satires No. 8040, &c. Over Barrymore's head is the lower part of a bust-portrait of the Prince of Wales in an oval frame."--British Museum online catalogue
Description:
Title from text in image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Eighteen lines of verse etched below image: To whip a top, to knuckle down at taw ..., Temporary local subject terms: Mantelpieces -- Pugilism -- Toys: whirligig -- Spurs -- Literature: allusion to George Farquhar's The Beaux Stratagem, iii, 3 -- Barrymore, Richard, 7th Earl, 'Newgate' -- Barrymore, Henry, 8th Earl, 'Cripplegate' -- Barry, Augustus, 'Hellgate' -- Prince of Wales's circle -- Pictures amplifying subject: Prince of Wales'e portrait., and Mounted to 36 x 36 cm.
Publisher:
Pubd. Novr. 1st, 1791, by H. Humphrey, N. 18 Old Bond Street
Subject (Geographic):
England
Subject (Name):
George IV, King of Great Britain, 1762-1830, Barrymore, Richard Barry, Earl of, 1769-1793, Barrymore, Henry Barry, Earl of, 1770-1823, and Barry, Augustus, 1773-1818
Subject (Topic):
Clothing & dress, Chimneypieces, Figurines, Pedestals, Boxers (Sports), and Toys
Title from item., Sheet trimmed, resulting in loss of plate mark on top and sides of illustration., Illustration to ballad Let Us All Be Unhappy Together, written and composed by Dibdin for his entertainment called The Wags. The text of the ballad is printed below the plate., Publisher's advertisement at the bottom of sheet: Just published, price 6d. plain, 1 s. coloured, The Patient Parson Forgetting His Text, or The Hogs in the Ale-Cellar, Poll and My Partner Joe, Bachelors' Hall, The Greenwich Pensioner, Mrs. Thrale's Three Warnings, and many other esteemed songs and pieces, by Dibdin and others., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Bachelors -- Social gatherings -- Dishes: punch bowl -- Wine glasses -- Utensils: ladles -- Furniture: tables -- Chairs -- Chamber pots -- Urination -- Musical entertainments., and Watermark: fleur-de-lis.
Publisher:
Pub. Aprill [sic] 30, by S.W. Fores, No. 3 Piccadilly
Volume 2, page 77. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Description:
Title from text below image., Sheet trimmed to plate mark., Plate from: Annals of horsemanship ... London : Printed for W. Dickinson ..., 1791., Text below title: Juvenum pulcherimus alter, altera quas oriens habuit praelata puellis. Ovid., For a brief mention of the illustrations to Annals of horsemanship, see page 446 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Mounted on page 77 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd March 25th, 1791, by W. Dickinson, No. 24 Old Bond Street
"A large chamber-pot, cracked, stands (left) supported by the legs of Mrs. Jordan. The Duke of Clarence has thrust his head and shoulders within a fissure in the 'Jordan', singing a chanty, "Yeo! Yee! Yeo!" He is in back view and wears striped sailor's trousers; his naval coat with its star hangs on the wall (right)."--British Museum online catalogue
Alternative Title:
Crack'd Jordan and Cracked Jordan
Description:
Title etched below image., Printmaker from British Museum catalogue., and 1 print : etching on wove paper ; plate mark 27.5 x 21.0 cm, on sheet 37 x 27.3 cm.
Publisher:
Pubd. Novr. 1st, 1791, by H. Humphrey, N. 18 Old Bond Street
Subject (Name):
William IV, King of Great Britain, 1765-1837 and Jordan, Dorothy, 1761-1816
"The interior of a bedroom, with Miss Gunning in bed (left), facing the spectator; a stout woman, her mother, holds her arm; both look round in alarm at a much-caricatured creature, Miss Minifie, who rushes towards them (right) from an open door, arms outstretched, gaping with staring eyeballs. Mrs. Gunning raises a leg in her surprise, breaking a bottle of 'Brandy' which with a glass had been concealed under her petticoats. Beneath the design is etched: 'What's the matter Auntee-Peg, what makes you put on such a long Face?"' In the upper and lower margins is the inscription: 'I was sitting by the Bedside of my smiling-injured-innocent-Lambkin, & holding one of the sweet tender hands of my amiable-gentle-dovelike-Cherub, when her Aunt came into the Room, with a face paler than Ashes, - "What is the matter, Auntee Peg" - says my dear-chaste-adorable-kind-benificent-enchanting-heart-feeling-benificent-paragon of Goodness \ She broke upon us the dishonorable-infamous-false-accusations, & the cruel most cruel messages that accompanied them, at that moment a Vow issued from my torn, my rent, my wounded, my agonizing, my suffering Heart, & my dear-divine-glorious-Arch angelic-Angel, said &c &c.'"--British Museum online catalogue
Alternative Title:
What's the matter Auntee-Peg, what makes you put on such a long face?"
Description:
Title etched at top of image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Interiors: bedrooms -- Furniture: side tables -- Beds -- Glass: wine bottles -- Alcohol: brandy -- Allusion to the Gunning scandal -- Literature: burlesque of Mrs. Gunning's A Letter ... to the Duke of Argyll., and Watermark: fleur-de-lis on crowned shield with initials G R below.
Publisher:
Pub. March 25th, 1791, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Gunning, Miss 1769-1823 (Elizabeth),, Gunning, Mrs. 1740?-1800 (Susannah),, and Minifie, Margaret
Volume 2, page 77. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Alternative Title:
Me and my wife and daughter
Description:
Title from text below image., Sheet trimmed to plate mark., Plate from: Annals of horsemanship ... London : Printed for W. Dickinson ..., 1791., Text below title: O terque quaterque beati., For a brief mention of the illustrations to Annals of horsemanship, see page 446 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Mounted on page 77 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd March 25th, 1791, by W. Dickinson, No. 24 Old Bond Street
An allegorical representation of the thesis of Burke's Reflections on the French Revolution as seen through Burke's spectacles. Fox dressed as Cromwell stands ready to strike a tree with an axe, the blade of which is labelled "Rights of man". In the tree are many emblems: a crown, a star of the Garter, a snuffer, the Holy Bible with mitre and chalice, escutcheons representing hereditary nobility and the arms of the Portland and Cavendish families
Description:
Title etched below image., Initial letters of printmaker's name in signature form a monogram., Sheet trimmed to plate mark on top and bottom edges., Two lines of verse etched below title: Nought shall make us rue, if England to itself do rest but true. Shakespeare., 1 print : etching and aquatint on wove paper ; plate mark 35.5 x 25.1 cm, on sheet 37.2 x 26.6 cm., and Mounted on leaf 54 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. by Thos. Cornell, Bruton Street
Subject (Geographic):
France and Great Britain
Subject (Name):
Burke, Edmund, 1729-1797, Burke, Edmund, 1729?-1797., Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Paine, Thomas, 1737-1809., Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Priestley, Joseph, 1733-1804, and Price, Richard, 1723-1791
Subject (Topic):
History, Foreign public opinion, British, Politics and government, Eyeglasses, Demons, Escutcheons (Heraldry), Trees, Axes, Crowns, Bibles, and Skeletons
An allegorical representation of the thesis of Burke's Reflections on the French Revolution as seen through Burke's spectacles. Fox dressed as Cromwell stands ready to strike a tree with an axe, the blade of which is labelled "Rights of man". In the tree are many emblems: a crown, a star of the Garter, a snuffer, the Holy Bible with mitre and chalice, escutcheons representing hereditary nobility and the arms of the Portland and Cavendish families
Description:
Title etched below image., Initial letters of printmaker's name in signature form a monogram., Sheet trimmed to plate mark on top and bottom edges., Two lines of verse etched below title: Nought shall make us rue, if England to itself do rest but true. Shakespeare., and Mounted on page 74.
Publisher:
Publd. by Thos. Cornell, Bruton Street
Subject (Geographic):
France and Great Britain
Subject (Name):
Burke, Edmund, 1729-1797, Burke, Edmund, 1729?-1797., Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Paine, Thomas, 1737-1809., Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Priestley, Joseph, 1733-1804, and Price, Richard, 1723-1791
Subject (Topic):
History, Foreign public opinion, British, Politics and government, Eyeglasses, Demons, Escutcheons (Heraldry), Trees, Axes, Crowns, Bibles, and Skeletons
An allegorical representation of the thesis of Burke's Reflections on the French Revolution as seen through Burke's spectacles. Fox dressed as Cromwell stands ready to strike a tree with an axe, the blade of which is labelled "Rights of man". In the tree are many emblems: a crown, a star of the Garter, a snuffer, the Holy Bible with mitre and chalice, escutcheons representing hereditary nobility and the arms of the Portland and Cavendish families
Description:
Title etched below image., Initial letters of printmaker's name in signature form a monogram., Sheet trimmed to plate mark on top and bottom edges., and Two lines of verse etched below title: Nought shall make us rue, if England to itself do rest but true. Shakespeare.
Publisher:
Publd. by Thos. Cornell, Bruton Street
Subject (Geographic):
France and Great Britain
Subject (Name):
Burke, Edmund, 1729-1797, Burke, Edmund, 1729?-1797., Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Paine, Thomas, 1737-1809., Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Priestley, Joseph, 1733-1804, and Price, Richard, 1723-1791
Subject (Topic):
History, Foreign public opinion, British, Politics and government, Eyeglasses, Demons, Escutcheons (Heraldry), Trees, Axes, Crowns, Bibles, and Skeletons