Edmund Burke kneels holding a crucifix and rosary as protection from the two ghosts of Mirabeau and Price who stand before him drapped in sheets surrounded by clouds. They hold out to him copies of his Reflections on the French Revolution, damning him for the crime of writing such opinions. An old woman on the right holds a chamber-pot under her petticoats and sprinkles Burke, "old Loyola", with the water from a feathered aspergillum asserting that "this holy water' will protect him, an old accusation that he was a cancealed Roman Catholic
Description:
Title etched below image., Possibly by Rowlandson (see Grego, p. 293) or by Henry Wigstead or William Holland (see British Museum catalogue)., and Sheet trimmed within plate mark.
Publisher:
Pubd. May 17, 1791, by W. Holland, No. 50 Oxford Street
Subject (Geographic):
Great Britain
Subject (Name):
Burke, Edmund, 1729-1797., Burke, Edmund, 1729-1797, Mirabeau, Honoré-Gabriel de Riqueti, comte de, 1749-1791, and Price, Richard, 1723-1791
Subject (Topic):
Catholics, Public opinion, Anti-Catholicism, Aspergillums, Chamber pots, and Ghosts
A scaffold extends across the foreground: Fox raises an axe to strike the neck of George III, whose head is held by Sheridan. The scaffold is surrounded by a dense and cheering mob. On the right is the gate of the 'Crown & Anchor' tavern, and from two projecting lamp-brackets swing the bodies of Queen Charlotte and Pitt. The houses of the Strand recede in perspective and terminate in Temple Bar, with two heads on spikes; clouds of smoke appear to come from burning houses east of Temple Bar. On the clouds a meretricious Liberty sits enthroned and triumphant.--British Museum catalogue
Description:
Title from caption inscribed in brown ink below image., Title inscribed twice on sheet and struck out once., Imprint statement inscribed in brown ink below title: Pubd. July 19th, 1791 by S.W. Fores No. 3 Piccadilly., Description of published Gillray print in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 7892., Description of published Gillray print in Works of James Gillray, the caricaturist with the history of his life and times / edited by Thomas Wright. London : Chatto and Windus, [1873?], p. 130., and A 'counterprint' or transfer in brown ink appears on the verso of the mount from another print: A Birmingham toast, as given on the 14th of July by the Revolution Society.
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, Wray, Cecil, Sir, 1734-1805, and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
Decapitations, Hangings (Executions), Executioners, Axes, Kings, and Crowds
"A scaffold extends across the foreground: Fox raises an axe to strike the neck of George III, whose head is held by Sheridan. The scaffold is surrounded by a dense and cheering mob. On the right is the gate of the 'Crown & Anchor' tavern, and from two projecting lamp-brackets swing the bodies of Queen Charlotte and Pitt. The houses of the Strand recede in perspective and terminate in Temple Bar, with two heads on spikes; clouds of smoke appear to come from burning houses east of Temple Bar. On the clouds a meretricious Liberty sits enthroned and triumphant. The King's neck rests on a narrow block, his shaved head appears bald, his legs are held up by Horne Tooke, who stands on the left, saying: "O, such a day as this, so renown'd so victorious, Such a day as this was never seen Revolutionists so gay; - while Aristocrats notorious, Tremble at the universal glee." From Tooke's pocket projects a paper: 'Petition of Horne Tooke' (against the return of Fox and Hood for Westminster, see British Museum Satires No. 7690). The King, who supports himself on his hands, says, "What! What! What! - what's the matter now". Fox, enormously stout, straddles behind the King, full face his axe raised in both hands; he wears a mask with large circular eye-holes and fox's ears; he says: "Zounds! what the devil is it that puts me into such a hell of a Funk? - damn it, it is but giving one good blow, & all is settled! - but what if I should miss my aim! - ah! it's the fear of that which makes me stink so! - & yet, damnation! what should I be afraid of? if I should not succeed, why nobody can find me out in this Mask, any more than the Man who chop'd the Calf's-head off, a Hundred & Forty Years ago - and so here goes!" Sheridan kneels in profile to the left holding the King by the ear and nose, he looks up at Fox with a sinister scowl, saying, "Hell & Damnation, dont be afraid give a home stroke, & then throw off the Mask - Zounds, I wish I had hold of the Hatchet." Priestley, behind Sheridan, leans towards the King, saying, "Don't be alarmed at your situation, my dear Brother; we must all dye once; and, therefore what does it signify whether we dye today or tomorrow - in fact, a Man ought to be glad of the opportunity of dying, if by that means he can serve his Country, in bringing about a glorious Revolution: - & as to your Soul, or any thing after death don't trouble yourself about that; depend on it, the Idea of a future state, is all an imposition: & as every thing here is vanity & vexation of spirit, you should therefore rejoice at the moment which will render you easy & quiet". He holds a paper: 'Priestley on a Future State'. Sir Cecil Wray stands with his right hand on Sheridan's shoulder, saying, "Here do give me a little room Joseph that I may be in readiness to catch the droppings of the Small Beer when it is tapp'd; I never can bear to see the Small Beer wasted Joseph!" He holds in his left hand a small cask, 'For Small Beer', and a large pipe; in his pocket is a paper: 'Plan of Chelsea Hospital by Sir Ceci[l] Wray'. The Queen is cruelly caricatured; she swings against Pitt, who is in a death agony with crisped fingers."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Mounted to 37 x 55 cm., and Collector's annotations on mount.
Publisher:
Pubd. July 19th, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, and Wray, Cecil, Sir, 1734-1805
Subject (Topic):
Axes, Executioners, Hangings (Executions), and Crowds
"A scaffold extends across the foreground: Fox raises an axe to strike the neck of George III, whose head is held by Sheridan. The scaffold is surrounded by a dense and cheering mob. On the right is the gate of the 'Crown & Anchor' tavern, and from two projecting lamp-brackets swing the bodies of Queen Charlotte and Pitt. The houses of the Strand recede in perspective and terminate in Temple Bar, with two heads on spikes; clouds of smoke appear to come from burning houses east of Temple Bar. On the clouds a meretricious Liberty sits enthroned and triumphant. The King's neck rests on a narrow block, his shaved head appears bald, his legs are held up by Horne Tooke, who stands on the left, saying: "O, such a day as this, so renown'd so victorious, Such a day as this was never seen Revolutionists so gay; - while Aristocrats notorious, Tremble at the universal glee." From Tooke's pocket projects a paper: 'Petition of Horne Tooke' (against the return of Fox and Hood for Westminster, see British Museum Satires No. 7690). The King, who supports himself on his hands, says, "What! What! What! - what's the matter now". Fox, enormously stout, straddles behind the King, full face his axe raised in both hands; he wears a mask with large circular eye-holes and fox's ears; he says: "Zounds! what the devil is it that puts me into such a hell of a Funk? - damn it, it is but giving one good blow, & all is settled! - but what if I should miss my aim! - ah! it's the fear of that which makes me stink so! - & yet, damnation! what should I be afraid of? if I should not succeed, why nobody can find me out in this Mask, any more than the Man who chop'd the Calf's-head off, a Hundred & Forty Years ago - and so here goes!" Sheridan kneels in profile to the left holding the King by the ear and nose, he looks up at Fox with a sinister scowl, saying, "Hell & Damnation, dont be afraid give a home stroke, & then throw off the Mask - Zounds, I wish I had hold of the Hatchet." Priestley, behind Sheridan, leans towards the King, saying, "Don't be alarmed at your situation, my dear Brother; we must all dye once; and, therefore what does it signify whether we dye today or tomorrow - in fact, a Man ought to be glad of the opportunity of dying, if by that means he can serve his Country, in bringing about a glorious Revolution: - & as to your Soul, or any thing after death don't trouble yourself about that; depend on it, the Idea of a future state, is all an imposition: & as every thing here is vanity & vexation of spirit, you should therefore rejoice at the moment which will render you easy & quiet". He holds a paper: 'Priestley on a Future State'. Sir Cecil Wray stands with his right hand on Sheridan's shoulder, saying, "Here do give me a little room Joseph that I may be in readiness to catch the droppings of the Small Beer when it is tapp'd; I never can bear to see the Small Beer wasted Joseph!" He holds in his left hand a small cask, 'For Small Beer', and a large pipe; in his pocket is a paper: 'Plan of Chelsea Hospital by Sir Ceci[l] Wray'. The Queen is cruelly caricatured; she swings against Pitt, who is in a death agony with crisped fingers."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching, hand-colored, on laid paper ; sheet 353 x 502 mm., Imperfect; sheet trimmed within plate mark with loss of imprint., and Watermark: A. Stace 18[...?].
Publisher:
Pubd. July 19th, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, and Wray, Cecil, Sir, 1734-1805
Subject (Topic):
Axes, Executioners, Hangings (Executions), and Crowds
"A scaffold extends across the foreground: Fox raises an axe to strike the neck of George III, whose head is held by Sheridan. The scaffold is surrounded by a dense and cheering mob. On the right is the gate of the 'Crown & Anchor' tavern, and from two projecting lamp-brackets swing the bodies of Queen Charlotte and Pitt. The houses of the Strand recede in perspective and terminate in Temple Bar, with two heads on spikes; clouds of smoke appear to come from burning houses east of Temple Bar. On the clouds a meretricious Liberty sits enthroned and triumphant. The King's neck rests on a narrow block, his shaved head appears bald, his legs are held up by Horne Tooke, who stands on the left, saying: "O, such a day as this, so renown'd so victorious, Such a day as this was never seen Revolutionists so gay; - while Aristocrats notorious, Tremble at the universal glee." From Tooke's pocket projects a paper: 'Petition of Horne Tooke' (against the return of Fox and Hood for Westminster, see BMSat 7690). The King, who supports himself on his hands, says, "What! What! What! - what's the matter now". Fox, enormously stout, straddles behind the King, full face his axe raised in both hands; he wears a mask with large circular eye-holes and fox's ears; he says: "Zounds! what the devil is it that puts me into such a hell of a Funk? - damn it, it is but giving one good blow, & all is settled! - but what if I should miss my aim! - ah! it's the fear of that which makes me stink so! - & yet, damnation! what should I be afraid of? if I should not succeed, why nobody can find me out in this Mask, any more than the Man who chop'd the Calf's-head off, a Hundred & Forty Years ago - and so here goes!" Sheridan kneels in profile to the left holding the King by the ear and nose, he looks up at Fox with a sinister scowl, saying, "Hell & Damnation, dont be afraid give a home stroke, & then throw off the Mask - Zounds, I wish I had hold of the Hatchet." Priestley, behind Sheridan, leans towards the King, saying, "Don't be alarmed at your situation, my dear Brother; we must all dye once; and, therefore what does it signify whether we dye today or tomorrow - in fact, a Man ought to be glad of the opportunity of dying, if by that means he can serve his Country, in bringing about a glorious Revolution: - & as to your Soul, or any thing after death don't trouble yourself about that; depend on it, the Idea of a future state, is all an imposition: & as every thing here is vanity & vexation of spirit, you should therefore rejoice at the moment which will render you easy & quiet". He holds a paper: 'Priestley on a Future State'. Sir Cecil Wray stands with his right hand on Sheridan's shoulder, saying, "Here do give me a little room Joseph that I may be in readiness to catch the droppings of the Small Beer when it is tapp'd; I never can bear to see the Small Beer wasted Joseph!" He holds in his left hand a small cask, 'For Small Beer', and a large pipe; in his pocket is a paper: 'Plan of Chelsea Hospital by Sir Ceci[l] Wray'. The Queen is cruelly caricatured; she swings against Pitt, who is in a death agony with crisped fingers."--British Museum online catalogue
Description:
Title from caption below image., Printmaker from British Museum catalogue., Plate numbered "57" in upper right corner., Restrike for Bohn's "Supressed plates". Cf. no. 7892 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., On same sheet, verso: Alecto and her train at the gate of Pandaemonium ..., and Printed 1851.
Publisher:
Pubd. July 19th, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, and Wray, Cecil, Sir, 1734-1805
Attempt at tragedy with the Jordan upsett, Attempt at tragedy with the Jordan upset, and Attempt at tragedy with the Joram upset
Description:
Title from item., Printmaker from British Museum catalogue., 'Jordan' in title scored through and replaced with 'Joram.', Temporary local subject terms: Interiors: theaters -- Theater stage -- Allusion to Drury Lane Theatre -- Actors -- Theater boxes -- Audience -- Alcohol: gin -- Emblems: Duke of Wales's feathers., and Watermark: F & D.
Publisher:
Pub. Decm. 20, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, William IV, King of Great Britain, 1765-1837, and Jordan, Dorothy, 1761-1816
"Sheridan and Fox are prisoners behind a bar on which they lean. Burke towers above them, with a stern frown, seizing each by the hair. He says: ""Behold the abettors of Revolutions, see "the authors of Plots & conspiracies, & take cognizance of the enemies of both "Church & State; - "I know them all, & have a while upheld, the unyok'd "humour of their Wickedness," - I have bore [sic] with them 'till the measure "of their iniquity is full; but now, I will bare them before ye Justice of injured "humanity, - I will prove unequivocally, that there exists at the present "moment, a junto of Miscreant Jacobites [sic], who are aiming at the Over-"throw of the British Constitution" - Vide Burkes Speech on the Quebec Bill - ". Sheridan (left) in profile to the left, his hands clasped, says with a terrified expression, "Ha! what's that? miscreant Jacobites! - plots Conspiracies! Revolution! - O! Damnation! we're all found out! - ah Joseph! Joseph! I fear you've brought up your Neck for a fine Collar!" Fox (right), his head bowed under Burke's hand, his handkerchief to his eyes, says, "O the devil! I'm quite overcome, & stupified with Grief! to think that the Man who has been my dearest Friend, and my Chum in all infamy, for Twenty five years, should now turn Snitch at last! good-lack-a-day!"."--British Museum online catalogue
Alternative Title:
Father of the gang turnd. kings evidence and Father of the gang turned king's evidence
Description:
Title from text in bottom part of image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Burke's speech on Quebec Bill -- Coalition: denounced in 1791 -- Spectacles -- Literature: Sheridan's School for scandal., and Watermark: Strasburg lily, dated 1805.
Publisher:
Pubd. May 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
Jacobites, Politicians, Impeachments, Prisoners, Debates, Eyeglasses, Crying, and Handkerchiefs
"The Duke of York leads his bride to the King and Queen, who are seated side by side on the throne (right), much caricatured, making gestures of eager greed. The King looks through a glass, the Queen holds out her apron to catch the coins which the Duchess holds in her apron. Behind the pair on the extreme left walks a gigantic Prussian soldier with extravagantly long moustaches, carrying a large money-bag under each arm, inscribed '£100000' and '£100 ...'"--British Museum online catalogue
Description:
Title etched at top of image., Printmaker from British Museum catalogue., Sheet trimmed to plate mark., With Horace Walpole's manuscript annotations: Duchess of York / Duke of York / Queen / King., and Mounted to 28 x 38 cm.
Publisher:
Pubd. Novr. 22d, 1791, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, and Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820
Subject (Topic):
Avarice, Coins, Dowry, Military uniforms, Prussian, Reception rooms, Royal weddings, Skull & crossbones, Telescopes, and Thrones
"The Duke of York leads his bride to the King and Queen, who are seated side by side on the throne (right), much caricatured, making gestures of eager greed. The King looks through a glass, the Queen holds out her apron to catch the coins which the Duchess holds in her apron. Behind the pair on the extreme left walks a gigantic Prussian soldier with extravagantly long moustaches, carrying a large money-bag under each arm, inscribed '£100000' and '£100 ...'"--British Museum online catalogue
Description:
Title etched at top of image., Printmaker from British Museum catalogue., Sheet trimmed to plate mark., 1 print : etching plate mark 25 x 35.2 cm., on sheet 26 x 36 cm., and On wove paper, hand-colored.
Publisher:
Pubd. Novr. 22d, 1791, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, and Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820
Subject (Topic):
Avarice, Coins, Dowry, Military uniforms, Prussian, Reception rooms, Royal weddings, Skull & crossbones, Telescopes, and Thrones
Title etched below image., Two lines of verse below title: By shifting about I at last got so wrong ..., Temporary local subject terms: Lilliputs -- Theatrical costume -- Reference to the Coalition., Watermark., and Mounted to 42 x 30 cm.
Publisher:
Pubd. June 20, 1791, by W. Holland, No. 50 Oxford St.
