Title from item., Temporary local subject terms: Allusion to Bourbon Family Compact treaty, 15 August 1761 -- Berkeley Square: Lansdowne House -- Joseph Jekyll, M.P., as a monkey -- John Morris, M.P., as a bear -- Bears -- Monkeys., Watermark: fleur-de-lis on crowned shield with initials G R below., and Mounted to 32 x 43 cm.
Publisher:
Pub. Feb. 26, 1791, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Pitt, William, 1759-1806, and Jekyll, Joseph, 1754-1837
Subject (Topic):
Great Britain, Politics and government, and Trained animals
Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Lorgnettes -- Seals -- Slang: dock., and Mounted to 37 x 20 cm.
A simple-looking countryman scratches his head as he stands between a solicitor and a barrister in front of Westminster Hall; the solicitor, on the left, taps his nose and grins towards the viewer. The barrister with a watch and chain with fobs hanging from his vest holds four documents tied with string in his left hand. Two barristers are seen entering Westminster Hall in the distance (left). In the center of the design, lower edge, the title is represented by musical notations for sharps and flats -- a flat between two sharps
Description:
Title from text below image., Design attributed to Dighton., Verse below title: Law is like a fashion, folks are bewitched to get into it. It is also like bad weather, most people are very glad when they get out of it., Companion print to: A sharp between two flats., Sheet trimmed to plate mark., Numbered '605' in lower left corner., Later issue of No. 3763 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., 1 print : mezzotint on laid paper ; sheet 34 x 25 cm, mounted to 35 x 26 cm., Sheet trimmed within plate mark, resulting in partial loss of imprint and plate number., and Music notes below image removed.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London
Subject (Geographic):
England
Subject (Name):
Westminster Hall (London, England),
Subject (Topic):
Clocks & watches, Clothing & dress, Customer relations, and Lawyers
A simple-looking countryman scratches his head as he stands between a solicitor and a barrister in front of Westminster Hall; the solicitor, on the left, taps his nose and grins towards the viewer. The barrister with a watch and chain with fobs hanging from his vest holds four documents tied with string in his left hand. Two barristers are seen entering Westminster Hall in the distance (left). In the center of the design, lower edge, the title is represented by musical notations for sharps and flats -- a flat between two sharps
Description:
Title from text below image., Design attributed to Dighton., Verse below title: Law is like a fashion, folks are bewitched to get into it. It is also like bad weather, most people are very glad when they get out of it., Companion print to: A sharp between two flats., Sheet trimmed to plate mark., Numbered '605' in lower left corner., Later issue of No. 3763 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., No. 43 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London
Subject (Geographic):
England
Subject (Name):
Westminster Hall (London, England),
Subject (Topic):
Clocks & watches, Clothing & dress, Customer relations, and Lawyers
"Sir William Chambers sits in profile to the left at a small round table; on it is a house of cards which is falling in pieces. From his pocket protrudes a paper inscribed 'Art of', scored through, followed by 'Grant of Parlt'. Beside him on the ground (right) is a large book or portfolio: 'Art of Building and Rebuilding or Palladia improved by S---W---C'. Other papers (left) are 'Affidavit It was only a crack signed - Adam [and] Wyat' and 'Bills for the repairing S. H." On the wall are three pictures: (left to right) (1) a rock entitled 'Inigo Jones', (2) a picture in a broken frame: 'The House that Jack built', a view of the north (Strand) front of Somerset House, (3) 'A Ruin A View on the Thames', a picture of the south front of Somerset House in ruins."--British Museum online catalogue
Alternative Title:
Great architect modelling, Sr W- in his study, and Sir William in his study
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: House of cards -- Furniture: round pedestal tables -- Pictures amplifying subject: Somerset House -- Parliament grants -- River Thames -- Affidavits -- Reference to cracks in the Somerset House structure -- Allusion to Inigo Jones's work on Somerset House -- Allusion to Robert Adam, 1728-1792 -- Allusion to James Adam, 1730-1794 -- Allusion to Sir John Thynne, d. 1580 -- Allusion to Andrea Palladio, 1508-1580., and Watermark: fleur-de-lis on crowned shield with initials GR below.
Volume 2, page 78. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Description:
Title from text below image., Sheet trimmed to plate mark., Plate from: Annals of horsemanship ... London : Printed for W. Dickinson ..., 1791., Text below title: In hoc signo vinces., For a brief mention of the illustrations to Annals of horsemanship, see page 446 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Mounted on page 78 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd March 25th, 1791, by W. Dickinson, No. 25 Old Bond Street
Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Interiors: hallways -- Maidservants: chambermaids -- Cooks -- Brooms -- Food: roasting fowl -- Pictures amplifying subject: the Duke of Clarence and Mrs. Jordan kissing., and Watermark: fleur-de-lis on crowned shield with monogram IS at bottom.
Publisher:
Pubd. by W. Dent
Subject (Name):
William IV, King of Great Britain, 1765-1837 and Jordan, Dorothy, 1761-1816
"The head and shoulders of a woman, caricatured, in profile to the right, singing with upturned eyes, holding up a paper in both hands. A wing, foreshortened, and very freely sketched, extends diagonally across her shoulder, and has some resemblance to a part of her dress; her hair is loosely arranged, but its contour is fashionable; her face is blotched with drink. Clouds and a ray of light are indicated in the background."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Cherubs -- Reference to Matthew William Peters, 1742-1814.
Publisher:
Pubd. Novr. 16th, 1791, by H. Humphrey, N. 18 Old Bond St.
"Dibdin stands smiling beside a harpsichord (left) directed to the left, and leaning slightly forward, left hand extended. In his right is a paper inscribed 'Oddities Wags'. On each side of the harpsichord is a tripod supporting a lighted candle-sconce. He is giving a musical entertainment. In the text he is ridiculed as Petronius Broadgrin, noted for consummate effrontery, and he is recommended the works of Joe Miller as a repertory of jokes. Below the title: 'Wags have at ye.'"--British Museum online catalogue and A description of Dibdin's musical entertainments, Oddities and The Wags
Alternative Title:
Oddity wags have at ye
Description:
Title etched above image. Above title: Attic miscellany., Caricatures published under the pseudonym Annibal Scratch have been attributed to Samuel Collings., For another state published under different title, see: Marmaduke Momus., Sheet trimmed within plate mark., Plate from: Attic miscellany, v. ii, page 197., and Mounted to 27 x 20 cm.
