A man in Scottish dress kicks a bull as he cuts it with a knife crying, "Hoot! Damn yeen. Saul what de ye hoke for." Also pictured a abyssianian couple skin a lion. A sphynix with a confused look sits as a stream pours out from under his chair with a crocodile and crabs floating in the water and frogs observing from the side. Monkeys in the trees observe the scene below. A other four-legged animal emerges from the tent in the distance
Description:
Title etched below image., Sheet trimmed within plate mark., Four lines of verse on each side of title: There, which the squeamish souls of Britain shocks, ... ., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark (countermark) : V I.
Publisher:
Pubd. March 3, 1791, by W. Holland, No. 50 Oxford St.
Subject (Geographic):
Egypt, Ethiopia., and Nile River.
Subject (Name):
Bruce, James, 1730-1794
Subject (Topic):
Description and travel, Antiquities, Clothing & dress, Scottish, Bulls, Crabs, Crocodiles, Frogs, Lions, Monkeys, Tents, and Tourists
"A bull (John Bull) in profile to the right sinks, snorting with distress, under the weight of five persons. The foremost, astride the animal s neck, is the Emperor Leopold; he holds the legs of Catherine II, a stout virago, who sits on his shoulders, brandishing her orb and sceptre. She says, "Where's all your boasting now my old Bull! by St George I knew I could bring you upon your knees! ay, and before I have done riding you I'll make you knock under." Behind Leopold sits George III, saying, "Don't mind, don't mind, don't mind [a parody of the King's manner of conversation], he'll soon recover, It's all sham, his stumbling". Frederick William of Prussia sits behind George III, wearing regimentals with jack-boots. Behind him sits a fat Dutchman (Holland) smoking a pipe. Behind, and on the left, is a group of three persons on a smaller scale. Pitt, in profile to the left, seizes by the collar a lean and ragged British citizen (John Bull), saying, "No grumbling, you rascal! You must pay the Piper to be sure. What the devil, surely you couldn't expect the great folks that represent you to contribute a shilling! Besides you are a damn'd saucy fellow, master Bull, and you must be tam'd." Bull answers, "Tam'd: why, good God, Sir, I have scarcely a morsel of bread to eat, and even the Small Beer is Tax'd above my purchase!" On the extreme left a lean man kneels, blowing a trumpet and looking up at Pitt; he is perhaps an ironical representation of Fame."--British Museum online catalogue
Alternative Title:
Who pays the piper?
Description:
Sheet trimmed within plate mark resulting in loss of title, imprint and publisher's advertisement. Title and publication information from British Museum catalogue., Attributed to H.W., i.e., either Henry Wigstead or William Holland, in the British Museum catalogue., and Temporary local subject terms: Allusion to Russian Armament -- Bulls -- Crowns -- Scepters -- Walking staves -- Musicians: pipers -- Musical instruments: pipes -- Smoking pipes -- Holland.
Publisher:
Pubd. May 11, 1791, by Willm Holland, No. 50 Oxford Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Catherine II, Empress of Russia, 1729-1796, Leopold II, Holy Roman Emperor, 1747-1792, Frederick William II, King of Prussia, 1744-1797, and Pitt, William, 1759-1806
Subject (Topic):
John Bull (Symbolic character), Great Britain, and Politics and government
Fox hides under a four-poster bed hung with curtains, his hand resting on his chin with a speech balloon above his head: "They'll do nothing at last!" A bare-breasted woman [Catherine II of Russia] wearing a nightdress, a crown on her head, and pearls at her throat, holds a dagger in her hand as she addresses Pitt who stands before her: "Which you please, young man. If your instrument entered it would make no impression that I'd care a fig for." Pitt also in a nightdress and holding a dagger, asks, "Shall we or shall we not?"
Description:
Title etched below image., Possibly by Richard Newton. See The Lewis Walpole Library card catalog., The female figure was formerly mis-identified as Britannia (?). For correct identification of Catherine the Great see: Dawson, R. Catherine the Great and the Culture of Celebrity in the Eighteenth Century, page 160., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. For copy after George Moutard Woodward published 15 June 1791, see British Museum Registration number: 1948,0214.468., and Watermark: fleur-de-lis and countermark I V.
Publisher:
Pubd. June 20, 1791, by Wm. Holland, No. 50 Oxford St.
Subject (Geographic):
Great Britain
Subject (Name):
Catherine II, Empress of Russia, 1729-1796, Pitt, William, 1759-1806, and Fox, Charles James, 1749-1806
Subject (Topic):
Politics and government, Bedrooms, Daggers & swords, Canopy beds, and Sleepwear
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[2 September 1791]
Call Number:
791.09.02.02
Image Count:
1
Resource Type:
still image
Abstract:
Full length view of a very sad looking French aristocrat, facing the viewer with his hat under his left arm and a copy "Burke on the French Revolution" in his right hand. From his right pocket, a paper entitled "Capture of the French King." In the foreground left, a pile of medals and ribbons (symbols of royal orders) is labeled "Sacred to the National Assembly."
Description:
Title etched below image., Printmaker from companion print: A Democrat., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Countermark: I A.
Publisher:
Pub. Sepr. 2, 1791, by S.W. Fores, N.3 Piccadilly
Subject (Geographic):
France and France.
Subject (Name):
Louis XVI, King of France, 1754-1793 and Burke, Edmund, 1729-1797.
Subject (Topic):
Captivity, History, Foreign public opinion, British, and Upper class
"The head of Pitt, gazing up in profile to the right, is travestied as a fungus; his long neck represents the stalk, which grows out of a crown resting on a dunghill on which are three satellite toad-stools. Clouds and landscape, slightly indicated, form a background."--British Museum online catalogue
Alternative Title:
Toadstool upon a dung-hill
Description:
Title etched below image., Printmaker from British Museum catalogue., and Sheet trimmed to plate mark.
Publisher:
Pubd. Decr. 20h [sic], 1791, by H. Humphrey, N. 18 Old Bond Street
"The fat Mrs. Hobart (three-quarter length) sits directed to the left, fast asleep, her mouth open, her hands folded at her waist. Her face is blotched with drink; she wears a small hat from the back of which hangs a veil."--British Museum online catalogue
Description:
Title etched at bottom of image., Printmaker from British Museum catalogue., Companion print to: "At the opera.", Sheet partially trimmed within plate mark., and Temporary local subject terms: Sleeping -- Obesity.
Publisher:
Pubd. Octr. 4th, 1791, by H. Humphrey, N. 18 Old Bond Str
"Lady Cecilia Johnston, a thin and elderly lady (three-quarter length) much caricatured, in profile to the right, sits very alert and erect, her arms folded. Her hair is decorated with feathers and ribbons."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Companion print to: "At church.", and Temporary local subject terms: Theater audience.
Publisher:
Pubd. Octr. 4th, 1791, by H. Humphrey, No. 18 Old Bond Street
Title from item., Sheet trimmed resulting in loss of plate mark on top and sides of illustration., Illustration to ballad Bachelors' Hall written and composed by Dibdin for his entertainment called The Oddities. The text of the ballad is printed below the plate., Publisher's advertisement at the bottom of sheet: Just published, price 6d. plain, 1 s. coloured, The Patient Parson Forgetting His Text, or The Hogs in the Ale-Cellar, Poll and My Partner Joe, Let Us All Be Unhappy Together, The Greenwich Pensioner, Mrs. Thrale's Three Warnings, and many other esteemed songs and pieces, by Dibdin and others. In Fores's exhibition, No. 3 Piccadilly, may be seen the compleatest collection of caricature prints and drawings in Europe. Admittance one shilling., and Temporary local subject terms: Huntsmen -- Buildings: country houses -- Architectural details: outdoor stairway to country house -- Male costume: riding costume, 1791 -- Bachelors -- Horse whips -- Hunting horns.
Publisher:
Pub. Aprill [sic] 30, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Topic):
Horseback riding, Hunting, Hunting dogs, and Musical entertainments
"The Prince of Wales reclines on a sofa, half-sitting, half-lying, and leaning against Mrs. Fitzherbert. He is intent on a circular box or 'bandelure' at the end of a string which he holds round the second finger of his raised right hand, playing with the toy revived in the twentieth century as Yo-yo. Sheridan leans over the back of the sofa, embracing Mrs. Fitzherbert and thrusting his hand inside her decolletage. She puts her left hand on Sheridan's cheek, her right arm is round the Prince. The expressions of all three excellently indicate their preoccupations. On the left a fire blazes in the grate; above it is a decorative panel of a horse-race. On the shelf above is a bust of 'Claudius Rom: Imp:', a dice-box and dice, and the figure of an infant Bacchus, astride a cask and holding up a glass. On the wall behind Sheridan's head is a picture of 'Joseph & Potiphers Wife'. Behind him and on the extreme right is an open door showing a staircase. The Prince is stouter than in earlier prints; he wears his star, but his wrinkled stockings and slippers, like his pose, suggest indolence and domesticity. Mrs. Fitzherbert wears a tiara inscribed 'Ich dien', with three ostrich feathers."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Four lines of quoted verse on each side of title: "Thus sits the dupe, content! "Pleases himself with toys, thinks Heav'n secure ..., Sheet trimmed to plate mark on top edge and sides., and Temporary local subject terms: Busts: Claudius, emperor of Rome, 10 B.C.-54 A.D. -- Images amplifying subject: Bacchus as an infant -- Images amplifying subject: depiction of horse race on mantelpiece -- Pictures amplifying subject: Joseph and Potiphar's wife -- Toys: bandalore (yo-yo) -- Gambling: dice and dice-box -- Interiors: sitting rooms -- Furniture: sofas -- Fireplaces -- Morganatic marriages: George IV to Mrs. Fitzherbert -- Allusion to Bible: Genesis, 39.7-12 -- Emblems: frivolity (bandalore) -- Prince of Wales's feathers -- Mottoes: Prince of Wales's motto -- Literature: quotation from Sir Richard Blackmore.
Publisher:
Pubd. Feby. 28th, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, and Sheridan, Richard Brinsley, 1751-1816