Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[6 November 1796]
Call Number:
796.11.06.01+
Image Count:
1
Resource Type:
still image
Alternative Title:
Quizzing the proctor
Description:
Title from item., Printmaker from unverified card catalog., Printseller's announcement following publication statement: Folios of carricatures [sic] lent out for the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: College pranks -- College: proctors -- General fast -- Universities: Oxford, Radcliffe Camera -- St. Augustine, Watling St. -- Male dress: students' gowns and mortar caps., and Printseller's stamp: SWF.
Publisher:
Published Nov. 6th 1796, by S.W. Fores, 50 Piccadilly
A stout man (left) wearing a robe and nightcap, on crutches with his gouty right foot bandaged and in a sling that wraps around his shoulders, complains to a thin man (right) wearing a coat and boots but with his legs bare. The man on the left says "Don't plague me now - I have got the gout", to which the other man replies "I give you joy my good friend, in these hard times it is very well you can get any thing!!!"
Description:
Title etched below image., Final two digits of year in imprint likely transposed in error; publisher S.W. Fores did not move to the 50 Piccadilly street address until the mid-1790s, according to the British Museum online catalogue. Krumbhaar lists 1789 as the year of publication., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Sling for a gouty foot., and 1 print : etching, hand-colored ; plate mark 34.5 x 23.3 cm.
A stout man (left) wearing a robe and nightcap, on crutches with his gouty right foot bandaged and in a sling that wraps around his shoulders, complains to a thin man (right) wearing a coat and boots but with his legs bare. The man on the left says "Don't plague me now - I have got the gout", to which the other man replies "I give you joy my good friend, in these hard times it is very well you can get any thing!!!"
Description:
Title etched below image., Final two digits of year in imprint likely transposed in error; publisher S.W. Fores did not move to the 50 Piccadilly street address until the mid-1790s, according to the British Museum online catalogue. Krumbhaar lists 1789 as the year of publication., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Sling for a gouty foot., Publication year in imprint corrected in manuscript from 1769 to 1796., and Watermark: P Edmonds 1817.
Title from caption below image., Printmaker from unverified data in local card catalog record., Restrike. Date of printing based on watermark., Publisher's advertisement following imprint: Folios of caracatures [sic] lent out for the evening., Design consists of twelve figures in two rows, each with lines of text etched above., Plate numbered in upper right corner: Vol. 2, pl. 5., Temporary local subject terms: Crim. con., and Watermark: 1818 IIS&S.
Publisher:
Pubd. April 4th, 1796, by S.W. Fores, No. 50 Piccadilly, corner of Sackville St.
"A burlesque of the discovery by Cymon of Iphigenia asleep. A fat country-woman, whose dark skin and coarse features give her a negroid appearance, leans against a sandy bank. A hideous yokel, advancing from the right, stoops towards her, dropping his stick and gaping with delighted surprise."--British Museum online catalogue
Alternative Title:
Cymon and Iphigenia
Description:
Title etched below image., Thomas Adams is one of the pseudonyms used by Gillray., Garrick's 'Cymon and Iphigenia', 1767, adapted from Dryden's version of Boccaccio's tale, made the story familiar and popular. It was the subject of a picture by Reynolds., and Sheet trimmed within plate mark on right and left edges.
Publisher:
Pubd. May 2d, 1796, by H. Humphrey, New Bond Street
"A burlesque of the discovery by Cymon of Iphigenia asleep. A fat country-woman, whose dark skin and coarse features give her a negroid appearance, leans against a sandy bank. A hideous yokel, advancing from the right, stoops towards her, dropping his stick and gaping with delighted surprise."--British Museum online catalogue
Alternative Title:
Cymon and Iphigenia
Description:
Title etched below image., Thomas Adams is one of the pseudonyms used by Gillray., Garrick's 'Cymon and Iphigenia', 1767, adapted from Dryden's version of Boccaccio's tale, made the story familiar and popular. It was the subject of a picture by Reynolds., Sheet trimmed within plate mark on right and left edges., 1 print : stipple engraving & etching on wove paper, hand-colored ; sheet 27.7 x 31.3 cm., and Mounted on leaf 14 of volume 9 of 12.
Publisher:
Pubd. May 2d, 1796, by H. Humphrey, New Bond Street
A burlesque of the discovery by Cymon of Iphigenia asleep. A fat country-woman, whose dark skin and coarse features give her a negroid appearance, leans against a sandy bank. A hideous yokel, advancing from the left, stoops towards her, dropping his stick and gaping with delighted surprise. In the background (left) is a gate. David Garrick's 'Cymon and Iphigenia' (1767), adapted from Dryden's version of Boccaccio's tale, made the story familiar and popular
Alternative Title:
Cymon and Iphigenia
Description:
Title etched below image., Copy in reverse of James Gillray's print of the same name. Cf. No. 8908 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., No. 8 in an album of 10 prints., and Bound in half calf with marbled paper boards and spine title "Colored caricatures" in gold lettering.
"A Dutch soldier (left) and his wife (right), joining hands, dance round a tree of Liberty to music supplied by a foppish French soldier on the extreme left who beats a drum and blows a trumpet, and by a stout Dutchman on the extreme right who plays bagpipes inscribed 'Vader-lands Liefde' (Love of Country). The 'tree' is a pole surmounted by a milk-churn inscribed 'Vryheid \ Gellykheid \ Broederscha[p]', [This inscription (Liberty, Equality, Fraternity) occurs on Dutch prints after the French invasion, e.g. Van Stolk, No. 5299; Muller, No. 5385.] above which is a cap of Liberty shaped like a fool's cap, and a tricolour flag inscribed 'Hollandia Regenerate[a]'. On the churn sits a parroquet, 'trying to imitate the patriotic accents of his French brothers'. A monkey climbs up the pole as in BMSat 8831. Texts, 'Acts', vii. 41, and 'Job', xviii. 16."--British Museum online catalogue
Description:
Title etched above image., Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., Place and date of publication from British Museum catalogue., Possibly published by Hannah Humphrey. See British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Plate numbered "1" in upper left corner., With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English., Temporary local subject terms: Military uniforms: Dutch uniforms -- Dutchmen -- Holland: civil discord -- Tree of Liberty -- Cap of Liberty -- Emblems: dove as emblem of peace -- Monkeys -- Kitchen utensils: milk churns -- Musical instruments: drum -- Bagpipes -- Musical instruments: trumpets, and Letterpress explanation lacking.
"A Dutch soldier (left) and his wife (right), joining hands, dance round a tree of Liberty to music supplied by a foppish French soldier on the extreme left who beats a drum and blows a trumpet, and by a stout Dutchman on the extreme right who plays bagpipes inscribed 'Vader-lands Liefde' (Love of Country). The 'tree' is a pole surmounted by a milk-churn inscribed 'Vryheid \ Gellykheid \ Broederscha[p]', [This inscription (Liberty, Equality, Fraternity) occurs on Dutch prints after the French invasion, e.g. Van Stolk, No. 5299; Muller, No. 5385.] above which is a cap of Liberty shaped like a fool's cap, and a tricolour flag inscribed 'Hollandia Regenerate[a]'. On the churn sits a parroquet, 'trying to imitate the patriotic accents of his French brothers'. A monkey climbs up the pole as in BMSat 8831. Texts, 'Acts', vii. 41, and 'Job', xviii. 16."--British Museum online catalogue
Description:
Title etched above image., Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., Place and date of publication from British Museum catalogue., Possibly published by Hannah Humphrey. See British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Plate numbered "1" in upper left corner., With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English., Temporary local subject terms: Military uniforms: Dutch uniforms -- Dutchmen -- Holland: civil discord -- Tree of Liberty -- Cap of Liberty -- Emblems: dove as emblem of peace -- Monkeys -- Kitchen utensils: milk churns -- Musical instruments: drum -- Bagpipes -- Musical instruments: trumpets, 1 print : etching in red ink on wove paper ; plate mark 27.4 x 22.0 cm, on sheet 29.1 x 23.4 cm., and Mounted on leaf 41 of volume 12 of 12, with letterpress explanation opposite.
"The Convention, a creature with the body of a stout woman and with seven monstrous and demoniac heads, sits full-face in an accoucheur's chair. A little demon on the ground holds up a pitchfork. A French surgeon, smiling (right), with shirt-sleeves rolled up, holds a clumsy pair of forceps; a Dutch accoucheur, fat and senile, peers into a folio volume: 'Sectio Caes: et Sectio Synchondroseos'. '. . . L'accoucheur Français, homme experimenté, prévoit ses terribles convulsions, et s'est déja muni du forceps. Son collegue Hollandais, dont les craintes vont encore plus loin, repete la théorie de l'incision Caesarienne. Il faudrait effectivement un Caesar, pour couper court à tout proces.' Text, 'Isaiah', xiv. 29. Her fruit shall be a fiery flying serpent."--British Museum online catalogue
Description:
Title etched below image., Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., Place and date of publication from British Museum catalogue., Possibly published by Hannah Humphrey. See British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Plate numbered "19" in upper left corner., With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English., Temporary local subject terms: Holland: civil discord -- Conventions -- Surgeons -- Medical instruments: forceps -- Physicians: Dutch accoucheurs -- Monsters., and Letterpress explanation lacking.
