"Two women ..., the Duchess of Gordon and her daughter, weep beside an ornate coffin on trestles decorated with ducal coronets and the arms and crest, 'Che Sara Sara', of the Duke of Bedford. The Duchess, grossly fat and much caricatured, her hands on her hips, stands on the left, saying, "You intended to ha'a him my dear if you cauld thats certain or ony of the Family, but ne'er heed it Chiel I'll take You down to the Abbey [Woburn] and try again." She wears a Scots cap on a wig with short curls. Lady Georgiana (right) stands with both arms extended, staggering backwards, in uncontrolled despair. A miniature on a velvet ribbon has fallen from one wrist, another is about to fall. She exclaims: "Ah me, a luckless Maid, thus crossed in hope & expectation too. quite lost in both Attempts, the one for ever gone the other far too Cold, to feel the genial warmth of mine and Mothers Love. I'll take me to my Weeds & shew the World the ne'er was Love like mine." Her hat and necklace lie on the coffin; her curled wig, flung off by her extravagant gestures, is about to fall on it. Broadside ballads lie on the ground; beside the Duchess: 'There's Nae luck about the House' and 'We'll tuck up our petticoats under our arm and over . . .' Beside her daughter: 'Wither my Love ah Wither art thou gone' [cf. British Museum Satires No. 9311] and 'Mad Bessy of Bedl[am]'."--British Museum online catalogue
Alternative Title:
Disapointed Dido still in despair and Disappointed Dido still in despair
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark on top edge., and Publisher's advertisement in lower right: Folios of caracatures [sic] lent out for the evening.
Publisher:
Pubd. May 9th, 1802, by S.W. Fores, 50 Piccadilly
Subject (Name):
Gordon, Jane Gordon, Duchess of, 1748-1812, Bedford, Georgiana Gordon Russell, Duchess of, 1781-1853, and Bedford, Francis Russell, Duke of, 1765-1802.
Subject (Topic):
Crying, Grief, Coffins, Obesity, Miniatures (Paintings), Hats, and Wigs
"Musicians are grouped round the almost spherical Lady Buckinghamshire, who sits at the piano in profile to the right, playing and singing. In back view and on the extreme right sits Colonel Greville, playing a fiddle; from his coat pocket hangs a paper: 'Pic Nic Concert - Imitations - Nightingale by Lord C. - Tom Tit Lord ME. - Jack daw Genl G. Screech Owl Lady B. - Poll Parrot...' On the left is Lord Mount Edgcumbe, very small, playing a 'cello, in profile. Behind him, full face, towers Lord Cholmondeley putting a flute below tightly closed lips. Seated on the pianist's left is Lady Salisbury, blowing a French horn. On the extreme right opposite Greville is a lady's arm holding out a trumpet. See BMSat 9916, &c, and, for the 'musical mania' of the period, BMSat 9938, &c."--British Museum online catalogue
Description:
Title etched below image. and Mounted on leaf 73 of volume 10 of 12.
Publisher:
Pubd. April 23d, 1802, by H. Humphrey, St. James's Street
Subject (Name):
Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Cecil, Mary Amelia, Marchioness of Salisbury, 1750-1835, Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827, and Mount Edgcumbe, Richard Edgcumbe, Earl of, 1764-1839
A large woman, her dress thrown up revealing her legs and part of her bottom, crashes to the floor, having broken her commode The contents of the commode spills out much to the anger of a lap dog and the terror of a cat who flees by climbing a curtain. To the left, another older woman, probably the maid, with a look of alarm, rushes towards the falling woman
Description:
Title etched below image., Possibly by Isaac Cruikshank, who produced (often anonymously) many of Williamson's prints around this time. See British Museum catalogue., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Published by T. Williamson, No. 20 Strand, London
Subject (Topic):
Washstands, Falling, Dogs, Cats, Draperies, Women domestics, and Obesity
An large angry man holds up an image of himself entitled 'A great beast' and shakes his large stick at a small cowering man with a sharp chin and long nose, who kneels and clasps his hands emploringly. He says, "You Rascal! dare to say this is not like me, and I'll make you eat it." Behind the artist is a table loaded with sheets of drawings
Description:
Title from item., Giles Grinagain is a pseudonym., Etched below the title 10 lines of verse in three columns: "He, that a fool doth very wisely hit, Doth very foolish, although he smart, Not to seem senceless of the bob. ...", Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: W Elgar 1797.
Publisher:
Publish'd June 1st, 1802 by S. Howitt, No. 6 Panton Street
Title etched below image., "Del." in the statement of responsibilty has been burnished from plate in this state as has a portion of the date "802" in the publisher's statement., "1812" has been added to the publisher's statement in a contemporary hand. Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on leaf 6 of volume 8 of 14 volumes.
Publisher:
Published July 18th, 1[...], by S. Howitt, Panton Street, Hay Mart
Subject (Topic):
Cats, Dogs, Dwellings, Interiors, Military officers, and British
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 36 x 24 cm.
Publisher:
Published July 18th, 1802 by S. Howitt, Panton Street, Hay Mart
Subject (Topic):
Cats, Dogs, Dwellings, Interiors, Military officers, and British
"A scene in a vaccine institution; poor patients crowd in through a doorway on the left; in the room are those whose treatment has had dire consequences. A comely and frightened young woman sits in an armchair in the centre, the doctor (Jenner, a good portrait, see British Museum Satires No. 9925) holds her right arm and gashes it with his knife, while a deformed and ragged boy holds up a bucket of 'Vaccine Pock hot from ye Cow'. A charity-schoolboy's oval badge on his sleeve is inscribed 'St Pancras'; from his coat pocket projects a pamphlet: 'Benefits of the Vaccine Process'. From the patients miniature cows sprout or leap. A pregnant woman (right) stands in profile to the right, a cow issues from her mouth, another from below her ragged petticoat. A man dressed as a butcher registers despair at the horns which sprout from his forehead. A labourer with a pitchfork sees a cow bursting from a swelling on his arm while another breaks through his breeches; cows struggle through huge swellings on nose, ear, and cheek. Another patient has only reached the stage of large carbuncles on forehead and chin. The doctor's medicine-chest and a close-stool stand on the left. On the chest are bottles, a syringe, &c, and a tub of 'Opening Mixture'. This a haughty assistant ladles contemptuously into the mouths of the patients as they crowd into the room. On the wall is a picture: a crowd of kneeling worshippers pay homage to the statue of the golden calf. The scene combines fantasy and realism."--British Museum online catalogue
Alternative Title:
Wonderful effects of the new inoculation
Description:
Title etched below image., Text following title: Vide, the publications of [the] Anti-Vaccine Society., Temporary local Medical Library subject terms: St. Pancras., and 1 print : etching with aquatint, hand-colored ; plate mark 25.0 x 35.3 cm.
Publisher:
Pubd. June 12th, 1802, by H. Humphrey, St. James's Street
Subject (Geographic):
Great Britain.
Subject (Name):
Jenner, Edward, 1749-1823
Subject (Topic):
Vaccination, Hospitals, Interiors, and Vaccinations
"A scene in a vaccine institution; poor patients crowd in through a doorway on the left; in the room are those whose treatment has had dire consequences. A comely and frightened young woman sits in an armchair in the centre, the doctor (Jenner, a good portrait, see British Museum Satires No. 9925) holds her right arm and gashes it with his knife, while a deformed and ragged boy holds up a bucket of 'Vaccine Pock hot from ye Cow'. A charity-schoolboy's oval badge on his sleeve is inscribed 'St Pancras'; from his coat pocket projects a pamphlet: 'Benefits of the Vaccine Process'. From the patients miniature cows sprout or leap. A pregnant woman (right) stands in profile to the right, a cow issues from her mouth, another from below her ragged petticoat. A man dressed as a butcher registers despair at the horns which sprout from his forehead. A labourer with a pitchfork sees a cow bursting from a swelling on his arm while another breaks through his breeches; cows struggle through huge swellings on nose, ear, and cheek. Another patient has only reached the stage of large carbuncles on forehead and chin. The doctor's medicine-chest and a close-stool stand on the left. On the chest are bottles, a syringe, &c, and a tub of 'Opening Mixture'. This a haughty assistant ladles contemptuously into the mouths of the patients as they crowd into the room. On the wall is a picture: a crowd of kneeling worshippers pay homage to the statue of the golden calf. The scene combines fantasy and realism."--British Museum online catalogue
Alternative Title:
Wonderful effects of the new inoculation
Description:
Title etched below image., Text following title: Vide, the publications of [the] Anti-Vaccine Society., Temporary local Medical Library subject terms: St. Pancras., and Mounted on leaf 76 of volume 10 of 12.
Publisher:
Pubd. June 12th, 1802, by H. Humphrey, St. James's Street
Subject (Geographic):
Great Britain.
Subject (Name):
Jenner, Edward, 1749-1823
Subject (Topic):
Vaccination, Hospitals, Interiors, and Vaccinations
