"The blacksmith, wearing a parsonic hat, wig, and gown, stands in the middle of his smithy between two couples. He holds the wrist of an elderly and eager woman (left), addressing a young one (right). Beneath the design: 'A Lady of Sixty, and a young woman of seventeen, lately presented themselves with their paramours at Gretna Green. "Hold hold (said the Matrimonial Vulcan to the Virgin) you are young and can wait a little, I see your Grandmother is impatient, let me put on her fetters first.'"--British Museum online catalogue
Description:
Title etched above image., Plate numbered '282' in lower left corner., From the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle Drolls series were executed either by Isaac Cruikshank or Richard Newton., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd Decr. 15, 1802, by Laurie & Whittle, 53 Fleet Street, London
A satire set in an assembly room: Two well-dressed older men with caricatured faces, one with gloves and a large belly, bow to a old woman equally caricatured. The other members of the party are also caricatured in the background, some dancing. Musicians play in the balcony above on the right
Description:
Title etched below image., Probably a reissue; date following Rowlandson's signature has most likely been altered from "1802." See Grego., Text below title: Graces, the Graces, remember the Graces., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and 1 print : etching on wove paper, hand-colored ; plate mark 21.3 x 25.2 cm, on sheet 22.8 x 28.3 cm.
Publisher:
publisher not identified
Subject (Topic):
Balls (Parties), Couples, Dance, Manners & customs, and Musicians
"The fat and clumsy William Dickinson stands on gouty legs in profile to the right, outside the open door of the House of Commons, where Addington is speaking. He stoops, holding a cane in his gloved hand, and from his closed and protruding lips issues a cloud inscribed : - "let me see - 25 Millions! how are we Ruin'd? - 10 pr Cent for my Money! - income tax taken off! - well! - well! - well! - ". [further words have been erased], behind him is the hooded chair of the door-keeper. Addington, in profile to the right, makes his budget speech; in his hand is a paper: '25 Mill. Loan'. Behind him is a crowd of undistinguished-looking members, as in BMSat 9843. Hawkesbury sits next Addington's empty seat, holding the 'Treaty [of] Peace'; his fingers are to his face as in BMSat 9843, but to his nose in place of his lip. The corner of the table is on the extreme right."--British Museum online catalogue
Description:
Title etched below image., Companion print to: "Despair.", Sheet trimmed to plate mark leaving thread margins., and Temporary local subject terms: House of Commons -- Sir William Addinton's budget speech, April 5, 1802 -- Taxes: income tax.
Publisher:
Pubd. April 8th, 1802, by H. Humphrey, 27 St. James's Street
Subject (Name):
Dickinson, William, 1745-1806, Sidmouth, Henry Addington, Viscount, 1757-1844, and Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828
Title etched below image., Printseller's announcement following imprint: Folios of caracatures [sic] lent out for the evening., Sheet trimmed within plate mark., Text at top of image: In love, in war, in drinking., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Strasburg lily.
Publisher:
Pubd. March 22nd, 1802, by S.W. Fores, 50 Piccadilly
Subject (Topic):
Military uniforms, Daggers & swords, Clergy, and Alcoholic beverages
A social satire: a beggar wearing ragged clothes and leaning on a crutch hold his hat out towards a old, well-dressed woman as he says, "My angelic young lady! Heaven preserve your ladyship's beautiful shape and countenance these thousand years! Give a halfpenny to a poor old man." Her face is caricatured, with a large pig-like nose from which long hairs protrude and with growths on her face, but she carries a parasol and is fashionably dressed and wears a feather and flower in her hair and earrings and large beaded necklace
Description:
Title etched below image., Giles Grinagain is possibly a pseudonym of Samuel Howitt. See British Museum online catalogue., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and On verso ms. notes in black ink: 'Renier' and monogram 'AR'.
Publisher:
Published Febry. 1st, 1802, by S. Howitt, Panton Str., Haymarket
Subject (Geographic):
England
Subject (Topic):
Beggars, Clothing & dress, Crutches, Flattery, Ugliness, and Umbrellas
Three older ladies and one gentleman in military uniform sit at a table playing cards. Speech balloons from the ladies berate him for his lack of card playing skills
Description:
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: W Elgar.
Publisher:
Pubd. June 10, 1802, by T. Williamson, No. 20 Strand, London
Title from caption below image., Artist's signature from impression in the British Museum., Sheet trimmed within plate mark and artist's signature erased from lower left corner of sheet., and Watermark: J. Whatman Turkey Mill.
Publisher:
Published Novr. 1, 1802, by Willm. Holland, No. 11, Cockspur Street (removed from Oxford Street)
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"John Bull capers on one leg, arms raised, looking down delightedly at little capering creatures at his feet whose bodies are composed of food or drink. These have human arms and legs (as in British Museum Satires no. 9851) and are flanked by two similar figures on a larger scale: a joint of beef (left), inscribed 'Sir Loin for ever' and decorated with sprigs of holly, sits on a flight of steps holding 'O the roast Beef of Old England', the tune to which they dance. On the extreme right sack inscribed 'Genuine Flour, No Adulteration' dances with heavy dignity. Two musicians are on the left: a frothing tankard of 'Old Stout', decorated with the Royal Arms as in BMSat 9851, plays a fiddle; a loaf of 'The Best Wheaten Bread' plays a pipe. The dancers are: 'Mutton 3d 1/2 Pr Pound'; 'Prime Hops, no Quashee'; 'Double Gloucester'; 'Jamaica Rum'; 'Old Port', and 'Coniac'. On a smaller scale in the foreground are 'Peace and Mealy Potatoes' and 'Excellent Fresh Butter', the last like a ballerina with petticoats extended."--British Museum online catalogue, description of an earlier state
Alternative Title:
John Bull and his friends commemorating the peace
Description:
Title etched below image., Probably a reissue by Tegg, published ca. 1807 for Caricature magazine, of a print originally issued in 1802(?) with the imprint: London, Pubd. by P. Roberts, 28 Middle-Row, Holborn. See page 600 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., For earlier state with Roberts's imprint and without plate number, see no. 9850 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate numbered "239" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately?, Sheet trimmed within plate mark with possible loss of imprint from bottom edge., and Watermark: Smith & Allnutt 1819.
Publisher:
Thomas Tegg?
Subject (Geographic):
England
Subject (Topic):
Alcoholic beverages, Musical instruments, Pipes (Smoking), and Satires (Visual works)
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"John Bull capers on one leg, arms raised, looking down delightedly at little capering creatures at his feet whose bodies are composed of food or drink. These have human arms and legs (as in British Museum Satires no. 9851) and are flanked by two similar figures on a larger scale: a joint of beef (left), inscribed 'Sir Loin for ever' and decorated with sprigs of holly, sits on a flight of steps holding 'O the roast Beef of Old England', the tune to which they dance. On the extreme right sack inscribed 'Genuine Flour, No Adulteration' dances with heavy dignity. Two musicians are on the left: a frothing tankard of 'Old Stout', decorated with the Royal Arms as in BMSat 9851, plays a fiddle; a loaf of 'The Best Wheaten Bread' plays a pipe. The dancers are: 'Mutton 3d 1/2 Pr Pound'; 'Prime Hops, no Quashee'; 'Double Gloucester'; 'Jamaica Rum'; 'Old Port', and 'Coniac'. On a smaller scale in the foreground are 'Peace and Mealy Potatoes' and 'Excellent Fresh Butter', the last like a ballerina with petticoats extended."--British Museum online catalogue, description of an earlier state
Alternative Title:
John Bull and his friends commemorating the peace
Description:
Title etched below image., Probably a reissue by Tegg, published ca. 1807 for Caricature magazine, of a print originally issued in 1802(?) with the imprint: London, Pubd. by P. Roberts, 28 Middle-Row, Holborn. See page 600 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., For earlier state with Roberts's imprint and without plate number, see no. 9850 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate numbered "239" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately?, Sheet trimmed within plate mark with possible loss of imprint from bottom edge., 1 print : etching on wove paper, hand-colored ; sheet 25.6 x 41.8 cm., Imperfect; sheet trimmed within plate mark on top and bottom edges, with partial loss of title and possible loss of imprint from bottom edge., and Leaf 15 in volume 4.
Publisher:
Thomas Tegg?
Subject (Geographic):
England
Subject (Topic):
Alcoholic beverages, Musical instruments, Pipes (Smoking), and Satires (Visual works)
Title from item., Sheet trimmed within plate mark., Caption in design: Here they are my lasses the English guineas! Monopoly has been the order of the day in England, and now I am in Paris huzza for a monopoly of French charmers in pettitcoats!, and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
