Two men at a shop counter in a tea and coffee retail shop using scales to measure out coffee beans and "Two elderly men, whose family resemblance is pronounced, sit directed to the left, behind a counter running diagonally across the design. They are manipulating small scales; one (left) has his hand in a canister of 'Coffee'. Close behind them is the wall, showing the arrangement of a grocer's shop: deep drawers interspersed with shelves on which are sugar-loaves and canisters of tea. The latter are inscribed respectively: 'Hyson', 'Bloom', 'Hyson', '[Souc]hong', 'Congo', 'Bohea'."--British Museum online catalogue
Alternative Title:
Polite grocers of the Strand
Description:
Title etched below image., Artist attribution to Andrew Bell and printmaker attribution to Edmund Scott suggested in the British Museum online catalogue, registration no.: 1868,0808.7364, Sheet trimmed within plate mark on right side., "While [Dorothy] George identifies the brothers as John and Richard Twining, [Sir Ambrose] Heal identifies them as John and Aaron Trim, grocers and tea-dealers in the Strand. This is backed up by another plate in the Heal collection that names Aaron and John Trim under their portrait (see Heal,Portraits.194)."--Curator's comments, British Museum online catalogue, registration no.: Heal,Portraits.193., and Probably a plate from: Kirby's wonderful and eccentric musuem; or, Magazine of remarkable characters.
Publisher:
Published May 21, 1805, by R.S. Kirby, 11 London House Yard, St. Pauls
Subject (Geographic):
Strand, The (London, England), England, London, and The Strand.
Subject (Name):
Twining, Richard, 1749-1824., Twining, John, 1760-1827., Trim, Aaron, active 1793-1807., and Trim, John, active 1793-1807.
"The interior of the Foundling Hospital Chapel, seen from the east gallery which stretches across the foreground. In this a man seizes the left. arm of a plainly dressed woman by both hands and attempts to eject her trom a pew. She clings to the back of the seat, and holds up an open book: 'Thou shalt do no Murder Lord have Mercy upon as & incline our hearts to ke[ep] this Law'; this obscures the head of her assailant. Behind the man, is wife, flauntingly dressed, hurries into the pew, clenching her fist. In her right. hand is a long stick whose head is composed of the masks of a man and a cat, back to back. She has ringlets with feathers and drapery in her hair. The other three galleries are crowded. Opposite is the organ, flanked by ascending rows of girls (l.) and boys (r.). A sea of heads is in the body of the church, looking up at the brawl."--British Museum online catalogue
Description:
Title from caption below image., Plate for Sayers' verse satire: Foundling Chapel Brawl. Printed by C. Roworth in Bell Yard, Temple Bar in 1805., Publication information from British Museum catalogue., and Mounted to 31 x 37 cm.
Title from caption below image., Publication information from British Museum catalogue., Plate to Sayers' verse satire: Foundling Chapel Brawl. Printed by C. Roworth in Bell Yard, Temple Bar in 1805., and Mounted to 45 x 35 cm.
"Trotter walks off from the Bank of England with two sacks under his arm, one inscribed 'I [...] 000. Newland, appearing in the doorway (left), hurries after him, saying, "Hollo sir - where are you going with those bags!" On the opposite side of the street is a pawnshop where Melville, in bonnet and plaid, looks out over its half-door. Trotter answers: "I am only trotting over with them to Johnny Mac Crees Banking House!" Melville says: "Hoot awa mon! - dinna be afraid - they will be as safe with me as in your ain Strong box." On the pawnshop door are the words 'Money Lent' and the three balls or pawnbroker's sign."--British Museum online catalogue
Alternative Title:
Abraham Newland alarm'd and Abraham Newland alarmed
Description:
Title etched below image. and Questionable attribution to Isaac Cruikshank from the British Museum catalogue.
Publisher:
Pubd. April 5, 1805, by S.W. Fores, N. 50 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Trotter, Alexander, 1750-1830, Dundas, Henry, 1742-1811, and Bank of England.
Subject (Topic):
Impeachment, Trials (Impeachment), Misconduct in office, Money, Pawnshops, and Ethnic stereotypes
"The pair, seated in a gig, drive (r. to left.) along a country road, preceded by a mongrel dog carrying a large bone. The man drives the miserable hack with the air of an expert, flicking a heavy lash over the animal's neck. He is smartly dressed with side-whisker, swathed neck-cloth, high collar, and top-boots. His almost spherical wife takes his arm. She holds a little closed parasol, and wears gloves above we elbow. The feather and trimmings of her hat float behind her in the wind. On the side of the gig is a pestle and mortar, showing that the man is an apothecary. The emaciated and decrepit horse has broken knees and gaping wounds under the collar and harness; one pastern is swollen. Birds fly towards it, scenting carrion. A broken milestone (r.) is inscribed 'Miles from London'."--British Museum online catalogue
Alternative Title:
Cockney and his wife going to Wycombe
Description:
Title etched below image., Printmaker from British Museum catalogue., and Two lines of quoted text emphasizing a lingual accent follow title: "Vednesday vas a week, my vife & I vent to Vest Vycombe, & vhether it vas the vind, or vhether it vas ...
Publisher:
Publish'd June 10th, 1805, by H. Humphrey, 27 St. James's Street, London
"One man falls violently, arms and legs in the air; he brings the ferrule of his stick heavily down on the eye of a neighbour who has just landed on his posterior, his legs and arms extended. In the background three other skaters have fallen, and lie or sit, legs in the air."--British Museum online catalogue
Alternative Title:
Fundamental error in the art of skating, Elements of skateing : a fundamental error in the art of skaiting, and Elements of skating : a fundamental error in the art of skaiting
Description:
Title etched below image, following series title., Printmaker identified as Gillray and artist questionably identified as Sneyd in the British Museum catalogue., One of four prints in a series entitled: Elements of skateing., Sheet trimmed within plate mark., and Mounted to 27 x 37 cm.
Publisher:
Publishd. November 24th, 1805, by H. Humphrey, 27 St. James's Street
"A French dancing-master (l.), holding up his 'kit' or dancing-master's fiddle and bow at arm's length, addresses a group of representative British characters (r.). He says: "Monsieur, Sare, every ting depend pon lam to dance, widout dat you can do no ting at all in dis Worlt, for if you will get a Wife wid great deal Money, eh by Gar! you must dance away to Scotland, if you run in debt ver much, eh by Gar you must dance away from your Creditor, if you want a place from de great Lor, eh by Gar you must dance attendance, oh all de World dance every day, de Frenchman he dance after de Liberté, de Spaniard he dance away from Lor Nelson, den Lor Nelson dance after him, de Italian he dance to de Opera, den dance away wid your Money de Alderman he dance after de Turtle, so voila all de World von grand contré dance." A burly well-dressed Irish fortune-hunter says gloomily: "Arrah my dear Honey! and haven't I danced all the way from Sligo in order to pick up a Tight little partner to Jigg it to Scotland with me, and pay the piper into the bargain by Jasus to be sure I have." A raffish man, in ill-fitting clothes of fashionable intention, says: "Thats a Devilish good Hint, Monseer, so I'll lead off, without waiting for a partner, or some of my Creditors will be for Calling the Dance." A fat ugly 'cit' says: "O dear Heart! I could dance 20 miles after Turtle, in spite of the Gout." He raises one gouty foot in a slashed shoe. A bare-footed Scot takes snuff, saying, "Ah! the Mon says Vary true, I have been dancing attendance on a great Laird these twa Year and ha got nothing but promises. I be na so lucky as my Friend Johnny M'Cree" [Melville, see BMSat 10378]. A sturdy sailor ('Jack Bull'), taking a quid from his tobacco-box, looks with fierce appraisal at the Frenchman, and says: "They have led us a preetty dance sure enough, but shiver my timbers if we Won't make [sic] sing out for it when we do catch them". Behind (r.), a capering French opera dancer holds up a full purse, saying, "Good bye Jack Bull I go dance home wid de Guiné!" After the title: '"Thus Life is like a Country Dance, the World a spacious Ball Room'' - Dibdin'."--British Museum online catalogue, description of state with S.W. Fores imprint
Description:
Title from item., Sheet trimmed within plate mark., Date of publication from British Museum catalogue., 'Argus' is a pseudonym employed by the printmaker Charles Williams., and Cf. No. 10423, Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8 for description of variant state.
Publisher:
Pubd. by C. Knight, Lambeth, and sold at No. 7 Cornhill
Title from item., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: British sailor -- Last wills -- Lawyers.
Title from item., From the Laurie & Whittle series of Drolls., Three lines of descriptive text below title: Three old women gossipping about the hardness of the times - One said bread was rising very fast ..., Plate numbered '381' in the lower left corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd Jany. 1, 1805, by Laurie & Whittle, 53 Fleet Street, London
Title from item., From the Laurie & Whittle series of Drolls., Sheet trimmed to and within plate mark., Two lines of descriptive text below title: An old woman went to a chandler's shop, to buy a three-farthing candle, but was told they were raised to a penny on account of the war ..., Plate numbered '388' in the lower left corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching & roulette with stipple on wove paper ; plate mark 19.8 x 24.8 cm, on sheet 23 x 29 cm., and Watermark: E & P 1804.
Publisher:
Publish'd March 25, 1805 by Laurie & Whittle, 53 Fleet Street, London
