Argus is a pseudonym for Charles Williams., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Pickpockets -- Street scenes., and Later printing; not before 1818.
Publisher:
Pub. by S.W. Fores, 50 Piccadilly & 312 Oxford Street
"Two burly fierce-looking sailors drink together; each sits on an inverted tub, smoking a pipe, a paper of tobacco on the plain round table between them. One (l.) says: "Why Jack! you was so long in a French Prison, I suppose you larnt to patter their Lingo a little." The other answers: "No Bob, I never some how fancied it they call things out of their names so d----nably, - why would you believe it, they call a Horse a Shovel, and a Hat a Chopper!!!""--British Museum online catalogue
Alternative Title:
Jack Junk's opinion of the French language
Description:
Title from item., Printmaker from British Museum catalogue., Date of publication from watermark., and Watermark: C Ansell 1822.
"An obese man, one Read, stands directed to the right, head in profile, sucking a straw and holding a cane against right shoulder. He has short legs, accentuated by a long waistcoat, and wears round hat with curved brim, riding-breeches, and spurred boots with deep tops."--British Museum online catalogue
Description:
Title etched below image., Date of publication from British Museum catalogue., and Leaf 2 in an album with the spine title: Characatures by Dighton.
"The left of the stage seen from the right with part of the orchestra in the foreground, and two stage-boxes on the left. The singer, a handsome young man of feminine appearance, bows, hands on heart, singing loudly. He wears quasi-Roman armour, with an enormous feathered helmet, a cloak, bare arms and legs, with cothurnes. In the centre of the lower box a stout man in regimentals yawns violently, looking disparagingly at the singer. A handsome lady next him turns her head towards the stage. Four other men in the box are amused or quizzical; one uses an ear-trumpet. In the upper box an elderly 'cit' grimaces with angry contempt; his wife yawns cavernously, as does a head in the background. The orchestra sit facing each other; all are elderly; all register active lack of appreciation."--British Museum online catalogue
Alternative Title:
John Bull at the Italian opera
Description:
Title etched below image., Reissue; the year "1805" at end of imprint statement has been altered to "1811." See British Museum catalogue., Sheet trimmed within plate mark., For the original issue from 1805, see: Grego, J. Rowlandson the caricaturist, v. 2, pages 52-3, Temporary local subject terms: Actors -- Theatres -- Stages -- Audiences -- Musicians -- Orchestra -- Yawning., and Mounted on leaf 69 of volume 11 of 14 volumes.
Publisher:
Designd. and pubd. by T. Rowlandson, N. 1 James Street, Adelphi
"John Bull, as a burly and ugly sailor, sits enthroned (right), listening to Melville's plea of innocence. Melville, in Highland dress, and wearing a feathered bonnet, stands in profile to the right. with clasped hands and flexed knees; he says: "Indeed Mr Bull - I knaw nae more aboot it - than Johnny Groat o'the Highlands." Trotter lurks behind him (left) furtively twitching his superior's kilt, and jerking his thumb to the left.; he says: "Take my advice - and let us Trot off while we are well, he looks confounded inquisitive." John scowls and glares pugnaciously, saying, "Why Look ye - de ye see - I dont come for to go for to say - exactly, that you sack'd the cole - all I say is the Shiners set sail - and as you had the care of the Hatches - it is, likely, you should know what Port they steer'd into! I say let's look at your log book Old one." He wears striped trousers and a knotted scarf; in his hat is a tobacco-pipe. His chair stands on a dais and is decorated with a crowned anchor and dolphins."--British Museum online catalogue and A satire on Henry Dundas, 1st Viscount Melville, who was accused of appropriating funds for non-naval purposes during his tenure as Lord of the Admiralty. Dundas was the most prominent Scottish politician of his era and instrumental in the progress of the Scottish Enlightenment. He is controversial today through his delaying the abolition of slavery for several years
Alternative Title:
Iohn Bull makeing a naval enqury and John Bull making a naval enquiry
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., and Publisher's advertisement in lower right: Folios of caracatures lent out for the evening.
Publisher:
Pubd. April 1st, 1805, by S.W. Fores, 50 Piccadilly
Subject (Name):
Dundas, Henry, 1742-1811, Dundas, Henry, 1742-1811., and Trotter, Alexander, 1750-1830
Subject (Topic):
John Bull (Symbolic character), Sailors, British, Thrones, Ethnic stereotypes, and Pleading (Begging)
"Pitt (r.), as a bare-footed monk with a large tonsure, sits in a high Gothic chair. Melville, in Highland dress and holding his feathered bonnet, kneels before him in profile to the right., saying, "Ye mun knaw - I have got into a little wee scrape, - and as ye knaw you and I ganarally rowd in the same boat - I want to ask your advice." Pitt looks agitated, and puts out his hands with a deprecating gesture; he says: "Dont implicate me I request - I that am compleatly Imacculate. Except laying a few trifling Taxes on Income, Births, Marriages, Burials, Houses, Windows, Tea, Coffee, Wine, Horses, Dogs, Carriages, Wills, Agreements, Servants, Hats, Receipts, News-Papers, Letters - Bricks, Tiles, Pepper, Salt, Cyder, Perry, Malt, Hops, - and such like iconsiderable things - , I dont think I ever did a paw - paw - action in all my Life. - however I'll endeavour to procure you absolution, for old acquaintance sake.""--British Museum online catalogue
Alternative Title:
Johnny MacCree at confession
Description:
Title from item., Printseller's announcement following imprint: Folios of caracatures [sic] lent out for the evening., Mounted to 49 x 30 cm., and Watermark: Strasburg Lily.
Publisher:
Pubd. March 29th, 1805 by S.W. Fores, 50 Piccadilly
Subject (Name):
Pitt, William, 1759-1806 and Melville, Henry Dundas, Viscount, 1742-1811
"Two elderly Scots discuss the Melville case; one, wearing old-fashioned court dress with a sword, takes snuff from the other's ram's-horn mull; he says: "Touch the Sillar!!! - T'is a on disgrace on aw Scotland!" They have sly, twisted expressions. Melville (left), weeping, clutches the back of the speaker's coat. He wears Highland dress, and says: "What my ain Countrymen turn their backs on me! then tis aw up with Johny Mac-cree [see British Museum Satires No. 10378]". On the right, Pitt runs off furtively to the right, saying, "I must cut out this Connexion - & leave him to his fate"."--British Museum online catalogue
Alternative Title:
Johny Mac-Cree in the dumps!! and Johnny Mac-Cree in the dumps!!
Description:
Title etched below image. and Watermark: C. Wilmott 1801.
Publisher:
Published April 12 - 1805 by S.W. Fores, 50 Piccadilly, London
Subject (Geographic):
Great Britain.
Subject (Name):
Dundas, Henry, 1742-1811 and Pitt, William, 1759-1806
A negro footman stands with a coin in his hand as he sings. Behind him a lawyer sits at his desk accepting a bag of money from his client; the lawyer's young assistant sits on the other side of the slanted desk. Through the open door to the street, a gentleman strolls in front of an apothecy's shop door, above which can be seen a mortar and pestle
Description:
Title engraved above image, Plate numbered '394' in the lower left corner., From the Laurie & Whttle series of Drolls., and Six stanzas in three columns engraved below image: Great way off at sea, where at home I've been-ee, Buckra man fetch me, from de coast of Guinea; Christian massa pray, he call me hathen doggy ...
Publisher:
Publish'd May 20th, 1805, by Laurie & Whittle, 53 Fleet Street, London
"Two men and two women, all tipsy, drink and dance in an ale-house, while beer gushes from a barrel whose spigot has been removed. Through a casement window a woman is seen running off with a joint of mutton on a dish. This John and his drunken wife Joan have thrown from the window."--British Museum online catalogue
Description:
Title etched below image., Plate numbered '412' in the lower left corner., From the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle Drolls series were executed by either Isaac Cruikshank or Richard Newton., and Six numbered stanzas of verse arranged in three columns below title: John Appleby was a mans name and he liv'd near the sign of the kettle, his wife was call'd Joan Quiet, because she could scold but a little ...
Publisher:
Published Novr. 20, 1805, by Laurie & Whittle, 53 Fleet Street, London
"The Pope (left), on a small ass decked with trappings, faces John Bull, who stands as toll-keeper before a closed five-barred gate. From the other side of the gate a path leads to a country church on a hill, irradiated, and framed by the semicircular inscription: 'King - Church and Constitution'. The Pope, except that he wears a Papal crown instead of a mitre, resembles St. Patrick in caricature (where he often rides an ass). He is aquiline and bearded, holds a crosier, and wears a cope. His ass has blinkers, on which a satyr's mask is freely drawn. He leans towards John, saying, "Mr Bull, I have been to Paris - and seen all the fine sights there - I now want to have a peep at that little Church on the Hill - therefore let me pass the turnpike." John (right), a fat yokel, looks up at the Pope with a suspicious scowl, pointing over his shoulder at a large open book, 'Test Oath', which is on a book-rest attached to the gate-post. He says: "If you want to go through - pay the Toll, what the devil do you think I keep a turnpike gate for?" Behind the Pope stand four dissenting ministers anxiously watching the interview. Three say sanctimoniously : "Though I boast not gaudy trappings, - nor am I mounted on Ass back, - yet if he goeth through verily I should like to go through also!"; "Verily so should I."; "We should all like to go through".."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Sheet trimmed within plate mark., The Pope and John Bull written with black ink in contemporary hand., and Mounted on leaf 25 of volume 8 of 14 volumes.
Publisher:
Pubd. May 15, 1805, by T. Rowlandson, No. 1 James Street, Adelphi
Subject (Name):
George III, King of Great Britain, 1738-1820. and Pius VII, Pope, 1742-1823
Subject (Topic):
Dissenters, Quakers, John Bull (Symbolic character), Donkeys, Toll roads, and Tolls
