"A grotesquely dilapidated post-chaise stands outside a ramshackle inn (r.); the driver lashes the horses cruelly, a boy lifts a pitch-fork to strike, but the wretched animals refuse to move. A barefooted slattern approaches from the r. with a huge red-hot poker. From the post-chaise leans its occupant, who wears a ribbon and star, and a night-cap. His feet have broken through the ruinous chaise; he threatens the driver with his cane; the latter's words are etched after the title: '"------"Forward immediately your Honour; But sure a'nt I waiting for the Girl with the Poker \ "just to give this Mare a burn your Honour, 'tis just to make her start your Honour.' The chaise is roofed with thatch on which a cock is pecking; it is held together by rope, the reins and traces are of rope. The wheels are broken. Above the door of the primitive inn is a placard: 'The New Thatched-House Tavern' [the Thatched House was a fashionable London tavern and club]. On the signboard an eagle attacking a naked infant (Ganymede) is depicted; above is a board: 'Nate Post-Chaise and Whiskey \ Nate \ Entertainment for Man & Beast.' From a brick chimney a little sweep looks out waving his brush. On a bench by the door a man with a crutch and wooden leg sits smoking and drinking, not interested in the departing grandee. In the foreground a lean sow eats from a heap of potatoes; a young pig attempts to suck; another, almost a skeleton, tries to eat potatoes. In the coach-house which is part of the inn, is a second and less-ruinous thatched post-chaise. Beside the road is a stone wall and behind it a signpost, pointing (r.) 'to Ballyragger', (l.) 'to Athlone'"--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray in the British Museum catalogue., and Companion print to: "Posting in Scotland."
Publisher:
Publish'd. April 8th, 1805, by H. Humphrey, St. James's Street
"A very clumsy post-chaise descends a mountain road across a bare moor. On approaching a hair-pin bend the fore-heels have broken off, the chaise is about to upset, the occupant falls through the front window. A Highlander lies prone on the roof, saying to the unfortunate traveller: '" - Hald your Haund Mun, hold your haund! - en troth mun! e'n gin you na mind \ "yoursel, youl just make the Muckle Laird coupeing his Creels! - ' The chaise was drawn by a horse and ass; on the latter, which kicks violently, sits a primitive postilion; the traces are of rope. A shepherd (the muckle laird) reclines in the elbow of the road in the foreground; his dog barks at the chaise, which is followed by a man on a donkey. Horned sheep with tattered fleeces and bare rumps are beside the shepherd (r.). All four Scots are bare-footed, and have bare posteriors, the kilt being a mere apron."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray in the British Museum catalogue., and Companion print to: "Posting in Ireland."
Publisher:
Publish'd May 25th, 1805, by H. Humphrey, 27 St. James's Street
"Three tax-collectors beset a house door, on which is a plate: 'Doctor Humbug', and above: 'Advice Gratis.' An elderly man holds the knocker, a ring in a lion's mouth, and looks up at the window above where two heads peer out: a grotesque aged couple wearing nightcaps. On the lintel stands a pestle and mortar, inscribed 'Hippocrates.' On the house are two bills: 'The Goodwill of this House to be disposed of for Particulars enquire' - and 'The Budget opened or how to raise the Wind for the Year 1805.' The tax-collector holds a large open book: 'Window Tax Income Property House Tax'; under his arm is another book;..'Tax-Servants-Horses.' Papers inscribed 'Tax' and 'Taxes' project from his coat-pocket. Beside him, a man holding a paper points his pen viciously at the open window. A third man stands close behind holding a large book inscribed 'Dog Tax.' On the extreme left a woman carrying an infant begs, looking up at the window; a little boy beside her holds out his hat for alms to the tax-collector. On the right a fat man gapes up at the window while a little boy picks his pocket of a hankerchief. The house is at a corner, and from its wall a lamp with oil, spilling it on the people below. In the background (right) are tall, old-fashioned houses, all the windows, except in the top floor and attics, are 'Block'd Up'; one is 'To Lett.'"--British Museum catalogue
Alternative Title:
Clamorous tax gatherers
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Watermark: 1809.
Publisher:
Pubd. Feby. 3, 1805, by Howitt, N. 73, Wardour Street, Soho
Subject (Topic):
Beggars, City & town life, Pickpockets, Poor persons, and Taxes
A manservant and a maidservant on the extreme left peer through a half-opened door at two men seated at a round table covered with a white cloth on which are plates of peas, a decanter, and wineglasses. A waiter (left) is leaning towards them checking prices off on his fingers and saying: "I'm sure Gentlemen on inspection you'll find the charges very reasonable, nothing can be cheaper, fifteen shillings the peas! Ducks one pound one!!!" The man in the middle of the table looks at him with his mouth open; the man on the left holds up a sheet of paper on which is written "No. 4 Tim Fleecem Duck £1.1. Peas 0.15 s." He shouts: "Ducks!!! why my good friend they are Guinea Fowls!!!"
Alternative Title:
Ducks metamorphosed
Description:
Title etched below image., Questionable attribution to Isaac Cruikshank from the British Museum online catalogue, registration no.: 1991,0720.39., Date of publication from the British Museum online catalogue., Sheet trimmed within plate mark., Plate numbered in upper right corner: No. 4., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"A scene in the mouth of a cave with the sea in the background. The smuggler is Melville, in Highland dress, caught by Fox, Sheridan, and Whitbread, revenue officers wearing spurred top-boots. He kneels, with hands clasped, looking up at Whitbread (r.), who stands over him with a raised whip; he screams: "Marcy O' me wha can bear sick a lashing Indeed you shall ha it aw Gentlemen - ee'n to the last Baubee". Whitbread, his heavy lash inscribed 'Whitbreads Intire', answers: "Be quick then and dont trifle with us, we have got some more of your gang to look after!!" Fox (l.) is a spectator with his whip under his arm; he says: "I say lay it on well, remember he is an Old offender, we shall flog something out of him I am ready when you are tire'd." He stands by Sheridan, who holds Melville by the plaid, and raises a whip with a heavy lash inscribed 'Sherrys - Genuine - Stingo.' Sheridan says: "Aye! Aye! Whity and I will do his business, you are not quite active enough my Old friend - Come Sir where have you hid the rest of your Smuggled property?" In his pocket is a paper: 'The Forty Thieves desroy'd [sic] by . . .' On the extreme left., behind Fox, Pitt hastens forward with raised arms and alarmed expression; he exclaims: "O Lord! O Lord! what desperate hands my poor Friend has got into." In the middle distance (r.) Trotter, also in Highland dress, runs off to the right. with a large sack on his shoulders, inscribed 'Peculation Sack 50.000'; guineas fall from a rent in the sack. He looks over his shoulder, saying, "It will come to my turn Next so I'll trot off in time with this Triffle." On the ground (r.), by the rocky wall of the cave which borders the design, are a cask of 'Madeira' and three large sacks inscribed 'Peculation Sa[ck] 100.000'; 'Peculation Sack 50.000'; 'Peculation Sack 30.0 . . .' The uppermost of a bundle of cheque is inscribed 'Pay to m . Order the Sum of. . . '. "--British Museum online catalogue
Description:
Title from item., Printmaker and date from British Museum catalogue., 'Argus' is a pseudonym employed by printmaker Charles Williams., Temporary local subject terms: Scottish dress -- National stereotypes -- Robbers., and Mounted to 31 x 41 cm.
Publisher:
Pubd. by C. Knight, Lambeth and sold at No. 7 Cornhill
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Melville, Henry Dundas, Viscount, 1742-1811, and Whitbread, Samuel, 1764-1815
Illustration at the head of Henry Carey's poem (also sometimes 'Sally of our alley') in letterpress, shows a scene in a cobbler's work-room. The apprentice has thrown down a shoe on a last to embrace 'Sally', unconscious of his master who stands behind him with lifted strap
Description:
Title from letterpress poem printed below image., Artist from British Museum catalogue., Date from letterpress at bottom of page., Date engraved on print: Published Nov. 1, 1805 by Laurie & Whittle, 53 Fleet Street, London., Sheet trimmed to edge of plate mark on upper side., From the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle Drolls series were executed by either Isaac Cruikshank or Richard Newton., Song attribution below title: Sung by Mr. Incledon. Mr. Braham. Mr. Dignum. Mr. Hill. Mr. Taylor, &c. &c., Fifty-six lines of verse arranged in four columns on broadside portion of sheet: Of all the girls that are so smart, there's none like pretty Sally ..., and Plate numbered '411' in the upper left corner.
Publisher:
Published 9th November, 1805 by Laurie & Whittle, Fleet Street, London
Title from item., From the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle Drolls series were executed either by Isaac Cruikshank or Richard Newton., One line of descriptive text below title: Written by T. Dibdin, Esqr. and sung by Mr. Fawcett at Covent Garden in Mr. Colman's comedy, "Who wants a guinea?", Six numbered stanzas of verse arranged in three columns above imprint line: My dear chere amis, I am Solomon Gundy, at mousetraps & razors, I'm thought quite the go ..., Plate numbered '403' in the lower left corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd Seper. 2, 1805 by Laurie & Whittle, 53 Fleet Street, London
"In the manner of history painting rather than caricature. ... George III as St. George, in uniform, holds up his sword, about to give a final blow to a scaly dragon with the head of Napoleon. The long convolutions of the dragon are under the horse's feet: Napoleon's head, with a barbed fang and flames issuing from the mouth, looks up despairingly. A sword-cut has gashed his skull, and cut his crown in two. The dragon has large wings and the legs and talons of a beast of prey; it falls backwards: Britannia (left) will just escape being crushed."--British Museum online catalogue
Alternative Title:
Saint George and the dragon
Description:
Title etched below image., Artist identified as Lt.-Col. Thomas Richmond Gale Braddyll in the British Museum catalogue., and Mounted on modern secondary support.
Publisher:
Publish'd August 2d, 1805, by H. Humphrey, 27 St. James's Street
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and George III, King of Great Britain, 1738-1820
